White+Paper+Music+10.Pdf
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Economic Impact of the Recorded Music Industry in India September 2019
Economic impact of the recorded music industry in India September 2019 Economic impact of the recorded music industry in India Contents Foreword by IMI 04 Foreword by Deloitte India 05 Glossary 06 Executive summary 08 Indian recorded music industry: Size and growth 11 Indian music’s place in the world: Punching below its weight 13 An introduction to economic impact: The amplification effect 14 Indian recorded music industry: First order impact 17 “Formal” partner industries: Powered by music 18 TV broadcasting 18 FM radio 20 Live events 21 Films 22 Audio streaming OTT 24 Summary of impact at formal partner industries 25 Informal usage of music: The invisible hand 26 A peek into brass bands 27 Typical brass band structure 28 Revenue model 28 A glimpse into the lives of band members 30 Challenges faced by brass bands 31 Deep connection with music 31 Impact beyond the numbers: Counts, but cannot be counted 32 Challenges faced by the industry: Hurdles to growth 35 Way forward: Laying the foundation for growth 40 Conclusive remarks: Unlocking the amplification effect of music 45 Acknowledgements 48 03 Economic impact of the recorded music industry in India Foreword by IMI CIRCA 2019: the story of the recorded Nusrat Fateh Ali-Khan, Noor Jehan, Abida “I know you may not music industry would be that of David Parveen, Runa Laila, and, of course, the powering Goliath. The supercharged INR iconic Radio Ceylon. Shifts in technology neglect me, but it may 1,068 crore recorded music industry in and outdated legislation have meant be too late by the time India provides high-octane: that the recorded music industries in a. -
André Rieu & the Johann Strauss Orchestra
2021 CONCERT BREAKS BY AIR OR EUROSTAR™ André Rieu & the Johann Strauss Orchestra The Vrijthof Concerts, Maastricht 2021 André Rieu – The Vrijthof Concerts, Maastricht 2021 Introduction 5 Three-day Air-Inclusive 6 Where stories begin Five-day Air-Inclusive 7 Three-day Eurostar-Inclusive 8 Five-day Eurostar-Inclusive 9 Optional Cruise Excursions 10 Maastricht 11 Important Information & Travel Insurance 12 PriorityHow Booking to Book Line 0330 160 7844 Opening Hours: Monday-Friday: 9am-6pm, Saturday: 9am-4pm, Sunday: 10am-3pm Book Online www.newmarketholidays.co.uk/rieu André Rieu & the Johann Strauss Orchestra The Vrijthof Concerts, Maastricht 2021 Each year André Rieu, the ‘Waltz King of Europe’, performs a series of concerts in his hometown of Maastricht in The Netherlands. The Vrijthof concerts, set amongst the cultural backdrop of this beautiful town, have become one of the most popular concerts in his yearly schedule. Acknowledged as one of the world’s greatest living musical legends, Dutch-born André Rieu was classically trained, and is now an accomplished violinist, an excellent conductor and a truly great showman. With his orchestra, choir, soloists and special guests he brings a delightful and innovative approach to his concerts, recreating the atmosphere of 19th-century Viennese Dance Halls. Rapt audiences sway with the music, hum along and even dance in the aisles – it all happens! During the concert – the highlight of each break – you will hear music from across André’s repertoire, from his first major hit album, ‘Strauss & Co’ to his latest release, ‘Happy Days’, celebrating his 70th Birthday’. It will be a wonderful not-to-be-missed experience! Air & Eurostar™ Inclusive Breaks available We are delighted to offer four travel package options to see the great man perform in his hometown. -
Fact Sheet: Benefits of Hawaii's Tourism Economy
Fact Sheet: Benefits of Hawai‘i’s Tourism Economy Hawai‘i Tourism Industry in 20191 Tourism is the largest single source of private capital for Hawai‘i’s economy. In 2019, Hawai‘i’s tourism economy has recorded. Visitor Spending: $17.75 billion (+1.4%, +$244.4 million YOY versus 20182). Statewide: $48.6 million in average visitor spending daily: • O‘ahu: $22.4 million per day • Maui: $14.0 million per day • Island of Hawai‘i: $6.4 million per day • Kaua‘i: $5.2 million per day State Tax Revenue: $2.07 billion (+1.4%,+$28.5 million YOY versus 2018). Visitor Arrivals: 10,424,995 (+5.4% YOY versus 2018). On any given day were 249,000 visitors in the Hawaiian Islands. Jobs supported: 216,000 Air Seats: 13,619,349 (+2.9% YOY versus 2018). Opportunities for Continued Growth Increased arrivals during shoulder periods: April-May and October-November. Renovations, upgrades to Hawai‘i’s tourism product (hotels, attractions, natural resources). Increased distribution of visitors to the neighbor islands. TAT Collections FY 2018 TAT Distribution FY 2019 TAT Distribution ($ millions) ($ millions) Convention Convention Center Enterprise Center Enterprise Special Fund, Special Fund, Tourism $16.5 Tourism Special $26.5 Special Fund, Department of Fund, $82.0 $79.0 Land and Natural Department of Resources, Land and Natural $3.0 Resources, General Fund, $3.0 General Fund, Counties, $103.0 $315.2 Counties, $103.0 $340.0 Turtle Bay Conservation Turtle Bay Easement Conservation Fund, $1.5 Easement Fund, $1.5 Mass Transit Mass Transit Special Fund, Special Fund, $23.6 $57.4 FY 2017: The state collected $508.38 million in transient accommodations tax (TAT=9.25%). -
