DOCSLIB.ORG

College Voice Vol. 22 No. 18

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
College Voice Vol. 22 No. 18 Connecticut College Digital Commons @ Connecticut College 1998-1999 Student Newspapers 4-9-1999 College Voice Vol. 22 No. 18 Connecticut College Follow this and additional works at: https://digitalcommons.conncoll.edu/ccnews_1998_1999 Recommended Citation Connecticut College, "College Voice Vol. 22 No. 18" (1999). 1998-1999. 21. https://digitalcommons.conncoll.edu/ccnews_1998_1999/21 This Newspaper is brought to you for free and open access by the Student Newspapers at Digital Commons @ Connecticut College. It has been accepted for inclusion in 1998-1999 by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. BACK TO ARTS AND HUMAN NATURE CRAFTS TOUCH Local parks are Worth a visit. Student display in Students offer aid in Cummings. Honduras. pageS page 7 page 12 "--"'"0LLEGE oren VoLUMEXXII· NUMBER 18 FRIDAY, APRIL 9, 1999 CONNECTICUT COLLEGE, NEW LONDON, CT Gaudiani- Free Speech V5. Civility Debating Discretion and Free Speech Classes Join to Discuss Defends Voice Ad Policy with NESCAC CT ADL Director By KATIE STEPHENSON Although he is an "ardent propo- Presidents' nent of free speech," Likund believes news editor that CODOH's ads have "very lillie Over the past month, debate has to do with the Holocaust and are more Decision intensified over an advenisement run about propagating gardeh variety in The Voice by the Committee for By ROB KNAKE anti-Semitism." He said that if Bra- Open Debate on the Holocaust dley Smith's advertisement had not managing editor (CODOH). The ad questioned the been run, his and CODOH's right to President Claire Gaudiani met validity of various aspects of the free speech would not have been in- with student leaders, athletes and Holocaust. Since the February 26 ad, fringed upon, The Voice, he thought, coaches on Thursday evening to field letters condemning both the paper's should have exercised discretion by questions on the NESCAC Presi- decision to run the ad and the asser- not running their ad. dents' decision to limit post season tions made within the ad, have taken "Freedom of the press is ulti- play. Defending the decision, over Opinion pages, and discussions mately about discretion," said Gaudiani responded to the issues on free speech have become a part of Likund. debates, classes, and lectures across raised by a hostile but courteous au- Defending the position of The dience. campus. College Voice, Brian Bieluch, Co- Capitalizing on this atmosphere The decision, handed down to Editor in Chief, quoted The Voice's of open dialogne, Professors Vogel New England Small College Athletic editorial of March 5, which stated, and Swanson, of the philosophy and Conference (NESCAC) students on "We believe that the best way to com- government departments, combined bat speech that we disagree with is February 8, allows only the NESCAC two of their classes to discuss the is- champion to advance to post season not through prior restraint of speech sue. Attending the debate was Rob play in the NCAA tournament. All but through more speech." Likund, Executive Director of other NCAA invitations to NESCAC Whereas Likund argned that Connecticut's Anti-Defamation printing the CODOH ad would do schools must be refused. In addition, League (ADL). post season pJay in other tournaments more harm than good, Bieluch argued Mathis Martin, Laura Miller, Ray Likund began the discussion by the opposite, believing that by print- is prohibited. DeSouza, Kait Stokes, and Tim offering the audience a history of the Student opposition to the decision ing the ad the paper had provided a has been strong both at Conn and Hanson, above, join in the ADL, explaining that it was founded service to the reading public. Bieluch other NESCAC colleges. On Febru- discussion during ajoint meeting of 86 years ago to "combat anti- said, "we don't want to let ideas like Semitism and other forms of bigotry." those expressed by CODOH boil be- ary 18, Conn's SGA ratified a uni- Professor Vogel's Tolerance and the To further these goals, Likund said, form statement written by NESCAC low the surface." Intolerable and Professor theADL arranges school-based diver- Attending students were divided student governments protesting the Swanson's Constitutional Law. sity programs and focuses on elirni- new limits on post-season play. in their views. Some believed that by Approximately 50 students were nating hate crimes and discrimina- When asked by Mike Mueller '00 printing the ad, Tile Voice was mak- how the decision was reached, ~ present for the hour and fifteen tiOll presenting facts to counter ing it much too easy for groups like Aiter CODOH to voice their views. Gaudiani explained that the decision !12 minute long discussion. Rob the arguments