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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Mike Mangini
/.%/&4(2%% 02):%3&2/- -".#0'(0%4$)3*4"%-&34&55*/(4*()54 7). 9!-!(!$25-3 VALUED ATOVER -ARCH 4HE7ORLDS$RUM-AGAZINE 0/5)& '0$64)*)"5 "$)*&7&5)&$-"44*$ 48*/(406/% "35#-",&: 5)&.&/503 50%%46$)&3."/ 45:-&"/%"/"-:4*4 $2%!-4(%!4%23 Ê / Ê" Ê," Ê/"Ê"6 , /Ê-1 -- (3&(03:)65$)*/40/ 8)&3&+";;41"45"/%'6563&.&&5 #6*-%:06308/ .6-5*1&%"-4&561 -ODERN$RUMMERCOM 3&7*&8&% 5"."4*-7&345"33&.0108&34530,&130-6%8*("5-"4130)"3%8"3&3*.4)05-0$."55/0-"/$:.#"-4 Volume 36, Number 3 • Cover photo by Paul La Raia CONTENTS Paul La Raia Courtesy of Mapex 40 SETTING SIGHTS: CHRIS ADLER Lamb of God’s tireless sticksman embraces his natural lefty tendencies. by Ken Micallef Timothy Saccenti 54 MIKE MANGINI By creating layers of complex rhythms that complement Dream Theater’s epic arrangements, “the new guy” is ushering in a bold and exciting era for the band, its fans, and progressive rock music itself. by Mike Haid 44 GREGORY HUTCHINSON Hutch might just be the jazz drummer’s jazz drummer— historically astute and futuristically minded, with the kind 12 UPDATE of technique, soul, and sophistication that today’s most important artists treasure. • Manraze’s PAUL COOK by Ken Micallef • Jazz Vet JOEL TAYLOR • NRBQ’s CONRAD CHOUCROUN • Rebel Rocker HANK WILLIAMS III Chuck Parker 32 SHOP TALK Create a Stable Multi-Pedal Setup 36 PORTRAITS NYC Pocket Master TONY MASON 98 WHAT DO YOU KNOW ABOUT...? Faust’s WERNER “ZAPPI” DIERMAIER One of Three Incredible 70 INFLUENCES: ART BLAKEY Prizes From Yamaha Drums Enter to Win We all know those iconic black-and-white images: Blakey at the Valued $ kit, sweat beads on his forehead, a flash in the eyes, and that at Over 5,700 pg 85 mouth agape—sometimes with the tongue flat out—in pure elation. -
Artist / Bandnavn Album Tittel Utg.År Label/ Katal.Nr
ARTIST / BANDNAVN ALBUM TITTEL UTG.ÅR LABEL/ KATAL.NR. LAND LP A AC/DC HIGH VOLTAGE 1975 ATL 50257 GER LP Debuten til hardrocker'ne fra Down Under. AC/DC POWERAGE 1978 ATL 50483 GER LP 6.albumet i rekken av mange utgivelser. ACKLES, DAVID AMERICAN GOTHIC 1972 EKS-75032 USA LP Strålende låtskriver, albumet produsert av Bernie Taupin, kompisen til Elton John. AEROSMITH PUMP 1989 GEFFEN RECORDS 924254 EUR LP Steven Taylor, Joe Perry, Tom Hamilton, Joey Kramer. Spilt inn i Canada. AKKERMAN, JAN & KAZ LUX JAN AKKERMAN & KAZ LUX 1976 ATLANTIC K 50320 UK LP Akkermann med et mere bluespeget album, sammen med bluesvokalist Kaz Lux. AKKERMAN, JAN JAN AKKERMAN 1977 ATLANTIC 50420 HOL LP Soloalbum fra den glimrende gitaristen fra nederlandske progbandet Focus. 20TH CENTURY FOX MOV- ALAN PARSONS PROJECT, THE TALES OF MYSTERY AND IMAGINATION 1976 POR LP Portugisisk LP utgivelse, basert på tekster av Edgar Allan Poe.Hipgnosis cover. 7003 ALAN PARSONS PROJECT, THE I ROBOT 1977 ARISTA 062-99168 SWE LP Coverdesign av Hipgnosis En av de beste med Alan Parsons,med tysk symf.orkester,vocalhjelp fra Leslie Duncan, ALAN PARSONS PROJECT, THE EVE 1979 ARISTA 201 157 HOL LP Clare Torry (P:Floyd), hun med den utrolige bra vocalen i Great gig in the sky (Dark side of the moon).Coverdesisgn av Hipgnosis. Hjelp av Elmer Ganrtry (Velvet Opera) på vocal.Tysk symf.orch.Cover av Kevin Godley & ALAN PARSONS PROJECT, THE THE TURN OF A FRIENDLY CARD 1980 ARISTA I-203000 SPA LP Lol Creme fra 10 CC. ALARM, THE DECLARATION 1983 ILP 25887 UK LP Debutalbumet til Walesbandet , friskt rockepust inspirert av punken. -
