DOCSLIB.ORG

Richie Unterberger Collection ARS.0082ARS.0082

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

http://oac.cdlib.org/findaid/ark:/13030/c8cc16h9 No online items Guide to the Richie Unterberger Collection ARS.0082ARS.0082 Nathan Coy and Benjamin E. Bates Archive of Recorded Sound 2019 [email protected] URL: http://library.stanford.edu/ars Guide to the Richie Unterberger ARS.0082761 1 Collection ARS.0082ARS.0082 Language of Material: English Contributing Institution: Archive of Recorded Sound Title: Richie Unterberger Collection Creator: Unterberger, Richie source: Unterberger, Richie Identifier/Call Number: ARS.0082 Identifier/Call Number: 761 Physical Description: 5.25 Linear Feet : 257 audio cassette(s), 1 cd rom, 436 computer file(s) (42.1 megabytes) Date (bulk): 1990-2010 Abstract: The items that comprise this collection are interviews that Richie Unterberger conducted in support of his many books, articles, and liner notes. The interviews primarily cover rock music of the 1960s and 1970s. Access Open for research; material must be requested at least two business days in advance of intended use. Contact the Archive of Recorded Sound for assistance. Source of acquisition The Richie Unterberger Collection was donated to the Archive of Recorded Sound by Richie Unterberger in 2011. Biographical / Historical Richie Unterberger is the author of numerous rock history books, including "Unknown Legends of Rock'n'Roll" and a history of 1960s folk-rock, "Jingle Jangle Morning." His book "The Unreleased Beatles: Music and Film" won a 2007 Association for Recorded Sound Collections Award for Excellence in Historical Recorded Sound Research. His other books include "White Light/White Heat: The Velvet Underground Day-By-Day" and "Won't Get Fooled Again: The Who from Lifehouse to Quadrophenia." He gives regular presentations on rock and soul history throughout the Bay Area incorporating rare vintage film clips and audio recordings, at public libraries and other venues. He teaches courses on rock history at the University of San Francisco-affiliated Fromm Institute, the College of Marin, and Osher Lifelong Learning Institute branches in San Francisco, San Rafael, Berkeley, and Santa Clara. He has also written several hundred liner notes for reissues on various labels, including Rhino, Universal, Collectors' Choice, and Real Gone Music. Adapted from a biography provided by Richie Unterberger. Cite as Richie Unterberger Collection, ARS-0082. Stanford Archive of Recorded Sound, Stanford University Libraries, Stanford, CA. Scope and contents The Richie Unterberger collection consists of audio cassette recordings and electronic documents comprised of cassette interview transcripts and email interviews. The interviewees include pop culture musicians, managers, music producers, record executives, and journalists. These interviews are source material for many of Mr. Unterberger's books including "Unknown legends of Rock 'n' roll", "White Light/White Heat: The Velvet Underground Day-By-Day", "Turn! Turn! Turn!: The 60s Folk-Rock Revolution" and others. Restrictions Property rights reside with repository. Publication and reproduction rights reside with the creators or their heirs. To obtain permission to publish or reproduce, please contact the Head Librarian of the Archive of Recorded Sound. Subjects and Indexing Terms Folk-rock music Rock