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A Canadian Perspective on the International Film Festival
NEGOTIATING VALUE: A CANADIAN PERSPECTIVE ON THE INTERNATIONAL FILM FESTIVAL by Diane Louise Burgess M.A., University ofBritish Columbia, 2000 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY In the School ofCommunication © Diane Louise Burgess 2008 SIMON FRASER UNIVERSITY Fall 2008 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or by other means, without permission ofthe author. APPROVAL NAME Diane Louise Burgess DEGREE PhD TITLE OF DISSERTATION: Negotiating Value: A Canadian Perspective on the International Film Festival EXAMINING COMMITTEE: CHAIR: Barry Truax, Professor Catherine Murray Senior Supervisor Professor, School of Communication Zoe Druick Supervisor Associate Professor, School of Communication Alison Beale Supervisor Professor, School of Communication Stuart Poyntz, Internal Examiner Assistant Professor, School of Communication Charles R Acland, Professor, Communication Studies Concordia University DATE: September 18, 2008 11 SIMON FRASER UNIVERSITY LIBRARY Declaration of Partial Copyright Licence The author, whose copyright is declared on the title page of this work, has granted to Simon Fraser University the right to lend this thesis, project or extended essay to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. The author has further granted permission to Simon Fraser University to keep or make a digital copy for use in its circulating collection (currently available to the public at the "Institutional Repository" link of the SFU Library website <www.lib.sfu.ca> at: <http://ir.lib.sfu.ca/handle/1892/112>) and, without changing the content, to translate the thesis/project or extended essays, if technically possible, to any medium or format for the purpose of preservation of the digital work. -
Broadcasting Taste: a History of Film Talk, International Criticism, and English-Canadian Media a Thesis in the Department of Co
Broadcasting Taste: A History of Film Talk, International Criticism, and English-Canadian Media A Thesis In the Department of Communication Studies Presented in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy (Communication Studies) at Concordia University Montreal, Quebec, Canada December 2016 © Zoë Constantinides, 2016 CONCORDIA UNIVERSITY SCHOOL OF GRADUATE STUDIES This is to certify that the thesis prepared By: Zoë Constantinides Entitled: Broadcasting Taste: A History of Film Talk, International Criticism, and English- Canadian Media and submitted in partial fulfillment of the requirements for the degree of PhD in Communication Studies complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final examining committee: __________________________________________ Beverly Best Chair __________________________________________ Peter Urquhart External Examiner __________________________________________ Haidee Wasson External to Program __________________________________________ Monika Kin Gagnon Examiner __________________________________________ William Buxton Examiner __________________________________________ Charles R. Acland Thesis Supervisor Approved by __________________________________________ Yasmin Jiwani Graduate Program Director __________________________________________ André Roy Dean of Faculty Abstract Broadcasting Taste: A History of Film Talk, International Criticism, and English- Canadian Media Zoë Constantinides, -
1976-77-Annual-Report.Pdf
TheCanada Council Members Michelle Tisseyre Elizabeth Yeigh Gertrude Laing John James MacDonaId Audrey Thomas Mavor Moore (Chairman) (resigned March 21, (until September 1976) (Member of the Michel Bélanger 1977) Gilles Tremblay Council) (Vice-Chairman) Eric McLean Anna Wyman Robert Rivard Nini Baird Mavor Moore (until September 1976) (Member of the David Owen Carrigan Roland Parenteau Rudy Wiebe Council) (from May 26,1977) Paul B. Park John Wood Dorothy Corrigan John C. Parkin Advisory Academic Pane1 Guita Falardeau Christopher Pratt Milan V. Dimic Claude Lévesque John W. Grace Robert Rivard (Chairman) Robert Law McDougall Marjorie Johnston Thomas Symons Richard Salisbury Romain Paquette Douglas T. Kenny