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Funeral Monuments in Macedonia During the Archaic and Classical
Funeral monuments in Macedonia during the Archaic and Classical periods. Afroditi Douitsi SCHOOL OF HUMANITIES A thesis submitted for the degree of Master of Arts (MA) in the Classical Archaeology and the Ancient History of Macedonia January 2017 Thessaloniki – Greece Student Name: Afroditi Douitsi SID: 2204150011 Supervisor: Prof. Eleni Manakidou I hereby declare that the work submitted is mine and that where I have made use of another’s work, I have attributed the source(s) according to the Regulations set in the Student’s Handbook. January 2017 Thessaloniki - Greece Abstract This dissertation was written as part of the MA in in the Classical Archaeology and the Ancient History of Macedonia at the International Hellenic University. The boundaries of Macedonia were extending to the Pierian mountains, the Big Prespa lake and mountain Dysoron during the periods under consideration while the most known cemeteries in Macedonia were those of Aigai, Pella, Amphipolis, Pydna and Aiane. We could encounter grave types such as pit, cist, sarcophagi and jar burials while the basic burial practices were the inhumation and the cremation. Factors such as the origins of the inhabitants in the cities under examination or the gender and the social status of the deceased played major role to the style and the iconography of the funeral monuments respectively. The grave markers could be divided into figured representa- tions and architectural remains. In the first category the major part constitute the tomb- stones mainly subdivided in painted and relief grave “stelai”. A further categorization could be made according to typological elements such as the type of the crowning (pedimental, palmette), the framing of the shaft and the placement of the figure scene in a recessed panel. -
MACEDONIAN - the EUROPEAN MOTHER TONGUE with Dictionary
Basil Chulev MACEDONIAN - THE EUROPEAN MOTHER TONGUE with dictionary <><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><> <><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><> Basil Chulev MACEDONIAN - THE EUROPEAN MOTHER TONGUE with comparative dictionary of archaic and ancient words still present in today Macedonian language The all-inclusive PIE substratum of Pelasgo-Proto-Macedonic, i.e. Nashinski (Lat. Nostratic), Hittite Nashili, and its 10-15,000 years old continuum explained through etymological phonologies cited from various sources, studies, and direct link-citations frоm available published and online dictionaries and lexicons MMXVIII Macedonia The intention of this ѕtudy and the following dictionary is to provide simple and easy to understand review of different aspects and periods from the Macedonian language history and its uninterrupted continuity until now. It avoids detailed linguistic explanations that consider the wider historical background of the concepts and methodologies mentioned below, and it is written primarily for those approaching the topic for the first time. It also avoids complex phonological and grammatical comments or insightful footnotes on the citations from the sources. The given explanatory notes are prevalently etymological or lexicographical, free of western Eurocentric political-biased theories. Examples of how one and the same mislead is used or not to explain the continuity flow of the Macedonic languages are shown on the page 16, and further in the very dictionary below, in function to expose and debunk the western Eurocentric hotchpotch linguistics. The introduction comprises the early periods of Macedonian linguistic history and presents a brief overall retrospective of the Macedonian language prehistoric roots and its evolution. The time-frame elaborated as a main theme ranges from the beginning of the 3rd millennium BCE, across the establishing of the kingdom of Macedon in 9th-7th century BCE, until today. -
Proceedings Ofthe Danish Institute at Athens IV