Oil Shale Economics Existing Analyses Do Not Measure Impacts of Commercial Development Adequately
Oil Shale Economics Existing Analyses Do Not Measure Impacts of Commercial Development Adequately Is oil shale economically viable? Even the federal government does not know. And yet, in making the case for accelerated commercial development of oil shale and tar sands resources in Colorado, Utah, and Wyoming, President Bush’s Departments of Energy (DOE) and the Interior (DOI) pointed to a range of macroeconomic, socioeconomic, and consumer benefi ts that would result. However, a close review of data and existing studies reveals far diff erent conclusions. What’s at Stake? Environmental quality is a As Colorado’s Governor, Bill Ritt er, has argued, oil shale critical economic force in leasing on top of the “existing network of energy develop- oil shale country and the environmental amenities provid- ment and changing land uses will put more pressure on an ed by public lands are an important economic driver. Areas already fragile ecosystem and public temperament.” proposed for oil shale development overlap with tourism, agriculture, and recreational opportunities. Older workers Th e federal and retirees, who are drawn to the region because of its What’s the Problem? government environment and quality of life, bring with them invest- has a poor understanding of the economic and socio- ment, retirement, and other non-employment income. economic impacts of commercial oil shale development. Despite DOI’s att empt to address the information defi cit What’s at Risk? Water demands for shale through the federal RD&D program, there are inextricable development will come at questions that need to be answered regarding how industrial the expense of local farms and ranches. -
Music Industry
THE U.S. MUSIC INDUSTRIES: THE 2020 REPORT JOBS & BENEFITS EXECUTIVE SUMMARY Music is many things–a thread that connects and unites, a touchstone that strengthens and supports, and a current that carries and uplifts. It’s one of the strongest emotional, social, and cultural forces in our world. It’s also a major economic engine, boosting local communities, providing jobs and BY THE NUMBERS opportunity, and underpinning a wide range of related business and creative activities, from film scores to Twitch livestreams to advertising and background sound. But what is $170B the scope of all that economic activity–how many jobs and how much revenue does music TOTAL ECONOMIC CONTRIBUTION TO GDP produce? This report seeks to answer these questions with regard to the U.S. music industry. The United States is home to the world’s biggest music market. According to the IFPI, 2,466,026 the global trade body for recorded music, the U.S. accounts for a third of the total world TOTAL JOBS SUPPORTED recorded music market1 and 45% of its total annual growth.2 But recorded music is just one part of a much larger industry. This report examines the 236,269 broader economic footprint of the United States music industry as a whole, including TOTAL MUSIC RELATED ESTABLISHMENTS businesses like music publishing, internet and radio listening platforms, instrument manufacturing, musicians and music teachers, agents, concert promoters, and many others. Moreover, this report computes the spillover effects the music industry has in $9.08B generating value and supporting employment in different industries. TOTAL U.S. -
Benny Sings - City Pop 22 February 2019
Benny Sings - City Pop 22 February 2019 “For more than 10 years, fans have been drawn to Dutch singer-songwriter Benny Sings' ability to layer R&B, jazz and pop over hip-hop foundations.” — NPR Music Benny Sings will release City Pop, his sixth album and first for Stones Throw in February 2019. With his signing to Stones Throw, he joins the label’s roster of artists — such as Jerry Paper and Mild High Club — in making music at the intersection of jazz, AOR, R&B and soul. On City Pop, he delivers real-life observations and insights on love, holding together soft rock-inspired songwriting and jazz instrumentation with his leading piano and distinctive vocal. The album was inspired by and written in cities all over the world, including New York, LA, Tokyo, Paris and Benny’s hometown of Amsterdam. Benny Sings debuted in 2003 with Champagne People. Since then he has performed for NPR’s Tiny Desk (their only Dutch guest to date); toured the world with Mayer Hawthorne, and collaborated with the likes of Anderson .Paak, GoldLink, and Mndsgn. In 2017 he co-wrote and featured on Rex Orange County’s megahit “Loving Is Easy”, a collaboration that arose from mutual admiration: "Benny has always been a massive inspiration for me and my music,” says the BBC Sound of 2018 breakout star, “In my opinion he’s one of the most underrated producers and artists going.” Like the 2015 album Studio, City Pop celebrates collaboration, with Hawthorne, Cornelius, Sukima switch (the “Japanese Steely Dan”), Mocky and Faberyayo among the featured artists. -
THE IMPORTANCE of IMAGE WITHIN MUSIC by Sarah Mccaryn Bourgeois Submitted in Partial Fulfillment