Norman Ward (Vice-Chairman) James Russell Eva Kushner Ronald J. Burke Laurent Santerre Investment Committee Jean Burnet Edward F. Sheffield Frank E. Case Allan Hockin William H. R. Charles Mary J. Wright (Chairman) Gertrude Laing J. C. Courtney Douglas T. Kenny Michel Bélanger Raymond Primeau Louise Dechêne (Member of the Gérard Dion Council) Advisory Arts Pane1 Harry C. Eastman Eva Kushner Robert Creech John Hirsch John E. Flint (Member of the (Chairman) (until September 1976) Jack Graham Council) Albert Millaire Gary Karr Renée Legris (Vice-Chairman) Jean-Pierre Lefebvre Executive Committee for the Bruno Bobak Jacqueline Lemieux- Canadian Commission for Unesco (until September 1976) Lope2 John Boyle Phyllis Mailing L. H. Cragg Napoléon LeBlanc Jacques Brault Ray Michal (Chairman) Paul B. Park Roch Carrier John Neville Vianney Décarie Lucien Perras Joe Fafard Michael Ondaatje (Vice-Chairman) John Roberts Bruce Ferguson P. K. Page Jacques Asselin Céline Saint-Pierre Suzanne Garceau Richard Rutherford Paul Bélanger Charles Lussier (until August 1976) Michael Snow Bert E. -
(Sutton) Straus Papers Coll
MS Joan Treble (Sutton) Straus Papers Coll. 00190D Joan Treble (Sutton) Straus (1932 - ) Papers Dates: 1939-2015 Extent: 13 boxes, 4 items (3.5 metres) Scope and Content: Contains the papers of Joan Treble (Sutton) Straus including a small amount of material regarding her early life including primary and high school education (1939-1950), as well as at her time at the University of Toronto (1950-1953). Includes material such as photographs and newspaper clippings related to her modeling career and her work as a fashion consultant (1952-1970). The collection covers Sutton Straus’ career as a journalist with the Toronto Telegram (1971), The Toronto Star (1972-1979, 1981-1992) and The Toronto Star (1979-1981, 1992). This includes correspondence from readers, co-workers and well-known politicians, entertainers and dignitaries, as well as photographs of Sutton Straus during the course of her work. The material also includes clippings of her columns, interviews and articles preserved by Sutton Straus, as well as three oversized scrapbooks containing clippings from her time at the Toronto Telegram and The Toronto Sun. The collection also comprises material related to Sutton Straus’ career as an author of six books, and her long-term volunteer work with non-profit and philanthropic organizations in both Canada and the United States. The collection also contains a small amount of personal material related to Sutton Straus including media appearances, speeches, newspaper and magazines articles, invitations and correspondence. Bibliographical Information: Joan Treble (Sutton) Straus was born in Mimico, Ontario on November 30, 1932. While studying Honor English at University College, University of Toronto, she worked as a runway and photography model. -
NSI Annual Report 2009-10
annual report 09/10 training content creators in a changing world www.nsi-canada.ca I THE NuTs & bolTs of NsI 41 200+ Millions 100,000+ pages filled with associate faculty dollars that NSI has views of video content success stories about members – leaders generated for the on the NSI YouTube NSI training programs in the film and national and regional Channel. and award-winning television industry economies through the alumni. who collaborate in the production of projects design and delivery of emerging from its our training programs training programs and and mentor our through the ongoing students. work of our alumni. page 40-41 page 10-21 www.youtube.com/nsicanada 45+ 35+ 30+ 96% people employed by the film festivals NSI industry awards and alumni working in the NSI Totally Television Drama Prize films have accolades won by NSI screen industries. developed series Wapos screened at in the past alumni worldwide. Bay over five successful year. seasons. page 17 page 26 page 9 page 10 NsI ProfIlE The National Screen Institute – Canada (NSI) is a non-profit educational Facebook. NSI leads in the design and delivery of programs that provide institution with headquarters in Winnipeg. As Canada’s national film, training to Canada’s visible minority and Aboriginal screen professionals. Table of contents television and digital media training school, we train content creators Our graduates work in the industry and their projects contribute to the to succeed in this changing world. NSI Profile 1 regional and national economies stimulating employment for the long Message from the Co-Chairs; NSI Board 2 Our market-driven training programs have led to employment and term. -
