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THE MUSIC of HENRY MANCINI the Boston Pops Orchestra During Arthur Fiedler’S Tenure, Providing Special Arrangements for Dozens of Their Hit Albums and Famous Singles
557825 bk ManciniUS 2/11/05 09:48 Page 4 Richard Hayman LIGHT CLASSICS DDD One of America’s favourite “Pops” conductors, Richard Hayman was Principal “Pops” conductor of the Saint 8.557825 Louis, Hartford and Grand Rapids symphony orchestras, of Orchestra London Canada and the Calgary Philharmonic Orchestra, and also held the post with the Detroit Symphony Orchestra for many years. His original compositions are standards in the repertoire of these ensembles as well as frequently performed selections by many orchestras and bands throughout the world. For over thirty years, Richard Hayman served as the chief arranger for THE MUSIC OF HENRY MANCINI the Boston Pops Orchestra during Arthur Fiedler’s tenure, providing special arrangements for dozens of their hit albums and famous singles. Under John Williams’ direction, the orchestra continues to programme his award- winning arrangements and orchestrations. Though more involved with the symphony orchestra circuit, Richard Moon River • The Pink Panther • Charade Hayman served as musical director and/or master of ceremonies for the tour shows of many popular entertainers: Kenny Rogers, Johnny Cash, Olivia Newton-John, Tom Jones, Englebert Humperdinck, The Carpenters, The The Days of Wine and Roses • Beaver Valley ’37 Osmonds, Al Hirt, Andy Williams and many others. Richard Hayman and His Orchestra recorded 23 albums and 27 hit singles for Mercury Records, for which he and many others served as musical director for twelve years. Dozens of his original compositions have been recorded by various artists all over the world. He has also arranged and conducted recordings for more than 50 stars of the motion Richard Hayman and His Orchestra picture, stage, radio and television worlds, and has also scored Broadway shows and numerous motion pictures. -
STREET DATE: February 18, 2014 5% DISCOUNT on New Release Items Through Feb 25
FEBRUARY NEW RELEASE GUIDE STREET DATE: February 18, 2014 5% DISCOUNT on New Release Items through Feb 25 Burnside Distribution Corp, 6635 N. Baltimore Ave, Suite 285, Portland, OR, 97203 phone (503) 231-0876 / fax (503) 231-0420 / www.bdcdistribution.com BDC New Releases Feb 2014 (503) 231-0876 / www.bdcdistribution.com 2 Feb 2014 Welcome!BDC Welcome! New Releases Andre Cymone has a history. Bass player in a band with his high school pal, Prince Rogers Nelson before there was a symbol or a revolution. Has three high- If there was a soundtrack to this guide, right about now we would be hearing ly regarded albums and a hit in the early 80s. Produces albums for Adam Ant, Hail To The Chief because The Presidents are back! The Presidents of the Pebbles, Jody Watley, Tom Jones and others. Takes a break for 27 years and now United States of America commence their third decade of Seattle quirk pop. re-emerges with a very strong rock and roll record. Dig It!! An accidental pouring forth of new tunes posits Kudos To You! to the delight of young and old (especially old). It’s about time! Steve Dawson, major domo of Canada’s Black Hen Records, Juno Winner (both solo and with Zubot and Dawson), rewarded for his Blues, Folk and Jazz efforts, What is it about Texas that has guitar slingers spewing from within? This month is sometimes referred to as The Canadian Ry Cooder for his knowledge, abilities we have Dallas’ Jim Suhler back with his first album since 2008’s Tijuana Bible. -
Saving the Information Commons a New Public Intere S T Agenda in Digital Media
