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Reviews & Previews ARTISTS & MUSIC S P O T L I G H T SPOTLIGHT SPOTLIGHT SPOTLIGHT SARA LEE THE OFFSPRING Make It Beautiful Conspiracy Of One PRODUCERS: Peter Scherer, Harvey Jones PRODUCER: Brendan O'Brien Righteous Babe RBRO21 Columbia CK 61419 British bassist Sara Lee has been ply- On the winning follow -up to its 1995 ing her feisty musical wares since the smash "Americana," the Offspring late '70s. As an in- demand session play- doesn't stray far from the brand of er, Lee has toured and recorded with adrenaline- fueled punk/pop it first numerous high -profile acts, including helped popularize with Green Day Fiona Apple, the B -52's, Indigo Girls, back in the mid -'90s. But "Conspiracy Thompson Twins, Gang Of Four, and Of One" proves the SoCal rock act to Ryuichi Sakamoto. Four years ago, she still be among the top practitioners of accompanied singer/songwriter Ani the genre, which has most recently AI J LA DiFranco on tours of Europe and been owned by another group of 1 North America. With "Make It Beauti- smart-ass punk revivalists, Blink -182. EDITED BY MICHAEL PAOLETTA ful," the ultra- photogenic Lee finally The band roars out of the gates on the PRU delivers her greatly anticipated solo MUSIO SOULCHILD aptly titled track "Come Out Swing- Pru debut. Throughout the set's 10 tracks, Aijuswannasing ing" and blisters through the first 10 PRODUCERS: various funky beats seamlessly collide with PRODUCERS: various songs without looking back. But as P P Capitol 7243 5 23120 0 9 Def Soul/Def Jam 8289 O decidedly pop mannerisms, and new- opposed to Blink, which powers Webster's defines the word "prudent" With a moniker like Musiq Soulchild, * SHAWN LEE as "capable of exercising sound judg- expectations are high for this soul - Monkey Boy ment." Capitol artist Pru (nee Ren- ster's debut. -
Studio-Sound-1999-10.Pdf
HE INTE ATIOS;aïL PROFESSICx,à,.L..-- AGAZINE FOR REC( NG, POSTPRODUCTIO sOADCAST AES aid 4110 _11.1g meeent2 41110 )uer eek JM47 I"r(('Jr L 41110 r )fie4w)r 411. 4. 41. WIN FAB GENELEC AND CEDAR GEAR THE REAL STORY OF RECORDERS The BROADWAY IN THE ARCTIC ANDYATM INACTION JOHNS 10 H11 Interview 9 770144 594024 LIBRA POST harnesses the power and functionality of AMS Neve's flagship DIGITAL FILM CONSOLE (DFC) for the wider world of video post production. KEY FEATURES INCLUDE: 12 -48 faders, up to 192 inputs Surround sound mixing to any format Multiple stem outputs up to 8 channels wide Dedicated 8- channel surround monitor panel with matrix/ processing inserts Encore' Total Dynamic Automation - shared with DFC Automated joystick panning 96kHz -ready processing platform Optional multi- machine control Optional 24 -bit hard disk recording/editing,_ Digital First__ HEAD OFFICE - AMS Neve plc Billington Road Burnley Lancs BB11 SUB . England . Tel: +44 (0) 1282'45701 AMS Fax: +44 (0) 1282 41 '282 LONDON - Tel: 0171 916 2828 Fax: 0171 916 2827 GERMANY - Tel: 61 1 9 42 520 Fax: 61 31 9 42 5210 . NEW YORK - Tel: (212) 965 1400 Fax: (212) 965 3739 NEVEHOLLYWOOD - Tel: (818) 753 8789 Fax: (818) 623 4839 TORONTO - Tel: (416) 365 3363 Fax: (416) 365 1044 e -mail: enquiry @am -neve.com - http://www.ams-neve.com Solid State Logic The digital multi -trac The SuperAn New custom mobile ve Digital console proves perfect for post The success of the Axlóm =M` , vvi h over 30 orders since its launch at the May 1998 AES in Amsterdam, is an overwhelming endorsement of SSL's strategy of combining proven, stable digital technology with a familiar control surface. -
CCM-Summer 2016.Pdf