music -- England Psychedelic rock music Velvet Underground (Musical group) Who (Musical group) Unterberger, Richie Guide to the Richie Unterberger ARS.0082761 2 Collection ARS.0082ARS.0082 Audio Interviews Interviews, cassettes 1-37 Audio Interviews Arrangement Audiocassettes were numbered by Ritchie Unterberger. The original numerical order has been maintained. Processing Information Interviewee information sourced from audiocassette labels and cassette inserts. Interviews, cassettes 1-37 Box 1, Eddie Shaw 1996 December 21 audiocassette 1 Box 1, Barry Tashian 1996 December 2 audiocassette 2 Box 1, Darby Slick 1996 December 5 audiocassette 2 Box 1, Pat Jabbar 1996 November 30 audiocassette 3 Box 1, Dorothy Moskowitz (Part 2) 1996 November 19 audiocassette 4 Box 1, Wanda Jackson 1996 November 22 audiocassette 4 Box 1, Robert Wyatt 1996 November 18 audiocassette 5 Box 1, Dorothy Moskowitz (Part 1) 1996 November 19 audiocassette 5 Box 1, Mayo Thompson 1996 November 13 audiocassette 6 Box 1, Tony Thompson (Part 1) 1996 November 17 audiocassette 6 Box 1, David Rubinson 1996 November 10 audiocassette 7 Box 1, Gary Leeds (Part 1) 1996 November 12 audiocassette 7 Box 1, Bob Moses 1996 December 15 audiocassette 8 Box 1, Joe Boyd 1996 August 28 audiocassette 9 Box 1, Keith West 1996 August 29 audiocassette 10 Box 1, Pete Brown 1996 September 3 audiocassette 10 Box 1, Tony Dangerfield 1996 September 3 audiocassette 11 Box 1, Duffy Power 1996 September 4 audiocassette 11 Box 1, Brian Godding 1996 September 6 audiocassette 12 Box 1, Derek Lawrence 1996 September 6 audiocassette 12 Box 1, Screaming Lord Sutch 1996 September 9 audiocassette 13 Box 1, Bruce Licher 1996 September 24 audiocassette 13 Box 1, Doris Troy 1996 October 2 audiocassette 13 Guide to the Richie Unterberger ARS.0082761 3 Collection ARS.0082ARS.0082 Audio Interviews Interviews, cassettes 1-37 Box 1, Dave Aguilar 1996 November 7 audiocassette 14 Box 1, Joe Docko 1996 November 10 audiocassette 14 Box 1, Penelope Houston 1996 October 31 audiocassette 15 Box 1, Neil Innes 1996 November 11 audiocassette 15 Box 1, Gary Leeds (Part 2) 1996 November 12 audiocassette 16 Box 1, Peter Lewis 1996 November 12 audiocassette 16 Box 1, Tony Thompson (Part 2) 1996 November 17 audiocassette 16 Box 1, John Ike Walton 1996 December 6 audiocassette 17 Box 1, Craig Luckin 1996 December 10 audiocassette 17 Box 1, Jerry Donohue (Part 2) 1997 February 21 audiocassette 18 Box 1, Jesse Kincaid 1997 February 24 audiocassette 18 Box 1, Gary Marker (Part 1) 1997 February 25 audiocassette 18 Box 1, Billy Strange 1997 February 13 audiocassette 19 Box 1, Andy Ellison 1997 February 15 audiocassette 19 Box 1, Jerry Donahue (Part 1) 1997 February 21 audiocassette 19 Box 1, Peter Stampfel 1997 February 1 audiocassette 20 Box 1, Jerry Yester (Part 2) 1997 February 5 audiocassette 20 Box 1, Judy Henske 1997 February 5 audiocassette 21 Box 1, Jerry Yester (Part 1) 1997 February 5 audiocassette 21 Box 1, Chris Knox 1997 February 9 audiocassette 22 Box 1, Swamp Dogg 1997 February 10 audiocassette 22 Box 1, Al Casey 1997 February 6 audiocassette 23 Box 1, Bernard Stollman 1997 February 6 audiocassette 23 Box 1, Stuart Moxham 1997 February 9 audiocassette 23 Box 1, Merrell Fankhauser (Part 2) 1985 audiocassette 24 Box 1, Merrell Fankhauser (Part 1) 1985 audiocassette 25 Box 1, Glenn Campbell (Part 1) 1997 February 25 audiocassette 