Saving the Information Commons A New Public Intere s t Agenda in Digital Media By David Bollier and Tim Watts NEW AMERICA FOUNDA T I O N PUBLIC KNOWLEDGE Saving the Information Commons A Public Intere s t Agenda in Digital Media By David Bollier and Tim Watts Washington, DC Ack n owl e d g m e n t s This report required the support and collaboration of many people. It is our pleasure to acknowledge their generous advice, encouragement, financial support and friendship. Recognizing the value of the “information commons” as a new paradigm in public policy, the Ford Foundation generously supported New America Foundation’s Public Assets Program, which was the incubator for this report. We are grateful to Gigi Sohn for helping us develop this new line of analysis and advocacy. We also wish to thank The Open Society Institute for its important support of this work at the New America Foundation, and the Center for the Public Domain for its valuable role in helping Public Knowledge in this area. Within the New America Foundation, Michael Calabrese was an attentive, helpful colleague, pointing us to useful literature and knowledgeable experts. A special thanks to him for improv- ing the rigor of this report. We are also grateful to Steve Clemons and Ted Halstead of the New America Foundation for their role in launching the Information Commons Project. Our research and writing of this report owes a great deal to a network of friends and allies in diverse realms. For their expert advice, we would like to thank Yochai Benkler, Jeff Chester, Rob Courtney, Henry Geller, Lawrence Grossman, Reed Hundt, Benn Kobb, David Lange, Jessica Litman, Eben Moglen, John Morris, Laurie Racine and Carrie Russell. -
Official Publication of the Barbershop Harmony
The ~- • OFFICIAL PUBLICATION OF THE BARBERSHOP HARMONY SOCIETY SEPTEMBER/OCTOBER \C\~i') Because when it comes to electrtcity, ON THE FRINGE Is a Revolutionary recording, Wire to wire, It crackles with the high-voltage originality and entertalnment energy that make Four Under Par an unparalleled success on the show circuit, and has placed them as high as tenth In all the colonies! Savvy Ben knew this incandescent , , sparkler to be overloaded with a battery of socket-to-me highlights, Including: ar selections.\ under P II I original Four f ",\lS\\\ -b~'\" 12 unbellevab Y. terludes\\ m\J' '3-cts 0 't'3-\1;\l.f\d-'3- ,. rmb\e ,n \.lnsee un\!' uncom'o • '3 \.lnre\en • 6 •\ Yes, Gentle Ben loved ON THE FRINGE Oust as you will, dear reader). And indeed, it turned out to be a better investment than even thrifty Ben had dared hope. For on that stormy night in Philadelphia, flying ON THE FRINGE. Big Ben finally fulfilled the dream of a lifetime. _ He vaporized the key to his mother-In-law's house. ;;\'$1 ----------------------- ~ If it's good enough for Ben, it's good enough for me. Get me: -ilf;~ ON THE FRINGEJIIII I SPECIAL Enclosed ls a check fOf__copies of "ON THE FRINGE" at 88.00 each. Total: 8 I BONUS plus, if ordering less than ten albums. I 95¢ mailing cost per album for__albums, for a OFFER total mailing cost of $ I Win a pack of monogrammed Four Under Par golf balls! Canadian friends please add $2.00 for postage. I Just complete this sentence: Panamanian friends please add 22 balboas for postage. -
Sonoma County Horse Council
Sonoma County Horse Journal Volume 10 • Issue 4 Fall 2014 Published by the Sonoma County Horse Council Home of the Equus Awards 25 Year Warranty Against Fading DECKING & RAILING & Staining TTHEHE GGOODOOD LLIFEIFE iiss wwayay bbetteretter ooutsideutside { Made from 95% Recycled Material { Fade, Stain & Scratch Resistant { Unparalleled Beauty Tropical Styles GRAVEL FIRE PIT PATH VINTAGE TREE LANTERN HOUSE 3610 Copperhill Lane Santa Rosa, CA 95403 Tiki SPICED LAVA ROPE Torch RUM ROCK SWING Tropical Styles www.burgesslumber.com Call us for the best lumber & composite decking choices Volume 10 • Issue 4 • Fall 2014 Sonoma County Horse Journal 2014 SCHC Board List President Ron Malone [email protected] Vice President Sonoma County Greg Harder [email protected] Recording Secretary Horse Journal Volume 10 • Issue 4 • Fall 2014 Dagmar Hoheneck Published by the Sonoma County Horse Council – Home of the Equus Awards [email protected] Treasurer Joan Rasmussen Inside this Issue [email protected] Membership Chair President’s Message 2 Valerie Kasnick [email protected] Sonoma County Horse Council at Work—Horse Cabinet Update 4 Members at Large Equine Esquire—Livestock on the Roadway 5 Robert Adams, Karl Bastian, Patrice Doyle, Melissa Kalember, Ted Stashak, and Tracy Underwood Sonoma County Events—2014 Giant Steps Charity Classic 6 Readers Write—Stop and Smell the Alfalfa 8 The Horse Journal Editorial Committee Readers Write—Ride On 9 Editor -