Classical Reflection By Chantelle Constable Identical mirror twins Hannah and conjunction with the EP, which is Naomi Moxon grew up singing titled "The Night Before Christmas." nursery rhymes and listening to "Our video was really something Emmanuel & ourselves had been Vivaldi and Shania Twain in the car. talking about since we left The Voice. "We remember singing along... it was We had so many lovely comments probably quite embarrassing!" Now, about the song so we felt we really at the ages of 20, they are veterans of wanted to give back something to popular television talent show The those who support us!" Voice, and have just released their The girls' love of singing was instilled first Christmas EP. "We love from an early age. "Since the moment everything about Christmas... we could talk our mum would sing probably our favourite things are: with us for about an hour every Getting up early on Christmas morning. It was never about being perfect but just having fun!" Classical morning, dinner, wrapping everyone’s crossover seems to have also been an presents, and having family board instinctive choice, with the freedom it games." offers in its blend of styles and relaxing mood that appeals to a wide A video for "The Living Years," audience, even those who primarily featuring The Voice co-competitor listen to other genres. In choosing Emmanuel Nwamadi, was released in songs for their repertoire, melody enjoy everything!" takes top priority. The twins love As expected, the girls' voices are both "emotional songs," and love having soprano, and nearly identical to the audiences leave their concerts feeling point that they will often tradeoff "uplifted and happy." between the high and low harmonies within the same song ("It seems very "We always feel really honored when confusing but it happens naturally"). -
7. Annie's Song John Denver
Sing-Along Songs A Collection Sing-Along Songs TITLE MUSICIAN PAGE Annie’s Song John Denver 7 Apples & Bananas Raffi 8 Baby Beluga Raffi 9 Best Day of My Life American Authors 10 B I N G O was His Name O 12 Blowin’ In the Wind Bob Dylan 13 Bobby McGee Foster & Kristofferson 14 Boxer Paul Simon 15 Circle Game Joni Mitchell 16 Day is Done Peter Paul & Mary 17 Day-O Banana Boat Song Harry Belafonte 19 Down by the Bay Raffi 21 Down by the Riverside American Trad. 22 Drunken Sailor Sea Shanty/ Irish Rover 23 Edelweiss Rogers & Hammerstein 24 Every Day Roy Orbison 25 Father’s Whiskers Traditional 26 Feelin’ Groovy (59th St. Bridge Song) Paul Simon 27 Fields of Athenry Pete St. John 28 Folsom Prison Blues Johnny Cash 29 Forever Young Bob Dylan 31 Four Strong Winds Ian Tyson 32 1. TITLE MUSICIAN PAGE Gang of Rhythm Walk Off the Earth 33 Go Tell Aunt Rhody Traditional 35 Grandfather’s Clock Henry C. Work 36 Gypsy Rover Folk tune 38 Hallelujah Leonard Cohen 40 Happy Wanderer (Valderi) F. Sigismund E. Moller 42 Have You ever seen the Rain? John Fogerty C C R 43 He’s Got the Whole World in His Hands American Spiritual 44 Hey Jude Beattles 45 Hole in the Bucket Traditional 47 Home on the Range Brewster Higley 49 Hound Dog Elvis Presley 50 How Much is that Doggie in the Window? Bob Merrill 51 I Met a Bear Tanah Keeta Scouts 52 I Walk the Line Johnny Cash 53 I Would Walk 500 Miles Proclaimers 54 I’m a Believer Neil Diamond /Monkees 56 I’m Leaving on a Jet Plane John Denver 57 If I Had a Hammer Pete Seeger 58 If I Had a Million Dollars Bare Naked Ladies 59 If You Miss the Train I’m On Peter Paul & Mary 61 If You’re Happy and You Know It 62 Imagine John Lennon 63 It’s a Small World Sherman & Sherman 64 2. -
Did Wigan Have a Northern Soul?
