Uriah Heep(Gb)

Total Page:16

File Type:pdf, Size:1020Kb

Uriah Heep(Gb) 29. März bis 6. April 2014 Eine Veranstaltung der HEADLINER & HIGHLIGHT & ABSCHLUSSKONZERT URIAH HEEP (GB) ROCKLEGENDS IN CONCERT Sonntag, 6. April 2014 Kulturfabrik (Stieberstraße 7, 91154 Roth) 20 Uhr Stehplatz VVK 39,60 €/AK 42 € Sitzplätze ausverkauft (KEIN ZAC-Rabatt; Festivalpass: Stehplatz) Die Musikkritik ließ anfangs kein gutes Haar an ihnen, die Fans – und davon gibt es mit dreißig Millionen verkaufter Alben en masse – juckt das bis heute recht wenig. „Heep Heep Hurra“. Uriah Heep haben mit „Easy Living“ oder „Free me“ Rockklassiker geschrieben, „Lady in Black“ ist die Rockballade schlechthin. Sie waren in 52 Ländern, haben zig Besetzungswechsel überstanden und sind live immer noch eine Nummer. Ihr Geheimnis: Enthusiasmus, Spielfreude, Durchhaltevermögen und Können. Als Gitarrist Mick Box Ende der 1960er mit Sänger David Byron durch die englischen Clubs tingelte, lag die internationale Popularität noch in weiter Ferne. Erst als Ken Hensley die Keyboards übernahm und man sich mit Uriah Heep nach dem finsteren Betrüger aus Charles Dickens „David Copperfield“ benannte, standen die Zeichen auf Erfolg. Mit dem Debüt „Very ´Eavy, Very ´Umble“ zeigte man sofort, wo es in Zukunft lang gehen sollte: harter Gitarrenrock, voller Orgelsound und mehrstimmiger Gesang. In Deutschland war man vollkommen begeistert, hier landeten Uriah Heep mit „Gypsy“ ihren ersten großen Hit. 1971 erschien „Salisbury“, auf der die Ken Hensleys-Komposition „Lady in Black“ sofort einschlug. Jeder wollte die Heeps live sehen – eine Band die gerade mal ein Jahr existierte. Europa und die USA waren erobert, „Look at Yourself“ brachte goldene Platten und eine Japantour. 1972 fanden sie ihre Traumbesetzung: Bassist Newton und Drummer Clark machten Platz für Gary Thain und Lee Kerslake . Mit „Demons and Wizards“ präsentieren sie die perfekte Mischung aus hartem Rock und sanften Melodien. Ihre Pressekontakt im Auftrag der Kulturfabrik: Karin Probst, Tel. 09171 848-711, 0160 96673900, [email protected] Kulturfabrik, Stieberstraße 7, 91154 Roth, www.bluestage.de. www.kulturfabrik.de Festivalleitung: Monika Ammerer-Düll 09171 848-762 TEXT- und BILDMATERIAL zum DOWNLOAD auf http://bluestage.de/index.php?id=57 Amerikatour eröffneten Uriah Heep im ausverkauften Madison Square Garden. 1973 Welttournee, drei Millionen verkaufte Scheiben und die siebte LP mit Goldstatus. Die Krise kam in Form von Drogen, Alkohol und Starallüren: Bassist Thain verstarb, John Wetton ( King Crimson, Asia ) hatte ein kurzes Intermezzo, Sänger Byron flippte und flog. 1977 das Comeback mit neuem Sänger John Lawton und Bassisten Trevor Bolder , der vorher zu David Bowies Spiders from Mars gehörte. „Free me“ vom Platinalbum „Innocent Victim“ stürmte die Charts. Zwei Jahre später drehte sich das Personalkarussell erneut: Sänger Lawton und der jahrelange Drummer Kerslake wurden gefeuert, der junge John Sloman übernahm als Frontman, an die Trommeln ging Chris Slade , jahrelang bei Manfred Mann’s Earthband . Später verließ Urgestein Ken Hensley die Band, die anderen folgten: Sloman ging zu Gary Moore , Bolder zu Wishbone Ash . Der andere Ur-Heeper Mick Box startete aber 1982 mit völlig neuer Besetzung durch. Mit im Boot war wieder Drummer Lee Kerslake, der zwischenzeitlich bei Ozzy Osbourne gespielt hatte, wenig später kehrte Bassist Trevor Bolder zurück. 1986 kamen Sänger Bernie Shaw und Keyboarder Phil Lanzon dazu. Diese Besetzung sollte die nächsten zwanzig Jahre halten. Die erste Veröffentlichung in dieser Formation war „Live in Moscow“, ein Mitschnitt ihrer zehn ausverkauften Konzerte im Moskauer Olympiastadion 1987. Uriah Heep war die erste westliche Hardrockband, die in der Sowjetunion auftrat (vor den Scorpions). In den Neunzigern und 2013 gab es ein Wiedersehen mit dem zweiten Sänger John Lawton (seit 1977), der bei einigen Live-Shows für den erkrankten Shaw sang. Mit Gründungsmitglied Ken Hensley gab es 2001 einen einmaligen Auftritt in London, der im Live-Album „The Magicians Birthday Party“ festgehalten ist. Im selben Jahr begleitete sie Ian Anderson von Jethro Tull als Gast auf ihrer Akustiktour. 