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Roy Sievers “A Hero May Die, but His Memory Lives On” ©Diamondsinthedusk.Com by BILL HASS I Had Missed It in the Sports Section and on the Internet
Roy Sievers “A Hero may die, but his memory lives on” ©DiamondsintheDusk.com By BILL HASS I had missed it in the sports section and on the internet. A friend of my mentioned it to me and sent me a link to the story. On April 3 – ironically, right at the start of the 2017 baseball season – Roy Sievers died at age 90. I felt a pang of deep sadness. After all, no matter how old you get, the little kid in you expects your heroes to live for- ever. As the years passed and I didn’t see any kind of obitu- ary on Sievers, I thought perhaps he might actually do that. I knew better, of course. Sometimes reality has a way of intruding on your impossible dreams, and maybe it’s just as well. I have never been much for having heroes. Oh, there are plenty of people I have admired and some of them have done heroic things. But a hero is someone who stays constant, someone you root for no matter what, and people in sports lend themselves to that. Roy Sievers was a genuine hero for me, and, really, the only athlete I ever put in that category. Let me explain why. In the early 1950s, when I first became aware of baseball, my family lived in the northern Virginia suburbs of Wash- ington, D.C. I rooted for the Washington Senators (known to their fans as the “Nats”), to whom the adjective “downtrod- den” was constantly applied, if not invented. Prior to the 1954 season, the Nats obtained Sievers in a trade with the Baltimore Orioles, formerly the St. -
Rosemary Lane the Pentangle Magazine
Rosemary Lane the pentangle magazine Issue No 12 Summer 1997 Rosemary Lane Editorial... (thanks, but which season? and we'd Seasonal Greetings! rather have had the mag earlier!) o as the summer turns into autumn here we extensive are these re-issues of the Transatlantic are once more with the latest on Pentangle years - with over 30 tracks on each double CD in Rosemary Lane. In what now seems to be that the juxtaposition of the various musical its characteristic mode of production - i.e. long styles is frequently quite startling and often overdue and much anticipated - thanks for the refreshing in reminding you just how broad the reminders! - we nevertheless have some tasty Pentangle repertoire was in both its collective morsels of Pentangular news and music despite and individual manifestations. More on these the fact that all three current recording projects by in news and reviews. Bert and John and Jacqui remain works in progress - (see, Rosemary Lane is not the only venture that runs foul of the limitations of one human being!). there’s a piece this time round from a young Nonetheless Bert has in fact recorded around 15 admirer of Bert’s who tells how he sounds to the or 16 tracks from which to choose material and in ears of a teenage fan of the likes of Morrissey and the interview on page 11 - Been On The Road So Pulp. And while many may be busy re-cycling Long! - he gives a few clues as to what the tracks Pentangle recordings, Peter Noad writes on how are and some intriguing comments on the feel of Jacqui and band have been throwing themselves the album. -
Sound Recording in the British Folk Revival: Ideology, Discourse and Practice, 1950–1975
Sound recording in the British folk revival: ideology, discourse and practice, 1950–1975 Matthew Ord Submitted in fulfilment of the degree of PhD International Centre for Music Studies Newcastle University March 2017 Abstract Although recent work in record production studies has advanced scholarly understandings of the contribution of sound recording to musical and social meaning, folk revival scholarship in Britain has yet to benefit from these insights. The revival’s recording practice took in a range of approaches and contexts including radio documentary, commercial studio productions and amateur field recordings. This thesis considers how these practices were mediated by revivalist beliefs and values, how recording was represented in revivalist discourse, and