Did Wigan have a Northern Soul? Introduction The town of Wigan in Lancashire, England, will forever be associated with the Northern Soul scene because of the existence of the Casino Club, which operated in the town between 1973 and 1981. By contrast, Liverpool just 22 miles west, with the ‘the most intensely aware soul music Black Community in the country’, (Cohen, 2007, p.31 quoting from Melody Maker, 24 July 1976) remained immune to the attractions of Northern Soul and its associated scene, music, subculture and mythology. Similarly, the city of Manchester has been more broadly associated with punk and post-punk. Wigan was and remains indelibly connected to the Northern Soul scene with the Casino representing a symbolic location for reading the geographical, class and occupational basis of the scene’s practitioners. The club is etched into the history, iconography, and mythology of Northern Soul appearing in the academic and more general literature, television documentaries, memoirs, autobiographies and feature films. This chapter seeks to explore the relationship between history, place, class, industrialisation, mythology and nostalgia in terms of Wigan, the Casino Club and the Northern Soul scene. It asks the question: did Wigan have a northern soul? This is explored through the industrial and working-class history of the town and the place of soul music in its post-war popular culture. More broadly, it complements the historical literature on regional identity identifying how Northern Soul both complemented and challenged orthodox readings of Wigan as a town built on coal and cotton that by the 1970s was entering a process of deindustrialisation. -
59Th Annual Critics Poll
Paul Maria Abbey Lincoln Rudresh Ambrose Schneider Chambers Akinmusire Hall of Fame Poll Winners Paul Motian Craig Taborn Mahanthappa 66 Album Picks £3.50 £3.50 .K. U 59th Annual Critics Poll Critics Annual 59th The Critics’ Pick Critics’ The Artist, Jazz for Album Jazz and Piano UGUST 2011 MORAN Jason DOWNBEAT.COM A DOWNBEAT 59TH ANNUAL CRITICS POLL // ABBEY LINCOLN // PAUL CHAMBERS // JASON MORAN // AMBROSE AKINMUSIRE AU G U S T 2011 AUGUST 2011 VOLUme 78 – NUMBER 8 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed Associate Editor Aaron Cohen Contributing Editor Ed Enright Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Assistant Theresa Hill 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
The Uses and Misuses of Popular Music Lyrics in Legal Writing, 64 Wash
Washington and Lee Law Review Volume 64 | Issue 2 Article 4 Spring 3-1-2007 [Insert Song Lyrics Here]: The sesU and Misuses of Popular Music Lyrics in Legal Writing Alex B. Long Follow this and additional works at: https://scholarlycommons.law.wlu.edu/wlulr Part of the Legal Writing and Research Commons Recommended Citation Alex B. Long, [Insert Song Lyrics Here]: The Uses and Misuses of Popular Music Lyrics in Legal Writing, 64 Wash. & Lee L. Rev. 531 (2007), https://scholarlycommons.law.wlu.edu/wlulr/vol64/iss2/4 This Article is brought to you for free and open access by the Washington and Lee Law Review at Washington & Lee University School of Law Scholarly Commons. It has been accepted for inclusion in Washington and Lee Law Review by an authorized editor of Washington & Lee University School of Law Scholarly Commons. For more information, please contact [email protected]. [Insert Song Lyrics Here]: The Uses and Misuses of Popular Music Lyrics in Legal Writing Alex B. Long* Table of Contents I. For Those About To Rock (I Salute You) .................................... 532 II. I'm Looking Through You ........................................................... 537 A. I Count the Songs That Make the Legal Profession Sing, I Count the Songs in Most Everything, I Count the Songs That Make the Young Lawyers Cry, I Count the Songs, I Count the Songs ................................................. 537 B . A dd It U p ............................................................................... 539 C. I'm Looking Through You .................................................... 541 1. It Takes a Profession of Thousands To Hold Us Back .... 541 2. Baby Boomers Selling You Rumors of Their History ..... 544 3. -
Pink Floyd and Philosophy
