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View Or Download Full Colour Catalogue May 2021
VIEW OR DOWNLOAD FULL COLOUR CATALOGUE 1986 — 2021 CELEBRATING 35 YEARS Ian Green - Elaine Sunter Managing Director Accounts, Royalties & Promotion & Promotion. ([email protected]) ([email protected]) Orders & General Enquiries To:- Tel (0)1875 814155 email - [email protected] • Website – www.greentrax.com GREENTRAX RECORDINGS LIMITED Cockenzie Business Centre Edinburgh Road, Cockenzie, East Lothian Scotland EH32 0XL tel : 01875 814155 / fax : 01875 813545 THIS IS OUR DOWNLOAD AND VIEW FULL COLOUR CATALOGUE FOR DETAILS OF AVAILABILITY AND ON WHICH FORMATS (CD AND OR DOWNLOAD/STREAMING) SEE OUR DOWNLOAD TEXT (NUMERICAL LIST) CATALOGUE (BELOW). AWARDS AND HONOURS BESTOWED ON GREENTRAX RECORDINGS AND Dr IAN GREEN Honorary Degree of Doctorate of Music from the Royal Conservatoire, Glasgow (Ian Green) Scots Trad Awards – The Hamish Henderson Award for Services to Traditional Music (Ian Green) Scots Trad Awards – Hall of Fame (Ian Green) East Lothian Business Annual Achievement Award For Good Business Practises (Greentrax Recordings) Midlothian and East Lothian Chamber of Commerce – Local Business Hero Award (Ian Green and Greentrax Recordings) Hands Up For Trad – Landmark Award (Greentrax Recordings) Featured on Scottish Television’s ‘Artery’ Series (Ian Green and Greentrax Recordings) Honorary Member of The Traditional Music and Song Association of Scotland and Haddington Pipe Band (Ian Green) ‘Fuzz to Folk – Trax of My Life’ – Biography of Ian Green Published by Luath Press. Music Type Groups : Traditional & Contemporary, Instrumental -
Stade Stade Stade Saturdays Saturdays Saturdays Stade Stade Stade Saturdays Saturdays Saturdays Stade Stade Stade Saturdays Saturdays Saturdays Stade Saturdays
stade stade stade saturdays saturdays saturdays stade stade stade saturdays saturdays saturdays stade stade stade saturdays saturdays saturdays stade saturdays White reversed logo when it appears on colours stade backgrounds etc.. stade saturdays Mono version saturdays May to October 2013 Stade Open Space, Hastings Free performances by the sea www.hastings.gov.uk/stadesaturdays stade stade stade saturdays saturdays saturdays stade stade stade saturdays saturdays saturdays stade stade stade saturdays saturdays saturdays stade saturdays www.hastings.gov.uk/stadesaturdays White reversed logo when it appears on colours stade backgrounds etc.. stade saturdays Mono version saturdays stade stade stade saturdays saturdays saturdays After a successful first year, Stade Saturdays returns for another exciting and As last year, Stade Saturdays, with a few exceptions (you’ll need to check the diverse season in 2013. programme), start at 7.30pm. If it’s Saturdaystade evening, thenstade the place tostade be is the The Stade Open Space is on the seafront in the heart of Hastings Old Town, nestling Stade in Hastings: a stroll along the seafront,saturdays a game of crazysaturdays golf, a visitsaturdays to a pub or beside the award-winning Jerwood Art Gallery, the traditional beach-launched restaurant, rounded off by a free performance on the seafront. fishing fleet and our iconic ‘net shops’. What could be better? It’s Famously Hastings. The first season had something for everyone, starting with a concert by Port Isaac’s stade stade stade saturdays saturdays saturdays Fisherman’s Friends, kicking off a programme of weekly events that included Councillor Peter Chowney the exhilarating dance of the Hofesh Shechter Company, through to the Cultural Lead Member for Regeneration Olympiad events such as the spectacular pyrotechnics of Pi-Leau, the Big Dance Hastings Borough Council. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI University Microfilms international A Bell & Howell Information Company 300 North! Z eeb Road, Ann Arbor, Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 9130640 The influence of Leonard B. Smith on the heritage of the band in the United States Polce, Vincent John, Ph.D. -
June 2009 Did Really Well with the Mananan Song, Gaining at the VERY LATEST a 3Rd Prize in the Folk Song (9 and Under 14)
IIAULLAULL MANNINAGHMANNINAGH JJIUIU KMANX MUSIC TODAY une j2009 mean souree king chiaullee supporting men in kilts! Stars of the Manx music world, King Chiaullee, have been chosen to support masters of bagrock, The Red Hot Chilli Pipers, as part of this year’s TT music line-up at the Villa Marina Gardens. On Sunday 7th June, the lads take to the stage for a what promises to be a true spectacle! Tickets only £10 online at: www.villagaiety.com www.kciom.com www.redhotchillipipers.co.uk strengyn supporting ‘the gathering’ JonnoPromotions in association with Manx Radio presents... The Gathering - Legends of Folk Rock 27th June, Gaiety Theatre, 7.30pm featuring The Gathering, Derrin Nauendorf, Strengyn. A Who’s Who of folk-rock musicians ... Clive Bunker (Jethro Tull, Pentangle), Jerry Donahue (Fairport Convention, Fotheringay), Ray Jackson (Lindisfarne), Matt Pegg (Procol Harum & Jethro Tull, son of Dave Pegg) & Doug Morter (The Albion Band, Magna Carta) with very special guest Kristina Donahue (who sang with Robert Plant at Cropredy Festival 2008). With support from awesome Australian singer songwriter Derrin Nauendorf and local support from guitar & mandolin duo Strengyn (Paul Rogers & Matt Kelly). Tickets £22.00 & £18.00 concs from the Welcome Centre, www.villagaiety.com and the hotline 694555 www.myspace.com/thegatheringonline www.myspace.com/derrinnauendorf ~ SESSIONS ~ THURS 9pm Singing session at The Brit, Ramsey FRI 8pm Tynwald Inn, St. Johns FRI 9pm Irish at The Mitre, Ramsey Last FRI of month 9pm, Kiaull as Gaelg, Albert, Port St Mary SAT 10pm Manx at The White House, Peel SUN 4pm Irish at the Traf, Douglas Cruinnaght Aeg Manx bands at Ramsey Rocks competitions The Ballaghs will again The Isle of Man Dept of Education and Manx storm the main stage at National Heritage are looking forward to Ramsey Rocks on Friday 2009’s Cruinnaght Aeg youth music, dance and 10 July. -
Off the Beaten Track
Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious. -
Group Protests Marine Presence , Qu.Wiidnesday, Jan
73. Vol. ,23, Issue 16 THE TRINITY February t£ 1975 Trinity College TRIPOD Hartford, Conn. Student Elections Fill 12 College Committees Student elections were held last Fred Lahey 55 Thursday, Jan. 30, in the lobby of Mather Policy Board (1) Mather Hall. Twenty-three Kim Jonas 28 (write-in* positions on 12 college committees Special Committee on FU»ap» were filled by the winning can- pointment, Tenure, and didates whose names and total Promotions (2) votes received appear below. Total Steve Kayman 127 voter turnout on election day was SheUa Driscoll 109 610. Student Activities Committee (3) Election Results Jim Cobbs 141 Academic Affairs Committee (1) Peter Pieragostini 141 Paul Sachs 176 Ramsay Gross 130 College Affairs Committee (1) Parking Appeals Board (3) Adrienne Mally 147 Stan Goldich 197 Curriculum Committee (1) Ralph Stone 172 Bill Levy 114 Craig Shields 156 Financial Affairs Committee (1) Studeiit Government Association Stan Goldich 159 Library Committee (1) Pat Heffernan 227 • George Stiffler 301 Sheila Driscoll 190 Mather Hall Board of Gover- Richard Chamberlain 140 nors— upperclass position (2) Barbara Husum 130 Mary Desmond 153 Bill O'Brien 117 Jay Morgan 148 Mather Hall Board of Gover- Trinity College Council (1) nors—freshman position (l) Mike Brown 19 (write-in) photo by Al Moore Reaction Mixed Group Protests Marine Presence , Qu.Wiidnesday, Jan. 29, an anti- hearing the parting words of a another location on campus. The tn&tmte {action led by Peter Jessop marine recruiter whom Margolis removal of the Marines might, '76 and John Bach, a 27 year old reported to have said, "I'll see you however, entail more than just a Hartford resident, distributed next year. -
Sound Recording in the British Folk Revival: Ideology, Discourse and Practice, 1950–1975
Sound recording in the British folk revival: ideology, discourse and practice, 1950–1975 Matthew Ord Submitted in fulfilment of the degree of PhD International Centre for Music Studies Newcastle University March 2017 Abstract Although recent work in record production studies has advanced scholarly understandings of the contribution of sound recording to musical and social meaning, folk revival scholarship in Britain has yet to benefit from these insights. The revival’s recording practice took in a range of approaches and contexts including radio documentary, commercial studio productions and amateur field recordings. This thesis considers how these practices were mediated by revivalist beliefs and values, how recording was represented in revivalist discourse, and how its semiotic resources were incorporated into multimodal discourses about music, technology and traditional culture. Chapters 1 and 2 consider the role of recording in revivalist constructions of traditional culture and working class communities, contrasting the documentary realism of Topic’s single-mic field recordings with the consciously avant-garde style of the BBC’s Radio Ballads. The remaining three chapters explore how the sound of recorded folk was shaped by a mutually constitutive dialogue with popular music, with recordings constructing traditional performance as an authentic social practice in opposition to an Americanised studio sound equated with commercial/technological mediation. As the discourse of progressive rock elevated recording to an art practice associated with the global counterculture, however, opportunities arose for the incorporation of rock studio techniques in the interpretation of traditional song in the hybrid genre of folk-rock. Changes in studio practice and technical experiments with the semiotics of recorded sound experiments form the subject of the final two chapters. -
THE Celebratingour 20Th Edition!