Traffic Traffic Mp3, Flac, Wma
Traffic Traffic mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Traffic Country: UK Style: Folk Rock, Blues Rock, Psychedelic Rock, Prog Rock MP3 version RAR size: 1519 mb FLAC version RAR size: 1165 mb WMA version RAR size: 1184 mb Rating: 4.9 Votes: 519 Other Formats: AA RA AIFF TTA APE MP1 MIDI Tracklist Hide Credits You Can All Join In 1 3:35 Written-By – Dave Mason 2 Pearly Queen 4:18 Don't Be Sad 3 3:20 Written-By – Dave Mason Who Knows What Tomorrow May Bring 4 3:11 Written-By – Chris Wood , Jim Capaldi, Steve Winwood Feelin' Alright? 5 4:16 Written-By – Dave Mason Vagabond Virgin 6 5:21 Written-By – Dave Mason, Jim Capaldi 7 Forty Thousand Headmen 3:13 8 Cryin' To Be Heard 5:14 9 No Time To Live 5:19 10 Means To An End 2:35 You Can All Join In (Mono Single Mix) 11 3:43 Written-By – Dave Mason Feelin' Alright? (Mono Single Mix) 12 4:01 Written-By – Dave Mason 13 Withering Tree (Stereo Single Mix) 2:53 Companies, etc. Phonographic Copyright (p) – Universal Island Records Ltd. Copyright (c) – Universal Island Records Ltd. Credits Bass, Vocals, Guitar, Organ, Piano – Steve Winwood Drums – Jim Capaldi Drums, Bass, Saxophone [Soprano, Tenor] – Chris Wood Harmonica, Vocals, Guitar – Dave Mason Producer – Jimmy Miller Written-By – Jim Capaldi, Steve Winwood (tracks: 2, 6, 9, 10, 11) Notes First released October 1968 Barcode and Other Identifiers Barcode: 7 31454 28522 3 Matrix / Runout: 314 542 8522 01@ Matrix / Runout (in the mould): MADE IN USA Mastering SID Code: IFPI L006 Mould SID Code: IFPI 0365 Other versions Title -
Omega Auctions Ltd Catalogue 28 Apr 2020
Omega Auctions Ltd Catalogue 28 Apr 2020 1 REGA PLANAR 3 TURNTABLE. A Rega Planar 3 8 ASSORTED INDIE/PUNK MEMORABILIA. turntable with Pro-Ject Phono box. £200.00 - Approximately 140 items to include: a Morrissey £300.00 Suedehead cassette tape (TCPOP 1618), a ticket 2 TECHNICS. Five items to include a Technics for Joe Strummer & Mescaleros at M.E.N. in Graphic Equalizer SH-8038, a Technics Stereo 2000, The Beta Band The Three E.P.'s set of 3 Cassette Deck RS-BX707, a Technics CD Player symbol window stickers, Lou Reed Fan Club SL-PG500A CD Player, a Columbia phonograph promotional sticker, Rock 'N' Roll Comics: R.E.M., player and a Sharp CP-304 speaker. £50.00 - Freak Brothers comic, a Mercenary Skank 1982 £80.00 A4 poster, a set of Kevin Cummins Archive 1: Liverpool postcards, some promo photographs to 3 ROKSAN XERXES TURNTABLE. A Roksan include: The Wedding Present, Teenage Fanclub, Xerxes turntable with Artemis tonearm. Includes The Grids, Flaming Lips, Lemonheads, all composite parts as issued, in original Therapy?The Wildhearts, The Playn Jayn, Ween, packaging and box. £500.00 - £800.00 72 repro Stone Roses/Inspiral Carpets 4 TECHNICS SU-8099K. A Technics Stereo photographs, a Global Underground promo pack Integrated Amplifier with cables. From the (luggage tag, sweets, soap, keyring bottle opener collection of former 10CC manager and music etc.), a Michael Jackson standee, a Universal industry veteran Ric Dixon - this is possibly a Studios Bates Motel promo shower cap, a prototype or one off model, with no information on Radiohead 'Meeting People Is Easy 10 Min Clip this specific serial number available. -