Table of Contents Popular Culture and Philosophy Series Editor: George A. Reisch Title Page Pink Floyd: From Pompeii to Philosophy Pink Floyd in Popular Culture Chapter 1 - “I Hate Pink Floyd,” and other Fashion Mistakes of the 1960s, 70s, ... The Four Lads from CambridgeFrom Waffling to MeddlingThe Crazy DiamondWish You Weren’t HereDoes Johnny Rotten Still Hate Pink Floyd? Chapter 2 - Life and Death on The Dub Side of the Moon Side OneSide TwoRasta ReasoningOn Rasta Time“A New Broom Sweeps Clean, but an Old Broom Knows Every Corner” Chapter 3 - Dark and Infinite Goodbye Blue SkyNobody HomeBricks in the WallWe Don’t Need No InterpretationFeelings of an Almost Human Nature Chapter 4 - Pigs Training Dogs to Exploit Sheep: Animals as a Beast Fable Dystopia The Dog-Eat-Dog MarketplacePigs in the WhitehouseSheepish ExploitationCaring Dogs Watching Flying Pigs Chapter 5 - Exploring the Dark Side of the Rainbow Major SynchronizationsDesign or Chance?Synchronizations and SynchronicityApophenia and ParadigmsThematic Synchronicity Chapter 6 - Mashups and Mixups : Pink Floyd as Cinema Defining Cinematic MusicMusic Videos and Music FilmsMashups and Sync UpsIn the End, It’s Only Round and Round (and Round) Alienation (Several Different Ones) Chapter 7 - Dragged Down by the Stone: Pink Floyd, Alienation, and the ... Wish You Were . ConnectedWhen the World You’re in Starts Playing Different TunesDon’t Be Afraid to CareDon’t Sit DownTime, Finitude, and DeathMoneyAny Colour of Us and Them You LikeArtists and Crazy DiamondsThis One’s PinkWe Don’t 2 Need No Indoctrination Chapter 8 - Roger Waters : Artist of the Absurd (C)amused to DeathThat Fat Old SunPrisms and DiamondsWelcome to the ZooThe Pros and Cons of AudiencesAlienation inside the WallWould You Help Me to Carry the Stone? Chapter 9 - Theodor Adorno, Pink Floyd, and the Psychedelics of Alienation Part I: Interstellar OverdriveIt’s Alright, We Told You What to DreamCan the Machine Be Fixed?Arnold Schoenberg had a Strraaaange . -
Mediated Music Makers. Constructing Author Images in Popular Music
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Helsingin yliopiston digitaalinen arkisto Laura Ahonen Mediated music makers Constructing author images in popular music Academic dissertation to be publicly discussed, by due permission of the Faculty of Arts at the University of Helsinki in auditorium XII, on the 10th of November, 2007 at 10 o’clock. Laura Ahonen Mediated music makers Constructing author images in popular music Finnish Society for Ethnomusicology Publ. 16. © Laura Ahonen Layout: Tiina Kaarela, Federation of Finnish Learned Societies ISBN 978-952-99945-0-2 (paperback) ISBN 978-952-10-4117-4 (PDF) Finnish Society for Ethnomusicology Publ. 16. ISSN 0785-2746. Contents Acknowledgements. 9 INTRODUCTION – UNRAVELLING MUSICAL AUTHORSHIP. 11 Background – On authorship in popular music. 13 Underlying themes and leading ideas – The author and the work. 15 Theoretical framework – Constructing the image. 17 Specifying the image types – Presented, mediated, compiled. 18 Research material – Media texts and online sources . 22 Methodology – Social constructions and discursive readings. 24 Context and focus – Defining the object of study. 26 Research questions, aims and execution – On the work at hand. 28 I STARRING THE AUTHOR – IN THE SPOTLIGHT AND UNDERGROUND . 31 1. The author effect – Tracking down the source. .32 The author as the point of origin. 32 Authoring identities and celebrity signs. 33 Tracing back the Romantic impact . 35 Leading the way – The case of Björk . 37 Media texts and present-day myths. .39 Pieces of stardom. .40 Single authors with distinct features . 42 Between nature and technology . 45 The taskmaster and her crew. -
Recognizing Service 7315 W
' First Security Trust and Savings Bank Serving the community since 1957 ]1'tJ114 1" SIIHIIF'11\I..4I)S1I ( "A community bank for all your banking needs." $1.50 Thursday, May 21, 2015 OPEN 6 DAYS A WEEK 4 DRIVE-IN LANES DRIVE-THRU ATM TRAVEL SERVICES LOBBY OPEN ON FRIDAY NIGHT AND SATURDAY A FULL (708) 4533131 SERVICE (773) 625-3300 KANK www.fstsb.com Recognizing service 7315 W. Grand Ave.Elmwood Park I block west of Harlem) World War II veteran from Niles honored on Armed Forces Day. Page 12 DEVONSHIRE PLAyHOUSE PHOTO Medieval mania Devonshire Playhouse takes on the wacky and winning musical comedy, "Monty Python's Spamalot" Page 34 SPORTS Moving on Several area athletes advance to girls track and field