TM THEmagical February - July 2016 Issue 20 - £4.25 - $8.00 US - $9.00 CAN TIMES Environment, Natural Health, Spirituality, Folklore & More! CelebratingOur 20th Edition! Receive a free gift when you1 subscribe today! Mystical Markets in Canterbury City Artwork by Ed Org - www.obsidianart.co.uk Artwork by 26th March - 9th July - 1st October 2016 The Westgate Hall, Canterbury, Kent, CT1 2BT, UK Stalls & Info: 07845 438340 or Website: www.magicalfestivals.co.uk Editorial... Welcome to this extra special 20th edition of The Magical Times! As we reach the deadline for each edition I always find myself saying ‘we need more pages!’.There never seems to be enough space for all the submissions that are received and filtering through the articles is always a tough process. Moving to A4 format seemed the obvious solution and at what better time as we reach our 20th edition?! Since I was a child I had always wanted to publish my own magazine. It was only several years ago that a family member pulled out some copies of ‘Magic Magazine’ that I had created when I was about 10 years old. They had been stored up in the loft with with photographs and had been long forgotten about. And so, when the first issue was released just before my 18th birthday back in 2008 it was a dream come true. Inside the pages of issue 20 we have several photography features with artists from around the world. All of the contributors have created some very captivating pieces and each piece tells a story. Our 2016 Faerie Festival (which celebrates the 10th anniversary of Magical Festivals!) is set to headline The Roving Crows and in this issue we present and exclusive interview with the band themselves! We have two articles from Moon Books’ writers Sheena Cundy and Lucya Starza who write about Magick and the earth’s energies. -
Steeler Steeler Mp3, Flac, Wma
Steeler Steeler mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Steeler Country: Russia Released: 2003 Style: Heavy Metal MP3 version RAR size: 1949 mb FLAC version RAR size: 1383 mb WMA version RAR size: 1279 mb Rating: 4.3 Votes: 773 Other Formats: FLAC VOC MP2 MP1 MMF VOX FLAC Tracklist A1 Cold Day In Hell A2 Backseat Driver A3 No Way Out A4 Hot On Your Heels B1 Abduction B2 On The Rox B3 Down To The Wire B4 Born To Rock B5 Serenade Companies, etc. Phonographic Copyright (p) – Shrapnel Records Copyright (c) – Shrapnel Records Recorded At – Prairie Sun Recording Studios Mixed At – Prairie Sun Recording Studios Mastered At – The Automatt Published By – Varney Metal Music Co. Credits Backing Vocals [Additional Background Vocals] – Peter Marrino Bass, Backing Vocals – Rik Fox Drums – Mark Edwards Graphics [Graphic Design] – Bret H. Linford Lead Guitar – Ygnwie Malmsteen* Mastered By – Paul Stubblebine Other [Hair By] – Robert P. Richleigh Photography By [Back Cover Photo] – Neil Zlozower Photography By [Front Cover Photos] – Liz Kimmel, Mark Workman Producer – Mike Varney Recorded By [Assisted By], Mixed By [Assisted By] – Allen Isaacs, Mooka* Recorded By, Mixed By – Allen Sudduth Voice, Guitar – Ron Keel Written-By – Edwards* (tracks: A2, A3, B1 to B4), Fox* (tracks: B1), Keel* (tracks: A1 to A4, B2 to B5), Malmsteen* (tracks: A3, B1) Notes This is the very 1st pressing with misspelled Malmsteen's first name "YGNWIE" on back cover. This version has black labels with silver print. Recorded and Mixed at Prarie Sun Studios, Cotati, CA. Mastered at The Automatt, S.F., CA. -
“What Happened to the Post-War Dream?”: Nostalgia, Trauma, and Affect in British Rock of the 1960S and 1970S by Kathryn B. C
“What Happened to the Post-War Dream?”: Nostalgia, Trauma, and Affect in British Rock of the 1960s and 1970s by Kathryn B. Cox A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music Musicology: History) in the University of Michigan 2018 Doctoral Committee: Professor Charles Hiroshi Garrett, Chair Professor James M. Borders Professor Walter T. Everett Professor Jane Fair Fulcher Associate Professor Kali A. K. Israel Kathryn B. Cox [email protected] ORCID iD: 0000-0002-6359-1835 © Kathryn B. Cox 2018 DEDICATION For Charles and Bené S. Cox, whose unwavering faith in me has always shone through, even in the hardest times. The world is a better place because you both are in it. And for Laura Ingram Ellis: as much as I wanted this dissertation