June 2009 Did Really Well with the Mananan Song, Gaining at the VERY LATEST a 3Rd Prize in the Folk Song (9 and Under 14)
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Off the Beaten Track
Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious. -
SANDY DENNY UNDER REVIEW: an Independent Critical Analysis, Limited Collectors Edition
SANDY DENNY UNDER REVIEW: An Independent Critical Analysis, Limited Collectors Edition The difference between a critical analysis of {$Sandy Denny} or {$The Velvet Underground} and {$The Rolling Stones} is that with a lot less information available on this extraordinary singer the audience is more limited. The good news is that this edition of the "Under Review" series actually lives up to the documentary status it claims, and does, indeed, hold one's attention and inform better than the {^Green Day: Under Review 1995-2000 The Middle Years}, which is basically a bunch of critics blowing lots of hot air. It seems with these "DVD/Fanzine" type commentaries that the lesser known the subject matter, the better the critique. Denny is a singer that deserves so much more acclaim and study, and this is an excellent starting point, as is the {$Kate Bush} "Under Review", and even the {$David Bowie} {^Under Review 1976-79 Berlin} analysis which concentrates on his dark but fun period. {$Fairport Convention} fiddler {$Dave Swarbrick}, journeyman {$Martin Carthy}, {$Cat Stevens} drummer {$Gerry Conway} of Denny's band, {$Fotheringay} and {$Pentangle}'s {$John Renbourn} contribute as does {$Fairport Convention} biographer {$Patrick Humphries}. That's the extra effort missing in some of these packages which makes this close to two hour presentation all the more interesting. Perhaps more important than the very decent {$Kate Bush} analysis by the {^Under Review} team, there's a "Limited Collector's Edition" with a cardboard slipcover. It's a very classy presentation and a very important history that deserves shelf space in any good library. -
Festival 30000 LP SERIES 1961-1989
AUSTRALIAN RECORD LABELS FESTIVAL 30,000 LP SERIES 1961-1989 COMPILED BY MICHAEL DE LOOPER AUGUST 2020 Festival 30,000 LP series FESTIVAL LP LABEL ABBREVIATIONS, 1961 TO 1973 AML, SAML, SML, SAM A&M SINL INFINITY SODL A&M - ODE SITFL INTERFUSION SASL A&M - SUSSEX SIVL INVICTUS SARL AMARET SIL ISLAND ML, SML AMPAR, ABC PARAMOUNT, KL KOMMOTION GRAND AWARD LL LEEDON SAT, SATAL ATA SLHL LEE HAZLEWOOD INTERNATIONAL AL, SAL ATLANTIC LYL, SLYL, SLY LIBERTY SAVL AVCO EMBASSY DL LINDA LEE SBNL BANNER SML, SMML METROMEDIA BCL, SBCL BARCLAY PL, SPL MONUMENT BBC BBC MRL MUSHROOM SBTL BLUE THUMB SPGL PAGE ONE BL BRUNSWICK PML, SPML PARAMOUNT CBYL, SCBYL CARNABY SPFL PENNY FARTHING SCHL CHART PJL, SPJL PROJECT 3 SCYL CHRYSALIS RGL REG GRUNDY MCL CLARION RL REX NDL, SNDL, SNC COMMAND JL, SJL SCEPTER SCUL COMMONWEALTH UNITED SKL STAX CML, CML, CMC CONCERT-DISC SBL STEADY CL, SCL CORAL NL, SNL SUN DDL, SDDL DAFFODIL QL, SQL SUNSHINE SDJL DJM EL, SEL SPIN ZL, SZL DOT TRL, STRL TOP RANK DML, SDML DU MONDE TAL, STAL TRANSATLANTIC SDRL DURIUM TL, STL 20TH CENTURY-FOX EL EMBER UAL, SUAL, SUL UNITED ARTISTS EC, SEC, EL, SEL EVEREST SVHL VIOLETS HOLIDAY SFYL FANTASY VL VOCALION DL, SDL FESTIVAL SVL VOGUE FC FESTIVAL APL VOX FL, SFL FESTIVAL WA WALLIS GNPL, SGNPL GNP CRESCENDO APC, WC, SWC WESTMINSTER HVL, SHVL HISPAVOX SWWL WHITE WHALE SHWL HOT WAX IRL, SIRL IMPERIAL IL IMPULSE 2 Festival 30,000 LP series FL 30,001 THE BEST OF THE TRAPP FAMILY SINGERS, RECORD 1 TRAPP FAMILY SINGERS FL 30,002 THE BEST OF THE TRAPP FAMILY SINGERS, RECORD 2 TRAPP FAMILY SINGERS SFL 930,003 BRAZAN BRASS HENRY JEROME ORCHESTRA SEC 930,004 THE LITTLE TRAIN OF THE CAIPIRA LONDON SYMPHONY ORCHESTRA SFL 930,005 CONCERTO FLAMENCO VINCENTE GOMEZ SFL 930,006 IRISH SING-ALONG BILL SHEPHERD SINGERS FL 30,007 FACE TO FACE, RECORD 1 INTERVIEWS BY PETE MARTIN FL 30,008 FACE TO FACE, RECORD 2 INTERVIEWS BY PETE MARTIN SCL 930,009 LIBERACE AT THE PALLADIUM LIBERACE RL 30,010 RENDEZVOUS WITH NOELINE BATLEY AUS NOELEEN BATLEY 6.61 30,011 30,012 RL 30,013 MORIAH COLLEGE JUNIOR CHOIR AUS ARR. -
