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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Group Protests Marine Presence , Qu.Wiidnesday, Jan
73. Vol. ,23, Issue 16 THE TRINITY February t£ 1975 Trinity College TRIPOD Hartford, Conn. Student Elections Fill 12 College Committees Student elections were held last Fred Lahey 55 Thursday, Jan. 30, in the lobby of Mather Policy Board (1) Mather Hall. Twenty-three Kim Jonas 28 (write-in* positions on 12 college committees Special Committee on FU»ap» were filled by the winning can- pointment, Tenure, and didates whose names and total Promotions (2) votes received appear below. Total Steve Kayman 127 voter turnout on election day was SheUa Driscoll 109 610. Student Activities Committee (3) Election Results Jim Cobbs 141 Academic Affairs Committee (1) Peter Pieragostini 141 Paul Sachs 176 Ramsay Gross 130 College Affairs Committee (1) Parking Appeals Board (3) Adrienne Mally 147 Stan Goldich 197 Curriculum Committee (1) Ralph Stone 172 Bill Levy 114 Craig Shields 156 Financial Affairs Committee (1) Studeiit Government Association Stan Goldich 159 Library Committee (1) Pat Heffernan 227 • George Stiffler 301 Sheila Driscoll 190 Mather Hall Board of Gover- Richard Chamberlain 140 nors— upperclass position (2) Barbara Husum 130 Mary Desmond 153 Bill O'Brien 117 Jay Morgan 148 Mather Hall Board of Gover- Trinity College Council (1) nors—freshman position (l) Mike Brown 19 (write-in) photo by Al Moore Reaction Mixed Group Protests Marine Presence , Qu.Wiidnesday, Jan. 29, an anti- hearing the parting words of a another location on campus. The tn&tmte {action led by Peter Jessop marine recruiter whom Margolis removal of the Marines might, '76 and John Bach, a 27 year old reported to have said, "I'll see you however, entail more than just a Hartford resident, distributed next year. -
Uriah Heep – 70S Music for Today
8/24/2017 Uriah Heep - 70s Music For Today The Latest News NEWS ENTERTAINMENT HEALTH SCIENCE POLITICS FOOD TECH Search Home / Entertainment / Uriah Heep – 70s Music For Today Uriah Heep – 70s Music For Today RECENT POSTS ENTERTAINMENT FEATURED NEWS 7 Steps to Writing an Awesome By Alexander Baron Business School Essay Bacteria Powered Solar Cell Makes Clean Energy Zika Virus Associated With New Type Of Brain Disease Pertussis (Whooping Cough) Immunisation Prole Raised Using Mice To Predict Zika Infection In People 2 0 1 0 1 0 0 0 6 2 0 SHARES a d y n f h k m The greatest music ever written, performed, improvised and recorded can be dated from 1963 – the breakthrough of The Beatles – until about the mid-1990s. Three hundred years from now, if Man still exists, our descendants will look back on the stars of that Golden Age with the same reverence reserved for Beethoven and Mozart today. https://www.infotextmanuscripts.org/tln/Uriah%20Heep%20-%2070s%20Music%20For%20Today-.html 1/3 8/24/2017 Uriah Heep - 70s Music For Today Uriah Heep were never in the same class as Barclay James Harvest, Deep Purple, Pink Floyd, UFO, or others in that genre, but nobody can fault their work ethic. From their formation in 1969 until 1980 they released 13 studio albums, the rst in June 1970. And they are still performing today. The band’s origins actually date back to 1967 when teenage guitarist Mick Box formed The Stalkers. Box is the only founder member in the current line-up. -
Music Globally Protected Marks List (GPML) Music Brands & Music Artists
Music Globally Protected Marks List (GPML) Music Brands & Music Artists © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document cannot be distributed, modified or reproduced in whole or in part without the prior expressed permission of DotMusic. 1 Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. Brands are eligible if they are globally-recognized and have been mentioned in established music trade publications. Please provide DotMusic with evidence that such criteria is met at [email protected] if you would like your artist name of brand name to be included in the DotMusic GPML. GLOBALLY PROTECTED MARKS LIST (GPML) - MUSIC ARTISTS DOTMUSIC (.MUSIC) ? and the Mysterians 10 Years 10,000 Maniacs © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document 10cc can not be distributed, modified or reproduced in whole or in part 12 Stones without the prior expressed permission of DotMusic. Visit 13th Floor Elevators www.music.us 1910 Fruitgum Co. 2 Unlimited Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. 3 Doors Down Brands are eligible if they are globally-recognized and have been mentioned in 30 Seconds to Mars established music trade publications. Please -