made by the ad's was the result of two years of study On the other side of the debate, :l Linkund, left, Executive Director of owner Bradley Smitb, Director of many students supported the policies and debate by the NESCAC Presi- the Connecticut branch of the Anti- CODOH, Likund said that the ads dents. NESCAC Presidents were 8 nf The Voice and the advertising ibaIply divided on the future of post- '\ltt~~1:~'l~'"Defemation League (ADL) have been runrung since 1991 pro- policy designed by the Editorial Season pIal" • III ~ provides background on th~ ADL's viding CODOH,. he contended, with Board. Jade Dalton '01, felt that there ~ r-r , ~ Win/Win srruation. Whether the ad "One of the possible decisions were significant benefits in running ~ mISSIOn. runs or not, it promotes discussion by the advertisement which were high- SEENESCAC ~ The Conn community reacts: bringing the issues presented by lighted by the fact thai discussions ~ CODOH to the forefront, Likund ar- similar to the one she was participat- continued on page 5 • page three gued. .. ing in were occurring . Cloudy, with a chance of. •• After Record Season, Men's Basketball Coach to Leave Conn By KATIE STEPHENSON Miller, who has coached at Conn for six seasons, created one of the top news editor Division ill programs in the nation hortly after the cheers for the compiling a 95-58 record during his Connecticnt College's men's tenure. His teams amassed an 85-20 Sbasketball team died down, record over the last four years and sadness replaced the excitement of qualified for post season tournament making it to the NCAA Final Four three times, including back-to-back and the relief at the end of the sea- NCAA Tournament appearances son. Following the team's return (1998-1999). from Virginia, Coach Glenn Miller This season, Connecticut College announced that he would be leav- won a school record 27 consecutive ing Conn to take a position as Head games and was the only remaining Coach of Division I Brown Univer- undefeated team in men's college sity, basketball before falling to Mizan Ayers, a freshman from Hampden-Sydney 74-58 in the na- the team, said that rumors had cir- tional semifinals on Friday March 19. cnlated during the season about the Miller, over the course of the sea- possibility that Miller would leave son, was named the NESCAC Coach Conn, so the announcement did not of the Year and led Conn to the nurn- come as a complete surprise. How- her one ranking in Division illfor the ever, he added, "I don't think any first time in school history. He also of the players thought it would be claimed the top spot in the National this soon." He continued saying Association of Basketball Coaches that the team was upset that Miller Division III poll for the final two is leaving, but at the same time, weeks of the season. they will continue to benefit from Senior co-captain Dwayne Coach Glenn Miller cuts the net down after our last victorious game. what they learned from him. Stallings emphasized the important According to Miller, "Leaving role Coach Miller has played for the practice. His strength was "getting us ing seasons. Connecticut College is one of the members of the team over the years. focused and ready to play every day:' "I feel that the program is in toughest decisions that I've had to "He [Miller] wanted us to be the best said Ayers. great shape and has an excellent op- make, but this is a wonderful op- that we could be and that feeling was Despite questions about how sue- portunity to maintain a level of ex- portunity for myself and my fam- contagious." One of his greatest cessful the team will be next season cellence for the next several years," ily. It's been a wonderful experi- strengths as a coach is his genuine without Miller and his coaching staff, said Miller. ~ ence and I am grateful for the sup- "love for basketball," said Stallings. both Miller and the teams players feel According to the Athletic De- - port that I receive for President Ayers echoed Stallings praise, that the team will continue to play SEEMILLER ... Claire Gaudiani and Athletics Di- adding that Coach Miller demon- well and draw attention to both the . ~ rector Ken McBryde." strated dedication at every game and program and the college 10 upcom- cOIltlllued 011 page 9 1Serbian Minister, Professors Clash over Kosovo ~ By KATIE STEPHENSON cal significance of Kosovo, the rela- tionship between the YugoslaVian A black cloud of smoke news editor Serbs and Albanians, the goals and loomed over Larrabee "Genocide," "ethnic cleansing" objectives of the Serbian offensive Green on late Monday and "human rights violations" were the importance of media coverage' afternoon after a brush among the terms discussed on and whether or not the United State~ Wednesday April 7, as an audience is acting in its national interests.