Design Issues with 3D Maps and the Need for 3D Cartographic Design
Design Issues with 3D Maps and the Need for 3D Cartographic Design Principles Dave Pegg Abstract Design issues regarding the presentation of geographical information in a th ree- dimensional perspective are varied and complex. This paper looks at some of issues of 3D mapping stemming from its rapid development as a cartographic tool, its growing popularity and accessibility amongst users, and the 3D cartographic principles proposed to manage the design and presentation that are not covered by traditional cartographic principles. Introduction Multimedia cartography has been propelled forward by the rapid technological advances for the capture, manipulation and presentation of geographical data, with most map products now being developed digitally. The quality and accuracy of data capture, data storage & manipulation capabilities, as well as the advancements in software, mean that a cartographer now has the ability to digitally create spatially accurate, detailed and high resolution three-dimensional maps and visualizations. The advent of Digital terrain or elevation models make available the presentation of geographical data in three dimensional space, and allowing precise modelling of not only x and y locations, but the z height creating a three-dimensional landscape. In the case of three-dimensional cartographic mapping, there are many different applications that have been designed for the creation of 3D maps and visualizations, and the development of standards and guidelines in regards to the technical aspects of such models. 3D maps can be done in several different ways, each way creating a different representation of the landscape. 3D maps can be photorealistic, where the landscape is created to match the exact landscape, using techniques of overlaying ortho-photography over a 3D model, or can be “symbolistic”, where the maps are generalized and symbols designed to show object locations and information. -
PROCOL HARUM 2014 BIOGRAPHY Procol Harum Are Still Going Strong
PROCOL HARUM 2014 BIOGRAPHY Procol Harum are still going strong. March 2014 sees a new double CD, Inside/Outside, celebrating over forty years of studio and live recordings. In addition the spring will see a new download-only release, Some Long Road, featuring tracks from the band’s 2012 US tour. Alongside this Procol continue to tour many parts of the world, and are considering options on three continents at the moment. You could not be blamed for thinking that, with the monumental success of Procol's first smash hit, the band just stopped there, like so many others. Even the recently-awarded accolade of ‘most- played single of the past seventy-five years’ has not quelled their need to go forward: hence 2014’s new live album. In the past couple of years they have released ten re-mastered CD albums, plus the 2CD anthology Secrets of the Hive (all generally available in Europe, and sourceable on import); their DVDs In Concert with the Danish National Concert Orchestra and Live at Union Chapel have been widely acclaimed. There’s also a special 4-disc CD/DVD box-set compendium – aptly entitled All this and More – featuring 68 of the band’s many unique compositions: this prompted Classic Rock magazine to observe, ‘it’s small wonder The Who’s Tommy and Queen’s Bohemian Rhapsody can be traced to Procol’s influence’. It could be termed a plethora of Procol. The quality of writing and performance has remained Procol Harum’s gold standard through the gradually-mutating line-ups: each participating musician has kept the ideas flowing and prevented Procol from resting on their laurels. -
Simon Mcbride and Hugh Cornwell