2007 zog sich der langjährige Schlagzeuger Lee Kerslake, der seit 1972 dabei war, aus gesundheitlichen Gründen zurück und Russel Gilbrook , u. a. Studiodrummer von Black Sabbath -Mitglied Tony Iommi , Van Morrison und John Farnham , übernahm. 2008 erschien das 21. Studioalbum „Wake the Sleeper“ und wurde hoch gelobt. So wurde es vom Rockmagazin Eclipsed zum Album des Monats gekürt. 2011 kam mit „Into the Wild“ das nun 22. Studioalbum, es erschienen dazu immer wieder Live- und Trackauswahlalben. Im Mai 2013 verstarb Bassist Trevor Bolder, der seit 1977 bei Uriah Heep war. Für den ehemaligen Spiders-from-Mars-Bassisten ging Davey Rimmer an den Bass. Uriah Heep bieten bei ihren Konzerten einen musikalischen Karriere- Querschnitt – von den Anfängen mit „Gypsy“, „Look at Yourself“, „The Wizard“, „Easy Livin’“, „Stealin’“ über „Free Me“ und natürlich „Lady In Black“ bis hin zu Stücken des hoch gelobten Albums „Wake the Sleeper“ und Titel aus dem 2011er-Studioalbum „Into the Wild“. Uriah Heep sind: Mick Box – Leadgitarre, Gesang (Gründungsmitglied, seit 1969) Bernie Shaw – Sänger (seit 1986) Phil Lanzon – Keyboards (seit 1986) Russel Gilbrook – Schlagzeug (seit 2007) Davey Rimmer – Bass (seit 2013) www.uriah-heep.com 2 Pressekontakt im Auftrag der Kulturfabrik: Karin Probst, Tel. 09171 848-711, 0160 96673900, [email protected] Kulturfabrik, Stieberstraße 7, 91154 Roth, www.bluestage.de. www.kulturfabrik.de Festivalleitung: Monika Ammerer-Düll 09171 848-762 TEXT- und BILDMATERIAL zum DOWNLOAD auf http://bluestage.de/index.php?id=57 .
Recommended publications
  • Narrative Representations of Gender and Genre Through Lyric, Music, Image, and Staging in Carrie Underwood’S Blown Away Tour
    COUNTRY CULTURE AND CROSSOVER: Narrative Representations of Gender and Genre Through Lyric, Music, Image, and Staging in Carrie Underwood’s Blown Away Tour Krisandra Ivings A Thesis Presented In Partial Fulfillment of the Requirement for the Degree Master of Arts in Music with Specialization in Women’s Studies University of Ottawa © Krisandra Ivings, Ottawa, Canada, 2016 Abstract This thesis examines the complex and multi-dimensional narratives presented in the work of mainstream female country artist Carrie Underwood, and how her blending of musical genres (pop, rock, and country) affects the narratives pertaining to gender and sexuality that are told through her musical texts. I interrogate the relationships between and among the domains of music, lyrics, images, and staging in Underwood’s live performances (Blown Away Tour: Live DVD) and related music videos in order to identify how these gendered narratives relate to genre, and more specifically, where these performances and videos adhere to, expand on, or break from country music tropes and traditions. Adopting an interlocking theoretical approach grounded in genre theory, gender theory, narrative theory in the context of popular music, and happiness theory, I examine how, as a female artist in the country music industry, Underwood uses genre-blending to construct complex gendered narratives in her musical texts. Ultimately, I find that in her Blown Away Tour: Live DVD, Underwood uses diverse narrative strategies, sometimes drawing on country tropes, to engage techniques and stylistic influences of several pop and rock styles, and in doing so explores the gender norms of those genres. ii Acknowledgements A great number of people have supported this thesis behind the scenes, whether financially, academically, or emotionally.