Load more

Recommended publications
  • “Writing About Music” Vol
    UCLA Department of Musicology presents MUSE An Undergraduate Research Journal “Writing About Music” Vol. 1, No. 1 “Dissonant Ones: The Harmony of Lou Reed and “Waitress! Equalitea and Pie, Please” John Cale” Irena Huang Gabriel Deibel “Boy Band: Intersecting Gender, Age, Sexuality, “A Possible Resolution for the Complicated and Capitalism” Feelings Revolving Around Tyler, the Creator” Grace Li Isabel Nakoud “Being the Cowboy: Mitski’s Rewriting of Gender Roles in Indie Rock” Jenna Ure Winter 2020 2 3 UCLA Department of Musicology presents MUSE An Undergraduate Research Journal Volume 1, Number 1 Winter 2020 Contents Introduction from the Editors 4 Being the Cowboy: Mitski’s Rewriting of Gender Roles in Indie 6 Rock Editor-in-Chief Jenna Ure Matthew Gilbert Waitress! Equalitea and Pie, Please 16 Managing Editor Irena Huang Alana Chester Dissonant Ones: The Harmony of Lou Reed and John Cale 26 Review Editor Gabriel Deibel Karen Thantrakul Boy Band: Intersecting Gender, Age, Sexuality, and Capitalism 36 Technical Editors Grace Li J.W. Clark Liv Slaby A Possible Resolution for the Complicated Feelings Revolving 46 Gabriel Deibel Around Tyler, the Creator Isabel Nakoud Faculty Advisor Dr. Elisabeth Le Guin Closing notes 62 4 Introduction Introduction 5 Introduction Li’s discussion of the exploitation of boy band One Direction, Gabriel Deibel’s essay on the influence of John Cale on the Velvet Underground’s experimental sound, a feminist exploration by Irena Huang of the musical Alana Chester, Matthew Gilbert, and Karen Waitress (composed by a UCLA alumnus, Sara Bareilles), and a critique Thantrakul of the music industry through indie singer Mitski’s music by Jenna Ure.
    [Show full text]
  • Robert Quine
    Robert Quine http://www.furious.com/perfect/quine/michaelcarlucci.html Robert Quine Carclucci at Quine memorial, Carmine Street Guitars, NYC June 2004 by Michael Carlucci (Subterranean Records) ED NOTE: Other than running one of the most righteous record stores in New York, Michael Carlucci was also a close friend of Robert Quine. The Story of the Velvet Underground Bootleg Series Volume 1: The Quine Tapes Quine and I became friends sometime around 1991/92 when I first opened Subterranean Records. Robert and I had 3 things in common: Telecasters, Jeff Beck and The Velvet Underground. While the recordings Quine made of the VU were common knowledge among VU collectors, I for some reason never bothered him about them. Most VU fans would offer him money, trades, their first born, etc. etc. Quine politely told them all no. Then around the summer of 2000, I'd heard that Moe Tucker with Lou Reed's (approval) had approached Bill Levinson (Polygram then/Universal now) with the idea of releasing VU shows as "The Bootleg Series." The tapes started pouring in, 99% of which had already been in circulation as actual bootlegs with everyone claiming they had the original masters. So now was the time to approach Quine. I mentioned (to Quine) what I knew about Polygram's plan. His time had finally come. He told me to make the necessary 1 of 4 10/8/2005 8:07 AM Robert Quine http://www.furious.com/perfect/quine/michaelcarlucci.html arrangements, which I did. I called Bill Levinson, told him all about these tapes.