Waterloo Street, St. Helens WA10 1PX www.citadel.org.uk Box Office: 01744 735436 Press Release: Tuesday 2nd July 2013 FOR IMMEDIATE RELEASE This week at The Citadel Arts Centre, St Helens Simon McBride and Hugh Cornwell The Citadel Arts Centre will be welcoming Simon McBride on Thursday 4 July and Hugh Cornwell of the Stranglers fame on Saturday 6 July 2013. Predicted to be the next Irish blues guitar hero in the footsteps of Rory Gallagher and Gary Moore, former Young Guitarist of the Year Simon McBride has undeniable guitar artistry combined with a fine voice and a real knack for creating memorable hooks and great melodies. His latest CD Crossing The Line is a fiery amalgam of guitar skills, songcraft and character-soaked vocals, spinning tales of girls, gambling and corporate avarice. Recorded in Northern Ireland and The USA, mixing of the album was placed in the experienced hands of New York-based Peter Denenberg, the veteran producer and engineer whose CV takes in everyone from Deep Purple to the Spin Doctors and Robert Cray. Rewind to the early-’90s, and you didn’t have to squint to spot future greatness in the unassuming kid from Belfast, who picked up his first guitar at ten and eschewed formal lessons to bend his fingers around the music of Free, Jeff Beck and Hendrix. Aged 15, Simon won Guitarist’s hotly-contested Young Guitarist of the Year competition in a Wembley Conference Centre showdown, and at 16, he turned pro, leaving education behind to wow the world as a hired gun in projects than ranged from metal with Sweet Savage, to R&B and soul with ex-Commitments vocalist Andrew Strong. -
ウィークエンド サンシャイン Playlist Archive Dj：ピーター・バラカン
ウィークエンド サンシャイン PLAYLIST ARCHIVE DJ：ピーター・バラカン 2018 年 4 月 7 日放送分 1. Why? (The King Of Love Is Dead) / Nina Simone // Soulful Anthology (The RCA Years) 2. Political World / Bettye LaVette w. Keith Richards // Things Have Changed 3. I Can See Clearly Now / Indra Rios-Moore // Carry My Heart 4. Give It Your Best / Indra Rios-Moore // Carry My Heart 5. Don't Disturb This Groove / Me'Shell Ndegeocello // Ventriloquism 6. Private Dancer / Me'Shell Ndegeocello // Ventriloquism 7. Gold / Hugh Masekela // Masekela ’66 - ’76 8. Minawa / Hugh Masekela // Masekela ’66 - ’76 9. Languta / Hugh Masekela // Masekela ’66 - ’76 10. When / Hugh Masekela // Masekela ’66 - ’76 11. Night In Tunisia / Hugh Masekela // Masekela ’66 - ’76 12. Colonial Man / Hugh Masekela // Masekela ’66 - ’76 13. Days Like This / Van Morrison // Days Like This 14. Yes We Can Can / The Pointer Sisters // The Pointer Sisters 2018 年 4 月 14 日放送分 1. Mulata Linda / Brenda Navarrete // Mi Mundo 2. Linda Morena / Quantic & His Combo Barbaro // Tradition In Transition 3. She Can Measure the History of Dreams / Kip Hanrahan // Crescent Moon Waning 4. All Us Working Class Boys / Kip Hanrahan // Crescent Moon Waning 5. Mixing Pot (Tacho) / Hermeto Pascoal // Slaves Mass 6. Don't You Lie to Me / Mike Bloomfield // From His Head to His Heart to His Hands 7. Across the Borderline / Ry Cooder // Get Rhythm 8. I Shall Not Be Moved / Pops Staples // Peace To The Neighborhood 9. Dimming Of The Day / Bonnie Raitt // Longing In Their Hearts 10. God's Comic / Elvis Costello // Spike 11. When You Wish Upon A Star / Ringo Starr // Stay Awake 12. -
'Across the Evening Sky': the Late Voices of Sandy Denny, Judy Collins