THE ART OF MUSIC PERFORMANCE: THE IMPORTANCE OF IMAGE WITHIN MUSIC by Sarah McCaryn Bourgeois Submitted in partial fulfillment of the Requirements for Departmental Honors in the Department of Music Texas Christian University Fort Worth, TX May 4, 2015 ii THE ART OF MUSIC PERFORMANCE: THE IMPORTANCE OF IMAGE WITHIN MUSIC Project Approved: Supervising Professor: Jesús Castro-Balbi, Ph.D. School of Music H. Joseph Butler, DMA. School of Music Ronald Pitcock, Ph.D. Honors College iii ABSTRACT Our society has become increasingly obsessed with image. The importance of visual elements within our culture has seeped into all areas of life, including music. This paper serves to explore the relationship between image and sound. Visual elements are inherent within all music and I explore the usage of image within both pop music and art music. The visual effects in pop music are rooted within the traditions of seventeenth century opera. The pop music industry is now a thriving business, due to the visual techniques incorporated into live concerts, music videos etc. On the other hand, art music is not experiencing the same amount of success as pop music. Could the reason be that art musicians fail to embrace the natural relationship between image and sound? I further expound upon this question and prove that not only does the general public care about image within music, but so do professional art musicians. This raises the question of why classical musicians choose to stay “stuck in the past” instead of moving forward, choosing to evolve alongside the current culture. iv ACKNOWLEDGMENTS I would like to acknowledge the faculty, staff and students of the TCU School of Music. -
GG 050219.Pdf
GREENPOINT | WILLIAMSBURG & BUSHWICK Since 1974 Since VOLUME 47 | NUMBER 17 MAY 2, 2019 (718) 422-7400 25¢ Brooklyn Eagle Group Study: Williamsburg, Bushwick had the most alcohol-related emergency room visits in Brooklyn Greenpoint is full of bars with outdoor seating — but there won’t be many outdoor ads for booze anymore. An order from Mayor Bill de Blasio, which takes effect immediately, bans any alcohol-related ads on bus shelters, newsstands, phone booths, LinkNYC kiosks and recycling containers. See page 2. Greenpoint Gazette file photo by Lore Croghan Barges and breweries: Sofar Sounds hosts secret concerts in B’klyn’s most unique locations By Scott Enman Frustrated with issues plaguing larger events Greenpoint Gazette — like deafening music and disruptive crowds on their cellphones — founder Rafe Offer set out to From the top of a ski jump in Norway to change the stigma surrounding concerts. the highest floor of the Willis Tower in “A big component of Sofar is discovering Chicago, concert series Sofar Sounds is re- artists, but the other component is discovering defining live music events with secret per- places and discovering the city a little bit bet- formances in offbeat locations. ter,” Sofar New York City Director Stephanie What started as a group of friends hosting Mitchell told the Greenpoint Gazette. parties in their living rooms in London has “These are spaces that people often don’t grown into an international following with think they’re going to experience music in, and events in more than 350 cities. we really love to celebrate those moments where Sofar’s intimate gigs are held in both res- we’re able to work in really unique spaces.” idential and commercial settings, and Brook- The series started in London in 2009, and lyn’s unique urban makeup of waterfront began regularly hosting events in New York in warehouses, factories and industrial buildings 2011. -
September 30 – October 1, 2010 Stockholm, Sweden September 30 – October 1, 2010 Stockholm, Sweden Welcome to Stockholm the First Ever European Green Capital
September 30 – October 1, 2010 Stockholm, Sweden September 30 – October 1, 2010 Stockholm, Sweden Welcome to Stockholm The First Ever European Green Capital Noise is a serious health problem in Europe. Road traffic is the predominant source of exposure in urban areas. As a basic measure in fighting noise, the City of Stockholm has monitored noise pollution since the early 1970s. Information about the current status of noise pollution is available in a data base, also containing information on protective actions and noise reduction measures. Our work against noise is one of the reasons why Stockholm was the first city to be awarded the European Green Capital title. To be successful in the future in delimiting noise exposure, more attention is needed to prevention of noise at the source, as well as to the city’s planning process. The City of Stockholm has taken part in research showing that people’s judgments of the soundscape in their homes greatly depends on factors like access to a ‘quiet’ side of the house or access to a ‘quiet’ sitting-out area. In addition, access to a ‘quiet’ recreational area within reasonable walking distance is of importance. This research shows that cities need to work in several ways, and not using noise abate- ment as the only strategy. Soundscape management can be a useful tool to achieve a more attractive and human city. We are proud to be a partner of this conference and to contribute in the exchange of experience between dif- ferent professions, and in introducing the soundscape approach to architects and urban planners. -