how its semiotic resources were incorporated into multimodal discourses about music, technology and traditional culture. Chapters 1 and 2 consider the role of recording in revivalist constructions of traditional culture and working class communities, contrasting the documentary realism of Topic’s single-mic field recordings with the consciously avant-garde style of the BBC’s Radio Ballads. The remaining three chapters explore how the sound of recorded folk was shaped by a mutually constitutive dialogue with popular music, with recordings constructing traditional performance as an authentic social practice in opposition to an Americanised studio sound equated with commercial/technological mediation. As the discourse of progressive rock elevated recording to an art practice associated with the global counterculture, however, opportunities arose for the incorporation of rock studio techniques in the interpretation of traditional song in the hybrid genre of folk-rock. Changes in studio practice and technical experiments with the semiotics of recorded sound experiments form the subject of the final two chapters. -
Informal Popular Music Learning Practice and Their Relevance for Formal Music Educators
17 INFORMAL POPULAR MUSIC LEARNING PRACTICE AND THEIR RELEVANCE FOR FORMAL MUSIC EDUCATORS Lucy Green Institute of Education, University of London Introduction I would like to start by listening to the opening of a song. It is performed by Nanette Welmans, an English popular musician who I interviewed as part of a study on how popular musicians learn. Nanette does all the singing on the recording, including the backing vocals; she plays all the instruments and she mixed the recording herself. She also composed the music and wrote the lyrics. Like the majority of popular musicians, she had hardly any formal music education at all. She had taken a few piano lessons when she was ten years old, but gave up because in her words: ‘I just couldn’t relate to them, at all’. She became a professional singer at the age of 17, but only went to a singing teacher later. She had two separate periods of taking lessons, mainly concentrating on diaphragm breathing. At the time of creating this song, she did not know how to read notation; and it emerged after the interview that she had notation dyslexia. She had never had any education in composition, form, harmony or counterpoint. There are three main questions I wish to address in this presentation. Firstly, how did she, and other musicians like her, go about the informal processes of acquiring their skills and knowledge; secondly, what kinds of attitudes and values did they bring to their learning experiences; thirdly, and more briefly, to what extent might it be beneficial to incorporate these learning practices into the formal environment of the general school music classroom? The research involved detailed interviews and some observations with 14 popular musicians living in and around London, UK, aged 15 to 50. -
Kit Young's Sale
KIT YOUNG’S SALE #91 1952 ROYAL STARS OF BASEBALL DESSERT PREMIUMS These very scarce 5” x 7” black & white cards were issued as a premium by Royal Desserts in 1952. Each card includes the inscription “To a Royal Fan” along with the player’s facsimile autograph. These are rarely offered and in pretty nice shape. Ewell Blackwell Lou Brissie Al Dark Dom DiMaggio Ferris Fain George Kell Reds Indians Giants Red Sox A’s Tigers EX+/EX-MT EX+/EX-MT EX EX+ EX+/EX-MT EX+ $55.00 $55.00 $39.00 $120.00 $55.00 $99.00 Stan Musial Andy Pafko Pee Wee Reese Phil Rizzuto Eddie Robinson Ray Scarborough Cardinals Dodgers Dodgers Yankees White Sox Red Sox EX+ EX+ EX+/EX-MT EX+/EX-MT EX+/EX-MT EX+/EX-MT $265.00 $55.00 $175.00 $160.00 $55.00 $55.00 1939-46 SALUTATION EXHIBITS Andy Seminick Dick Sisler Reds Reds EX-MT EX+/EX-MT $55.00 $55.00 We picked up a new grouping of this affordable set. Bob Johnson A’s .................................EX-MT 36.00 Joe Kuhel White Sox ...........................EX-MT 19.95 Luke Appling White Sox (copyright left) .........EX-MT Ernie Lombardi Reds ................................. EX 19.00 $18.00 Marty Marion Cardinals (Exhibit left) .......... EX 11.00 Luke Appling White Sox (copyright right) ........VG-EX Johnny Mize Cardinals (U.S.A. left) ......EX-MT 35.00 19.00 Buck Newsom Tigers ..........................EX-MT 15.00 Lou Boudreau Indians .........................EX-MT 24.00 Howie Pollet Cardinals (U.S.A. right) ............ VG 4.00 Joe DiMaggio Yankees ........................... -