© Copyrighted Material Chapter 9 ‘Across the Evening Sky’: The Late Voices of Sandy Denny, Judy Collins and Nina Simone Richard Elliott In 2006, shortly before her 67th birthday, the American singer-songwriter Judy Collins undertook a tour of Australia and New Zealand, her first visit to the region in forty years. A number of press features and interviews accompanied Collins’s visit, several of which were still featured at the top of the ‘Press’ section of the artist’s website at the time of writing this chapter. One of the features, entitled ‘Who Knows Where the Time Goes?’ after one of Collins’s 1960s hits, presented a reflection on the artist’s career alongside observations on age and assertions of continued vitality.1 Another, entitled ‘Gem of a Voice Shines On’, described some of Collins’s most successful performances, including her recording of Joni Mitchell’s ‘Both Sides Now’. ‘Its harpsichord tinkling has dated’, wrote the journalist, ‘but Collins’ voice, warm and wise beyond its years, renders the song timeless.’2 I use these examples because they provide a foretaste of the themes of age, time and experience with which I wish to engage in this chapter, as well as a reference to the song upon which I will base my observations. The first aspect to note is the way in which an artist of Collins’s longevity can afford to leave her website out of date in terms of publicity; the fact that the featured stories are seven years old at the time of access matters little when considering an artist whose performing career spans more than five decades. -
A Folkrocker's Guide
A FOLKROCKER’S GUIDE – FOLKROCKENS FRAMVEKST 1965–1975 «The eletricifcation of all this stuf was A FOLKROCKER’S GUIDE some thing that was waiting to happen» TO THE UNIVERSE •1965–1975 – Martin Carthy «Folkrock» ble først brukt i 1965 som betegnelse på på Framveksten av folkrock i USA I Storbritania, i motsetning til i USA, kom «folkrock» til amerikanske musikere som The Byrds, den elektrifserte Bob og UK i tiåret 65–75 skapte Dylan, Simon & Garfunkel og – pussig nok – Sonny & Cher. mye av inspirasjonen for den å betegne elektrisk musikk basert på tradisjonell folke- Likevel er det i større grad møtet mellom rock og folkemusikk moderne visebølgen i Norden. musikk. i Storbritannia ca 1969–70 som ble bestemmende for hva vi Vi har bedt Morten Bing om å skrive om dette. Han er kon- på 1970-tallet kom til å legge i begrepet her hjemme. servator ved Norsk Folkemu- som hadde bakgrunn i folkrevivalen, en sanger og en felespiller – Sandy seum og var initiativtaker til men som allerede hadde forlatt Denny og Dave Swarbrick – som MORTEN BING Norges første folkrock gruppe tradisjonell folkemusikk til fordel for begge hadde bakgrunn i den Folque i 1973. egenskrevne låter. britiske folkrevivalen. Det var denne rdet «folke-rock» kombinasjonen, og resultatet, LP’n ble brukt første gang Dylan og Byrds Gruppa har sin kanskje siste På mange måter kan en si at den konsert på Rockefeller i Oslo Liege & Lief (1969), som var begyn- i Billboard 12.06.1965, engelske utviklingen gikk mot- nelsen på den britiske folkrocken. i en artikkel om Bob En viktig katalysator for framveksten 18. -
Fairport Convention Beyond the Ledge (Filmed Live at Cropredy '98) Mp3, Flac, Wma
Fairport Convention Beyond The Ledge (Filmed Live At Cropredy '98) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Folk, World, & Country Album: Beyond The Ledge (Filmed Live At Cropredy '98) Country: UK Released: 1999 Style: Folk Rock MP3 version RAR size: 1379 mb FLAC version RAR size: 1974 mb WMA version RAR size: 1127 mb Rating: 4.2 Votes: 845 Other Formats: ASF MP4 WMA DXD MOD APE MIDI Tracklist Hide Credits Programme Start : Meet On The Ledge 1 1:50 Arranged By, Performer – Ric SandersWritten-By – Richard Thompson The Lark In The Morning 2 6:14 Arranged By – Leslie*, Pegg*, Conway*, Sanders*, Nicol*Written-By – Traditional Life's A Long Song 3 3:00 Written-By – Ian Anderson Woodworm Swing 4 3:18 Written-By – Ric Sanders Crazy Man Michael 5 5:03 Written-By – Dave Swarbrick, Richard Thompson Dangerous 6 5:29 Written-By – Kristina Olsen The Flow 7 5:13 Arranged By – Ric SandersWritten-By – Chris Leslie Close To You 8 4:24 Written-By – Chris Leslie The Naked Highwayman 9 4:56 Written-By – Steve Tilston The Hiring Fair 10 6:57 Written-By – Ralph McTell Jewel In The Crown 11 3:31 Written-By – Julie Matthews Cosmic Intermezzo 12 5:29 Written-By – Ric Sanders The Bowman's Retreat 13 3:08 Written-By – Ric Sanders Who Knows Where The Time Goes 14 7:11 Featuring – Chris WhileWritten-By – Sandy Denny Come Haste 15 4:36 Arranged By – Leslie*, Pegg*, Conway*, Sanders*, Nicol*Written-By – Trad.