Slack Shack Album in Typical Ash Fashion, Mood Is Immediately Changed by with a Medium-Paced Song About "Hometown," a Light-Hearted, a Movie Star Grown Old
Sidelines, Jan. 21, 1975-9 European trip offers fun, credit ASB resurrects library bill How can you pick up six hours along with about 25 Eastern said. "What better way to study of history credit while spending Michigan students and one pro- the Renaissance than from a fun-filled weeks in Europe? fessor, will spend two weeks in centuries-old villa." Members of the ASB Legisla- ture resurrected a dormant re- History professor Ronald Mes- Vienna, two weeks in Munich, Cost of the program will be sier has the answer in a joint Germany, and two weeks in $1,000 plus MTSU's registration solution Thursday that would program with Eastern Michigan Florence, Italy, with weekends in for six semester hours. That clear the way for an extension of University. Salzburg, Austria, the Austrian payment covers round-trip library hours on Friday and Sun- day. "It's not simply a guided tour Alps and a tentatively scheduled transportation from Nashville, stop in Prague, Czechoslovakia. all rail fares in Europe, admis- Passage of the bill had been of Europe, but it is an academic blocked last fall by the Senate due program," Messier stressed. In addition to daily morning sion at each site, rooms and breakfast and lunch meals, Mes- to a disagreement as to whether About 15 MTSU students will classes, the group will visit sier said. the Friday extension should be leave Nashville June 26 bound for museums, monasteries, concerts added. Rep. Jeff Combos op- Vienna, Austria, and other Euro- and operas, Messier pointed out. If students already have credit in Western Civilization, Messier posed the extension at that time pean capitals to study the Re- saying that a Friday extension naissance period. -
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson, -
May 2016 FREE
Issue 58 May 2016 FREE upporting ocal rts & erformers Last month ended on yet another sad musical note as Prince left this plane, if indeed he ever inhabited the same one as us mere mortals. Certainly not everyone's cup of Darjeeling but few could deny his supranatural talents whether in writing, playing, performing or inspiring; he was often cited as one of the most underrated guitarists, probably only though because he was so good at almost everything else. Tis a cliché but his like will certainly not be seen again: Sometimes It Snows In April indeed. MAY2016 On a brighter note April also saw a record-breaking (not literally hopefully) Record Store Day as local shops outdid themselves, despite some unfortunates queueing outside Rise in Worcester having to contend with snow flurries. The tills were SLAP MAGAZINE red hot though so we are told and business was more than brisk with no sign of the record (not 'vinyl' please) boom Unit 3a, Lowesmoor Wharf, slowing down any time soon. You can read and see much more Worcester WR1 2RS about what was an absolutely storming day, in Duncan Graves' Telephone: 01905 26660 review and photo spread on page 23. [email protected] And so we march into May (or it may still be March for all I know) somewhat trepidatiously: "Ne'er cast a clout til May is For advertising enquiries, please contact: out" goes the old farmers' saying; clout being yer coat not a [email protected] wallop! But the grass is ever growing as the festival season begins in earnest with The Beltane Bash, Cheltenham Jazz, EDITORIAL Mark Hogan - Editor Beat it!, Mello, Out To Grass, Wychwood, Breaking Bands, Winchcombe, Lechade, Tenbury and Lunar all imminent. -