HAYES JONES to RUSSIA for U.S (See SPORTS)
HAYES JONES TO RUSSIA FOR U.S (See SPORTS) 10 A Herald Publication 10 THIRD YEAR—NUMBER 37 PONTIAC, MICHIGAN, MONDAY, JULY 7, 1958 OYER EMPLOYMENT: FLINT NEGROES BOYCOTT Leaves School Bias Local Negro Downtown Picket Line Up To Appeals Court S'9ns For Brings Results In WASHINGTON—(Special)—The U. S. Supreme Court | refused this week to review the order which has suspended State Post school integration in Little Rock until January of 1961. PONTIAC—Filing on the Dem- Hiring Of Negroes ocratic ticket for State Repre- The court recessed for the sum- sentative was Linwood L. Flack the case on an emergency basis. mer without taking definite heed Jr., of 392 Ditmar. He is being From Our Flint Bureau opposed by Robert R. Scott, Ar- of the NAACP plea to review HINT STRONG thur J. Law, Harold A. Grant, Saturday morning, June 21 at 9:30 a.m., a picket line However, in their referral, the L. D. McLughlin and Mitchell L. began its rythmic march in front of Flint's largest depart- high court said "We have no Bacow. ment store, Smith Bridgman's. Picketers carried signs read- doubt that the Court of Appeals Dr. Robinson will recognize the vital import- Flack, a resident of Pontiac for ing, "Unfair to Negro labor." ' For over 90 years you don't ance of the time element in this 12 years, is married and the need Negroes." "The line was led by Herman Hamilton. litigation and that it will act father of four sons. Long active n The action stemmed from an | upon the application for a stay in Democratic circles, he is a PICKETS MARCH before Smith Bridgman's in Flint to protest high school graduate and has increasing resentment on the Dnntinr Named Schoolor the appeal in ample time alleged anti-Negro hiring policy. -
Les Contes Populaires Du Canada
Service de Documentation Scientifique de la Maison des Sciences de l'Homme et de la Société de l'Université de Poitiers Réalisation : Samantha Arnaud et Rodolphe Defiolle, avec la collaboration d'André Magord Aide technique : Carole Tardif Disponible sur : http://ieaq.labo.univ-poitiers.fr/spip.php?article73&lang=fr Image de couverture : Henri Julien, La Chasse-galerie, 1906, Musée national des beaux-arts du Québec. Les contes populaires du Canada Catalogue bibliographique Service de Documentation Scientifique Fonds IEAQ 2014 AHENAKEW, Edward, (auteur) Voices of the Plains Cree [Texte imprimé] / by Edward Ahenakew ; edited by Ruth M. Buck. – Regina : Canadian Plains Research Center, University of Regina, 1995. – 1 vol. (xxii-130 p.) : ill., couv. ill. en coul. ; 25 cm. – (CPS ; 28) Bibliogr. p. 130. ISBN 978-0889-7708-36 (br.) . – ISBN 0-88977-083-2 (br.) Cree (Indiens) -- Moeurs et coutumes Cree (Indiens) -- Folklore Légendes -- Canada -- Saskatchewan (Canada) Cree Indians -- Social life and customs Cree Indians -- Folklore Cree (Indiens) -- Saskatchewan -- Folklore Légendes -- Saskatchewan Contes -- Saskatchewan Buck, Ruth Matheson (1905-) 398.2/089973, 20 E99 C88 A34 1995 E99* MSHS IEAQ 398.2 AHE ARSENAULT, Georges, (auteur) Les contes et la légende du pays [Texte imprimé] / Georges Arsenault ; [illustrations, Noëlla Arsenault]. – Summerside, Î. -P.-É. : Société Saint-Thomas d'Aquin, 1983. – 1 vol. (35 p.) : ill., couv. ill. ; 28 cm. – Doit être accompagné d'une cassette sonore. – Matériel scolaire. – Comprend des références bibliographiques. Acadiens -- Folklore Contes -- Île-du-Prince-Édouard (Canada) Acadiens -- Folklore Contes -- Île-du-Prince-Édouard Légendes -- Île-du-Prince-Édouard Acadians -- Folklore Tales -- Prince Edward Island Legends -- Prince Edward Island 398.2/09717, 19 GR113.7* GR113 .7 F73 A77 1983fol MSHS IEAQ 398.2 ARS 1 ASSINIWI, Bernard (1935 – 2000), (auteur) Contes adultes des territoires algonkins [Texte imprimé] / Bernard Assiniwi, Isabelle Myre. -