26 Box 1, Glenn Campbell (Part 2) 1997 February 25 audiocassette 27 Box 1, Poly Styrene 1997 January 22 audiocassette 28 Guide to the Richie Unterberger ARS.0082761 4 Collection ARS.0082ARS.0082 Audio Interviews Interviews, cassettes 1-37 Box 1, Chip Kinman 1997 January 22 audiocassette 28 Box 1, Larry & Lorrie Collins 1997 January 22 audiocassette 29 Box 1, Kevin Coyne 1997 January 26 audiocassette 29 Box 1, Thomas & Annisette Koppel 1997 January 26 audiocassette 30 Box 1, Sean Bonniwell (Part 1) 1997 January 28 audiocassette 31 Box 1, Michael Greisman 1997 January 29 audiocassette 32 Box 1, Ronnie Dawson 1997 January 29 audiocassette 32 Box 1, Martin Newell 1997 February 3 audiocassette 33 Box 1, Irmin Schmidt 1997 February 4 audiocassette 33 Box 1, Davy Graham 1997 January 20 audiocassette 34 Box 1, Stu Cook 1997 January 20 audiocassette 34 Box 1, John Peel 1997 January 24 audiocassette 34 Box 1, Sean Bonniwell (Part 2) 1997 January 28 audiocassette 34 Box 1, Peter Jesperson late 1990s audiocassette 35 Box 1, G Sus & Penny Rimbaud 1996 December 28 audiocassette 36 Box 1, Mick Farren 1996 December 30 audiocassette 37 Box 1, Holger Czukay 1997 January 18 audiocassette 37 Interviews, cassettes 38-75 Box 2, Thomas Meinecke 1996 December 25 audiocassette 38 Box 2, Calvin Johnson (Part 1) 1997 May 4 audiocassette 39 Box 2, Kerri Harrop 1997 May 1 audiocassette 39 Box 2, Wally Tax (Part 2) 1997 March 18 audiocassette 40 Box 2, Glenn Campbell (Part 2) 1997 February 27 audiocassette 41 Box 2, Bruce Botnick 1997 March 12 audiocassette 41 Box 2, Wally Tax (Part 1) 1997 March 18 audiocassette 41 Box 2, Gary Marker (Part 2) 1997 February 25 audiocassette 42 Box 2, Dave Pegg 1997 February 27 audiocassette 42 Box 2, Glenn Campbell (Part 1) 1997 February 27 audiocassette 42 Guide to the Richie Unterberger ARS.0082761 5 Collection ARS.0082ARS.0082 Audio Interviews Interviews, cassettes 38-75 box 2, Gina Birch 1996 December 12 audiocassette 43 box 2, Glen Phillips 1996 December 12 audiocassette 43 box 2, Chris Eckman 1997 June 10 audiocassette 44 box 2, Stephen Dunifer 1997 audiocassette 44 box 2, Greg Freeman 1997 audiocassette 44 box 2, Lou Adler 1997 audiocassette 44 box 2, Lee Townsend 1997 audiocassette 44 box 2, Sherry Snow aka Halimah Collingwood (Part 2) 2001 February 18 audiocassette 45 box 2, Barry McGuire 2000 December 12 audiocassette 45 box 2, Jesse Kincaid (Part 2) 2000 December 19 audiocassette 45 box 2, Larry Murray 2001 March 7 audiocassette 46 box 2, Rodney Dillard 2001 March 7 audiocassette 46 box 2, John Ware 2002 April 2 audiocassette 47 box 2, Mick Moloney 2002 April 6 audiocassette 47 box 2, Tim Rose 2001 February 12 audiocassette 48 box 2, Tony Hill 2001 February 6 audiocassette 49 box 2, John McNally (Part 1) 2001 February 7 audiocassette 49 box 2, John McNally (Part 2) 2001 February 7 audiocassette 50 box 2, Ian Anderson 2001 February 8 audiocassette 50 box 2, Izzy Young 2001 December 7 audiocassette 51 box 2, Eric Anderson 2001 October audiocassette 51 box 2, Judy Henske (Part 1) 2002 audiocassette 51 box 2, Alex Hassilev early 2002 audiocassette 52 box 2, Seymour Barab 2001 audiocassette 53 box 2, Tom Erickson, not an interview 2000 audiocassette 53 Box 2, Pete Frame Late 2001 audiocassette 53 Box 2, D.A.
Recommended publications
  • Soundstage! Mike Bloomfield, Al Kooper, Steve Stills – Super Session 03.06.09 07:56