&Blues GUITAR SHORTY
september/october 2006 issue 286 free jazz now in our 32nd year &blues report www.jazz-blues.com GUITAR SHORTY INTERVIEWED PLAYING HOUSE OF BLUES ARMED WITH NEW ALLIGATOR CD INSIDE: 2006 Gift Guide: Pt.1 GUITAR SHORTY INTERVIEWED Published by Martin Wahl By Dave Sunde Communications geles on a rare off day from the road. Editor & Founder Bill Wahl “I would come home from school and sneak in to my uncle Willie’s bedroom Layout & Design Bill Wahl and try my best to imitate him playing the guitar. I couldn’t hardly get my Operations Jim Martin arms over the guitar, so I would fall Pilar Martin down on the floor and throw tantrums Contributors because I couldn’t do what I wanted. Michael Braxton, Mark Cole, Grandma finally had enough of all that Dewey Forward, Steve Homick, and one morning she told my Uncle Chris Hovan, Nancy Ann Lee, Willie point blank, I want you to teach Peanuts, Mark Smith, Dave this boy how to ‘really’ play the guitar Sunde, Duane Verh and Ron before I kill him,” said Shorty Weinstock. Photos of Guitar Shorty Fast forward through years of late courtesy of Alligator Records night static filled AM broadcasts crackling the southbound airwaves out of Cincinnati that helped further de- Check out our costantly updated website. Now you can search for CD velop David’s appreciative musical ear. Reviews by artists, Titles, Record T. Bone Walker, B.B. King and Gospel Labels, keyword or JBR Writers. 15 innovator Sister Rosetta Tharpe were years of reviews are up and we’ll be the late night companions who spent going all the way back to 1974. -
Code Blue W/ Catya &
influenced by T-Bone Walker and Clarence "Gatemouth" Brown. About 1950 he adopted the stage name 'Guitar Slim' and started becoming known for his wild stage act. He wore bright-colored All shows begin at 6:30 In case of inclement weather, Tuesday Night Blues suits and dyed his hair to match them, had an is held at the House of Rock, 422 Water Street. assistant follow him around the audience with up to *August 7 will be held at Phoenix Park. 350 feet of cord between amplifier and guitar, and would occasionally get up on his assistant's May 28 Howard ‘Guitar’ Luedtke & Blue Max shoulders, or even take his guitar outside the club HowardLuedtke.com June 4 Revolver and bring traffic to a stop. His sound was just as RevolverBand.net unusual — he was playing with distorted guitar more June 25, 2013 at Owen Park June 11 Bryan Lee than a decade before rock guitarists did the same, BrailleBluesDaddy.com and his gospel-influenced vocals were easily June 18 Tommy Bentz Band identifiable. TommyBentz.com His first recording session was in 1951, and he had CodeCode BlueBlue w/w/ CatyaCatya && SueSue June 25 Code Blue with Catya & Sue Catya.net a minor rhythm and blues hit in 1952 with "Feelin' July 2 Left Wing Bourbon Sad", which Ray Charles covered. His biggest LeftWingBourbon.yolasite.com success was "The Things That I Used to Do" (1954). July 9 Charlie Parr The song, produced by a young Ray Charles, was CharlieParr.com released on Art Rupe's Specialty Records label. -
Hall of Fame Andy Partridge