Proceedings ofthe Danish Institute at Athens IV Edited by Jonas Eiring and Jorgen Mejer © Copyright The Danish Institute at Athens, Athens 2004 The publication was sponsored by: The Danish Research Council for the Humanities Generalkonsul Gosta Enboms Fond. Proceedings of the Danish Institute at Athens General Editors: Jonas Eiring and Jorgen Mejer. Graphic design and production: George Geroulias, Press Line. Printed in Greece on permanent paper. ISBN: 87 7288 724 9 Distributed by: AARHUS UNIVERSITY PRESS Langelandsgade 177 DK-8200 Arhus N Fax (+45) 8942 5380 73 Lime Walk Headington, Oxford 0X3 7AD Fax (+44) 865 750 079 Box 511 Oakvill, Conn. 06779 Fax (+1)203 945 94 9468 Cover illustration: Finds from the Hellenistic grave at Chalkis, Aetolia. Photograph by Henrik Frost. Death in Aetolia. The Hellenistic Graves at Aetolian Chalkis Jonas Eiring Introduction left hand - complete skeleton. The bur with contributions by ial was dated by the pottery assemblage Georgia The preliminary survey in 1995 and the in the late fourth or early third century Z. Alexopoulou following seven excavationcampaigns B.C. The pottery from GR2 is well il and Marie Lousie at Aetolian Chalkis were primarily con lustrated in the report by Moschos. S. Jorkov cerned with the settlement on the hill of Hagia Triada, while the cemeteries The year following the discovery of in the surrounding area have remained GR1 and GR2, two further graves were largely unexplored.1 The existence of found and excavated beneath the west graves in the general area has however ern slope ofthe Hagia Triada hill. Ge been known for a long time, particular ological examinations had indicated ly due to grave robbing. -
The Pakol a Distinctive, but Apparently Not So Very Old Headgear from the Indo-Iranian Borderlands
9532-06_KHILA_2/2006_08 15-10-2007 16:14 Pagina 149 KHIL{A 2 (2006), pp. 149-156. doi: 10.2143/KH.2.0.2021290 The Pakol A distinctive, but apparently not so very old headgear from the Indo-Iranian borderlands Willem VOGELSANG National Museum of Ethnology, Leiden INTRODUCTION Some authors have compared this typical head- gear to caps worn in ancient Sogdia (in the Zerafshan In many parts of northern Pakistan and northeast- valley around Bukhara and Samarkand, in modern ern Afghanistan, the once ubiquitous men’s turban has been replaced by the flat-topped woollen cap, generally called the pakol (pakol) (figs. 1-2).1 This type of headgear is also known as the Chitrali or Nuristani cap, named after the settlement of Chitral (North Pakistan) and the neighbouring region of Nuristan (East Afghanistan) respectively (see map). Its distinctive shape and especially its glamorous image gained during the Afghan civil war of the 1980s, have made it into a garment that is now known all over the world. It is easily available via internet stores, and often simply known as an Afghan hat. Many Afghans and others wearing this type of headgear laud its ‘Islamic’ character, since it Fig. 1. Pakol from Afghanistan, acquired in 2002 is said that the pakol cushions the wearer’s forehead (RMV acc. no. 5975-1. Photograph by courtesy of when he is praying and touching the ground. the National Museum of Ethnology, Leiden) Fig. 2. Afghan delegates at the Loya Jirga of 2002 in Kabul. The delegates originate from Jalalabad, east of Kabul. -
Montagu Collection of Coins
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Horse and Horsemen on Classical and Hellenistic Coins in Thessaly
Horse and Horsemen on Classical and Hellenistic Coins in Thessaly Athanasios Papaioannou SCHOOL OF HUMANITIES A thesis submitted for the degree of Master of Arts (MA) in Classical Archaeology and Ancient History of Macedonia February 2019 Thessaloniki – Greece Student Name: Athanasios Papaioannou SID: 2204160011 Supervisor: Prof. Sophia Kremydi I hereby declare that the work submitted is mine and that where I have made use of another’s work, I have attributed the source(s) according to the Regulations set in the Student’s Handbook. February 2019 Thessaloniki - Greece 2 ABSTRACT This dissertation was written as part of the MA in Classical Archaeology and Ancient History of Macedonia at the International Hellenic University. The horse and horsemen are common and very popular depictions in all aspects of art either in Thessaly or Macedonia. In this way, the horse was a basic element in agricultural labor and an important means of transportation until the first decades of the 20th century. Furthermore, horses were used in warfare and played a crucial role in many battles in Antiquity. They were connected to several deities and to chthonic cults during the same period. Numismatics, on the other hand, is one of the most valuable tools of archaeologists and historians for carrying out the task of unraveling the past. Through the coin types we can trace the political messages which the issuing authorities wanted to diffuse to the local and foreign user of the currency as well as the cultural and sociopolitical background of their territory. The present paper deals with the horse types on the coinages of the Thessalian and Macedonian region. -
What Is the Best Way to Begin Learning About Fashion, Trends, and Fashion Designers?