WISHBONE ASH: Review and Pictures P.8 Ursaries: Arch from Uad Wed
Volume 49. Issue 4. Tues. Mar. 25, 1974. WISHBONE ASH: review and pictures p.8 ursaries: arch from uad wed. 26 1pm Page 2 do very well in the exams at the end of moral reasons. But it was all a joke, the year, unless he has in some way made wasn’t it? the knowledge contained in those essays Peter Keeble. his own. It is, after all, one of the fun Yes Peter, it was a joke. Your comments ctions of exams to provide a forum for ^CRACCUM Volume 49, Issue 4 however, only lead me to conclude that students to show what they know or perhaps those broadcasting officials were T( T uesday March 25, 1974 believe without the marker having to justified a few years back in deciding that worry about the probability that what he New Zealanders weren’t quite ready for is reading has been copied from someone satire. The author of this “anonymous am else. In many departments questions scurrilous article” was Bill Ralston who, ne differ .sufficiently from year to year to like you and me, is a Masters’ student in expose answers that are mere regurgit the Political Studies Dept. His ‘anonymity ation of someone else’s work with no 0 0 0 was neither requested nor intended - and Whether by real appreciation of the facts or argu Articles for CRACCUM are cunningly results from a “ technical error”. Ed imperialist de< ments involved. As for swopping essays squeezed out of their contributors by trade, aid, anc l with friends who have covered different Mike Rann, who is also the editor. -
Press Release
Wymer Publishing Uriah Heep A Visual Biography Martin Popoff With Kevin Julie on images Publication date: 16th April 2021 RRP: £59.99 ISBN: 978-1-912782-56-7 Hardback: 297 x 210mm, 240pp. The publication of Martin Popoff’s Uriah Heep: A Visual Biography is something of a bitter‐sweet I event given the recent news. Following the very sad loss of Lee Kerslake in September 2020, Popoff — having interviewed various band members over the past few years — was all set to conduct another interview with Ken Hensley in mid‐ November when the tragic news of Ken’s sudden departure reached Heep fans around the world. Undeterred, the decision that had already been made to immortalise Uriah Heep with a comprehensive visual biography remained. RELEASE Popoff’s celebrated and detailed timeline takes us through more than fifty years of massive rock history from this much‐loved band. From the early days with legendary front man David Byron, through the John Lawton years; the John Sloman and Pete Goalby fronted periods and from 1986 with Bernie Shaw taking centre stage; all eras are comprehensively covered. This differs from previous Uriah Heep books with