NSI Annual REPORT 2010/11 Nsi Board of Directors “NSI Is Committed to Training Storytellers Because...”
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Canadian Movie Channel APPENDIX 4C POTENTIAL INVENTORY
Canadian Movie Channel APPENDIX 4C POTENTIAL INVENTORY CHRONOLOGICAL LIST OF CANADIAN FEATURE FILMS, FEATURE DOCUMENTARIES AND MADE-FOR-TELEVISION FILMS, 1945-2011 COMPILED BY PAUL GRATTON MAY, 2012 2 5.Fast Ones, The (Ivy League Killers) 1945 6.Il était une guerre (There Once Was a War)* 1.Père Chopin, Le 1960 1946 1.Canadians, The 1.Bush Pilot 2.Désoeuvrés, Les (The Mis-Works)# 1947 1961 1.Forteresse, La (Whispering City) 1.Aventures de Ti-Ken, Les* 2.Hired Gun, The (The Last Gunfighter) (The Devil’s Spawn) 1948 3.It Happened in Canada 1.Butler’s Night Off, The 4.Mask, The (Eyes of Hell) 2.Sins of the Fathers 5.Nikki, Wild Dog of the North 1949 6.One Plus One (Exploring the Kinsey Report)# 7.Wings of Chance (Kirby’s Gander) 1.Gros Bill, Le (The Grand Bill) 2. Homme et son péché, Un (A Man and His Sin) 1962 3.On ne triche pas avec la vie (You Can’t Cheat Life) 1.Big Red 2.Seul ou avec d’autres (Alone or With Others)# 1950 3.Ten Girls Ago 1.Curé du village (The Village Priest) 2.Forbidden Journey 1963 3.Inconnue de Montréal, L’ (Son Copain) (The Unknown 1.A tout prendre (Take It All) Montreal Woman) 2.Amanita Pestilens 4.Lumières de ma ville (Lights of My City) 3.Bitter Ash, The 5.Séraphin 4.Drylanders 1951 5.Have Figure, Will Travel# 6.Incredible Journey, The 1.Docteur Louise (Story of Dr.Louise) 7.Pour la suite du monde (So That the World Goes On)# 1952 8.Young Adventurers.The 1.Etienne Brûlé, gibier de potence (The Immortal 1964 Scoundrel) 1.Caressed (Sweet Substitute) 2.Petite Aurore, l’enfant martyre, La (Little Aurore’s 2.Chat dans -
PBS Series Independent Lens Unveils Reel Injun at Summer 2010 Television Critics Association Press Tour
FOR IMMEDIATE RELEASE CONTACT Voleine Amilcar, ITVS 415-356-8383 x 244 [email protected] Mary Lugo 770-623-8190 [email protected] Cara White 843-881-1480 [email protected] Visit the PBS pressroom for more information and/or downloadable images: http://www.pbs.org/pressroom/ PBS Series Independent Lens Unveils Reel Injun at Summer 2010 Television Critics Association Press Tour A Provocative and Entertaining Look at the Portrayal of Native Americans in Cinema to Air November 2010 During Native American Heritage Month (San Francisco, CA)—Cree filmmaker Neil Diamond takes an entertaining, insightful, and often humorous look at the Hollywood Indian, exploring the portrayal of North American Natives through a century of cinema and examining the ways that the myth of “the Injun” has influenced the world’s understanding—and misunderstanding—of Natives. Narrated by Diamond with infectious enthusiasm and good humor, Reel Injun: On the Trail of the Hollywood Indian is a loving look at cinema through the eyes of the people who appeared in its very first flickering images and have survived to tell their stories their own way. Reel Injun: On the Trail of the Hollywood Indian will air nationally on the upcoming season of the Emmy® Award-winning PBS series Independent Lens in November 2010. Tracing the evolution of cinema’s depiction of Native people from the silent film era to today, Diamond takes the audience on a journey across America to some of cinema’s most iconic landscapes, including Monument Valley, the setting for Hollywood’s greatest Westerns, and the Black Hills of South Dakota, home to Crazy Horse and countless movie legends. -
A Canadian Perspective on the International Film Festival
NEGOTIATING VALUE: A CANADIAN PERSPECTIVE ON THE INTERNATIONAL FILM FESTIVAL by Diane Louise Burgess M.A., University ofBritish Columbia, 2000 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY In the School ofCommunication © Diane Louise Burgess 2008 SIMON FRASER UNIVERSITY Fall 2008 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or by other means, without permission ofthe author. APPROVAL NAME Diane Louise Burgess DEGREE PhD TITLE OF DISSERTATION: Negotiating Value: A Canadian Perspective on the International Film Festival EXAMINING COMMITTEE: CHAIR: Barry Truax, Professor Catherine Murray Senior Supervisor Professor, School of Communication Zoe Druick Supervisor Associate Professor, School of Communication Alison Beale Supervisor Professor, School of Communication Stuart Poyntz, Internal Examiner Assistant Professor, School of Communication Charles R Acland, Professor, Communication Studies Concordia University DATE: September 18, 2008 11 SIMON FRASER UNIVERSITY LIBRARY Declaration of Partial Copyright Licence The author, whose copyright is declared on the title page of this work, has granted to Simon Fraser University the right to lend this thesis, project or extended essay to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. The author has further granted permission to Simon Fraser University to keep or make a digital copy for use in its circulating collection (currently available to the public at the "Institutional Repository" link of the SFU Library website <www.lib.sfu.ca> at: <http://ir.lib.sfu.ca/handle/1892/112>) and, without changing the content, to translate the thesis/project or extended essays, if technically possible, to any medium or format for the purpose of preservation of the digital work. -