    [Show full text]
  • Vinyls-Collection.Com Page 1/222 - Total : 8629 Vinyls Au 05/10/2021 Collection "Artistes Divers Toutes Catã©Gorie
    Collection "Artistes divers toutes catégorie. TOUT FORMATS." de yvinyl Artiste Titre Format Ref Pays de pressage !!! !!! LP GSL39 Etats Unis Amerique 10cc Windows In The Jungle LP MERL 28 Royaume-Uni 10cc The Original Soundtrack LP 9102 500 France 10cc Ten Out Of 10 LP 6359 048 France 10cc Look Hear? LP 6310 507 Allemagne 10cc Live And Let Live 2LP 6641 698 Royaume-Uni 10cc How Dare You! LP 9102.501 France 10cc Deceptive Bends LP 9102 502 France 10cc Bloody Tourists LP 9102 503 France 12°5 12°5 LP BAL 13015 France 13th Floor Elevators The Psychedelic Sounds LP LIKP 003 Inconnu 13th Floor Elevators Live LP LIKP 002 Inconnu 13th Floor Elevators Easter Everywhere LP IA 5 Etats Unis Amerique 18 Karat Gold All-bumm LP UAS 29 559 1 Allemagne 20/20 20/20 LP 83898 Pays-Bas 20th Century Steel Band Yellow Bird Is Dead LP UAS 29980 France 3 Hur-el Hürel Arsivi LP 002 Inconnu 38 Special Wild Eyed Southern Boys LP 64835 Pays-Bas 38 Special W.w. Rockin' Into The Night LP 64782 Pays-Bas 38 Special Tour De Force LP SP 4971 Etats Unis Amerique 38 Special Strength In Numbers LP SP 5115 Etats Unis Amerique 38 Special Special Forces LP 64888 Pays-Bas 38 Special Special Delivery LP SP-3165 Etats Unis Amerique 38 Special Rock & Roll Strategy LP SP 5218 Etats Unis Amerique 45s (the) 45s CD hag 009 Inconnu A Cid Symphony Ernie Fischbach And Charles Ew...3LP AK 090/3 Italie A Euphonius Wail A Euphonius Wail LP KS-3668 Etats Unis Amerique A Foot In Coldwater Or All Around Us LP 7E-1025 Etats Unis Amerique A's (the A's) The A's LP AB 4238 Etats Unis Amerique A.b.
    [Show full text]
  • Omega Auctions Ltd Catalogue 28 Apr 2020
    Omega Auctions Ltd Catalogue 28 Apr 2020 1 REGA PLANAR 3 TURNTABLE. A Rega Planar 3 8 ASSORTED INDIE/PUNK MEMORABILIA. turntable with Pro-Ject Phono box. £200.00 - Approximately 140 items to include: a Morrissey £300.00 Suedehead cassette tape (TCPOP 1618), a ticket 2 TECHNICS. Five items to include a Technics for Joe Strummer & Mescaleros at M.E.N. in Graphic Equalizer SH-8038, a Technics Stereo 2000, The Beta Band The Three E.P.'s set of 3 Cassette Deck RS-BX707, a Technics CD Player symbol window stickers, Lou Reed Fan Club SL-PG500A CD Player, a Columbia phonograph promotional sticker, Rock 'N' Roll Comics: R.E.M., player and a Sharp CP-304 speaker. £50.00 - Freak Brothers comic, a Mercenary Skank 1982 £80.00 A4 poster, a set of Kevin Cummins Archive 1: Liverpool postcards, some promo photographs to 3 ROKSAN XERXES TURNTABLE. A Roksan include: The Wedding Present, Teenage Fanclub, Xerxes turntable with Artemis tonearm. Includes The Grids, Flaming Lips, Lemonheads, all composite parts as issued, in original Therapy?The Wildhearts, The Playn Jayn, Ween, packaging and box. £500.00 - £800.00 72 repro Stone Roses/Inspiral Carpets 4 TECHNICS SU-8099K. A Technics Stereo photographs, a Global Underground promo pack Integrated Amplifier with cables. From the (luggage tag, sweets, soap, keyring bottle opener collection of former 10CC manager and music etc.), a Michael Jackson standee, a Universal industry veteran Ric Dixon - this is possibly a Studios Bates Motel promo shower cap, a prototype or one off model, with no information on Radiohead 'Meeting People Is Easy 10 Min Clip this specific serial number available.