JOE MAUER DAY •Q"Esgs0 G•Ltair-Ci`
STATE of MINNESOTA WHEREAS: Joseph Patrick Mauer was born in Saint Paul, Minnesota on April 19, 1983; and WHEREAS: Upon graduating from high school, Joe was selected by the Minnesota Twins as the number one overall pick in the first round of the 2001 Major League Baseball First-Year Player Draft; and WHEREAS: On April 5, 2004, Joe made his Major League debut at the Hubert H. Humphrey Metrodome, going 2-for-3 with two walks in the Twins' 7-4 victory over the Cleveland Indians; and WHEREAS: He became the first catcher to ever win the American League batting title, won three AL batting crowns overall, was a six-time AL All-Star, earned five Louisville Slugger "Silver Slugger Awards" and three Rawlings Gold Glove Awards, and was the 2009 AL Most Valuable Player; and WHEREAS: Joe spent his entire 15-year Major League career with the Minnesota Twins, and on September 30, 2018, he played his final game, retiring with a career .306 batting average, 2,123 hits, 428 doubles, 30 triples, 143 home runs, 923 RBI, 1,018 runs scored, and 939 walks; and WHEREAS: Joe ranks first in Minnesota Twins history for doubles, times on base, and games played as catcher; second in games played, hits, and walks; third in batting average, runs and total bases; fifth in RBI; and eleventh in home runs; and WHEREAS: Joe and his wife, Maddie, are active community leaders, annually hosting fundraisers and volunteering countless hours to various charities throughout Twins Territory; and WHEREAS: In 2019, Joe will become the eighth Minnesota Twin to have his number retired by the organization, joining Harmon Killebrew, Rod Carew, Tony Oliva, Kent Hrbek, Kirby Puckett, Bert Blyleven, and Tom Kelly. -
Bazooka Baseball Card Checklist
1959 Bazooka Baseball Checklist Richie Ashburn Hank Aaron (Name In White ) Hank Aaron (Name In Yellow ) Ernie Banks Ken Boyer Orlando Cepeda Bob Cerv Rocky Colavito Del Crandall Jim Davenport Don Drysdale Nellie Fox Jackie Jensen Harvey Kuenn Mickey Mantle Willie Mays Bill Mazeroski Roy McMillan Billy Pierce Roy Sievers Duke Snider Gus Triandos Bob Turley Vic Wertz 1960 Bazooka Baseball Checklist 1 Ernie Banks (Hand Cut) 2 Bud Daley (Hand Cut) 3 Wally Moon (Hand Cut) 4 Hank Aaron (Hand Cut) 5 Milt Pappas (Hand Cut) 6 Dick Stuart (Hand Cut) 7 Bob Clemente (Hand Cut) 8 Yogi Berra (Hand Cut) 9 Ken Boyer (Hand Cut) 10 Orlando Cepeda (Hand Cut) 11 Gus Triandos (Hand Cut) 12 Frank Malzone (Hand Cut) 13 Willie Mays (Hand Cut) 14 Camilo Pascual (Hand Cut) 15 Bob Cerv (Hand Cut) 16 Vic Power (Hand Cut) Compliments of BaseballCardBinders.com© 2019 1 17 Larry Sherry (Hand Cut) 18 Al Kaline (Hand Cut) 19 Warren Spahn (Hand Cut) 20 Harmon Killebrew (Hand Cut) 21 Jackie Jensen (Hand Cut) 22 Luis Aparicio (Hand Cut) 23 Gil Hodges (Hand Cut) 24 Richie Ashburn (Hand Cut) 25 Nellie Fox (Hand Cut) 26 Robin Roberts (Hand Cut) 27 Joe Cunningham (Hand Cut) 28 Early Wynn (Hand Cut) 29 Frank Robinson (Hand Cut) 30 Rocky Colavito (Hand Cut) 31 Mickey Mantle (Hand Cut) 32 Glen Hobbie (Hand Cut) 33 Roy McMillan (Hand Cut) 34 Harvey Kuenn (Hand Cut) 35 Johnny Antonelli (Hand Cut) 36 Del Crandall (Hand Cut) 34 Al Kaline (Hand Cut-Holding Two Bats) 35 Ken Boyer (Hand Cut-Cap To Waist) 36 Tommy Davis (Hand Cut-Batting) 1961 Bazooka Baseball Checklist 1 Art Mahaffey -
1960-63 Post Cereal Baseball Card .Pdf Checklist
