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Press Kit Index
PRESS KIT INDEX P.2 DownBeat (**** star review) P.4 JazzTimes P.5 Aberdeen News (Howard Reich Best Of 2011) P.6 NYC Jazz Record P.7 Jazz Journal P.8 Jazz Police P.10 Step Tempest P.12 Financial Times P.13 O's Place P.14 Lucid Culture P.15 MidWest Record P.16 Blog Critics P.19 TMS9-3-jazz P.20 Jazz Magazine (French) P.21 Evasion Mag (French) P.25 Jazz Thing (German) P.26 Jazz Podium (German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
The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters
04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBORAH F. RUTTER , President CONCERT HALL Monday Evening, April 4, 2016, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters GARY BURTON WENDY OXENHORN PHAROAH SANDERS ARCHIE SHEPP Jason Moran is the Kennedy Center’s Artistic Director for Jazz. WPFW 89.3 FM is a media partner of Kennedy Center Jazz. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 2 2016 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, pianist and Kennedy Center artistic director for jazz With remarks from JANE CHU, chairman of the NEA DEBORAH F. RUTTER, president of the Kennedy Center THE 2016 NEA JAZZ MASTERS Performances by NEA JAZZ MASTERS: CHICK COREA, piano JIMMY HEATH, saxophone RANDY WESTON, piano SPECIAL GUESTS AMBROSE AKINMUSIRE, trumpeter LAKECIA BENJAMIN, saxophonist BILLY HARPER, saxophonist STEFON HARRIS, vibraphonist JUSTIN KAUFLIN, pianist RUDRESH MAHANTHAPPA, saxophonist PEDRITO MARTINEZ, percussionist JASON MORAN, pianist DAVID MURRAY, saxophonist LINDA OH, bassist KARRIEM RIGGINS, drummer and DJ ROSWELL RUDD, trombonist CATHERINE RUSSELL, vocalist 04-04 NEA Jazz Master Tribute_WPAS -
View Centro's Film List
About the Centro Film Collection The Centro Library and Archives houses one of the most extensive collections of films documenting the Puerto Rican experience. The collection includes documentaries, public service news programs; Hollywood produced feature films, as well as cinema films produced by the film industry in Puerto Rico. Presently we house over 500 titles, both in DVD and VHS format. Films from the collection may be borrowed, and are available for teaching, study, as well as for entertainment purposes with due consideration for copyright and intellectual property laws. Film Lending Policy Our policy requires that films be picked-up at our facility, we do not mail out. Films maybe borrowed by college professors, as well as public school teachers for classroom presentations during the school year. We also lend to student clubs and community-based organizations. For individuals conducting personal research, or for students who need to view films for class assignments, we ask that they call and make an appointment for viewing the film(s) at our facilities. Overview of collections: 366 documentary/special programs 67 feature films 11 Banco Popular programs on Puerto Rican Music 2 films (rough-cut copies) Roz Payne Archives 95 copies of WNBC Visiones programs 20 titles of WNET Realidades programs Total # of titles=559 (As of 9/2019) 1 Procedures for Borrowing Films 1. Reserve films one week in advance. 2. A maximum of 2 FILMS may be borrowed at a time. 3. Pick-up film(s) at the Centro Library and Archives with proper ID, and sign contract which specifies obligations and responsibilities while the film(s) is in your possession. -
The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters
4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBoRAh F. RUTTER, President CONCERT HALL Monday Evening, April 16, 2018, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters TODD BARKAN JOANNE BRACKEEN PAT METHENY DIANNE REEVES Jason Moran is the Kennedy Center Artistic Director for Jazz. This performance will be livestreamed online, and will be broadcast on Sirius XM Satellite Radio and WPFW 89.3 FM. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 2 THE 2018 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, Kennedy Center Artistic Director for Jazz With remarks from JANE CHU, Chairman of the National Endowment for the Arts DEBORAH F. RUTTER, President of the John F. Kennedy Center for the Performing Arts The 2018 NEA JAzz MASTERS Performances by NEA Jazz Master Eddie Palmieri and the Eddie Palmieri Sextet John Benitez Camilo Molina-Gaetán Jonathan Powell Ivan Renta Vicente “Little Johnny” Rivero Terri Lyne Carrington Nir Felder Sullivan Fortner James Francies Pasquale Grasso Gilad Hekselman Angélique Kidjo Christian McBride Camila Meza Cécile McLorin Salvant Antonio Sanchez Helen Sung Dan Wilson 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 -
Hybridity and Identity in the Pan-American Jazz Piano Tradition