    [Show full text]
  • Queens Park Music Club
    Alan Currall BBobob CareyCarey Grieve Grieve Brian Beadie Brian Beadie Clemens Wilhelm CDavidleme Hoylens Wilhelm DDavidavid MichaelHoyle Clarke DGavinavid MaitlandMichael Clarke GDouglasavin M aMorlanditland DEilidhoug lShortas Morland Queens Park Music Club EGayleilidh MiekleShort GHrafnhildurHalldayle Miekle órsdóttir Volume 1 : Kling Klang Jack Wrigley ó ó April 2014 HrafnhildurHalld rsd ttir JJanieack WNicollrigley Jon Burgerman Janie Nicoll Martin Herbert JMauriceon Burg Dohertyerman MMelissaartin H Canbazerbert MMichelleaurice Hannah Doherty MNeileli Clementsssa Canbaz MPennyichel Arcadele Hannah NRobeil ChurmClements PRoben nKennedyy Arcade RobRose Chu Ruanerm RoseStewart Ruane Home RobTom MasonKennedy Vernon and Burns Tom Mason Victoria Morton Stuart Home Vernon and Burns Victoria Morton Martin Herbert The Mic and Me I started publishing criticism in 1996, but I only When you are, as Walter Becker once learned how to write in a way that felt and still sang, on the balls of your ass, you need something feels like my writing in about 2002. There were to lift you and hip hop, for me, was it, even very a lot of contributing factors to this—having been mainstream rap: the vaulting self-confidence, unexpectedly bounced out of a dotcom job that had seesawing beat and herculean handclaps of previously meant I didn’t have to rely on freelancing Eminem’s armour-plated Til I Collapse, for example. for income, leaving London for a slower pace of A song like that says I am going to destroy life on the coast, and reading nonfiction writers everybody else. That’s the braggadocio that hip who taught me about voice and how to arrange hop has always thrived on, but it is laughable for a facts—but one of the main triggers, weirdly enough, critic to want to feel like that: that’s not, officially, was hip hop.
    [Show full text]
  • NEW YORK APRIL 1 - JUNE 30, 2018 the First Ever Global Exhibition Dedicated to the Velvet Underground and Its Influence on Modern Music, Art & Popular Culture
    THE VELVET UNDERGROUND EXHIBITION + CONCERT SERIES + EVENTS EXPERIENCE NEW YORK APRIL 1 - JUNE 30, 2018 The first ever global exhibition dedicated to the Velvet Underground and its influence on modern music, art & popular culture. The Velvet Underground and Andy Warhol became one Music-related art exhibitions see growing success—the of the most iconic artistic collaborations of all time, David Bowie exhibit saw 1.1 million visitors to date. merging counter-culture and the mainstream in one Thus, this exhibition is preparing to expand beyond the gigantic creative explosion and bringing the world of 100,000 visitors mark. arts and communication into the modern era. The first show to ever receive the official support and exclusive contributions of the band’s three surviving members - John Cale, Moe Tucker and Doug Yule - as well as the official representatives THE VELVET of Velvet Underground Estate. UNDERGROUND EXPERIENCE It all started in New York City in the early 1960s, with an improbable encounter between Brooklyn born singer/songwriter Lou Reed and Welsh avant-garde musician John Cale. Lou and John soon were joined by Sterling Morrison—a literature student and rock-and-roll fan—and Moe Tucker—an androgynous- looking drummer from the suburbs driven by tribal rhythms. In 1965, Andy Warhol became the Released in band’s manager, offering them March 1967 shelter in his famous silver Factory. and recorded 1960s New York City, Music, in 1966 during Warhol brought in Nico, a blonde Andy Warhol’s Andy and Pop Culture fashion model, actress and “Exploding chanteuse, as the fifth member of P l a s t i c the band.