    Soundstage! Mike Bloomfield, Al Kooper, Steve Stills – Super Session 03.06.09 07:56

    SoundStage! Mike Bloomfield, Al Kooper, Steve Stills – Super Session 03.06.09 07:56 February 2009 Mike Bloomfield, Al Kooper, Steve Stills - Super Session Speakers Corner/Columbia Records CS 9701 Format: LP Originally Released: 1968 Reissue Released: 2008 by Joseph Taylor [email protected] Musical Performance Recording Quality Overall Enjoyment In 1968, Al Kooper had just left Blood Sweat & Tears, the horn band he had started, and was an A&R man at Columbia Records. Guitarist Mike Bloomfield, whom Kooper had played with on Highway 61 Revisited, was also between bands, so Kooper called him up and suggested they jam in the recording studio. Two other musicians, bassist Harvey Brooks and drummer Eddie Hoh, joined them for a marathon nine-hour session (pianist Barry Goldberg sat in on a couple of tracks). The next day, Bloomfield was a no show and Kooper, in a panic, cast about for another guitarist. He was lucky enough to track down Steven Stills, whose band, Buffalo Springfield, had just split up. After another long session, Kooper had enough material to create an album. Super Session, co-credited to Bloomfield, Kooper, and Stills, cost $13,000 to record and became a gold record. Kooper had horn arrangements dubbed onto some of the tunes, but otherwise they were released as originally recorded, except for some editing on a version of Donovan’s "Season of the Witch." Bloomfield is the reason to own the record. His searing guitar work is astonishing, some of the best of his brief career. He plays with focused intensity and a powerful grasp of blues tradition.
  • Rosemary Lane the Pentangle Magazine

    Rosemary Lane the Pentangle Magazine

    Rosemary Lane the pentangle magazine Issue No 12 Summer 1997 Rosemary Lane Editorial... (thanks, but which season? and we'd Seasonal Greetings! rather have had the mag earlier!) o as the summer turns into autumn here we extensive are these re-issues of the Transatlantic are once more with the latest on Pentangle years - with over 30 tracks on each double CD in Rosemary Lane. In what now seems to be that the juxtaposition of the various musical its characteristic mode of production - i.e. long styles is frequently quite startling and often overdue and much anticipated - thanks for the refreshing in reminding you just how broad the reminders! - we nevertheless have some tasty Pentangle repertoire was in both its collective morsels of Pentangular news and music despite and individual manifestations. More on these the fact that all three current recording projects by in news and reviews. Bert and John and Jacqui remain works in progress - (see, Rosemary Lane is not the only venture that runs foul of the limitations of one human being!). there’s a piece this time round from a young Nonetheless Bert has in fact recorded around 15 admirer of Bert’s who tells how he sounds to the or 16 tracks from which to choose material and in ears of a teenage fan of the likes of Morrissey and the interview on page 11 - Been On The Road So Pulp. And while many may be busy re-cycling Long! - he gives a few clues as to what the tracks Pentangle recordings, Peter Noad writes on how are and some intriguing comments on the feel of Jacqui and band have been throwing themselves the album.
  • Montana Kaimin, April 17, 1981 Associated Students of the University of Montana

    Montana Kaimin, April 17, 1981 Associated Students of the University of Montana

    University of Montana ScholarWorks at University of Montana Associated Students of the University of Montana Montana Kaimin, 1898-present (ASUM) 4-17-1981 Montana Kaimin, April 17, 1981 Associated Students of the University of Montana Let us know how access to this document benefits ouy . Follow this and additional works at: https://scholarworks.umt.edu/studentnewspaper Recommended Citation Associated Students of the University of Montana, "Montana Kaimin, April 17, 1981" (1981). Montana Kaimin, 1898-present. 7140. https://scholarworks.umt.edu/studentnewspaper/7140 This Newspaper is brought to you for free and open access by the Associated Students of the University of Montana (ASUM) at ScholarWorks at University of Montana. It has been accepted for inclusion in Montana Kaimin, 1898-present by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Editors debate news philosophies By Doug O’Harra of the Society of Professional Montana Kaimin Reporter Journalists about a controversy arising out of the Weekly News’ , Two nearly opposite views of reporting of the trial and senten­ journalism and newspaper cing, and a Missoulian colum­ coverage confronted one another nist’s subsequent reply several yesterday afternoon as a Mon­ days later. tana newspaper editor defended On Sept. 3, Daniel Schlosser, a his paper’s coverage of the trial 36-year-old Whitefish man, was and sentencing of a man con­ sentenced to three consecutive 15- victed of raping young boys. year terms in the Montana State Before about 70 people, packed Prison for three counts of sexual in the University of Montana assault.
  • Dec. 22, 2015 Snd. Tech. Album Arch

    Dec. 22, 2015 Snd. Tech. Album Arch

    SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London.
  • June 2009 Did Really Well with the Mananan Song, Gaining at the VERY LATEST a 3Rd Prize in the Folk Song (9 and Under 14)

    June 2009 Did Really Well with the Mananan Song, Gaining at the VERY LATEST a 3Rd Prize in the Folk Song (9 and Under 14)