    [Show full text]
  • Press Release
    Wymer Publishing Uriah Heep A Visual Biography Martin Popoff With Kevin Julie on images Publication date: 16th April 2021 RRP: £59.99 ISBN: 978-1-912782-56-7 Hardback: 297 x 210mm, 240pp. The publication of Martin Popoff’s Uriah Heep: A Visual Biography is something of a bitter‐sweet I event given the recent news. Following the very sad loss of Lee Kerslake in September 2020, Popoff — having interviewed various band members over the past few years — was all set to conduct another interview with Ken Hensley in mid‐ November when the tragic news of Ken’s sudden departure reached Heep fans around the world. Undeterred, the decision that had already been made to immortalise Uriah Heep with a comprehensive visual biography remained. RELEASE Popoff’s celebrated and detailed timeline takes us through more than fifty years of massive rock history from this much‐loved band. From the early days with legendary front man David Byron, through the John Lawton years; the John Sloman and Pete Goalby fronted periods and from 1986 with Bernie Shaw taking centre stage; all eras are comprehensively covered. This differs from previous Uriah Heep books with the inclusion of so many previously unpublished photos, along with rare memorabilia and artefacts that makes this an indispensable addition to the vast Uriah Heep catalogue. PRESS Customers who pre‑order by 31st January can have their names printed on a dedicated fan page. For all media enquiries please contact: Gary Hibbert: [email protected] Pre-order now: https://www.wymeruk.co.uk/webshop/books/rock/uriah-heep/uriah-heep-a-visual-biography/ Wymer Publishing, Bedford, MK41 8JB, England Trade enquiries: [email protected] General enquiries: [email protected] Tel: +44 (0) 1234 326691 .
    [Show full text]
  • MUSIC WEEK APRIL 15, 1978 a C N Keep Sweeps on in Europe But
    MUSIC WEEK APRIL 15, 1978 a n c Keep sweeps on In Europe but not in Britain THE SUCCESS of British rock Most UK record buyers think of band Uriah Heep continues Heep as being an albums band." unabated in Europe. Apart from EDITED BY Heep member Ken Hensley, one being huge record sellers in such CHRIS WHITE of the main creative talents of the record markets as Holland and West band, is equally puzzled. "The ^ (y Germany, the band has also Russian success is particularly conquered the French market — strange as we've never even been always noted for its domestic taste sales), Belgium, Holland, there; we've no idea even how they so far as pop and rock music is Switzerland and Austria. Recently get the records. I keep meaning to : j*** i concerned — and even the Russians the USSR issued a Top Ten list of ask the appropriate authorities," he are now beginning to sit up and take the records and Heep's July- says. "There are no immediate plans notice! Morning, a track from the Look At for the band to visit the USSR but 1 Back here in Britain however, Yourself album, never issued here as know that we have all been thinking matters are rather different. Heep a single, was nominated the seventh about the possibilities — if we could have recorded some 14 albums for 'best-selling' record, although the go there without any hassles, then Bronze Records, and the occasional market in Russia for records is we would do it." single is released — a recent one even virtually non-existent.
    [Show full text]
  • Uriah Heep – 70S Music for Today
    8/24/2017 Uriah Heep - 70s Music For Today The Latest News NEWS ENTERTAINMENT HEALTH SCIENCE POLITICS FOOD TECH Search Home / Entertainment / Uriah Heep – 70s Music For Today Uriah Heep – 70s Music For Today RECENT POSTS ENTERTAINMENT FEATURED NEWS 7 Steps to Writing an Awesome By Alexander Baron Business School Essay Bacteria Powered Solar Cell Makes Clean Energy Zika Virus Associated With New Type Of Brain Disease Pertussis (Whooping Cough) Immunisation Prole Raised Using Mice To Predict Zika Infection In People 2 0 1 0 1 0 0 0 6 2 0 SHARES a d y n f h k m The greatest music ever written, performed, improvised and recorded can be dated from 1963 – the breakthrough of The Beatles – until about the mid-1990s. Three hundred years from now, if Man still exists, our descendants will look back on the stars of that Golden Age with the same reverence reserved for Beethoven and Mozart today. https://www.infotextmanuscripts.org/tln/Uriah%20Heep%20-%2070s%20Music%20For%20Today-.html 1/3 8/24/2017 Uriah Heep - 70s Music For Today Uriah Heep were never in the same class as Barclay James Harvest, Deep Purple, Pink Floyd, UFO, or others in that genre, but nobody can fault their work ethic. From their formation in 1969 until 1980 they released 13 studio albums, the rst in June 1970. And they are still performing today. The band’s origins actually date back to 1967 when teenage guitarist Mick Box formed The Stalkers. Box is the only founder member in the current line-up.