the inclusion of so many previously unpublished photos, along with rare memorabilia and artefacts that makes this an indispensable addition to the vast Uriah Heep catalogue. PRESS Customers who pre‑order by 31st January can have their names printed on a dedicated fan page. For all media enquiries please contact: Gary Hibbert: [email protected] Pre-order now: https://www.wymeruk.co.uk/webshop/books/rock/uriah-heep/uriah-heep-a-visual-biography/ Wymer Publishing, Bedford, MK41 8JB, England Trade enquiries: [email protected] General enquiries: [email protected] Tel: +44 (0) 1234 326691 . -
Stevie Ray Vaughan
An the Bullcrafe news US~ that's tH paldpennlt to pitch no. 2419 C' PITCtI KCMO February '1986 Kansas City's ffee music and entertainment newspaper Issue 62 A Texas tidal wave Blues, rock, rarb, ballads, you name it from the latest- Hammond discovery the Chantones, Blackbird and Nightcrawlers. by Roger Naber His senior year of high school, he dropped out He's been the most talked-about guitarist in and left his hometown of Dallas in the early 70s. blues and rock circles for the last three years. He followed his brother Jimmie to AUstin, which He dominated reader's and critic's polls in has been his home base ever since. various magazines. For the last two years he has From 1975-77 Stevie played with Austin's been the recipient of "Best Blues Instrumentalist" most popular r&b club band, the Cobras. He at the W.C. Handy Awards in Memphis. And then formed his own r&b revue, Triple Threat, there is no indication that the crest Stevie Ray which featured vocaUst Lu Ann Barton. In ear ~ Vaughan is riding is ready to level off. ly '81 Lu Ann quit the band in the middle of I first met the guitar genius four-and-a-half a tour, and that forced Vaughan to take over years ago. After spending several weeks trying lead vocals. He regrouped the band and named to locate him, I hired Vaughan and his band it Double Trouble pr an Otis Rush song. The Double Trouble to perform at HarUng's. The group consisted of Tommy Shannon on elec man who urged me to book him was his older tric bass and Chris Layton on drums. -
Science Fiction Review 30 Geis 1979-03
MARCH-APRIL 1979 NUMBER 30 SCIENCE FICTION REVIEW $1.50 Interviews: JOAN D. VINGE STEPHEN R. DONALDSON NORMAN SPINRAD Orson Scott Card - Charles Platt - Darrell Schweitzer Elton Elliott - Bill Warren SCIENCE FICTION REVIEW Formerly THE ALIEN CRITIC P.O. Be* 11408 MARCH, 1979 — VOL.8, no.2 Portland, OR 97211 WHOLE NUMBER 30 RICHARD E. GEIS, editor & publisher CONFUCIUS SAY MAN WHO PUBLISHES FANZINES ALL LIFE DOOMED TO PUBLISHED BI-MONTHLY SEEK MIMEOGRAPH IN HEAVEN, HEKTO- COVER BY STEPHEN FABIAN JAN., MARCH, MAY, JULY, SEPT., NOV. Based on "Hellhole" by David Gerrold GRAPH IN HELL (To appear in ASIMOV'S SF MAGAZINE) SINGLE COPY — $1.50 ALIEN THOUGHTS by the editor........... 4 PUOTE: (503) 282-0381 INTERVIEW WITH JOAN D. VINGE CONDUCTED BY DARRELL SCHWEITZER....8 LETTERS---------------- THE VIVISECTOR GEORGE WARREN........... A COLUMN BY DARRELL SCHWEITZER. .. .14 JAMES WILSON............. PATRICIA MATTHEWS. POUL ANDERSON........... YOU GOT NO FRIENDS IN THIS WORLD # 2-8-79 ORSON SCOTT CARD.. A REVIEW OF SHORT FICTION LAST-MINUTE NEWS ABOUT GALAXY BY ORSON SCOTT CARD....................................20 NEAL WILGUS................ DAVID GERROLD........... Hank Stine called a moment ago, to THE AWARDS ARE Ca-IING!I! RICHARD BILYEU.... say that he was just back from New York and conferences with the pub BY ORSON SCOTT CARD....................................24 GEORGE H. SCITHERS ARTHUR TOFTE............. lisher. [That explains why his INTERVIEW WITH STEPHEN R. DONALDSON ROBERT BLOCH.............. phone was temporarily disconnected.] The GAIAXY publishing schedule CONDUCTED BY NEAL WILGUS.......................26 JONATHAN BACON.... SAM MOSKOWITZ........... is bi-monthly at the moment, and AND THEN I READ.... DARRELL SCHWEITZER there will be upcoming some special separate anthologies issued in the BOOK REVIEWS BY THE EDITOR..................31 CHARLES PLATT.......... -
Uriah Heep Celebration - Forty Years of Rock Mp3, Flac, Wma
Uriah Heep Celebration - Forty Years Of Rock mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Celebration - Forty Years Of Rock Country: US Released: 2010 Style: Classic Rock, Hard Rock, Prog Rock MP3 version RAR size: 1269 mb FLAC version RAR size: 1483 mb WMA version RAR size: 1472 mb Rating: 4.5 Votes: 963 Other Formats: ADX XM MIDI AIFF VOX WMA MPC Tracklist Hide Credits Only Human 01 Written-By – Box*, Lanzon* Bird Of Prey 02 Written-By – Byron*, Hensley*, Box*, Newton* Sunrise 03 Written-By – Hensley* Stealin' 04 Written-By – Hensley* Corridors Of Madness 05 Written-By – Box*, Lanzon* Between Two Worlds 06 Written-By – Box*, Lanzon* The Wizard 07 Written-By – Clarke*, Hensley* Free Me 08 Written-By – Hensley* Free 'n' Easy 09 Written-By – Lawton*, Box* Gypsy 10 Written-By – Byron*, Box* Look At Yourself 11 Written-By – Hensley* July Morning 12 Written-By – Byron*, Hensley* Easy Livin' 13 Written-By – Hensley* Lady In Black 14 Written-By – Hensley* Companies, etc. Phonographic Copyright (p) – Edel Germany GmbH Copyright (c) – Edel Germany GmbH Licensed To – Dismanic Credits Drums, Vocals – Russell Gilbrook Guitar, Vocals – Mick Box, Trevor Bolder Keyboards, Vocals – Phil Lanzon Lead Vocals – Bernie Shaw Mastered By – Second Wave Mixed By – Mark 'Tufty' Evans* Producer – Mike Paxman Recorded By – Steve Rispin Barcode and Other Identifiers Barcode: 6 28586 13442 3 Other versions Category Artist Title (Format) Label Category Country Year Celebration - Forty Years Of Ear Music, Uriah 0198928ERE Rock (CD, Album, Dig + Edel -
Uriah Heep(Gb)
29. März bis 6. April 2014 Eine Veranstaltung der HEADLINER & HIGHLIGHT & ABSCHLUSSKONZERT URIAH HEEP (GB) ROCKLEGENDS IN CONCERT Sonntag, 6. April 2014 Kulturfabrik (Stieberstraße 7, 91154 Roth) 20 Uhr Stehplatz VVK 39,60 €/AK 42 € Sitzplätze ausverkauft (KEIN ZAC-Rabatt; Festivalpass: Stehplatz) Die Musikkritik ließ anfangs kein gutes Haar an ihnen, die Fans – und davon gibt es mit dreißig Millionen verkaufter Alben en masse – juckt das bis heute recht wenig. „Heep Heep Hurra“. Uriah Heep haben mit „Easy Living“ oder „Free me“ Rockklassiker geschrieben, „Lady in Black“ ist die Rockballade schlechthin. Sie