★ What is the best way to begin learning about fashion, trends, and fashion designers? Edit I know a bit, but not much. What are some ways to educate myself when it comes to fashion? Edit Comment • Share (1) • Options Follow Question Promote Question Related Questions • Fashion and Style : Apart from attending formal classes, what are some of the ways for someone interested in fashion designing to learn it as ... (continue) • Fashion and Style : How did the fashion trend of wearing white shoes/sneakers begin? • What's the best way of learning about the business behind the fashion industry? • Fashion and Style : What are the best ways for a new fashion designer to attract customers? • What are good ways to learn more about the fashion industry? More Related Questions Share Question Twitter Facebook LinkedIn Question Stats • Latest activity 11 Mar • This question has 1 monitor with 351833 topic followers. 4627 people have viewed this question. • 39 people are following this question. • 11 Answers Ask to Answer Yolanda Paez Charneco Add Bio • Make Anonymous Add your answer, or answer later. Kathryn Finney, "Oprah of the Internet" . One of the ... (more) 4 votes by Francisco Ceruti, Marie Stein, Unsah Malik, and Natasha Kazachenko Actually celebrities are usually the sign that a trend is nearing it's end and by the time most trends hit magazine like Vogue, they're on the way out. The best way to discover and follow fashion trends is to do one of three things: 1. Order a Subscription to Women's Wear Daily. This is the industry trade paper and has a lot of details on what's happen in fashion from both a trend and business level. -
Department of English Language and Literature
MASARYK UNIVERSITY FACULTY OF EDUCATION Department of English Language and Literature Development of English Terminology of Male Fashion Master’s thesis Brno 2018 Author: Supervisor: Bc. Jan Chalupa Mgr. Radek Vogel, PhD. Prohlášení Prohlašuji, že jsem závěrečnou diplomovou práci vypracoval samostatně, s využitím pouze citovaných pramenů, dalších informací a zdrojů v souladu s Disciplinárních řádech pro student Pedagogické fakulty Masarykovy university a se zákonem č. 124/2000 Sb., o právu autorském, o právech souvisejících s právem autorským a změne některách zákonů (autorský zákon), ve znění pozdějších předpisů. Declaration I hereby declare that I worked on the thesis on my own and that I used only the sources listed in the bibliography. Brno 30.3. 2018 …………………………………….. Jan Chalupa Acknowledgements I would like to express my gratitude to Mgr. Radek Vogel, PhD. for his patience, guidance and precious advice during writing this thesis as well as the help with the topic. Abstract Although many research studies were devoted to etymologically themed works, there is no publication that is concerned specifically with male fashion. Therefore, this thesis focuses on the development of the terminology of male fashion. The aim of this thesis is to ascertain the etymological background of the terms of male fashion concerning the language origin, time period and word formation. The first part of the thesis is devoted to outlining the related of linguistic concepts, followed by a brief history of the English language and a brief history of fashion. The last chapter is devoted to the analysis of the terminology that is based on the corpus included in the appendix. -
The Iconography of the Gold and Silver Coinage of Philip II of Macedon and Alexander the Great
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 5-2019 The Iconography of the Gold and Silver Coinage of Philip II of Macedon and Alexander the Great Nisha N. Ramracha The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/3197 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] THE ICONOGRAPHY OF THE GOLD AND SILVER COINAGE OF PHILIP II OF MACEDON AND ALEXANDER THE GREAT by NISHA NALINI RAMRACHA A master’s thesis submitted to the Graduate Faculty in Liberal Studies in partial fulfillment of the requirements for the degree of Master of Arts, The City University of New York 2019 © 2019 NISHA NALINI RAMRACHA All Rights Reserved ii The Iconography of the Gold and Silver Coinage of Philip II of Macedon and Alexander the Great by Nisha Nalini Ramracha This manuscript has been read and accepted for the Graduate Faculty in Liberal Studies in satisfaction of the thesis requirement for the degree of Master of Arts. Date Elizabeth Macaulay-Lewis Thesis Advisor Date Elizabeth Macaulay-Lewis Executive Officer THE CITY UNIVERSITY OF NEW YORK iii Abstract The Iconography of the Gold and Silver Coinage of Philip II of Macedon and Alexander the Great by Nisha Nalini Ramracha Advisor: Elizabeth Macaulay-Lewis The history of Philip II of Macedon and Alexander the Great has been tremendously studied through ancient sources and archaeology. -