Hybridity and Identity in the Pan-American Jazz Piano Tradition by William D. Scott Bachelor of Arts, Central Michigan University, 2011 Master of Music, University of Michigan, 2013 Master of Arts, University of Michigan, 2015 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2019 UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by William D. Scott It was defended on March 28, 2019 and approved by Mark A. Clague, PhD, Department of Music James P. Cassaro, MA, Department of Music Aaron J. Johnson, PhD, Department of Music Dissertation Advisor: Michael C. Heller, PhD, Department of Music ii Copyright © by William D. Scott 2019 iii Michael C. Heller, PhD Hybridity and Identity in the Pan-American Jazz Piano Tradition William D. Scott, PhD University of Pittsburgh, 2019 The term Latin jazz has often been employed by record labels, critics, and musicians alike to denote idioms ranging from Afro-Cuban music, to Brazilian samba and bossa nova, and more broadly to Latin American fusions with jazz. While many of these genres have coexisted under the Latin jazz heading in one manifestation or another, Panamanian pianist Danilo Pérez uses the expression “Pan-American jazz” to account for both the Afro-Cuban jazz tradition and non-Cuban Latin American fusions with jazz. Throughout this dissertation, I unpack the notion of Pan-American jazz from a variety of theoretical perspectives including Latinx identity discourse, transcription and musical analysis, and hybridity theory. -
Acoustic Blues Festival Port Townsend Jerron Paxton, Artistic Director
Summer FeStival Schedule CENTRUM creativity in community Fort Worden State Park, Port Townsend July 31–auguSt 7 ACOUSTIC BLUES FESTIVAL PORT TOWNSEND Jerron Paxton, Artistic Director Corey Ledet Supplement to the July 22, 2015 Port Townsend & Jefferson County Leader summer at centrum Hello friends! It is a great pleasure to welcome you all to this Welcome to Centrum’s year’s acoustic blues festival! I have been fortunate to have rd spent the last eight of my 27 years teaching at Centrum. 43 Summer Season! Growing with and learning from this festival has been one of the biggest pleasures of my life. Being made artistic director In partnership with Fort is a great honor. Worden State Park, Centrum serves as a We have plenty of friends and faculty eager to help this year gathering place for creative and it is a safe bet that it’s going to be a hoot. We’re glad you are here to join us! artists and learners of all Blues and the culture surrounding it has been a part of my life since the ages seeking extraordinary beginning. My forebears came from the plantations of Louisiana and Arkansas cultural enrichment. bringing their culture and music with them and instilling it in me. The both OUR MISSION is to foster creative experiences lively and lowdown music that was the soundtrack of their lives should not be that change lives. From exploring the roots of preserved as an old relic, but be kept as alive and vibrant as it was when it was in the blues or jazz, to the traditions of American its heyday. -
¿Cúanto Sé Sobre Mi INFORME DE CRÉDITO? P
¿Cúanto sé sobre mi INFORME DE CRÉDITO? P. 4 JULIO 2015 | HORIZONTE COOPERATIVO EDITORIAL DEFENDIENDO A NUESTRA GENTE VEGACOOP TE INFORMA Nuestro país está en medio de una aguda crisis fiscal. Las empresas locales han 2-4 EDITORIAL padecido toda clase de dificultades para operar eficientemente. La banca privada ha 4 ¿CÚANto SÉ SOBRE MI INFORME DE CRÉDITO? ido en decadencia. 5 EL HÁBITO DEL AHORRO 6 LA PACIENCIA Las cooperativas de ahorro y crédito, bajo el mismo escenario, han demostrado 8 para AHORRAR DINERO EN EStoS TIEMPOS DE CRISIS eficiencia y fortaleza económica mientras contribuyen al desarrollo de nuestro país, laborando de forma transparente y en apego a la ley y a las disposiciones reglamentarias 9 EL TIEMPO dedicado A LA FAMILIA Y A LAS REDES SOCIALES de las agencias que nos supervisan. 10-11 EScucharte para CONocerte MEJOR 12 ¡ENHORABUENA! Es por eso que debemos defender nuestro patrimonio cooperativo, el cual brinda 13 DE CRUCERO: ¡POR EL ATLÁNTICO! esperanza a nuestro pueblo, siendo uno de los medios comprobados para lograr un 14-15 MI INQUILINO NO ME paGA ¿QUÉ HAGO? mejor futuro. 15 FORMULA CRIOLLA A continuación presentamos una carta enviada al Representante Rafael “Tatito” FLAN PARA DIABÉTICOS Hernández, en respuesta a expresiones hechas en una entrevista publicada en el 16-17 DIME POESÍA periódico El Nuevo Día en el mes de abril. 18-19 CIENCIA Y TECNOLOGÍA 3 APPS para GESTIONAR EL PRESUPUESto FAMILIAR DESDE TU MÓVIL DESCUBRE CÓMO PODRÍAMOS VIVIR 10 VECES MÁS 20-21 DIARIO MÉDICO COLESTEROL SÍNtoMAS DE TRIGLICÉRIDOS altoS PRESIDENTE JUNTA DE DIRECTORES 5 MANERAS DE ejercitar TU CEREBRO 22-27 ENTRETENIMIENTO COMITÉ JUNTA EDITORA AtractiVA REUNIÓN DE ZALSEROS EN EL DÍA NacioNAL DE LA ZALSA Presidenta: Srta. -