    [Show full text]
  • Grammy Salute to Music Legends 2
    Press Contacts: Harry Forbes, WNET 212-560-8027 or [email protected] Andie Cox , The Recording Academy 310.392.3777 or [email protected] Press materials: http://pressroom.pbs.org or http://www.thirteen.org/13pressroom Website: http://www.pbs.org/wnet/gperf Facebook: http://www.facebook.com/GreatPerformances Twitter: @GPerfPBS GRAMMY Salute to Music Legends 2017 ™ Follows Last Year’s First Broadcast of the Event on THIRTEEN’s Great Performances Friday, October 13 at 9 p.m. on PBS Shirley Caesar, Ahmad Jamal, Charley Pride, Jimmie Rodgers, Nina Simone, Sly Stone, and the Velvet Underground Among Distinguished Honorees Live performances by honorees John Cale, Caesar, and Pride, as well as Stanley Cowell, Andra Day, Kirk Franklin, Le'Andria Johnson, Randy Newman, Vernon Reid, Catherine Russell, Valerie Simpson, Russell Thompkins, Jr., Neal McCoy, Maureen "Moe" Tucker, Dionne Warwick, Charlie Wilson, and Dwight Yoakam In collaboration with the Recording Academy™, Great Performances presents GRAMMY Salute To Music Legends 2017™, the second annual all-star concert offering a primetime spotlight for the Academy's 2017 Special Merit Awards recipients. The celebration and tribute concert feature rare performances by honorees and renditions by those they've inspired. 2 The celebration, led by GRAMMY ®-winning industry icon Paul Shaffer as musical director, was recorded in July at New York’s Beacon Theatre, and will air Friday, October 13 from 9 - 11 p.m. on PBS. (Check local listings.) Historically held during GRAMMY Week, this is the second time the Recording Academy has celebrated the Special Merit Awards with a stand- alone event and musical tribute.
    [Show full text]
  • La Machine Du Moulin Rouge Revue De Presse Juin 2011
    LA MACHINE DU MOULIN ROUGE REVUE DE PRESSE JUIN 2011 JUIN/AOUT 11 Trimestriel 32 RUE PASTOURELLE 75003 PARIS - 01 46 36 60 30 Surface approx. (cm²) : 70 Page 1/1 SCRATH Innovation chez Puma avec ce modèle Mid V )NC à scratch en daim rouge typique- ment dans la mouvance des Athlètes de la Nuit. Une paire à adopter pour la dernière soirée de la tournée Puma Social à La Machine du Moulin Rouge le ler juin. Velcro and red suede, this innovative style of Mid V JNC is typically made for the After Hours Athlète spirit. Adopt a pair for the latest party of the Puma Social Tour at La Machine du Moulin Rouge on June Ist. MACHINE Eléments de recherche : MACHINE DU MOULIN ROUGE : boite de nuit à Paris 18ème, toutes citations 3062338200504/GTG/ATA/2 JUIN/AOUT 11 Trimestriel 32 RUE PASTOURELLE 75003 PARIS - 01 46 36 60 30 Surface approx. (cm²) : 2183 Page 1/4 PUMA SOCIAL PUMA PRÊSENTE « LES ATHLÈTES DE LA NUIT » PUMA CHERCHE LE DÉCALE ET LE TROUVE À TRAVERS SA NOUVELLE PUMA IS SEEKING FOR OFF-BEAT AND FINDS IT IN ITS NEW AD CAMPAGNE « LES ATHLÈTES DE LA NUIT » UNE FAÇON DE PRÉSEN CAMPAIGN "THE ATHLETES OF THE NIGHT" A WAY TO INTRODUCE TER SA COLLECTION LIFESTYLE EN CONSERVANT UN PIED DANS LE ITS LIFESTYLE COLLECTION WHILE KEEPING A FOOTHOLD IN SPORT SPORT DES SPORTS QUI COMMENCENT PAR UNE RIGOLADE ENTRE SPORTS WH1CH START AS A FUN BETWEEN FRIENDS, AROUND A AMIS AUTOUR D'UN BABYFOOT OU D'UNE TABLE DE PING-PONG, TENNIS OR FOOTBALL TABLE, IN FRONT OF A DARTS TARGET OR IN DEVANT UNE CIBLE DE FLÉCHETTES OU SUR UNE PISTE DE BOWLING, A BOWLING ALLEY, BUT ALWAYS END IN A FIERCE COMPETITION .