Annual R Eport 2017
Annual Report 2017 ANNUAL REPORT 2017 Festival Street, 2017 Festival “Supporting art is supporting peaceful protest, truth, and knowledge exchange.” — TIFF supporter ANNUAL REPORT 2017 REPORT ANNUAL The Shape of Water (2017), dir. Guillermo del Toro Contents 6 Who We Are Welcome Letter TIFF Story 10 People & Culture Community Initiatives (Reel Comfort, Pocket Fund) Our Volunteers Volunteer Spotlight 18 Visitor Experience Canada on Screen TIFF Kids digiPlaySpace 28 Artistic Excellence Film Circuit ANNUAL REPORT 2017 REPORT ANNUAL The Films of Andrei Tarkovsky Black Star Ida Lupino: Independent Woman Summer in France China Film Archive 42 Sustainability Adult Learning, Youth Learning Next Wave, Jump Cuts Film Preservation, Film Reference Library Share Her Journey TIFF Industry 64 Finance Statement of Operations Board of Directors TBLB Campaign Supporters Government Partners Corporate Sponsors, Donors & Supporters 2001: A Space Odyssey (1968), dir. Stanley Kubrick Welcome TIFF Story Piers Handling, Over the past 42 years, TIFF has meant The importance of the work that TIFF Director & CEO, TIFF something different to different stakeholders does lives in the promotion and preservation at different times: a Festival of Festivals, of not only film, but also our audiences. a charity, a platform for discovery, the world’s Without people to intersect with art, we’d have Jennifer Tory, largest public film festival (with the best storytellers with no witnesses, and no one Chair, audiences), a launch pad for the awards to carry forward the lessons and messages TIFF Board of Directors season, and, finally, the 365-day-a-year, learned. In the quickly changing landscape state-of-the-art, multi-cinema TIFF Bell of film and technology, the audience remains Lightbox. -
Brian Linehan, Right, Is Shown with Mentum That We’Ve Seen Throughout the Past Few Fellow Hamilton Celebrity Martin Short
VOLUME 5 ISSUE 1 FEBRUARY/MARCH 2018 The new tropical greenhouse at Gage Park is planned to be open for the annual Mums show this autumn. A greenhouse for the winter blues by Bev Wagar refuge when winter had outstayed its wel- capture and use rainfall from the roof. seating. A warm, lush, and surprisingly come. I was intrigued by it—a structure Clearly the city is not scaling back this large oasis of green, it will surely help Our home-before-Hamilton was an old once reserved for nobility who wanted to aspect of the horticultural department’s Hamiltonians beat the winter blahs. wooden farmhouse on an acre of land in- eat cucumbers in December, quietly hid- work. Propagation will not be increased According to Green, “Community tended to fulfill my pastoral dream, which ing out in east Hamilton. but the new facility will allow greater programming is important to me . We included a whole lot of gardens and a Gage Park is a century old. A year af- economies of scale for purchase of seed- are looking forward to working with the greenhouse. My greenhouse was small, ter acquiring the land in 1918, the City of lings in plug trays for as little as five cents Crown Point Community Planning unheated (although I did try, and fail, Hamilton began constructing the green- per plant. Team and neighbours to help accommo- with natural heat from a manure pile) houses to grow flowers for the city’s many The public area—the tropical green- date community events in the space.” and inexpensively built from a garage kit. -
Le Grand Sentier D'alberta
The Great Trail in Alberta Le Grand Sentier d’Alberta This marks the connection of Alberta’s section of The Great Trail of Canada in honour of Canada’s 150th anniversary Ceci marque le raccordement du Grand Sentier à travers d’Alberta pour le 150e anniversaire de la Confédération of Confederation in 2017. canadienne en 2017. À partir d’où vous êtes, vous pouvez entreprendre l’un des voyages les plus beaux et les plus diversifiés du monde. From where you are standing, you can embark upon one of the most magnificent and diverse journeys in the world. Que vous vous dirigiez vers l’est, l’ouest, le nord ou le sud, Le Grand Sentier du Canada — créé par le sentier Whether heading east, west, north