* Spanish Main 16 4:40 Written-By – Chris Leslie, Maartin Allcock* John Gaudie 17 6:03 Written-By – Chris Leslie Matty Groves 18a 11:14 Arranged By – Leslie*, Pegg*, Conway*, Sanders*, Nicol*Written-By – Trad.* The Rutland Reel / Sack The Juggler 18b Written-By – Ric Sanders Meet On The Ledge Guest – Anna Ryden*, Chas McDevitt, Chris Knibbs, Chris While, Dave Cousins, David 19 7:10 Hughes , Rabbit*, Maartin Allcock*, P.J. -
May 2016 FREE
Issue 58 May 2016 FREE upporting ocal rts & erformers Last month ended on yet another sad musical note as Prince left this plane, if indeed he ever inhabited the same one as us mere mortals. Certainly not everyone's cup of Darjeeling but few could deny his supranatural talents whether in writing, playing, performing or inspiring; he was often cited as one of the most underrated guitarists, probably only though because he was so good at almost everything else. Tis a cliché but his like will certainly not be seen again: Sometimes It Snows In April indeed. MAY2016 On a brighter note April also saw a record-breaking (not literally hopefully) Record Store Day as local shops outdid themselves, despite some unfortunates queueing outside Rise in Worcester having to contend with snow flurries. The tills were SLAP MAGAZINE red hot though so we are told and business was more than brisk with no sign of the record (not 'vinyl' please) boom Unit 3a, Lowesmoor Wharf, slowing down any time soon. You can read and see much more Worcester WR1 2RS about what was an absolutely storming day, in Duncan Graves' Telephone: 01905 26660 review and photo spread on page 23. [email protected] And so we march into May (or it may still be March for all I know) somewhat trepidatiously: "Ne'er cast a clout til May is For advertising enquiries, please contact: out" goes the old farmers' saying; clout being yer coat not a [email protected] wallop! But the grass is ever growing as the festival season begins in earnest with The Beltane Bash, Cheltenham Jazz, EDITORIAL Mark Hogan - Editor Beat it!, Mello, Out To Grass, Wychwood, Breaking Bands, Winchcombe, Lechade, Tenbury and Lunar all imminent. -
Cassandra Music Credits
Music Trevor Lucas Ian Mason Post Sync and Music Recording Engineer Tony Buettel 'Stimulation' 'Sugar Free' Performed by Wa Wa Nee Courtesy of CBS and Epic Records Written by Paul Gray Published by MCA Gilbey 'Land of the Free' Written and Published and Performed by Bluey and Curly 'She's a Mystery' Written and Performed by John Brewster and Allan Lancaster Published by Rondor Music Co-composer Trevor Lucas: Richie Unterberger at Allmusic provides this brief profile of Trevor Lucas, here: Trevor Lucas was a secondary but notable figure in the British folk- rock scene of the late 1960s and 1970s, principally as a member of Fotheringay and the mid-'70s version of Fairport Convention. Originally from Australia, he came to the UK in the mid-1960s to work on the traditional folk circuit, and made an obscure and run- of-the-mill traditional folk solo album in 1966, Overlander. From late 1967 to late 1969, the singer-guitarist was in Eclection, a little- known British folk-rock group that made recordings with Elektra. Lucas became romantically involved with Fairport Convention singer Sandy Denny in the late 1960s, and together the pair formed Fotheringay, who made a good folk-rock album in 1970. Despite the group's considerable promise, it folded after that sole LP, when Denny, the biggest talent in the band by far, left for a solo career. Lucas joined Fairport Convention, who at that point had been shorn of all their original members, in mid-1972, with Denny (whom Lucas married in 1973) rejoining the band in early 1974.