    IIAULLAULL MANNINAGHMANNINAGH JJIUIU KMANX MUSIC TODAY une j2009 mean souree king chiaullee supporting men in kilts! Stars of the Manx music world, King Chiaullee, have been chosen to support masters of bagrock, The Red Hot Chilli Pipers, as part of this year’s TT music line-up at the Villa Marina Gardens. On Sunday 7th June, the lads take to the stage for a what promises to be a true spectacle! Tickets only £10 online at: www.villagaiety.com www.kciom.com www.redhotchillipipers.co.uk strengyn supporting ‘the gathering’ JonnoPromotions in association with Manx Radio presents... The Gathering - Legends of Folk Rock 27th June, Gaiety Theatre, 7.30pm featuring The Gathering, Derrin Nauendorf, Strengyn. A Who’s Who of folk-rock musicians ... Clive Bunker (Jethro Tull, Pentangle), Jerry Donahue (Fairport Convention, Fotheringay), Ray Jackson (Lindisfarne), Matt Pegg (Procol Harum & Jethro Tull, son of Dave Pegg) & Doug Morter (The Albion Band, Magna Carta) with very special guest Kristina Donahue (who sang with Robert Plant at Cropredy Festival 2008). With support from awesome Australian singer songwriter Derrin Nauendorf and local support from guitar & mandolin duo Strengyn (Paul Rogers & Matt Kelly). Tickets £22.00 & £18.00 concs from the Welcome Centre, www.villagaiety.com and the hotline 694555 www.myspace.com/thegatheringonline www.myspace.com/derrinnauendorf ~ SESSIONS ~ THURS 9pm Singing session at The Brit, Ramsey FRI 8pm Tynwald Inn, St. Johns FRI 9pm Irish at The Mitre, Ramsey Last FRI of month 9pm, Kiaull as Gaelg, Albert, Port St Mary SAT 10pm Manx at The White House, Peel SUN 4pm Irish at the Traf, Douglas Cruinnaght Aeg Manx bands at Ramsey Rocks competitions The Ballaghs will again The Isle of Man Dept of Education and Manx storm the main stage at National Heritage are looking forward to Ramsey Rocks on Friday 2009’s Cruinnaght Aeg youth music, dance and 10 July.
  • Off the Beaten Track

    Off the Beaten Track

    Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious.
  • FRED NEIL LYRICS Compiled by Robin Dunn & Chrissie Van Varik

    FRED NEIL LYRICS Compiled by Robin Dunn & Chrissie Van Varik

    FRED NEIL LYRICS Compiled by Robin Dunn & Chrissie van Varik. Fred Neil (16 th March 1936 –7th July 2001) was one of the most compelling folk singer-songwriters in the 1960s and early 1970s. His marvellously deep, rich and impossibly low baritone enchanted everyone who has ever heard a Fred Neil song - and continues to do so. Surely one of the most beautiful voices in music. Bob Dylan said, “Fred had a strong, powerful voice, almost a bass voice, and a powerful sense of rhythm. He used to play mostly the type of songs that Josh White might sing. I used to sing and play harmonica for him, and then once in a while get to sing a song.” Yet as performer success eluded Fred, mainly because it was the last thing he pursued. A reluctance to tour didn’t help much either (a trait he shared with Bobby Charles and Harry Nilsson). According to his producer, Nik Venet, Fred was “probably the most famous and financially successful ‘cult artist’ in the history of the world...and could have been even bigger if he’d wanted to be....but he just didn’t!” Fred Neil showed up unexpectedly and was gone before you knew it. A loner and somewhat of a recluse, he was exceedingly hard to get to know and thus remained an enigma to most. John Sebastian, who played on his two Elektra albums, describes his background as “sketchy”. He is best known to the world through other people’s recordings of his material, such as ‘Everybody’s Talkin’’, made famous by Harry Nilsson as the theme to the movie Midnight Cowboy (and earned a Grammy) and ‘Other Side of This Life’, recorded by several but most notably by Jefferson Airplane.
  • Sound Recording in the British Folk Revival: Ideology, Discourse and Practice, 1950–1975

    Sound Recording in the British Folk Revival: Ideology, Discourse and Practice, 1950–1975