The Persian Policies of Alexander the Great: from 330-323 Bc
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2005 The eP rsian policies of Alexander the Great: from 330-323 BC Nicholas Ed Foster Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the History Commons Recommended Citation Foster, Nicholas Ed, "The eP rsian policies of Alexander the Great: from 330-323 BC" (2005). LSU Master's Theses. 3315. https://digitalcommons.lsu.edu/gradschool_theses/3315 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. THE PERSIAN POLICIES OF ALEXANDER THE GREAT: FROM 330-323 BC A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts in The Department of History by Nicholas Ed Foster B.A., Louisiana State University, 2001 May, 2005 Table of Contents Abstract...........................................................................................................................................iv Introduction………………………………………..………………………………............………1 Modern Scholars: Tarn and Bosworth……………………………………............……….4 Chapter 1: Classical Sources..........................................................................................................11 -
Exhibition Checklist Power and Pathos: Bronze
EXHIBITION CHECKLIST POWER AND PATHOS: BRONZE SCULPTURE OF THE HELLENISTIC WORLD At the J. Paul Getty Museum, Getty Center July 28-November 1, 2015 During the Hellenistic period—from the death of Alexander the Great in 323 B.C. until the establishment of the Roman Empire in 31 B.C.—the medium of bronze drove artistic innovation in Greece and elsewhere across the Mediterranean. Sculptors moved beyond Classical norms, supplementing traditional subjects and idealized forms with realistic renderings of physical and emotional states. Bronze—surpassing marble with its tensile strength, reflective effects, and ability to hold the finest detail—was employed for dynamic compositions, dazzling displays of the nude body, and graphic expressions of age and character. Cast from alloys of copper, tin, lead, and other elements, bronze statues were produced in the thousands throughout the Hellenistic world. They were concentrated in public spaces and outdoor settings: honorific portraits of rulers and citizens populated city squares, and images of gods, heroes, and mortals crowded sanctuaries. Few, however, survive, and those that do are dispersed worldwide and customarily displayed as isolated masterpieces. This exhibition unites a significant number of the large-scale bronzes preserved today so that they can be seen in context. New discoveries are presented together with works known for centuries, and several closely related statues are shown side by side for the first time. This exhibition was organized by the J. Paul Getty Museum, the Fondazione Palazzo Strozzi in Florence, and the National Gallery of Art in Washington, with the participation of the Soprintendenza per i Beni Archeologici della Toscana. -
Die Kausia. Symbolik Und Funktion Der Makedonischen Kleidung
DIE KAUSIA Symbolik und Funktion der makedonischen Kleidung Dissertation zur Erlangung des Doktorgrades (Dr. Phil.) an der Philosophischen Fakultät der Georg-August-Universität zu Göttingen vorgelegt von Eric Janssen aus Emden Göttingen 2007 D 7 - Göttinger philosophische Dissertationen 1. Gutachterin Prof. Dr. Marianne Bergmann 2. Gutachter Prof. Dr. Hartmut Döhl Tag der mündlichen Prüfung: 05.02.2003 2 Inhaltsverzeichnis Vorwort...........................................................................................................................9 Abkürzungsverzeichnis...............................................................................................10 1. Einleitung.................................................................................................................13 1.1 Forschungsgeschichte und Forschungsstand.........................................................................15 1.2 Kleidungsforschung in Archäologie und Ethnologie.............................................................18 1.3 Fragestellung............................................................................................................................20 1.4 Vorgehensweise........................................................................................................................22 1.5 Die „Makedones“ - eine „ethnische“ Gruppe?......................................................................23 2. Die Kausia................................................................................................................29