Hall of Fame Andy Partridge Andrew John Partridge (born 11 November 1953) is an English singer, songwriter, guitarist, and record producer from Swindon. He is best known for co-founding the rock band XTC, in which he served as the group's primary songwriter and vocalist. While the band was formed as an early punk rock group, Partridge's music drew heavily from British Invasion songwriters, and his style gradually shifted to more traditional pop, often with pastoral themes. The band's only British top 10 hit, "Senses Working Overtime" (1982), was written by Partridge. In addition to his work with XTC, Partridge has released one solo album on Virgin Records in 1980 called Take Away / The Lure of Salvage. He has also collaborated (as performer, writer or record producer) with recording artists, including Martin Newell, with whom he recorded and produced an album in 1993 entitled The Greatest Living Englishman released in Japan as a duo album. Partridge was producer for the English band Blur during the recording of Modern Life Is Rubbish (1993). He was replaced by Stephen Street at the insistence of their record label, Food. According to Partridge he was unpaid for the sessions and received his expenses only. Partridge also wrote four songs for Disney's version of James and the Giant Peach (1996) but was replaced by Randy Newman when he could not get Disney to offer him "an acceptable deal". In the 2000s, Partridge began releasing demos of his songs under his own name in The Official Fuzzy Warbles Collector's Album and the Fuzzy Warbles album series on his APE House record label. -
The Racialization of Jimi Hendrix Marcus K
Eastern Michigan University DigitalCommons@EMU Senior Honors Theses Honors College 2007 The Racialization of Jimi Hendrix Marcus K. Adams Follow this and additional works at: http://commons.emich.edu/honors Part of the African American Studies Commons Recommended Citation Adams, Marcus K., "The Racialization of Jimi Hendrix" (2007). Senior Honors Theses. 23. http://commons.emich.edu/honors/23 This Open Access Senior Honors Thesis is brought to you for free and open access by the Honors College at DigitalCommons@EMU. It has been accepted for inclusion in Senior Honors Theses by an authorized administrator of DigitalCommons@EMU. For more information, please contact lib- [email protected]. The Racialization of Jimi Hendrix Abstract The period of history immediately following World War Two was a time of intense social change. The nde of colonialism, the internal struggles of newly emerging independent nations in Africa, social and political changes across Europe, armed conflict in Southeast Asia, and the civil rights movement in America were just a few. Although many of the above conflicts have been in the making for quite some time, they seemed to unite to form a socio-political cultural revolution known as the 60s, the effects of which continues to this day. The 1960s asw a particularly intense time for race relations in the United States. Long before it officially became a republic, in matters of race, white America collectively had trouble reconciling what it practiced versus what it preached. Nowhere is this racial contradiction more apparent than in the case of Jimi Hendrix. Jimi Hendrix is emblematic of the racial ideal and the racial contradictions of the 1960s. -
Polydor ALLMAN BROTHERS BAND 3
L1 SKYDORIGINALS 425 16 juni 2013 Arnold Rypens - Kirsten 2:11 1 Little Martha (Allman) Polydor ALLMAN BROTHERS BAND 3 Dit zijn The Originals bij L1 Radio, voor de tweede week op rij met Little Martha van The Allman Brothers Band, de laatste compositie van Duane Allman voor die op 24 jarige leeftijd verongelukte. Rockers van tegenwoordig moeten op die leeftijd hun eerste sporen nog verdienen, Duane had toen al een oeuvre bij elkaar waar nu 7 cd's mee gevuld staan op een Retrospectieve boxset die ons sedert vorige week tot leidraad dient. Waar waren we gebleven? Bij The Weight! 