Playlists: April 2009 – June 2009 Interview: Joe Satriani
Playlists: April 2009 – June 2009 Date: SUNDAY APRIL 4 2009 TIME: 15:00 – 17:00 ARTIST TITLE ALBUM/YEAR TIME 1. RICKY WARWICK Can’t Wait For Tomorrow Belfast Confetti (2009) 3:03 2. THE ANSWER Tonight Everyday Demons (2009) 3:42 3. HEAVEN’S BASEMENT Tear Your Heart Out EP (2009) 3:57 4. CHICKENFOOT Soap On A Rope Chickenfoot (2009) 5:32 5. DAN REED Over And Done Voices OF Rock (2007) 4:39 6. DAN REED NETWORK Tiger In A Dress Slam (1989) 5:29 7. DAVID BOWIE Let’s Dance The Platinum Collection (2005) 4:07 8. STRATOVARIUS Winter Skies Polaris (2009) 6:44 9. PENDRAGON Space Cadet Pure (2009) 4:02 10. SIMPLE MINDS Kiss And Fly Graffiti Soul(2009) 5:01 11. VOODOO CIRCLE Dream Of Eden Voodoo Circle (2008) 6:04 12. IMPELLITTERI Garden Of Eden Wicked Maiden (2009) 5:15 13. IAN GILLAN Don’t Stop One Eye To Morocco (2009) 2:35 14. PETER FRAMPTON Show Me The Way Frampton Comes Alive (1976) 4:41 15. RAINBOW Kill The King Live In Dusseldorf 1976 (2006) 4:49 16. FIRST CHILD Have Mercy Queen Of Hearts (2009) 4:53 17. NATASCHA SOHL Dirty Little Word Dirty Little Word (2009) 3:27 18. NATASCHA SOHL If I Was A Boy Dirty Little Word (2009) 4:10 19. NATASCHA SOHL Habit Dirty Little Word (2009) 3:47 20. BEN HARPER Shimmer And Shine Single (2009) 3:06 21. SCOUTING FOR GIRLS Keep On Walking Single (2009) 3:32 22. THE HOURS These Days See The Light (2009) 3:55 23 QUEENSRYCHE Sliver American Soldier (2009) 3:09 Date: SUNDAY APRIL 12 2009 TIME: 15:00 – 17:00 ARTIST TITLE ALBUM/YEAR TIME 1. -
Topps Tiles Plc Annual Report and Accounts for the 52 Week Period Ended 1 October 2016
TOPPS TILES PLC ANNUAL REPORT AND ACCOUNTS FOR THE 52 WEEK PERIOD ENDED 1 OCTOBER 2016 TOPPS TILES PLC ANNUAL REPORT TOPPS TILES PLC ANNUAL REPORT AND ACCOUNTS FOR THE 52 WEEK PERIOD ENDED 1 OCTOBER 2016 STOCK CODE: TPT Topps Tiles Annual Report 2016 Front.indd 3 25153.04 9 December 2016 3:56 PM Proof 5 09/12/2016 16:01:29 Our strategy of “Out-Specialising At a Glance the Specialists” remains very much at the heart of what we do Topps is the UK’s leading specialist retailer of tiles. and the management team will Our business is focused on the tile market for refurbishment continue to evolve the key strands of domestic housing and provides an industry leading range of tiles and associated accessories to this of this strategy to maximise the market. Our customer base includes both homeowners opportunities to drive performance. (predominantly retail customers) and tile fitters (trade customers) and our business is based on a broadly The business has continued to even split between the two customer types. demonstrate it can lead the market Our colleagues are a key ingredient of our business model through a combination of inspiring – our customers rely on our expert product knowledge and world class customer service. its customers, offering a leading range and maximising convenience. 352 STORES 18 3 51 CORPORATE WEBSITE We maintain an 49 16 investors website containing a wide 79 136 range of information of interest to investors. Topps has over 350 stores across the UK with a broad geographic reach which means that most customers require less than a 20 minute drive time to reach their local store. -
Sound and Vision ‐ Bookforum.Com / in Print
12/9/2010 sound and vision ‐ bookforum.com / in print reviews omnivore paper trail in print syllabi outposts archive advertise contact us artforum subscribe sign in register follow us search IN PRINT SEPT/OCT/NOV 2010 Sound and Vision Remembering albums for the look as much as the music PETER TERZIAN Maybe for you it was the old man with the bundle of sticks on his back, or the monkey with the halo and the floating numbers, or the two businessmen, one on fire, shaking hands. For me it was the woman on the frozen pond. I looked at the cover of Joni Mitchell's Hejira a lot when I was sixteen years old—this was in the mid-1980s, a decade after the album came out. It wasn't the portrait of the singer on the front that so fascinated me, although SEPT/OCT/NOV 2010 CONTENTS her broad, triangular silhouette is what now comes to mind when I think