    [Show full text]
  • VELVET UNDERGROUND & NICO 1966 Acetate LP ANDY WARHOL
    eBay: VELVET UNDERGROUND & NICO 1966 Acetate LP ANDY WARHOL (item 300054910309 end time Dec-08-06 20:27:23 PST) 12/09/2006 04:30 PM home | pay | register | sign out | site map Start new search Search Advanced Search Back to My eBay Listed in category: Music > Records Also listed in: Art > Mixed Media > Contemporary (1950-Now) VELVET UNDERGROUND & NICO 1966 Acetate LP ANDY WARHOL Item number: 300054910309 Alternate Takes/Mixes - Warhol's 1st Intended Release!! Email to a friend Bidding has ended for this item Sell an item like this or buy a similar item below. Meet the seller Winning bid: US $155,401.00 Seller: vinyl ( 6630 ) No payments for up to 6 months ? Apply Feedback: 99.9% Positive Member: since Jun-02-98 in United States Ended: Dec-08-06 20:27:23 PST Read feedback comments Shipping costs: Check item description and payment instructions or Ask seller a question contact seller for details Add to Favorite Sellers Ships to: Worldwide View seller's other items: Store | List Item location: Oakland, CA, United States Visit seller's Store: Saturn Vinyl History: 253 bids Winning bidder: mechadaddy ( 68 ) Buy safely 1. Check the seller's reputation Score: 6630 | 99.9% Positive You can also: Email to a friend | Sell one like this Read feedback comments View larger picture 2. Check how you're protected This item is covered up to $1,000 See Listing and payment details: Hide eligibility Starting time: Nov-28-06 20:27:23 PST Payment methods: PayPal, Other - See Payment Instructions Starting bid: US $0.99 for payment methods accepted This is a
    [Show full text]
  • De Freeport À Pickwick, En Passant Par Syracuse
    CHAPITRE 1 DE FREEPORT À PICKWICK, EN PASSANT PAR SYRACUSE « Et puis un beau matin, elle se branche sur une radio de New York Elle n’en croit pas ses oreilles Elle commence à danser sur ces accords géniaux Tu sais, c’est le rock qui lui a sauvé la vie. » —Lou Reed, Rock’n’roll elui qui s’appellera plus tard Lou Reed est le fils aîné et égoïste. Il a fréquenté le collège de Freeport, où il avait de Sidney George Rabinowitz, un New-Yorkais qui une vie intérieure animée, écrivant des poèmes et des Cavait anglicisé son nom avant de devenir comptable, nouvelles, mais il ne dédaignait pas les activités spor- et de Toby Futterman, reine de beauté devenue mère tives, l’athlétisme (la course et le saut à la perche) et le au foyer. Le couple aura cinq ans plus tard un second basket. Rêvant secrètement d’une carrière de rebelle enfant, Elizabeth, plus connue sous le nom de Bunny, devant un public, il réussit à convaincre ses parents de et quittera Brooklyn pour le quartier plus chic et typique lui acheter une moto, pour ressembler à Marlon Brando du rêve américain de Freeport, à Long Island, Lewis avait dans L’Équipée sauvage. Les poètes beatniks le fasci- alors onze ans. À l’image de beaucoup de mères juives, nent, ainsi que la culture underground gay. (« J’ai toujours Toby couvait son fiston jusqu’à parfois l’étouffer sous pensé que la seule manière qu’avaient les mômes de se son amour, tandis qu’en bon père juif, Sidney espérait rebeller contre leurs parents était de jouer sur leur identité secrètement qu’il reprenne « la boutique » une fois grand.
