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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Perceptual Audio Classification Using Principal Component Analysis
Rochester Institute of Technology RIT Scholar Works Theses 2010 Perceptual audio classification using principal component analysis Zak Burka Follow this and additional works at: https://scholarworks.rit.edu/theses Recommended Citation Burka, Zak, "Perceptual audio classification using principal component analysis" (2010). Thesis. Rochester Institute of Technology. Accessed from This Thesis is brought to you for free and open access by RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. Perceptual Audio Classification Using Principal Component Analysis Zak Burka A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Science in Computer Science Department of Computer Science Golisano College of Computing and Information Sciences Rochester Institute of Technology Approved May 6, 2010 Abstract The development of robust algorithms for the recognition and classifi- cation of sensory data is one of the central topics in the area of intelligent systems and computational vision research. In order to build better intelli- gent systems capable of processing environmental data accurately, current research is focusing on algorithms which try to model the types of process- ing that occur naturally in the human brain. In the domain of computer vision, these approaches to classification are being applied to areas such as facial recognition, object detection, motion tracking, and others. This project investigates the extension of these types of perceptual clas- sification techniques to the realm of acoustic data. As part of this effort, an algorithm for audio fingerprinting using principal component analysis for feature extraction and classification was developed and tested. -
The Floozies Free Download [TSIS PREMIERE] Griz Announces All Good Records and Releases New Floozies Single As Free Download
the floozies free download [TSIS PREMIERE] GRiZ Announces All Good Records And Releases New Floozies Single As Free Download. GRiZ who is one of the pioneers of the electro-soul and future funk sounds, along with artists like Pretty Lights and Gramatik, yet has managed to carve his own lane in the genre. The always impressive artist announced his own record label 2 years ago with the release of his most recent album Rebel Era which was put out as a free download as well as being on iTunes. Today, the artist is announcing a new chapter in his career with the closing of Liberated Music and the launch of All Good Records. This label, while still carrying out releases being freely available, is also a step in the direction of a full service record label as opposed to just an avenue for Grant (Griz) to distribute his own work. The label has two signed artists, mid west live funk duo The Floozies and Chicago based soul star and TSIS regular Manic Focus . You can now follow the new All Good Records on Twitter, Instagram, and Facebook, but you should also visit the freshly launched website www.AllGoodRecords.com where you can hear a preview of a new GRiZ song which we can expect to see on his upcoming album Say It Loud that is dropping soon. Also to celebrate the launch, we have the latest single from the newly reformed labels' first release, The Floozies upcoming album Do Your Thing which will be released Jan 27th. We premiered "FNKTRP" and "Fantastic Love" from the group and now have an exclusive first listen of the song "She Ain't Yo Girlfriend" which captures the signature funky Floozies sound, yet is delivered in an extra sensual manner. -
Unobtainium-Vol-1.Pdf
Unobtainium [noun] - that which cannot be obtained through the usual channels of commerce Boo-Hooray is proud to present Unobtainium, Vol. 1. For over a decade, we have been committed to the organization, stabilization, and preservation of cultural narratives through archival placement. Today, we continue and expand our mission through the sale of individual items and smaller collections. We invite you to our space in Manhattan’s Chinatown, where we encourage visitors to browse our extensive inventory of rare books, ephemera, archives and collections by appointment or chance. Please direct all inquiries to Daylon ([email protected]). Terms: Usual. Not onerous. All items subject to prior sale. Payment may be made via check, credit