of the album—has, in fact, become shorthand in my memory for all the music Ben Kafka on Craig Roberts on's The Passport in I consumed, the hours spent playing records and studying their sleeves, America: The History of a during that period of developmental listening. Hejira was released in 1976; Document the year before, Patti Smith had assumed a Frank Sinatra stance on the The Anthology of Rap edited cover of Horses, with a man's blazer casually thrown over one shoulder. by Adam Bradley and Andrew DuBois Mitchell wears a fur coat and beret and some discreet jewelry on Hejira, and her long blond hair is swept to one side, but her pose is pure Sinatra Richard Yates by Tao Lin as well: one hand in a pocket, a cigarette sticking out from between two City Limits fingers. -
Wishbone Ash – Twin Barrels Burning + Raw
Wishbone Ash – Twin Barrels Burning + Raw To The Bone (Rereleases) (53:30, 39:40 / 57:35, 44:20, CD, Picture-Vinyl, Cherry Red, 2018) Zugegeben zählen beide Releases der Twin-Guitars nicht unbedingt zu den Sternstunden von Wishbone Ash – weder von den Songs noch vom Cover, welche grenzwertig („Twin Barrels Burning“) bis absolut vergeigt („To The Bone“) daherkommen. Die Band war in den Achtzigern angekommen – kein gutes Jahrzehnt für sie, obwohl man mit einem Album wie „Just Testing“ noch ganz gut begann, da es mit Songperlen wie ‚Living Proof‘ und ‚Helpless‘ aufwarten konnte. Auffallend war weiterhin der Verschleiß an Bassisten. Der in Proggerkreisen geschätzte John Wetton hatte 1981 für das Album „Number The Brave“ das Gründungsmitglied Martin Turner ersetzt. Es folgte Trevor Bolder (Uriah Heep) auf „Twin Barrels Burning“ und Mervyn Spence (Trapeze) auf „Raw To The Bone“. Das Jahrzehnt klang schließlich mit Andy Pyle (The Kinks) aus, der überdies auch noch einmal ausgetauscht wurde. Und das vom wieder in die Band hinzustoßenden Urmitglied Turner. Eben diese Unbeständigkeit färbte auch auf die Produktionen ab, die leider kaum noch etwas mit der Extravaganz zu tun hat, welche ja Wishbone Ash zu einer der erfolgreichsten Rock-Acts der Siebziger gemacht hatte. Mit Andy Powell und Schlagzeuger Steve Upton waren zwar noch Musiker aus der Anfangszeit präsent – ebenso ein Laurie Wisefield, der die Ash-Alben seit dem genialen „There’s The Rub“ gitarrentechnisch veredelte, aber irgendwie war von der ehemaligen melodiösen Energie kaum noch etwas zu spüren. Beide Platten enthalten Hardrocksongs Marke Nullachtfuffzehn und können leider kaum jemanden vom Hocker reißen. Immerhin hat sich das Remaster gelohnt, da die Werke tatsächlich klangtechnisch aufgemöbelt wurden. -
Psaudio Copper
Issue 109 APRIL 20TH, 2020 This issue’s cover: Judy Garland (1922 – 1969). One of the most iconic actresses, recording artists and performers of all time. Though haunted by personal struggles, she attained greatness that few ever achieved. Somewhere over the rainbow, skies are blue. Like everyone else, we at Copper have been impacted by the coronavirus, whether by disruption in our work and home lives to financial impact, stress, anxiety and writer’s block. And yes, one of us contracted the virus – thankfully, he’s doing OK. So, over the next few issues you might see some changes – temporary absence of some writers, a different balance of articles and other differences from the usual. We trust you’ll understand, and we look forward to when these pages, and our lives, reach a new equilibrium. It is with great sadness that we note the passing of Stereophile deputy editor Art Dudley. He was one of the finest men ever to grace the audio industry. My tribute to him is in these pages. Also in this issue: Rich Isaacs begins a series on Italian progressive rock with a look at the great PFM (Premiata Forneria Marconi). Ken Sander takes us on a wild rock and roll ride with Eric Burdon and War. Professor Larry Schenbeck continues his series on immersive sound. WL Woodward gets jazzed about bass. John Seetoo concludes his series on legendary Yellow Magic Orchestra/film composer/techno-pop pioneer Ryuichi Sakamoto. In a special report we ask audio companies how they’re responding to the COVID-19 crisis.