    [Show full text]
  • October 2011
    !350%2 #/,/33!, 5)*4 7). 02):%0!#+!'% /&84&3*&4*/'-6&/$&4 .0/5) 50/:8*--*".4 &ROM'RETSCH 3ABIAN 'IBRALTAR ,0 4OCA AND0ROTECTION2ACKET 6ALUED AT/VER /CTOBER 4HE7ORLDS$RUM-AGAZINE %36.$)"354 PAGE ."%&&"4: 6/%&345"/% 0%%5*.&4 2&#!&'*'.#..#01W !&"1+'2& 0',%',W'2 317 -+ 12'! ,361"403*(*/"-3"%*0,*/(4 4-:450/&4(3&(&33*$0 $)3*4$034"/00/"461&3/"563"-1"5) 5)&03:0'"%&"%."/4+0&:%"/%&/&"6 -ODERN$RUMMERCOM 3&7*&8&% 1&"3-3&'&3&/$&163&1"*45&103,1*&$)&33:#6#*/("4/"3&5:$00/7&35&9$"+0/4%36.$3"'54&3*&4'64*0/ Volume 35, Number 10 • Cover photo by Ash Newell CONTENTS Rahav Ash Newell 50 2011 MD FESTIVAL REPORT This past May 21, the hub of the drumming community was the Memorial Auditorium and Fox Theatre at New Jersey’s Montclair State University, the site of the twenty-first Modern Drummer Festival. Paul La Raia 38 CHAD SMITH Nearly thirty years after embarking on his life’s journey as a professional drum- mer, the bombastic one is at the top of his game, getting busy with the Chili Peppers, Chickenfoot, Kid Rock, and his beloved Meatbats. 14 UPDATE • Theory of a Deadman’s JOEY DANDENEAU • Drummer/Educator JIM PAYNE 60 CHRIS CORSANO • John Pizzarelli’s TONY TEDESCO • Indie Journeyman PATRICK BERKERY Between tone and technique, the remarkably “out” accomplice to Thurston Moore, Nels Cline, Björk, Paul Flaherty, and Jim • PATRICK HALLAHAN with Vanessa Carlton O’Rourke carves a supernatural percussive path. 66 INFLUENCES TONY WILLIAMS MD DIGITAL SUBSCRIBERS! When you see this icon, click on a shaded box on the page to open the audio player.
    [Show full text]
  • A School for Singing: the Poetics, Politics, and Aesthetics of the CBGB Scene Shaun Michael Cullen Springfield, PA M.A., Humanit
    A School for Singing: The Poetics, Politics, and Aesthetics of the CBGB Scene Shaun Michael Cullen Springfield, PA M.A., Humanities, University of Chicago, 2005 B.F.A., Cinema Studies, New York University, 2002 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of English Language and Literature University of Virginia December, 2013 © Copyright by Shaun Cullen All Rights Reserved November 2013 ii ABSTRACT On August 16, 1974, exactly one week after Richard Nixon’s resignation, the Ramones made their debut at CBGB. Over the next ten years, the club would become synonymous with the punk aesthetic that the Ramones embodied. By shifting, however temporarily and by no means completely, the focus of punk studies (and by extension, cultural studies, American studies, urban studies, and queer studies) back to an often disavowed origin point, CBGB and New York City, “A School for Singing” rediscovers a utopian imaginary inherent in that scene often taken to be one of the most shambolic and nihilistic in the history of postmodern arts and letters. Punk was not just a musical movement, it was an artistic event that had wider ramifications, felt across the art world, from the dingiest clubs to the most rarefied art galleries, publishing houses, and runways. Just this past year, the Costume Institute at the Metropolitan Museum of Art opened its fifth most popular exhibit of all time, “Punk: Chaos to Couture,” which features, among other mementos of the punk era, a faithful recreation of the CBGB bathroom, where “all the action happened,” as Patti Smith once quipped.