Broadcasting Taste: a History of Film Talk, International Criticism, and English-Canadian Media a Thesis in the Department of Co
Broadcasting Taste: A History of Film Talk, International Criticism, and English-Canadian Media A Thesis In the Department of Communication Studies Presented in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy (Communication Studies) at Concordia University Montreal, Quebec, Canada December 2016 © Zoë Constantinides, 2016 CONCORDIA UNIVERSITY SCHOOL OF GRADUATE STUDIES This is to certify that the thesis prepared By: Zoë Constantinides Entitled: Broadcasting Taste: A History of Film Talk, International Criticism, and English- Canadian Media and submitted in partial fulfillment of the requirements for the degree of PhD in Communication Studies complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final examining committee: __________________________________________ Beverly Best Chair __________________________________________ Peter Urquhart External Examiner __________________________________________ Haidee Wasson External to Program __________________________________________ Monika Kin Gagnon Examiner __________________________________________ William Buxton Examiner __________________________________________ Charles R. Acland Thesis Supervisor Approved by __________________________________________ Yasmin Jiwani Graduate Program Director __________________________________________ André Roy Dean of Faculty Abstract Broadcasting Taste: A History of Film Talk, International Criticism, and English- Canadian Media Zoë Constantinides, -
PACKING, UNPACKING, and REPACKING the CINEMA of GUY MADDIN George Melnyk University of Calgary
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Great Plains Quarterly Great Plains Studies, Center for Spring 2011 REVIEW ESSAY: PACKING, UNPACKING, AND REPACKING THE CINEMA OF GUY MADDIN George Melnyk University of Calgary Follow this and additional works at: http://digitalcommons.unl.edu/greatplainsquarterly Part of the American Studies Commons, Cultural History Commons, and the United States History Commons Melnyk, George, "REVIEW ESSAY: PACKING, UNPACKING, AND REPACKING THE CINEMA OF GUY MADDIN" (2011). Great Plains Quarterly. 2683. http://digitalcommons.unl.edu/greatplainsquarterly/2683 This Article is brought to you for free and open access by the Great Plains Studies, Center for at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Great Plains Quarterly by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. REVIEW ESSAY Playing with Memories: Essays on Guy Maddin. Edited by David Church. Winnipeg: University of Manitoba Press, 2009. xiii + 280 pp. Grayscale photography section, notes, filmography, bibliography, index. $29.95 paper. Into the Past: The Cinema of Guy Maddin. By William Beard. Toronto: University of Toronto Press, 2010. xii + 471 pp. Photographs, appendix, notes, bibliography, index. $85.00 cloth, $37.95 paper. Guy Maddin's "My Winnipeg." By Darren Wershler. Toronto: University of Toronto Press, 2010. 145 pp. Photographs, production credits, notes, bibliography. $45.00 cloth, $17.95 paper. My WinniPeg. By Guy Maddin. Toronto: Coach House Press, 2009. 191 pp. Photographs, film script, essays, interview, filmography, miscellanea. $27.95 paper. PACKING, UNPACKING, AND REPACKING THE CINEMA OF GUY MADDIN Guy Maddin is Canada's most unusual film director, allowed him to create a genuinely maker. -
Imagine Native Nation
Hour.ca Film Présence autochtone http://www.hour.ca/film/film.aspx?iIDArticle=17520 Film Front Now playing Upcoming Cinemas Repertory All films Présence autochtone June 11th, 2009 W rite a comment on this article ! The Taking of Pelham 123 Away We Go P résence autochtone Imagine native nation Melora Koepke June 4th, 2009 The Hangover [3] Festival Présence autochtone brings the best in aboriginal O'Horten culture to the city NFB 70th birthday Easy Virtue [1] It's time again for Présence autochtone, the festival that May 28th, 2009 celebrates all the arts and culture of North American native The Brothers Bloom [1] peoples (and some from around the world). It should be 2880 Film Blitz mentioned that the film portion of this festival is at the Every Little Step heart