Audio OTT Economy in India – Inflection Point February 2019 for Private Circulation Only
Audio OTT economy in India – Inflection point February 2019 For Private circulation only Audio OTT Economy in India – Inflection Point Contents Foreword by IMI 4 Foreword by Deloitte 5 Overview - Global recorded music industry 6 Overview - Indian recorded music industry 8 Flow of rights and revenue within the value chain 10 Overview of the audio OTT industry 16 Drivers of the audio OTT industry in India 20 Business models within the audio OTT industry 22 Audio OTT pie within digital revenues in India 26 Key trends emerging from the global recorded music market and their implications for the Indian recorded music market 28 US case study: Transition from physical to downloading to streaming 29 Latin America case study: Local artists going global 32 Diminishing boundaries of language and region 33 Parallels with K-pop 33 China case study: Curbing piracy to create large audio OTT entities 36 Investments & Valuations in audio OTT 40 Way forward for the Indian recorded music industry 42 Restricting Piracy 42 Audio OTT boosts the regional industry 43 Audio OTT audience moves towards paid streaming 44 Unlocking social media and blogs for music 45 Challenges faced by the Indian recorded music industry 46 Curbing piracy 46 Creating a free market 47 Glossary 48 Special Thanks 49 Acknowledgements 49 03 Audio OTT Economy in India – Inflection Point Foreword by IMI “All the world's a stage”– Shakespeare, • Global practices via free market also referenced in a song by Elvis Presley, economics, revenue distribution, then sounded like a utopian dream monitoring, and reducing the value gap until 'Despacito' took the world by with owners of content getting a fair storm. -
NEW RELEASE GUIDE September 3 September 10 ORDERS DUE JULY 30 ORDERS DUE AUGUST 6
ada–music.com @ada_music NEW RELEASE GUIDE September 3 September 10 ORDERS DUE JULY 30 ORDERS DUE AUGUST 6 2021 ISSUE 19 September 3 ORDERS DUE JULY 30 SENJUTSU LIMITED EDITION SUPER DELUXE BOX SET Release Date: September 3, 2021 INCLUDES n Standard 2CD Digipak with 28-page booklet n Blu-Ray Digipak • “The Writing On The Wall” • Making Of “The Writing On The Wall” • Special Notes from Bruce Dickinson • 20-page booklet n 3 Illustrated Art Cards n 3D Senjutsu Eddie Lenticular n Origami Sheet with accompanying instructions to produce an Origami version of Eddie’s Helmet, all presented in an artworked envelope n Movie-style Poster of “The Writing On The Wall” n All housed in Custom Box made of durable board coated with a gloss lamination TRACKLIST CD 1 1. Senjutsu (8:20) 2. Stratego (4:59) 3. The Writing On The Wall (6:23) 4. Lost In A Lost World (9:31) 5. Days Of Future Past (4:03) 6. The Time Machine (7:09) CD 2 7. Darkest Hour (7:20) 8. Death of The Celts (10:20) 9. The Parchment (12:39) 10. Hell On Earth (11:19) BLU-RAY • “The Writing On The Wall” Video • “The Writing On The Wall” The Making Of • Special notes from Bruce Dickinson LIMITED EDITION SUPER DELUXE BOX SET List Price: $125.98 | Release Date: 9/3/21 | Discount: 3% Discount (through 9/3/21) Packaging: Super Deluxe Box | UPC: 4050538698114 Returnable: YES | Box Lot: TBD | Units Per Set: TBD | File Under: Rock SENJUTSU Release Date: September 3, 2021 H IRON MAIDEN Take Inspiration From The East For Their 17th Studio Album, SENJUTSU H Brand new double album shows band maintain -
Facilitating Music Tourism for Scotland's
Facilitating Music Tourism for Scotland’s Creative Economy AHRC Creative Economy Engagement Fellowship Report Dr Matthew Ord Dr Adam Behr Contents Table of Contents Acknowledgements ................................................................................................................... i List of Abbreviations ............................................................................................................... ii Executive Summary ............................................................................................................... iii Summary of Key findings .............................................................................................................. iii Key recommendations ..................................................................................................................... v Further research .............................................................................................................................. vi Introduction: music tourism in Scotland ............................................................................... 1 What is music tourism? What is a music tourist? ........................................................................... 3 Methodology ................................................................................................................................... 4 Chapter 1. Connecting music and tourism: knowledge and networks ............................... 5 Introduction ....................................................................................................................................