to spring forth from my head fully formed, like Athena from Zeus’s forehead, it did not happen that way. It happened one sentence at a time, some more excruciatingly wrought than others, and you were there for every single sentence. So these sentences I have written especially for you, Laura, with my deepest and most profound gratitude. ii ACKNOWLEDGMENTS Although it sometimes felt like a solitary process, I wrote this dissertation with the help and support of several different people, all of whom I deeply appreciate. First and foremost on this list is Prof. Charles Hiroshi Garrett, whom I learned so much from and whose patience and wisdom helped shape this project. I am very grateful to committee members Prof. James Borders, Prof. Walter Everett, Prof. -
WISHBONE ASH: Review and Pictures P.8 Ursaries: Arch from Uad Wed
Volume 49. Issue 4. Tues. Mar. 25, 1974. WISHBONE ASH: review and pictures p.8 ursaries: arch from uad wed. 26 1pm Page 2 do very well in the exams at the end of moral reasons. But it was all a joke, the year, unless he has in some way made wasn’t it? the knowledge contained in those essays Peter Keeble. his own. It is, after all, one of the fun Yes Peter, it was a joke. Your comments ctions of exams to provide a forum for ^CRACCUM Volume 49, Issue 4 however, only lead me to conclude that students to show what they know or perhaps those broadcasting officials were T( T uesday March 25, 1974 believe without the marker having to justified a few years back in deciding that worry about the probability that what he New Zealanders weren’t quite ready for is reading has been copied from someone satire. The author of this “anonymous am else. In many departments questions scurrilous article” was Bill Ralston who, ne differ .sufficiently from year to year to like you and me, is a Masters’ student in expose answers that are mere regurgit the Political Studies Dept. His ‘anonymity ation of someone else’s work with no 0 0 0 was neither requested nor intended - and Whether by real appreciation of the facts or argu Articles for CRACCUM are cunningly results from a “ technical error”. Ed imperialist de< ments involved. As for swopping essays squeezed out of their contributors by trade, aid, anc l with friends who have covered different Mike Rann, who is also the editor. -
Design Issues with 3D Maps and the Need for 3D Cartographic Design
Design Issues with 3D Maps and the Need for 3D Cartographic Design Principles Dave Pegg Abstract Design issues regarding the presentation of geographical information in a th ree- dimensional perspective are varied and complex. This paper looks at some of issues of 3D mapping stemming from its rapid development as a cartographic tool, its growing popularity and accessibility amongst users, and the 3D cartographic principles proposed to manage the design and presentation that are not covered by traditional cartographic principles. Introduction Multimedia cartography has been propelled forward by the rapid technological advances for the capture, manipulation and presentation of geographical data, with most map products now being developed digitally. The quality and accuracy of data capture, data storage & manipulation capabilities, as well as the advancements in software, mean that a cartographer now has the ability to digitally create spatially accurate, detailed and high resolution three-dimensional maps and visualizations. The advent of Digital terrain or elevation models make available the presentation of geographical data in three dimensional space, and allowing precise modelling of not only x and y locations, but the z height creating a three-dimensional landscape. In the case of three-dimensional cartographic mapping, there are many different applications that have been designed for the creation of 3D maps and visualizations, and the development of standards and guidelines in regards to the technical aspects of such models. 3D maps can be done in several different ways, each way creating a different representation of the landscape. 3D maps can be photorealistic, where the landscape is created to match the exact landscape, using techniques of overlaying ortho-photography over a 3D model, or can be “symbolistic”, where the maps are generalized and symbols designed to show object locations and information.