    [Show full text]
  • Stevie Ray Vaughan
    An the Bullcrafe news US~ that's tH paldpennlt to pitch no. 2419 C' PITCtI KCMO February '1986 Kansas City's ffee music and entertainment newspaper Issue 62 A Texas tidal wave Blues, rock, rarb, ballads, you name it from the latest- Hammond discovery the Chantones, Blackbird and Nightcrawlers. by Roger Naber His senior year of high school, he dropped out He's been the most talked-about guitarist in and left his hometown of Dallas in the early 70s. blues and rock circles for the last three years. He followed his brother Jimmie to AUstin, which He dominated reader's and critic's polls in has been his home base ever since. various magazines. For the last two years he has From 1975-77 Stevie played with Austin's been the recipient of "Best Blues Instrumentalist" most popular r&b club band, the Cobras. He at the W.C. Handy Awards in Memphis. And then formed his own r&b revue, Triple Threat, there is no indication that the crest Stevie Ray which featured vocaUst Lu Ann Barton. In ear­ ~ Vaughan is riding is ready to level off. ly '81 Lu Ann quit the band in the middle of I first met the guitar genius four-and-a-half a tour, and that forced Vaughan to take over years ago. After spending several weeks trying lead vocals. He regrouped the band and named to locate him, I hired Vaughan and his band it Double Trouble pr an Otis Rush song. The Double Trouble to perform at HarUng's. The group consisted of Tommy Shannon on elec­ man who urged me to book him was his older tric bass and Chris Layton on drums.
    [Show full text]
  • Heep-Iear€Ver Yqr4c Th€Y W..€ Not Soa€Body to Thc Foulrdc
    THEOFFICIAL U I H APPRECIATIONSOCIETY trssue3 EDITORIAL Lat€EtnEw5, TDIIB OFTEs lorh Hrrle rrsJ S'ho're rrrh LhennlrzxJUs Def Einherr r rrh Dresde sa.hs llusic halr llrh H!nno!crCaPitor E ldrk l5rh Erlansei'Ihear.e r6ih uichel la'rrL lTrh St!Lrsarr r,nenorn 13rh Urmcon i PJrr r rfh frtnf I I M!\i' [dr 2o.h llerro.d Ro.h h'aven 22nd fanbura Crosse Fr€ibe1r zrrd Obshau'enHsi' hrG 24Lh Du\scld.fr or ) riir. e.a- 0,".-. t"'r" 'l 23Lh Fesa'sh!r! Lri-'o - lgir Esce i.ld.n PrLLelr1'ai1 lsi chremr! 5i' I o'c'ino lifr rerp t#olt'onot L"riiij$.$3c E- -*,- lRtTlllEN d, '*"...." auDttllc,,,,...."'"' Craz, Austria. Live in 6]i€L&slobesl'D3Fdsl3t oDheumrcdosbeg€3b6' b€!ud! wb sich oedreleie, ztnn - &r jinqEbnzeiudsEhodei dLe &misshawso€JciaBidMck UdahH6!r'*alnchlb6mdhi' l5ndgue|en'e.leqlsWsdaui 6€fusoli'Koleda'Phitan. sbhi6insmxbngldppicnzb* dgl0glansichhamonsdns Me Baxlnd sdtsd B@b Stuv k h.stet spdbw A16'Hd6nw.h$ll6nimXon ohrcnbeliuband'alii]dlerdd. ir;hen sen muB."E6y Lvd", "sroari-, mri'l ch "cy!s/, ,bdy inBacrundwarsmJuyMoF e- Fo.i.Hsz am idod lft sin. siiharbsunden w 6d€r juns *ur warg4ngM.gd| Uriah Heep-iEar€ver yqr4c Th€y w..€ not soa€body to thc foulrdc. m€mb.r was noi c.y rbout out, like win., old just loud, h. put tn somc and v€ry good. I'nr telking wofld€rful solos, Kcybor.d about rh€ U.ieh H€€p show on playc. Phil Lanzon pur o...nts Moodry .vcning tn th€ on th.