state meet Page 53 GOP STUDENKOV/PIONEER PRESS Congressman Bob Dold, left, speaks to Richard Vana, center, of Niles, and Vanas family during a May16 event to celebrate Armed Nic SUMMERS! Forces Day at Golf Mill Shopping Center, The day also included an armed services recruitment expo. PIONEER PRESS SOC-ILOg1I S31IN Is NO1)0 0969 dodo Isla0 .L>lW:N.L 5CTLLT8'vTO [t' .o 6I0-3101 Th-3;lTSHNdd :bjd 9 TNddTL091IW SHOUT OUT NILES HERALD-SPECTATOR nilesheraldspectator.com Doug James, Park Ridge actor Bob Fleck, Publisher/General Manager Actor Doug James of Park doing my voice over work and Maggie Wartik, General Manager/Suburban Weeklies Ridge recently reappeared on the playing with my bands. [email protected] small screen in a May 6 episode of Q: Will Doug James and the John Puterbaugh, Editor "Chicago P.D' Largely a voice Pocket be playing Taste of Park 312-222-3331; [email protected] over actor for commercials, James Ridge again this summer? Jill McDermott, Vice President of Advertising has also played minor roles in A: Yes, we'll be back at the 224-500-2419; jmcdermotttrihpub.com short films and television shows, Taste. -
Stan Magazynu Caĺ†Oĺıäƒ Lp Cd Sacd Akcesoria.Xls
CENA WYKONAWCA/TYTUŁ BRUTTO NOŚNIK DOSTAWCA ALLMAN BROTHERS BAND - AT FILLMORE EAST 159,99 SACD BERTUS ALLMAN BROTHERS BAND - AT FILLMORE EAST (NUMBERED 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - BROTHERS AND SISTERS (NUMBE 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - EAT A PEACH (NUMBERED LIMIT 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - IDLEWILD SOUTH (GOLD CD) 129,99 CD GOLD MOBILE FIDELITY ALLMAN BROTHERS BAND - THE ALLMAN BROTHERS BAND (N 149,99 SACD MOBILE FIDELITY ASIA - ASIA 179,99 SACD BERTUS BAND - STAGE FRIGHT (HYBRID SACD) 89,99 SACD MOBILE FIDELITY BAND, THE - MUSIC FROM BIG PINK (NUMBERED LIMITED 89,99 SACD MOBILE FIDELITY BAND, THE - THE LAST WALTZ (NUMBERED LIMITED EDITI 179,99 2 SACD MOBILE FIDELITY BASIE, COUNT - LIVE AT THE SANDS: BEFORE FRANK (N 149,99 SACD MOBILE FIDELITY BIBB, ERIC - BLUES, BALLADS & WORK SONGS 89,99 SACD OPUS 3 BIBB, ERIC - JUST LIKE LOVE 89,99 SACD OPUS 3 BIBB, ERIC - RAINBOW PEOPLE 89,99 SACD OPUS 3 BIBB, ERIC & NEEDED TIME - GOOD STUFF 89,99 SACD OPUS 3 BIBB, ERIC & NEEDED TIME - SPIRIT & THE BLUES 89,99 SACD OPUS 3 BLIND FAITH - BLIND FAITH 159,99 SACD BERTUS BOTTLENECK, JOHN - ALL AROUND MAN 89,99 SACD OPUS 3 CAMEL - RAIN DANCES 139,99 SHMCD BERTUS CAMEL - SNOW GOOSE 99,99 SHMCD BERTUS CARAVAN - IN THE LAND OF GREY AND PINK 159,99 SACD BERTUS CARS - HEARTBEAT CITY (NUMBERED LIMITED EDITION HY 149,99 SACD MOBILE FIDELITY CHARLES, RAY - THE GENIUS AFTER HOURS (NUMBERED LI 99,99 SACD MOBILE FIDELITY CHARLES, RAY - THE GENIUS OF RAY CHARLES (NUMBERED 129,99 SACD MOBILE FIDELITY -
Nostalgia in Indie Folk by Claire Coleman
WESTERN SYDNEY UNIVE RSITY Humanities and Communication Arts “Hold on, hold on to your old ways”: Nostalgia in Indie Folk by Claire Coleman For acceptance into the degree of Doctor of Philosophy December 20, 2017 Student number 17630782 “Hold on, hold on to your old ways” – Sufjan Stevens, “He Woke Me Up Again,” Seven Swans Statement of Authentication The work presented in this thesis is, to the best of my knowledge and belief, original except as acknowledged in the text. I hereby declare that I have not submitted this material, either in full or in part, for a degree at this or any other institution. .............................................................................................. Claire Coleman Acknowledgements This thesis could not have been completed without the invaluable assistance of numerous colleagues, friends and family. The love, respect and practical support of these people, too many to name, buoyed me through the arduous privilege that is doctoral research. With special thanks to: The Supers – Dr Kate Fagan, Mr John Encarnacao and Associate Prof. Diana Blom My beloved – Mike Ford My family – Nola Coleman, Gemma Devenish, Neale Devenish, and the Fords. The proof-readers – Alex Witt, Anna Dunnill, Pina Ford, Connor Weightman and Nina Levy. My choir families – Menagerie, Berlin Pop Ensemble and Dienstag Choir Administrative staff at Western Sydney University Dr Peter Elliott Ali Kirby, Kate Ballard, Carol Shepherd, Kathryn Smith, Judith Schroiff, Lujan Cordaro, Kate Ford and the many cafes in Perth, Sydney and Berlin