card, wire transfer or PayPal. Institutions may be billed accordingly. Shipping is additional and will be billed at cost. Returns will be accepted for any reason within a week of receipt. Please provide advance notice of the return. Please contact us for complete inventories for any and all collections. The Flash, 5 Issues Charles Gatewood, ed. New York and Woodstock: The Flash, 1976-1979. Sizes vary slightly, all at or under 11 ¼ x 16 in. folio. Unpaginated. Each issue in very good condition, minor edgewear. Issues include Vol. 1 no. 1 [not numbered], Vol. 1 no. 4 [not numbered], Vol. 1 Issue 5, Vol. 2 no. 1. and Vol. 2 no. 2. Five issues of underground photographer and artist Charles Gatewood’s irregularly published photography paper. Issues feature work by the Lower East Side counterculture crowd Gatewood associated with, including George W. Gardner, Elaine Mayes, Ramon Muxter, Marcia Resnick, Toby Old, tattooist Spider Webb, author Marco Vassi, and more. -
Short Takes Jazz News Festival Reviews Jazz Stories Interviews Columns
THE INDEPENDENT JOURNAL OF CREATIVE IMPROVISED MUSIC SHORT TAKES JAZZ NEWS FESTIVAL REVIEWS JAZZAMANCA 2020 JAZZ STORIES PATTY WATERS INTERVIEWS PETER BRÖTZMANN BILL CROW CHAD LEFOWITZ-BROWN COLUMNS NEW ISSUES - REISSUES PAPATAMUS - CD REVIEWS OBITURARIES Volume 46 Number 2 April May June Edition 2020 Ed Schuller (bassist, composer) on GM Recordings My name is Eddy I play the bass A kind of music For the human race And with beauty and grace Let's stay on the case As we look ahead To an uncertain space Peace, Music Love and Life" More info, please visit: www.gmrecordings.com Email: [email protected] GM Recordings, Inc. P.O. Box 894 Wingdale, NY 12594 3 | CADENCE MAGAZINE | APRIL MAY JUNE 2016 L with Wolfgang Köhler In the Land of Irene Kral & Alan Broadbent Live at A-Trane Berlin “The result is so close, so real, so beautiful – we are hooked!” (Barbara) “I came across this unique jazz singer in Berlin. His live record transforms the deeply moving old pieces into the present.” (Album tip in Guido) “As a custodian of tradition, Leuthäuser surprises above all with his flawless intonation – and that even in a live recording!” (Frankfurter Allgemeine Zeitung) “Leuthäuser captivates the audience with his adorable, youthful velvet voice.” (JazzThing) distributed by www.monsrecords.de presents Kądziela/Dąbrowski/Kasper Tom Release date: 20th March 2020 For more information please visit our shop: sklep.audiocave.pl or contact us at [email protected] The latest piano trio jazz from Quadrangle Music Jeff Fuller & Friends Round & Round Jeff Fuller, bass • Darren Litzie, piano • Ben Bilello, drums On their 4th CD since 2014, Jeff Fuller & Friends provide engaging original jazz compositions in an intimate trio setting. -
Download Ebook ^ Danny Clinch: Still Moving: Still Moving (Hardback
NUCV5NZOQOEH \\ Doc « Danny Clinch: Still Moving: Still Moving (Hardback) Danny Clinch: Still Moving: Still Moving (Hardback) Filesize: 7.24 MB Reviews Extensive manual for book fans. It really is simplified but surprises inside the fifty percent of your pdf. I realized this pdf from my dad and i advised this pdf to discover. (Geoffrey Wiza) DISCLAIMER | DMCA N9T5RHWDOZTM > PDF > Danny Clinch: Still Moving: Still Moving (Hardback) DANNY CLINCH: STILL MOVING: STILL MOVING (HARDBACK) To save Danny Clinch: Still Moving: Still Moving (Hardback) eBook, you should refer to the button under and save the file or gain access to other information that are relevant to DANNY CLINCH: STILL MOVING: STILL MOVING (HARDBACK) ebook. Abrams, United States, 2014. Hardback. Condition: New. Language: English . Brand New Book. Danny Clinch has established himself as one of the premiere photographers of the popular music scene. He has photographed a wide range of artists from Johnny Cash and Tupac Shakur to Bjork and Bruce Springsteen. His photos have appeared on hundreds of album covers as well as in publications such as Vanity Fair, Spin, Rolling Stone, GQ, Esquire and the New York Times Magazine. Famous for his ad campaigns for John Varvatos, which feature a wide variety of rock stars, Clinch has also received two Grammy Award nominations for Bruce Springsteen s Devils and Dust and for John Mayer s Where the Light Is. He has also directed music videos and concert films for Willie Nelson, Tom Waits, Pearl Jam, John Legend, Melissa Etheridge, Foo Fighters, Dave Matthews and the Bonnaroo music festival. This lavish monograph chronicles Danny Clinch s illustrious career with over 200 photographs of the most important musicians of all time, along with his personal memorabilia, anecdotes and four celebrity essays. -