Sampling and Remixes
DE FR EN SEARCH Sampling and Remixes The articles about arrangements in the “Good to know” series have so far focused on “conventional” arrangements of musical works. Sampling and remixes are two additional and specic forms of arrangement. What rights need to be secured when existing recordings are used to produce a new work? What agreements have to be contracted? Text by Claudia Kempf and Michael Wohlgemuth From the copyright point of view, remixes and sampling are specic forms of arrangement. (Photo: Tabea Hüberli) Sound samplings come in many dierent forms and techniques. But they all have one thing in common: they incorporate parts of a musical recording into a new work. This regularly raises the question whether such parts of works or samples are protected by copyright or – especially in the case of very short sound sequences – whether they may be used freely. In the case of a remix, an existing production is taken and re-arranged and re-mixed. This may involve taking apart a whole work and putting it together again with the addition of new elements. Theoretically, the degree of re-arrangement in a remix may range from a simple cover version to a completely new arrangement. As a rule, a remix is simply an arrangement. Remixes generally keep a work’s existing title and add a tag which refers either to the form of use (radio edit / extended club version, or similar) or the name of the remixer (generally a well-known DJ). By contrast with conventional arrangements, in addition to using an existing work to create a derived work or arrangement, samples and remixes also use an existing sound recording. -
Mario Ortiz Jr
Hom e | Features | Columns | Hit Parades | Reviews | Calendar | News | Contacts | Shopping | E-Back Issues NOVEMBER 2009 ISSUE FROM THE EDITOR Welcome to the home of Latin Beat Magazine Digital! After publishing Latin Beat Magazine for 19 years in both print and online, Yvette and I have decided to continue pursuing our passion for Latin music with a digital version only. Latin Beat Magazine will continue its coverage of Latin music through monthly in-depth articles, informative Streaming Music columns, concert and CD reviews, and extensive news and information for everyone. Access to Somos Son www.lbmo.com or www.latinbeatmagazine.com (Latin Beat Magazine Online) is free for a limited Bilongo time only. Windows Media Quicktime Your events and new music submissions are welcome and encouraged by emailing to: [email protected]. The Estrada Brothers Latin beat is number one in the world of authentic Latin music. For advertising opportunities in Mr. Ray lbmo.com, call (310) 516-6767 or request advertising information at Windows Media [email protected]. Quicktime Back issues are still in print! Please order thru the Shopping section! Manny Silvera Bassed in America This issue of Latin Beat Magazine Volume 19, Number 9, November 2009, is our annual "Special Windows Media Percussion/Drum Issue", which celebrates "National Drum Month" throughout North America. Our Quicktime featured artist this month is Puerto Rican percussionist/bandleader Richie Flores. In addition, also featured are Poncho Sanchez (who's enjoying the release of his latest production Psychedelic Blues), and trumpeter/bandleader Mario Ortiz Jr. (who has one of the hottest salsa Bobby Matos productions of the year). -
Glossary for Music the Glossary for Music Includes Terms Commonly Found in Music Education and for Performance Techniques
Glossary for Music The glossary for Music includes terms commonly found in music education and for performance techniques. The intent of the glossary is to promote consistent terminology when creating curriculum and assessment documents as well as communicating with stakeholders. Ability: natural aptitude in specific skills and processes; what the student is apt to do, without formal instruction. Analog tools: category of musical instruments and tools that are non-digital (i.e., do not transfer sound in or convert sound into binary code), such as acoustic instruments, microphones, monitors, and speakers. Analyze: examine in detail the structure and context of the music. Arrangement: setting or adaptation of an existing musical composition Arranger: person who creates alternative settings or adaptations of existing music. Articulation: characteristic way in which musical tones are connected, separated, or accented; types of articulation include legato (smooth, connected tones) and staccato (short, detached tones). Artistic literacy: knowledge and understanding required