or south, The Great Trail—created by Trans Canada Trail (TCT) and its partners— Transcanadien (STC) et ses partenaires — vous offre ses multiples beautés naturelles ainsi que la riche histoire et offers all the natural beauty, rich history and enduring spirit of our land and its peoples. l’esprit qui perdure de notre pays et des gens qui l’habitent. Launched in 1992, just after Canada’s 125th anniversary of Confederation The Great Trail was conceived by a group of Lancé en 1992, juste après le 125e anniversaire de la Confédération du Canada, Le Grand Sentier a été conçu, par un visionary and patriotic individuals as a means to connect Canadians from coast to coast to coast. groupe de visionnaires et de patriotes, comme le moyen de relier les Canadiens d’un océan aux deux autres. -
Summer Newsletter
BRA:NT H± STORICAL SOC=±ETY NEWSLETTER 190S - 1994 Brant County Museum a Archives 57 Charlot.te Street Brantford, Ontario S ER 199± Volume I Ita. 2 BRANT HISTORICAL. SOCIETY BOARD OF DIRECTORS President -Mrs. Ruth Let ler Past President -Mr. Ed Pancoe First Vice President -Mr. Robert Deboer Treasurer -Mr. Dan Ciona Assistant Treasurer -Mr. Jim Selmes Secretary -Mr. Brian Wood Warden County of Brant -Mr. Robert Chambers D I RI=CTOR S = Mr. John Bonfield Mr. George Beaver Mrs. Angela Files Mr. Ralph Cook Dr. Hank Hedges Mr. John Johnson Mrs. Gloria Neamtu Mr. Ken Strachan Ms. Anne Westaway BRANT COUNTY MUSEUM BOARD OF GOVERNORS Counci 11 or Brant -Mr. Steve Comisky (Chairman) Counci 11 or Brant -Mr. Louis Campbell Counci 11 or .Brant -Mr. Tom Verth Warden Brant -Mr. Robert Chambers Mrs. Margaret Chandler Ms. Ruth Stedman Mr. Edwin Eason CORATOR : Ms. Susan Twist BRANT COUNTY MUSE" & ARCHIVES, 57 a.harlotte St., Brantford, Ont. N3T 2W6 PRESIDENT'S REFLECTION Thank you I or evening of each month Mr. Hill's book by the continuing to support have been wel l same title was the Brant Historical attended. In April, successfully launched Society and the Brant Mr. Arthur Binkley at this meeting. County Mus eum & related to us the Copies of the book may Archives. It is interesting history of encouraging to see the be purchased at the the Bixel family of Museum Gif t Shop for growing support of the Brantford. In May, $21.95. There are Society and the Museum Bruce Hill gave an still some autographed activities. -
NSI Annual REPORT 2010/11 Nsi Board of Directors “NSI Is Committed to Training Storytellers Because...”
ePISODic series feature film social meDia narrative marketing shorts gaming story transmeDia journalism no matter how you look at it, we train storytellers national screen institute 2010-11 annual report No matter how you look at it, NSI traINS StorytellerS for a dIgItal ecoNomy. We are the national SCREEN institute. our students come to us with stories and ideas and we give them the tools to finesse and mold those projects for the TV screen, silver screen, mobile screen and more. We are market-driven. We evolve our programs to deliver what the industry demands. We provide relevant programs. We are designing new programs for the digital age. We are working with the industry to develop partnerships for innovative programs. throughout these pages you’ll meet our board, staff, alumni, participants and faculty. they all believe in the power of storytelling across different platforms. You’ll read about what inspires them, what seemingly insignificant events led to a script idea and the value in letting a story speak through a quiet moment. It all comes down to a good story. And NSI helps to bring it to the right screen. NSi – traiNiNg nsi Mission taBle oF contents NSI delivers professional, market-driven, StorytellerS SiNce 1986 innovative and cutting-edge programming NSi – traiNiNg StorytellerS SiNce 1986 ................................ 1 that meets the needs, direction and future the national screen institute (NSI) is canada’s national training school trends of the canadian and global media message from the co-chairS; NSi Board .............................. 2 for screen professionals. We are headquartered in Winnipeg, Manitoba. marketplace leading participants message from the NSi hoNorary chair ...............................