waren in 52 Ländern, haben zig Besetzungswechsel überstanden und sind live immer noch eine Nummer. Ihr Geheimnis: Enthusiasmus, Spielfreude, Durchhaltevermögen und Können. Als Gitarrist Mick Box Ende der 1960er mit Sänger David Byron durch die englischen Clubs tingelte, lag die internationale Popularität noch in weiter Ferne. Erst als Ken Hensley die Keyboards übernahm und man sich mit Uriah Heep nach dem finsteren Betrüger aus Charles Dickens „David Copperfield“ benannte, standen die Zeichen auf Erfolg. Mit dem Debüt „Very ´Eavy, Very ´Umble“ zeigte man sofort, wo es in Zukunft lang gehen sollte: harter Gitarrenrock, voller Orgelsound und mehrstimmiger Gesang. In Deutschland war man vollkommen begeistert, hier landeten Uriah Heep mit „Gypsy“ ihren ersten großen Hit. 1971 erschien „Salisbury“, auf der die Ken Hensleys-Komposition „Lady in Black“ sofort einschlug. Jeder wollte die Heeps live sehen – eine Band die gerade mal ein Jahr existierte. Europa und die USA waren erobert, „Look at Yourself“ brachte goldene Platten und eine Japantour. 1972 fanden sie ihre Traumbesetzung: Bassist Newton und Drummer Clark machten Platz für Gary Thain und Lee Kerslake . -
Nazareth - Koncert W Klubie Wytwórnia
28-09-21 1/3 Nazareth - koncert w Klubie Wytwórnia Nazareth - koncert w Klubie Wytwórnia kategoria: Koncerty autor: Anna Modrzejewska / BRzPiNM Klub Wytwórnia (90-554 Łódź, ul. Łąkowa 29) 08.04.2018 godz. 19:00 W tym roku legendarny zespół Nazareth obchodzi swoje 50-lecie działalności i z tej okazji pojawi się w Polsce na kilku koncertach. Do łódzkiej Wytwórni grupa zawita 8 kwietnia, nie może Was zabraknąć! Nazareth - koncert w Klubie Wytwórnia , fot. mat. pras. Klub Wytwórnia Zespół został założony w Szkocji w 1968, a dokładniej - w Dunfermline. Pierwotnie znani byli jako The Shadettes, lecz później nazwa została zmieniona na Nazareth. W oryginalnym składzie znaleźli się wokalista Dan MacCafferty, gitarzysta Manny Charlton, basista Pete Agnew oraz perkusista Darrell Sweet. Początki kariery zespołu nie należały do najprostszych – w jasnożółtych marynarkach grali w dyskotekach covery innych kapel. Kiedy któregoś dnia otrzymali propozycję sfinansowania nagrania płyty przez ich późniejszego managera, Billa Fehilly, bez wahania porzucili szkockie puby i przenieśli się do Londynu. Debiutancki album zatytułowany po prostu „Nazareth” nie wzbudził jednak oczekiwanego entuzjazmu branży i odbiorców, tak samo jak drugi krążek „Excercises”. Dopiero trzecia płyta „Razamanaz” prawdziwie zaskarbiła serca publiczności. Do jej produkcji grupa zaprosiła basistę Deep Purple – Rogera Glovera, który zwrócił na nich uwagę podczas wspólnej trasy z tym właśnie zespołem. Współpraca zaowocowała świetną hardrockową muzyką i zapoczątkowała czasy największej świetności Nazareth, których piosenki wspinały się na szczyty list przebojów zachodniej Europy. W 1975 roku ukazał się album „Hair of the Dog”, który przyniósł im uznanie na całym świecie. Nazareth - koncert w Klubie Wytwórnia 28-09-21 2/3 Nazareth - koncert w Klubie Wytwórnia W wywiadach wokalista Dan MacCafferty mówił, że "Pomysł sprowadzał się do nagrania tej płyty właściwie na żywo".