to participate authentically in the arts Atonality: music in which no tonic or key center is apparent. Artistic Processes: Organizational principles of the 2014 National Core Standards for the Arts: Creating, Performing, Responding, and Connecting. Audiate: hear and comprehend sounds in one’s head (inner hearing), even when no sound is present. Audience etiquette: social behavior observed by those attending musical performances and which can vary depending upon the type of music performed. Benchmark: pre-established definition of an achievement level, designed to help measure student progress toward a goal or standard, expressed either in writing or as an example of scored student work (aka, anchor set). -
Myspace.Com - - 43 - Male - PHILAD
MySpace.com - WWW.RECORDCASTLE.COM - 43 - Male - PHILAD... http://www.myspace.com/recordcastle Sponsored Links Gear Ink JazznBlues Tees Largest selection of jazz and blues t-shirts available. Over 100 styles www.gearink.com WWW.RECORDCASTLE.COM WWW.RECORDCASTLE.COM is in your extended "it's an abomination that we are in an network. obama nation ... ron view more paul 2012 ... balance the budget and bring back tube WWW.RECORDCASTLE.COM's Latest Blog Entry [ Subscribe to this Blog ] amps" [View All Blog Entries ] Male 43 years old PHILADELPHIA, Pennsylvania WWW.RECORDCASTLE.COM's Blurbs United States About me: I have been an avid music collector since I was a kid. I ran a store for 20 years and now trade online. Last Login: 4/24/2009 I BUY PHONOGRAPH RECORDS ( 33 lp albums / 45 rpms / 78s ), COMPACT DISCS, DVD'S, CONCERT MEMORABILIA, VINTAGE POSTERS, BEATLES ITEMS, KISS ITEMS & More Mood: electric View My: Pics | Videos | Playlists Especially seeking Private Pressings / Psychedelic / Rockabilly / Be Bop & Avant Garde Jazz / Punk / Obscure '60s Funk & Soul Records / Original Contacting WWW.RECORDCASTLE.COM concert posters 1950's & 1960's era / Original Beatles memorabilia I Offer A Professional Buying Service Of Music Items * LPs 45s 78s CDS DVDS Posters Beatles Etc.. Private Collections ** Industry Contacts ** Estates Large Collections / Warehouse finds ***** PAYMENT IN CASH ***** Over 20 Years experience buying collections MySpace URL: www.myspace.com/recordcastle I pay more for High Quality Collections In Excellent condition Let's Discuss What You May Have For Sale Call Or Email - 717 209 0797 Will Pick Up in Bucks County / Delaware County / Montgomery County / Philadelphia / South Jersey / Lancaster County / Berks County I travel the country for huge collections Print This Page - When You Are Ready To Sell Let Me Make An Offer ----------------------------------------------------------- Who I'd like to meet: WWW.RECORDCASTLE.COM's Friend Space (Top 4) WWW.RECORDCASTLE.COM has 57 friends. -
Grover Washington, Jr. Feels So Good Mp3, Flac, Wma
Grover Washington, Jr. Feels So Good mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Feels So Good Country: Canada Released: 1981 Style: Soul-Jazz MP3 version RAR size: 1344 mb FLAC version RAR size: 1563 mb WMA version RAR size: 1756 mb Rating: 4.6 Votes: 407 Other Formats: WMA AA XM MP3 VOC TTA WAV Tracklist Hide Credits The Sea Lion A1 5:59 Written-By – Bob James Moonstreams A2 5:58 Written-By – Grover Washington, Jr. Knucklehead A3 7:51 Written-By – Grover Washington, Jr. It Feels So Good B1 8:50 Written-By – Ralph MacDonald, William Salter Hydra B2 9:07 Written-By – Grover Washington, Jr. Companies, etc. Manufactured By – Quality Records Limited Distributed By – Quality Records Limited Credits Arranged By – Bob James Bass – Gary King (tracks: A1 to A3), Louis Johnson (tracks: B1, B2) Bass Trombone – Alan Ralph*, Dave Taylor* Cello – Charles McCracken, Seymour Barab Drums – Jimmy Madison (tracks: A3), Kenneth "Spider Webb" Rice* (tracks: B1, B2), Steve Gadd (tracks: A1, A2) Electric Piano – Bob James Engineer – Rudy Van Gelder English Horn – Sid Weinberg* Flugelhorn – John Frosk, Jon Faddis, Randy Brecker, Bob Millikan* Guitar – Eric Gale Oboe – Sid Weinberg* Percussion – Ralph MacDonald Piano – Bob James Producer – Creed Taylor Saxophone [Soprano] – Grover Washington, Jr. Saxophone [Tenor] – Grover Washington, Jr. Synthesizer – Bob James Trombone – Barry Rogers Trumpet – John Frosk, Jon Faddis, Randy Brecker, Bob Millikan* Viola – Al Brown*, Manny Vardi* Violin – Barry Finclair, David Nadien, Emanuel Green, Guy Lumia, Harold Kohon, Harold Lookofsky*, Lewis Eley, Max Ellen, Raoul Poliakin Notes Recorded at Van Gelder Studios, May & July 1975 Manufactured and distributed in Canada M5-177V1 on cover & spine M 177V on labels Other versions Category Artist Title (Format) Label Category Country Year Grover Feels So Good KU-24 S1 Kudu KU-24 S1 US 1975 Washington, Jr.