of a more extensive festival that features some very interesting art that's worth mentioning, as well as a May 21st, 2009 festivallike atmosphere at the centre of the city, Terminator: Salvation [1] specifically at Parc ÉmilieGamelin, at the corner of Berri Night at the Museum [2] and De Maisonneuve. Andrew Okpeaha MacLean's Sikumi The Limits of Control Web (On the Ice) As far as artistic events go, I'm specifically intrigued by exclusive! [2] photo: Terres en vues Fragments, a ballet by OjibwayCree choreographer Lara May 14th, 2009 Kramer. The piece, which is a premiere, is based on the The Found Footage traumatic events that happened to her mother in the residential school system. Festival There will also be a special, superinterestinglooking section on the culture of the Marquesas, Il divo [1] Tahiti and French Polynesia. -
RUMBLE: the Indians Who Rocked the World Premieres on Independent Lens Monday, January 21, 2019 on PBS and PBS.Org
FOR IMMEDIATE RELEASE CONTACT Tanya Leverault, ITVS 415-356-8383 [email protected] Mary Lugo 770-623-8190 [email protected] Cara White 843-881-1480 [email protected] For downloadable images, visit pbs.org/pressroom RUMBLE: The Indians Who Rocked the World Premieres on Independent Lens Monday, January 21, 2019 on PBS and PBS.org An Electrifying Look at the Native American Influence in Popular Music Despite Attempts to Ban, Censor and Erase Indian Culture (San Francisco, CA) — A musical celebration of how Native American musicians transformed blues, jazz and rock, RUMBLE: The Indians Who Rocked the World, will premiere on Independent Lens Monday, January 21, 2019, 10:00-11:30 PM ET (check local listings) on PBS, and will also be available simultaneously for online streaming at pbs.org. As the film reveals, early pioneers of the blues such as Charley Patton had Native as well as African American roots, and one of the first and most influential jazz singers, Mildred Bailey, had a voice trained on Native American songs. As the folk rock era took hold in the ‘60s and ‘70s, Native Americans such Link Wray. as Robbie Robertson and Buffy Sainte-Marie helped to define Credit: Bruce Steinberg, courtesy of its evolution, and Native guitarists and drummers like Link LinkWray.com Wray, Jimi Hendrix, Jesse Ed Davis and Randy Castillo forever changed the trajectory of rock and roll. The film is directed by Catherine Bainbridge (Reel Injun), co-directed by Alfonso Maiorana, executive produced by legendary rock guitarist Stevie Salas (Apache) and Tim Johnson (Mohawk), and produced by Christina Fon, VP and Executive Producer of Rezolution Pictures. -
Film Reference Guide
REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld. -
HIGHLIGHTS … They Have Created a Public Event You Could No More Cancel Than You Could Cancel Valentine’S Day
2018HIGHLIGHTS … they have created a public event you could no more cancel than you could cancel Valentine’s Day. — Kate Taylor, The Globe and Mail Contents 1 INTRODUCTION NCFD by the numbers • Spotlight on Women • Trailblazers 12 SCREENING EVENTS Interactive Google map • Enhanced events • International events • 2018 communities • RCtv 26 SCREENING PARTNER RESOURCES 30 ONLINE, ON-AIR AND IN-THE-AIR PROGRAMMING 36 BUZZ Promotional video • Media coverage highlights • Social media highlights • Website highlights • Media partnerships 46 TESTIMONIALS 50 SUPPORT REEL CANADA Board of Directors and Advisory Committee • Our Sponsors • Our Partners Introduction “… they have, in five short years, created a public event you could The way Canadians embraced our spotlight on women also showed no more cancel than you could cancel Valentine’s Day.” us that Canadians are not only hungry for homegrown stories, but – Kate Taylor, The Globe and Mail are deeply interested in hearing underrepresented voices, and celebrating them. When the article quoted above was published, that’s when we knew. We don’t expect you, Dear Reader, to take in every detail of this report. But we hope you will browse and enjoy some of the nuggets We knew there was a huge appetite for a cultural celebration that — the individual testimonials, the range of screening venues (and allows us to embrace our own stories, and we knew that Canadians countries!) and the ways in which screening partners made the day are beginning to think of it as a national institution! their own. It’s not very Canadian of us to toot our own horn, but we’re Reflecting on the fifth annual NCFD brings us to one conclusion: incredibly proud of the way National Canadian Film Day (NCFD) celebrating Canada by watching great Canadian films truly matters has grown over the past five years. -
Peter Mettler