1960 Post Cereal Box Panels Mickey Mantle Don Drysdale Al Kaline Harmon Killebrew Eddie Mathews Bob Cousy Bob Pettit Johnny Unitas Frank Gifford 1961 Post Cereal Baseball Card Checklist 1 Yogi Berra (Hand Cut) 1 Yogi Berra (Perforated) 2 Elston Howard (Hand Cut) 2 Elston Howard (Perforated) 3 Bill Skowron (Hand Cut) 3 Bill Skowron (Perforated) 4 Mickey Mantle (Hand Cut) 4 Mickey Mantle (Perforated) 5 Bob Turley (Hand Cut) 5 Bob Turley (Perforated) 6 Whitey Ford (Hand Cut) 6 Whitey Ford (Perforated) 7 Roger Maris (Hand Cut) 7 Roger Maris (Perforated) 8 Bobby Richardson (Hand Cut) 8 Bobby Richardson (Perforated) 9 Tony Kubek (Hand Cut) 9 Tony Kubek (Perforated) 10 Gil McDougald (Hand Cut) 10 Gil McDougald (Perforated) 11 Cletis Boyer (Hand Cut) 12 Hector Lopez (Hand Cut) 12 Hector Lopez (Perforated) 13 Bob Cerv (Hand Cut) 14 Ryne Duren (Hand Cut) 15 Bobby Shantz (Hand Cut) 16 Art Ditmar (Hand Cut) 17 Jim Coates (Hand Cut) 18 John Blanchard (Hand Cut) Compliments of BaseballCardBinders.com© 2019 1 19 Luis Aparicio (Hand Cut) 19 Luis Aparicio (Perforated) 20 Nelson Fox (Hand Cut) 20 Nelson Fox (Perforated) 21 Bill Pierce (Hand Cut) 21 Bill Pierce (Perforated) 22 Early Wynn (Hand Cut) 22 Early Wynn (Perforated) 23 Bob Shaw (Hand Cut) 24 Al Smith (Hand Cut) 24 Al Smith (Perforated) 25 Minnie Minoso (Hand Cut) 25 Minnie Minoso (Perforated) 26 Roy Sievers (Hand Cut) 26 Roy Sievers (Perforated) 27 Jim Landis (Hand Cut) 27 Jim Landis (Perforated) 28 Sherman Lollar (Hand Cut) 28 Sherman Lollar (Perforated) 29 Gerry Staley (Hand Cut) 30 Gene Freese -
A Geographical Look at Home Runs
Academic Forum 24 2006-07 A Geographical Look at Home Runs Fred Worth, Ph.D. Professor of Mathematics and Computer Science Abstract - In this paper, we will look at career home runs for major league baseball players based on the state in which they were born. Major league baseball is known for its interesting statistics. There are multitudes of numbers and multitudes of ways of looking at the numbers. For some now-forgotten reason, I once started looking at home runs by the state of birth of the home run hitter. This chart gives home runs by state (including the District of Columbia). Consider the chart below, where “n” denotes the number of players born in that state who have hit at least one major league home run. [Note: All data comes from Lee Sinin's Sabermetric Baseball Encyclopedia .] HRs n HRs n HRs n Alabama 7985 153 Kentucky 2851 100 North Dakota 284 7 Alaska 71 5 Louisiana 4057 97 Ohio 10682 369 Arizona 876 32 Maine 262 23 Oklahoma 5090 105 Arkansas 3252 61 Maryland 4729 101 Oregon 2293 46 California 41790 894 Massachusetts 4314 217 Pennsylvania 13666 493 Colorado 414 27 Michigan 5057 149 Rhode Island 1093 30 Connecticut 1999 76 Minnesota 2505 62 South Carolina 3496 88 D.C. 600 35 Mississippi 3256 84 South Dakota 122 10 Delaware 563 18 Missouri 6882 234 Tennessee 3045 102 Florida 8984 163 Montana 198 9 Texas 11238 303 Georgia 5672 139 Nebraska 1137 46 Utah 170 11 Hawaii 202 15 Nevada 200 8 Vermont 540 17 Idaho 712 11 New Hampshire 301 20 Virginia 2624 95 Illinois 11504 393 New Jersey 3830 146 Washington 2952 68 Indiana 3601 129 New Mexico 664 9 West Virginia 1803 50 Iowa 1611 75 New York 13008 404 Wisconsin 2534 83 Kansas 1756 66 North Carolina 3507 168 Wyoming 244 6 Not surprisingly, California has both the most home runs and the most 45000 home run hitters. -
Drummerissue
APRIL 2016—ISSUE 168 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM drumMER issue BILLYBILLY COBHAMCOBHAM DRUMDRUM SPECTRUMSPECTRUM DAVE CHAD BERNARD DONALD WECKL TAYLOR PURDIE BAILEY Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East APRIL 2016—ISSUE 168 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : Dave Weckl 6 by ken micallef [email protected] Andrey Henkin: [email protected] Artist Feature : Chad Taylor 7 by ken waxman General Inquiries: [email protected] On The Cover : Billy Cobham 8 by john pietaro Advertising: [email protected] Encore : Bernard Purdie by russ musto Editorial: 10 [email protected] Calendar: Lest We Forget : Donald Bailey 10 by donald elfman [email protected] VOXNews: LAbel Spotlight : Amulet by mark keresman [email protected] 11 Letters to the Editor: [email protected] VOXNEWS 11 by suzanne lorge US Subscription rates: 12 issues, $40 Canada Subscription rates: 12 issues, $45 In Memoriam 12 by andrey henkin International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or money order to the address above FESTIVAL REPORT or email [email protected] 13 Staff Writers CD Reviews 14 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Stuart Broomer, Thomas Conrad, Miscellany 36 Ken Dryden, Donald Elfman, Philip Freeman, Kurt Gottschalk, Event Calendar Tom Greenland, Anders Griffen, 38 Alex Henderson, Marcia Hillman, Terrell Holmes, Robert Iannapollo, Suzanne Lorge, Marc Medwin, Ken Micallef, Russ Musto, John Pietaro, Joel Roberts, As we head into spring, there is a bounce in our step. -