    Sound recording in the British folk revival: ideology, discourse and practice, 1950–1975 Matthew Ord Submitted in fulfilment of the degree of PhD International Centre for Music Studies Newcastle University March 2017 Abstract Although recent work in record production studies has advanced scholarly understandings of the contribution of sound recording to musical and social meaning, folk revival scholarship in Britain has yet to benefit from these insights. The revival’s recording practice took in a range of approaches and contexts including radio documentary, commercial studio productions and amateur field recordings. This thesis considers how these practices were mediated by revivalist beliefs and values, how recording was represented in revivalist discourse, and how its semiotic resources were incorporated into multimodal discourses about music, technology and traditional culture. Chapters 1 and 2 consider the role of recording in revivalist constructions of traditional culture and working class communities, contrasting the documentary realism of Topic’s single-mic field recordings with the consciously avant-garde style of the BBC’s Radio Ballads. The remaining three chapters explore how the sound of recorded folk was shaped by a mutually constitutive dialogue with popular music, with recordings constructing traditional performance as an authentic social practice in opposition to an Americanised studio sound equated with commercial/technological mediation. As the discourse of progressive rock elevated recording to an art practice associated with the global counterculture, however, opportunities arose for the incorporation of rock studio techniques in the interpretation of traditional song in the hybrid genre of folk-rock. Changes in studio practice and technical experiments with the semiotics of recorded sound experiments form the subject of the final two chapters.
  • 1715 Total Tracks Length: 87:21:49 Total Tracks Size: 10.8 GB

    1715 Total Tracks Length: 87:21:49 Total Tracks Size: 10.8 GB

    Total tracks number: 1715 Total tracks length: 87:21:49 Total tracks size: 10.8 GB # Artist Title Length 01 Adam Brand Good Friends 03:38 02 Adam Harvey God Made Beer 03:46 03 Al Dexter Guitar Polka 02:42 04 Al Dexter I'm Losing My Mind Over You 02:46 05 Al Dexter & His Troopers Pistol Packin' Mama 02:45 06 Alabama Dixie Land Delight 05:17 07 Alabama Down Home 03:23 08 Alabama Feels So Right 03:34 09 Alabama For The Record - Why Lady Why 04:06 10 Alabama Forever's As Far As I'll Go 03:29 11 Alabama Forty Hour Week 03:18 12 Alabama Happy Birthday Jesus 03:04 13 Alabama High Cotton 02:58 14 Alabama If You're Gonna Play In Texas 03:19 15 Alabama I'm In A Hurry 02:47 16 Alabama Love In the First Degree 03:13 17 Alabama Mountain Music 03:59 18 Alabama My Home's In Alabama 04:17 19 Alabama Old Flame 03:00 20 Alabama Tennessee River 02:58 21 Alabama The Closer You Get 03:30 22 Alan Jackson Between The Devil And Me 03:17 23 Alan Jackson Don't Rock The Jukebox 02:49 24 Alan Jackson Drive - 07 - Designated Drinke 03:48 25 Alan Jackson Drive 04:00 26 Alan Jackson Gone Country 04:11 27 Alan Jackson Here in the Real World 03:35 28 Alan Jackson I'd Love You All Over Again 03:08 29 Alan Jackson I'll Try 03:04 30 Alan Jackson Little Bitty 02:35 31 Alan Jackson She's Got The Rhythm (And I Go 02:22 32 Alan Jackson Tall Tall Trees 02:28 33 Alan Jackson That'd Be Alright 03:36 34 Allan Jackson Whos Cheatin Who 04:52 35 Alvie Self Rain Dance 01:51 36 Amber Lawrence Good Girls 03:17 37 Amos Morris Home 03:40 38 Anne Kirkpatrick Travellin' Still, Always Will 03:28 39 Anne Murray Could I Have This Dance 03:11 40 Anne Murray He Thinks I Still Care 02:49 41 Anne Murray There Goes My Everything 03:22 42 Asleep At The Wheel Choo Choo Ch' Boogie 02:55 43 B.J.
  • 2017 CATALOGUE for Over Forty Years Omnibus Press Has Been Publishing the Stories That Matter from the Music World