    [Show full text]
  • Black Sabbath the Complete Guide
    Black Sabbath The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Mon, 17 May 2010 12:17:46 UTC Contents Articles Overview 1 Black Sabbath 1 The members 23 List of Black Sabbath band members 23 Vinny Appice 29 Don Arden 32 Bev Bevan 37 Mike Bordin 39 Jo Burt 43 Geezer Butler 44 Terry Chimes 47 Gordon Copley 49 Bob Daisley 50 Ronnie James Dio 54 Jeff Fenholt 59 Ian Gillan 62 Ray Gillen 70 Glenn Hughes 72 Tony Iommi 78 Tony Martin 87 Neil Murray 90 Geoff Nicholls 97 Ozzy Osbourne 99 Cozy Powell 111 Bobby Rondinelli 118 Eric Singer 120 Dave Spitz 124 Adam Wakeman 125 Dave Walker 127 Bill Ward 132 Related bands 135 Heaven & Hell 135 Mythology 140 Discography 141 Black Sabbath discography 141 Studio albums 149 Black Sabbath 149 Paranoid 153 Master of Reality 157 Black Sabbath Vol. 4 162 Sabbath Bloody Sabbath 167 Sabotage 171 Technical Ecstasy 175 Never Say Die! 178 Heaven and Hell 181 Mob Rules 186 Born Again 190 Seventh Star 194 The Eternal Idol 197 Headless Cross 200 Tyr 203 Dehumanizer 206 Cross Purposes 210 Forbidden 212 Live Albums 214 Live Evil 214 Cross Purposes Live 218 Reunion 220 Past Lives 223 Live at Hammersmith Odeon 225 Compilations and re-releases 227 We Sold Our Soul for Rock 'n' Roll 227 The Sabbath Stones 230 Symptom of the Universe: The Original Black Sabbath 1970–1978 232 Black Box: The Complete Original Black Sabbath 235 Greatest Hits 1970–1978 237 Black Sabbath: The Dio Years 239 The Rules of Hell 243 Other related albums 245 Live at Last 245 The Sabbath Collection 247 The Ozzy Osbourne Years 249 Nativity in Black 251 Under Wheels of Confusion 254 In These Black Days 256 The Best of Black Sabbath 258 Club Sonderauflage 262 Songs 263 Black Sabbath 263 Changes 265 Children of the Grave 267 Die Young 270 Dirty Women 272 Disturbing the Priest 273 Electric Funeral 274 Evil Woman 275 Fairies Wear Boots 276 Hand of Doom 277 Heaven and Hell 278 Into the Void 280 Iron Man 282 The Mob Rules 284 N.
    [Show full text]
  • Uriah Heep Celebration - Forty Years of Rock Mp3, Flac, Wma
    Uriah Heep Celebration - Forty Years Of Rock mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Celebration - Forty Years Of Rock Country: US Released: 2010 Style: Classic Rock, Hard Rock, Prog Rock MP3 version RAR size: 1269 mb FLAC version RAR size: 1483 mb WMA version RAR size: 1472 mb Rating: 4.5 Votes: 963 Other Formats: ADX XM MIDI AIFF VOX WMA MPC Tracklist Hide Credits Only Human 01 Written-By – Box*, Lanzon* Bird Of Prey 02 Written-By – Byron*, Hensley*, Box*, Newton* Sunrise 03 Written-By – Hensley* Stealin' 04 Written-By – Hensley* Corridors Of Madness 05 Written-By – Box*, Lanzon* Between Two Worlds 06 Written-By – Box*, Lanzon* The Wizard 07 Written-By – Clarke*, Hensley* Free Me 08 Written-By – Hensley* Free 'n' Easy 09 Written-By – Lawton*, Box* Gypsy 10 Written-By – Byron*, Box* Look At Yourself 11 Written-By – Hensley* July Morning 12 Written-By – Byron*, Hensley* Easy Livin' 13 Written-By – Hensley* Lady In Black 14 Written-By – Hensley* Companies, etc. Phonographic Copyright (p) – Edel Germany GmbH Copyright (c) – Edel Germany GmbH Licensed To – Dismanic Credits Drums, Vocals – Russell Gilbrook Guitar, Vocals – Mick Box, Trevor Bolder Keyboards, Vocals – Phil Lanzon Lead Vocals – Bernie Shaw Mastered By – Second Wave Mixed By – Mark 'Tufty' Evans* Producer – Mike Paxman Recorded By – Steve Rispin Barcode and Other Identifiers Barcode: 6 28586 13442 3 Other versions Category Artist Title (Format) Label Category Country Year Celebration - Forty Years Of Ear Music, Uriah 0198928ERE Rock (CD, Album, Dig + Edel
    [Show full text]