MADDY PRIOR– EFDSS Gold Badge Testimonial Maddy Prior Is Without Doubt One of the Best Known Voices from the English Folk Revi
MADDY PRIOR– EFDSS Gold Badge Testimonial Maddy Prior is without doubt one of the best known voices from the English folk revival, with a career spanning over forty years which continues today, and several key recordings which will always be identified with her, including by generations born long after the original release of those songs. Her work, however, has extended way beyond her global hits Gaudete and All Around my Hat. Born in Blackpool to Z-Cars co-creator Alan Prior, Maddy grew up in St Albans where she came to prominence in the late 1960’s in a duo with singer/ guitarist Tim Hart, who built a reputation on the folk club circuit, releasing two albums. In the early 1970’s they joined forces with Ashley Hutchings (of Fairport Convention) and Gay & Terry Woods, with the idea of fusing folk song with rock instrumentation and technique. The new group took its name from a traditional Lincolnshire ballad 'Horkstow Grange' - the tale of a character called Steeleye Span. As is well known, Steeleye Span took folk music out of the clubs and into the charts with a string of consistently strong hit albums, gold discs and world tours. Tim Hart and Maddy Prior remained the core of the group whose changing line-ups read like a Who's Who of British folk until Tim left for health reasons in 1980. Maddy continued to work with the band in its changing line-ups until 1997, when after two massive tours around the release of the album Time, she left the band after 28 years, only to return to work with them again from 2002 onwards, and is still touring with them today. -
Minutes of the Meeting of the Assembly Committee on Government Affairs
MINUTES OF THE MEETING OF THE ASSEMBLY COMMITTEE ON GOVERNMENT AFFAIRS Eightieth Session June 2, 2019 The Committee on Government Affairs was called to order by Chair Edgar Flores at 3:37 p.m. on Sunday, June 2, 2019, in Room 4100 of the Legislative Building, 401 South Carson Street, Carson City, Nevada. The meeting was videoconferenced to Room 4404B of the Grant Sawyer State Office Building, 555 East Washington Avenue, Las Vegas, Nevada. Copies of the minutes, including the Agenda (Exhibit A), the Attendance Roster (Exhibit B), and other substantive exhibits, are available and on file in the Research Library of the Legislative Counsel Bureau and on the Nevada Legislature's website at www.leg.state.nv.us/App/NELIS/REL/80th2019. COMMITTEE MEMBERS PRESENT: Assemblyman Edgar Flores, Chair Assemblyman William McCurdy II, Vice Chair Assemblyman Alex Assefa Assemblywoman Shannon Bilbray-Axelrod Assemblyman Richard Carrillo Assemblywoman Bea Duran Assemblyman John Ellison Assemblywoman Michelle Gorelow Assemblyman Gregory T. Hafen II Assemblywoman Melissa Hardy Assemblyman Glen Leavitt Assemblywoman Susie Martinez Assemblywoman Connie Munk Assemblyman Greg Smith COMMITTEE MEMBERS ABSENT: None GUEST LEGISLATORS PRESENT: Senator David R. Parks, Senate District No. 7 Senator Moises (Mo) Denis, Senate District No. 2 Minutes ID: 1421 *CM1421* Assembly Committee on Government Affairs June 2, 2019 Page 2 STAFF MEMBERS PRESENT: Jered McDonald, Committee Policy Analyst Asher Killian, Committee Counsel Connie Jo Smith, Committee Secretary Trinity Thom, Committee Assistant OTHERS PRESENT: Michael Brown, Director, Department of Business and Industry Bruce K. Snyder, Commissioner, Local Government Employee-Management Relations Board, Department of Business and Industry Carter Bundy, Political Action Representative, American Federation of State, County and Municipal Employees, AFL-CIO Richard P.