    2017 CATALOGUE for Over Forty Years Omnibus Press Has Been Publishing the Stories That Matter from the Music World

    2017 CATALOGUE For over forty years Omnibus Press has been publishing the stories that matter from the music world. Omnibus Press is the World’s/Europe’s largest specialist publisher devoted to music writing, with around thirty new titles a year, with a backlist of over two hundred and seventy titles currently in print and many more as digital downloads. Omnibus Press covers pop, rock, classical, metal, country, psyche, prog, electronic, dance, rap, jazz and many more genres, in a variety of formats. With books that tell stories through graphic art and photography, memoirs and biographies, Omnibus has constantly evolved its list to challenge what a music book can be and this year we are releasing our first talking books. Among Omnibus Press’ earliest acquisitions was Rock Family Trees, by acclaimed music archivist Pete Frame, three editions of which remain in print to this day and have been the basis of two BBC TV series. Over the following decades Omnibus published many best-selling, definitive biographies on some of rock’s greatest superstars. These include Morrissey & Marr: The Severed Alliance by Johnny Rogan, Dear Boy: The Life Of Keith Moon by Tony Fletcher, Uptight: The Velvet Underground Story by Victor Bockris, Catch A Fire: The Life of Bob Marley by Timothy White, Stevie Nicks - Visions, Dreams & Rumours by Zoë Howe, Without Frontiers The Life And Music Of Peter Gabriel by Daryl Easlea and Under The Ivy: The Life & Music of Kate Bush and George Harrison: Behind The Locked Door, both by Graeme Thomson, all of which are regularly cited by magazines and critics as being amongst the finest rock biographies ever published.
  • SA Evaluates ND Women's Security

    SA Evaluates ND Women's Security

    DelGrande elected chairman of HPC by Tim Sullivan HPC. "The chairman should pre­ Staff Reporter sent the budget quickly and choose the An Tostal chairman quickly. Chuck DelGrande. former The Rockne Trophy process should Fisher Hall president, was elected be speeded up, and the allocation the new Hall Presidents’ Council of funds procedure to halls for (HPC) chairman last night, de­ activities should be clearly defined. feating Mark Huard. ex-president The CLC (Campus Life Council) an independent student newspaper serving notre dame and st. mary's of Keenan Hall, in a meeting held representative that is picked should at the Randall Inn. DelGrande be ready to vote on issues such as replaces J.P. Russell, who has keg policy.” he concluded by been chairman for the past two stressing the importance of student years. relations. In his pre-election speech, Del­ The first vote was tied, and so a Grande outlined what he saw as the second ballot was taken. After his primary duties of the HPC chair­ victory, DelGrande commented. “ 1 man. saying, “Besides running the don’t want to redefine the roles of CJF announces results meetings every Tuesday, he must the HPC. I want to continue the administer responsibilities with the consin) and J R. M iller (Loyola). good points that I outlined in my byDave O’Keefe cians in each instrumental cate­ speakers present, and he must The awards were based on the speech. I’d like to work towards Staff Reporter gory. Piano: John Emche (Ohio fulfill his duties in Student Govern­ making the HPC the most repre­ State).
  • 11 Crossroads

    11 Crossroads

    ross COfficial newsletter R ads of the September 2011 9/11 artifact to be unveiled at commemorative event Candlelight, bagpipes, and goose bumps will be on order when Suwanee remembers loss, courage, and resilience dur- ing a 10th anniversary 9/11 commemorative ceremony to be held at 7 p.m. Saturday, September 10, at Town Center Park. Area residents are invited to attend this free event at which the 1,638-pound World Trade Center artifact that the City of Suwanee has acquired will be unveiled. The City obtained the artifact, which has been named Remembrance, from the Port Authority of New York and New Jersey in July. The piece, an exteri- or panel from the 101st-104th floors of CELEBRATE Community! one of the World Trade Center towers CELEBRATE Suwanee Day! that collapsed on September 11, 2001, 10 am–10 pm is described as the Saturday, September 17 lower one-third of three columns, but is Town Center Park so twisted and damaged that it’s difficult to distinguish the three columns. The piece is one of 236 structural steel ele- Details, line-ups, and schedules ments studied by the National Institute of Standards and beginning on page 6. Technology to determine probable causes of the post-impact collapse of the towers. In addition to the unveiling, the September 10 candlelight remembrance ceremony will honor public safety officials and INSIDE THIS ISSUE… others. Police, fire, and EMT officials from throughout Gwinnett County have been invited to the event. Fire trucks City lowers tax and police vehicles will be on display as part of the ceremony.