    [Show full text]
  • Richie Unterberger Collection ARS.0082ARS.0082
    http://oac.cdlib.org/findaid/ark:/13030/c8cc16h9 No online items Guide to the Richie Unterberger Collection ARS.0082ARS.0082 Nathan Coy and Benjamin E. Bates Archive of Recorded Sound 2019 [email protected] URL: http://library.stanford.edu/ars Guide to the Richie Unterberger ARS.0082761 1 Collection ARS.0082ARS.0082 Language of Material: English Contributing Institution: Archive of Recorded Sound Title: Richie Unterberger Collection Creator: Unterberger, Richie source: Unterberger, Richie Identifier/Call Number: ARS.0082 Identifier/Call Number: 761 Physical Description: 5.25 Linear Feet : 257 audio cassette(s), 1 cd rom, 436 computer file(s) (42.1 megabytes) Date (bulk): 1990-2010 Abstract: The items that comprise this collection are interviews that Richie Unterberger conducted in support of his many books, articles, and liner notes. The interviews primarily cover rock music of the 1960s and 1970s. Access Open for research; material must be requested at least two business days in advance of intended use. Contact the Archive of Recorded Sound for assistance. Source of acquisition The Richie Unterberger Collection was donated to the Archive of Recorded Sound by Richie Unterberger in 2011. Biographical / Historical Richie Unterberger is the author of numerous rock history books, including "Unknown Legends of Rock'n'Roll" and a history of 1960s folk-rock, "Jingle Jangle Morning." His book "The Unreleased Beatles: Music and Film" won a 2007 Association for Recorded Sound Collections Award for Excellence in Historical Recorded Sound Research. His other books include "White Light/White Heat: The Velvet Underground Day-By-Day" and "Won't Get Fooled Again: The Who from Lifehouse to Quadrophenia." He gives regular presentations on rock and soul history throughout the Bay Area incorporating rare vintage film clips and audio recordings, at public libraries and other venues.
    [Show full text]
  • Living Colour's
    SCHOOL OF ROCK ON BROADWAY: YOUNG GUNS THE WORLD’S #1 DRUM MAGAZINE WIN A $6,000 TAMA/MEINL KEYS PACKAGE 3TO STAYING CURRENT “YOU’RE TOO LOUD!” DEALING WITH THE DEATH STARE Living Colour’s Will Calhoun INSIDE SHADE AND CELEBRATING ELVIN JONES NOVEMBER 2016 + PLUS + TRIVIUM’S PAUL WANDTKE • READERS’ FAVE SNARE HEADS • DAFNIS PRIETO METHOD BOOK • YAMAHA RECORDING CUSTOM mfg U.S.A. 12 Modern Drummer June 2014 MCD Chain Drive Pedal Ad- 2016 (MD).indd 1 7/25/16 3:18 PM ONLY METAL DRUMMERS SHOULD BE ALLOWED TO USE DOUBLE BASS PEDALS.* * OH, YOU’RE NOT INTO HEADBANGING BUT YOU LIKE YOUR DOUBLE KICK? We know, drummers don’t always agree. Except when it comes to the new Evans UV1 10mil single-ply drumhead. 97% of drummers we asked said UV1 was as or more durable than their old heads, thanks to its patented UV-cured coating. They also overwhelmingly agreed it was livelier and more versatile. And then they hugged. Just kidding. They probably went back to debating double bass pedals. DISAGREE TO AGREE? JOIN THE DEBATE AT UV1.EVANSDRUMHEADS.COM ONLY METAL DRUMMERS SHOULD BE ALLOWED TO USE DOUBLE BASS PEDALS.* * OH, YOU’RE NOT INTO HEADBANGING BUT YOU LIKE YOUR DOUBLE KICK? We know, drummers don’t always agree. Except when it comes to the new Evans UV1 10mil single-ply drumhead. 97% of drummers we asked said UV1 was as or more durable than their old heads, thanks to its patented UV-cured coating. They also overwhelmingly agreed it was livelier and more versatile.
    [Show full text]