2:47 2 The Weight (Robertson) Rounder KING CURTIS II/25 Een tweede The Weights waar Duane Allman op meespeelt, die van King Curtis, die Duane had leren kennen tijdens de opname van datzelfde nummer maar dan voor Aretha Franklin en daar waren we vorige week gebleven. Duane had de grootste bewondering voor King Curtis om diens unieke mix van soul, blues, gospel & jazz en waar hij wat graag in meeging. Toen Curtis in 1971 in een vuurgevecht om het leven kwam was dat een hele schok voor Duane, ook voor Aretha trouwens die op de begrafenis zong. Bij de eerstvolgende gelegenheid live met zijn Allman Brothers Band versmolt Duane Soul Serenade van King Curtis in een medley met hun You Don't Love Me. We pikken in bij dat Soul Serenade- gedeelte. (starten bij 7:02): (tot 11:20) 4:18 3 Soul Serenade (Ousley/Dixon) Rounder ALLMAN BROTHERS BAND VII/4 Duane 'Skydog' Allman's versie van Soul Serenade was eerder al te horen op de Allman Brothers boxset Dreams, nu ook op Skydog - The Duane Allman Retrospective, mede samengesteld door zijn dochter Galadrielle die werkelijk met de kam door al haar vader's opnamen gegaan is om dan alleen maar hoogtepunten over te houden. -
Robyn Hitchcock's New Self-Titled
“Renewed, refreshed and irascibly rambunctious." - NPR ! "Hitchcock sounds more energised and vibrant than he has in decades" - Uncut #5 Billboard Heatseekers (US) #7 Americana Album Charts (UK) #18 Top Current Rock Albums (US) #73 Top Current Albums (US) ROBYN HITCHCOCK’S NEW SELF-TITLED LP IS OUT NOW! - THE MOST CRITICALLY ACCLAIMED ALBUM OF ROBYN’S ILLUSTRIOUS CAREER. ! ! PRESS NPR Music premiere of "I Want To Tell You About What I Want" Salon feature and "Raymond and The Wires" video premiere Billboard feature and EPK premiere US: Paste, American Songwriter, Nashville Scene, The Stranger, Consequence of Sound, Brooklyn Vegan, AP & more SXSW: NPR Music, Paste, American Songwriter & more International: Daily Mail, The Quietus, Q Magazine, Big Take Over Mag, Sunday Times, Record Collector, Americana UK, Uncut, MOJO, Wire Magazine! (pt 1, pt 2), The Independent, DPA & more ! RADIO #45 on Americana Chart #30 on College NACC Top 200 #27 on FMQB AAA Top 200 Non-comm Featured plays on key international radio stations around the world In Studios Confirmed: KCSN, Sirius XM The Loft, KEXP In Studios Completed: The Current, KDHX, WDET, WYEP, WVTF KUTX interview with Jody Denberg and David Fricke @ SXSW Marc Riley and Gideon Coe played "I Want To Tell You About What I Want” on 6 Music Artist of the week on Bayern2 radio (DE) “Autumn Sunglasses” is KCRW’s Top Tune WATCH THE OFFICIAL VIDEO FOR “RAYMOND AND THE WIRES” ! WATCH THE EXCLUSIVE PERFORMANCES FOR SAWYER SESSIONS FIND TOUR DATES HERE FIND TOUR DATES HERE FIND TOUR DATES HERE . -
Press Release
Wymer Publishing Uriah Heep A Visual Biography Martin Popoff With Kevin Julie on images Publication date: 16th April 2021 RRP: £59.99 ISBN: 978-1-912782-56-7 Hardback: 297 x 210mm, 240pp. The publication of Martin Popoff’s Uriah Heep: A Visual Biography is something of a bitter‐sweet I event given the recent news. Following the very sad loss of Lee Kerslake in September 2020, Popoff — having interviewed various band members over the past few years — was all set to conduct another interview with Ken Hensley in mid‐ November when the tragic news of Ken’s sudden departure reached Heep fans around the world. Undeterred, the decision that had already been made to immortalise Uriah Heep with a comprehensive visual biography remained. RELEASE Popoff’s celebrated and detailed timeline takes us through more than fifty years of massive rock history from this much‐loved band. From the early days with legendary front man David Byron, through the John Lawton years; the John Sloman and Pete Goalby fronted periods and from 1986 with Bernie Shaw taking centre stage; all eras are comprehensively covered. This differs from previous Uriah Heep books with the inclusion of so many previously unpublished photos, along with rare memorabilia and artefacts that makes this an indispensable addition to the vast Uriah Heep catalogue. PRESS Customers who pre‑order by 31st January can have their names printed on a dedicated fan page. For all media enquiries please contact: Gary Hibbert: [email protected] Pre-order now: https://www.wymeruk.co.uk/webshop/books/rock/uriah-heep/uriah-heep-a-visual-biography/ Wymer Publishing, Bedford, MK41 8JB, England Trade enquiries: [email protected] General enquiries: [email protected] Tel: +44 (0) 1234 326691 .