The End of Time A film by Peter Mettler 114 min, English, Digital (DCP, Blu-ray), Canada, 2012, DoCumentary FIRST RUN FEATURES The Film Center Building 630 Ninth Ave. #1213 New York, NY 10036 (212) 243-0600 / Fax (212) 989-7649 Website: www.firstrunfeatures.com Email: [email protected] www.firstrunfeatures.Com/endoftime Synopsis "Recalling the work of Terrence Malick, Werner Herzog and the late Chris Marker" (Hollywood Reporter), Peter Mettler’s enthralling new film combines elements of documentary, essay, and experimental cinema to create a tour de force that challenges our conception of time — and perhaps the very fabric of our existence. With stunning cinematography and a knack for capturing astonishing moments, The End of Time travels the planet — from the CERN particle accelerator outside Geneva to the lava flows of Hawaii; from a disintegrating Detroit where Henry Ford Built his first factory to the tree where Buddha was enlightened. Both mind-expanding and eerily familiar, Mettler's provocative film explores the links between renewal and destruction, between primordial mysticism and the furthest reaches of modern science, giving the viewer a transcendent cinematic experience. Praise for The End of Time "Recalling the work of Terrence Malick, Werner Herzog and the late Chris Marker...THE END OF TIME Becomes immersive and hypnotic...a ravishingly Beautiful experience." – Stephen Dalton, The Hollywood Reporter "A work of vision...A gloBe-trotting cine-essay about time...poetic and lovely." – Adam Nayman, POV "Mettler's trippy -
Nabet-Abc Master Agreement
NABET-CWA/ABC Inc. 2017-2021 Master Agreement MASTER AGREEMENT TABLE OF CONTENTS General Articles Article I. Recognition and Warranty ............................................................... 2 II. No Discrimination ........................................................................... 2 III. Employment ..................................................................................... 3 IV. Check-Off ........................................................................................ 7 V. No Strikes or Lockouts .................................................................... 9 VI. Transfer of Work ............................................................................. 9 VII. Program Origination ...................................................................... 10 VIII. Work Schedule, Overtime and Penalties ....................................... 15 IX. Meal Periods .................................................................................. 22 X. Night Shift Differential .................................................................. 22 XI. Seniority, Layoffs and Rehires ...................................................... 23 XII. Transfers, Training and Temporary Upgrading ............................. 31 XIII. Leave of Absence .......................................................................... 33 XIV. Discharges ...................................................................................... 35 XV. Severance Pay ............................................................................... -
Punk FILMS PRESENTS PRESS
pUNK FILMS PRESENTS PRESS KIT (August 15, 2011) FESTIVALS: Toronto International Film Festival Atlantic Film Festival Vancouver International Film Festival Montreal Festival du Nouveau Cinema Sarasota International Film Festival St. John's International Women's Film Festival Bradford International Film Festival UK MoMA New York AWARDS: Winner: The Jay Scott Prize – Toronto Film Critics Association Winner: TheWIFTS Foundation International Visionary Award 2011 for BEST FILM Nomination: Vancouver Film Critics Best Actress Ingrid Veninger, Best Supporting Hallie Switzer Canada, 2011 English, 82 minutes HD, Colour, Dolby Digital Production/Distribution Company: pUNK FILMS INC., Contact: Ingrid Veninger 49 Pears Avenue, Toronto, Ontario M5R 1S9 cell. 1+ 416-737-9939 [email protected] www.punkfilms.ca 1 of 17 pUNK FILMS PRESENTS i am a good person/i am a bad person A FILM BY INGRID VENINGER TAG LINE: (8 words) We are always holding on and letting go. ONE LINE SYNOPSIS: (24 words) When a mother and daughter tour film festivals in Europe and decide to part ways, they must confront life-changing choices alone, before returning home. ONE PARAGRAPH SYNOPSIS: (115 words) Well-intentioned but misguided filmmaker Ruby White leaves her husband and son in Toronto and embarks on a European film festival tour with her eighteen- year-old daughter, Sara, tagging along as her assistant. Ruby over-shares, doesn't listen and is a bundle of insecurities, inevitably pushing Sara (and the world) away. When criticism from an audience member at a UK screening triggers Ruby to question herself, the mother-daughter relationship melts down. Ruby travels to the next screening in Berlin alone, while Sara visits her cousin in Paris.