  • The Spectral Voice and 9/11
    SILENCIO: THE SPECTRAL VOICE AND 9/11 Lloyd Isaac Vayo A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2010 Committee: Ellen Berry, Advisor Eileen C. Cherry Chandler Graduate Faculty Representative Cynthia Baron Don McQuarie © 2010 Lloyd Isaac Vayo All Rights Reserved iii ABSTRACT Ellen Berry, Advisor “Silencio: The Spectral Voice and 9/11” intervenes in predominantly visual discourses of 9/11 to assert the essential nature of sound, particularly the recorded voices of the hijackers, to narratives of the event. The dissertation traces a personal journey through a selection of objects in an effort to seek a truth of the event. This truth challenges accepted narrativity, in which the U.S. is an innocent victim and the hijackers are pure evil, with extra-accepted narrativity, where the additional import of the hijacker’s voices expand and complicate existing accounts. In the first section, a trajectory is drawn from the visual to the aural, from the whole to the fragmentary, and from the professional to the amateur. The section starts with films focused on United Airlines Flight 93, The Flight That Fought Back, Flight 93, and United 93, continuing to a broader documentary about 9/11 and its context, National Geographic: Inside 9/11, and concluding with a look at two YouTube shorts portraying carjackings, “The Long Afternoon” and “Demon Ride.” Though the films and the documentary attempt to reattach the acousmatic hijacker voice to a visual referent as a means of stabilizing its meaning, that voice is not so easily fixed, and instead gains force with each iteration, exceeding the event and coming from the past to inhabit everyday scenarios like the carjackings.
    [Show full text]
  • THE PERFORMATIVE BYRON: THEATRICAL PRODUCTIONS in VICTORIAN ENGLAND by LIRIM NEZIROSKI (Under the Direction of Nelson Hilton)
    THE PERFORMATIVE BYRON: THEATRICAL PRODUCTIONS IN VICTORIAN ENGLAND by LIRIM NEZIROSKI (Under the Direction of Nelson Hilton) ABSTRACT This dissertation presents a study of Lord Byron’s historical dramas (Marino Faliero, The Two Foscari, Sardanapalus, and Werner) alongside the performative aesthetics of Don Juan, and it uses performance theory as a hermeneutic for examining this relationship. It provides a literary analysis of some neglected works and important issues in Byron’s writings, it explores the legacy of Byron in the nineteenth-century theater, and it tests the limits of current scholarship on Romantic drama. The dissertation brings together a large amount of scholarship and provides a new perspective on Byron, Romantic drama, and the Victorian theater. INDEX WORDS: Lord Byron, Romanticism, Romantic drama, nineteenth-century theater, Don Juan, Marino Faliero, Sardanapalus, The Two Foscari, Werner, Childe Harold’s Pilgrimage, Beppo, Manfred, performance, Percy Shelley, William Charles Macready, Helen Faucit, Charles Kean, Samuel Phelps. THE PERFORMATIVE BYRON: THEATRICAL PRODUCTIONS IN VICTORIAN ENGLAND by LIRIM NEZIROSKI BA, Augustana College, 2002 MA, University of Chicago, 2003 A Dissertation Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY ATHENS, GEORGIA 2011 © 2011 Lirim Neziroski All Rights Reserved THE PERFORMATIVE BYRON: THEATRICAL PRODUCTIONS IN VICTORIAN ENGLAND by LIRIM NEZIROSKI Major Professor: Nelson Hilton Committee: Roxanne Eberle Richard Menke Electronic Version Approved: Maureen Grasso Dean of the Graduate School The University of Georgia May 2011 ACKNOWLEDGEMENTS I would like to thank some of the many people that have provided academic, financial, and moral support during my time as a graduate student.
    [Show full text]