Some Notes on John Zorn's Cobra
Some Notes on John Zorn’s Cobra Author(s): JOHN BRACKETT Source: American Music, Vol. 28, No. 1 (Spring 2010), pp. 44-75 Published by: University of Illinois Press Stable URL: http://www.jstor.org/stable/10.5406/americanmusic.28.1.0044 . Accessed: 10/12/2013 15:16 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. University of Illinois Press is collaborating with JSTOR to digitize, preserve and extend access to American Music. http://www.jstor.org This content downloaded from 198.40.30.166 on Tue, 10 Dec 2013 15:16:53 PM All use subject to JSTOR Terms and Conditions JOHN BRACKETT Some Notes on John Zorn’s Cobra The year 2009 marks the twenty-fifth anniversary of John Zorn’s cele- brated game piece for improvisers, Cobra. Without a doubt, Cobra is Zorn’s most popular and well-known composition and one that has enjoyed remarkable success and innumerable performances all over the world since its premiere in late 1984 at the New York City club, Roulette. Some noteworthy performances of Cobra include those played by a group of jazz journalists and critics, an all-women performance, and a hip-hop ver- sion as well!1 At the same time, Cobra is routinely played by students in colleges and universities all over the world, ensuring that the work will continue to grow and evolve in the years to come. -
MTO 17.3: Osborn, Understanding Through-Composition
KU ScholarWorks | http://kuscholarworks.ku.edu Please share your stories about how Open Access to this article benefits you. Understanding Through-Composition in Post- Rock, Math-Metal, and other Post-Millennial Rock Genres by Brad Osborn 2011 This is the published version of the article, made available with the permission of the publisher. The original published version can be found at the link below. Osborn, Brad. 2011. “Understanding Through-Composition in Post- Rock, Math-Metal, and other Post-Millennial Rock Genres.” Music Theory Online 17, no. 3 Published version: http://www.mtosmt.org/issues/mto.11.17.3/ mto.11.17.3.osborn.pdf Terms of Use: http://www2.ku.edu/~scholar/docs/license.shtml This work has been made available by the University of Kansas Libraries’ Office of Scholarly Communication and Copyright. Volume 17, Number 3, October 2011 Copyright © 2011 Society for Music Theory Understanding Through-Composition in Post-Rock, Math-Metal, and other Post-Millennial Rock Genres (1) Brad Osborn NOTE: The examples for the (text-only) PDF version of this item are available online at: http://www.mtosmt.org/issues/mto.11.17.3/mto.11.17.3.osborn.php KEYWORDS: form, through-composition, rock, experimental rock, post-millennial rock, art rock, post-rock, math-metal, progressive rock, Radiohead, Animal Collective, The Beatles ABSTRACT: Since the dawn of experimental rock’s second coming in the new millennium, experimental artists have begun distancing themselves from Top-40 artists through formal structures that eschew recapitulatory verse/chorus conventions altogether. In order to understand the correlation between genre and form more thoroughly, this paper provides a taxonomic approach to through-composition in several post-millennial experimental rock genres including post-rock, math-metal, art rock, and neo-prog. -
Heavy Metal Time Machine: Crimson Glory-Transcendence
Heavy Metal Time Machine: Crimson Glory-Transcendence http://metalmark.blogspot.com/2008/04/crimson-glory-transcendence.html SEARCH BLOG FLAG BLOG Next Blog» Create Blog | Sign In All about the music that I love. About Me NAME: METAL MARK LOCATION: MANCHESTER, MARYLAND I bumble along at life and just try my best to get by while enjoying what I can. View my complete profile I am actively looking SUNDAY, APRIL 13, 2008 for new music. If you Crimson Glory-Transcendence are a band or a label or a publicist and you'd like me to check out what you're doing, review your music or interview you, contact me HERE. I am currently submitting reviews and interviews to Rough Edge, Pitriff, Pivotal Alliance and Live 4 metal. Metal Mind 1988/2008 Crimson Glory-s/t What's coming up? By late 1988 Crimson Glory were set to release their sophomore Children of Bodom-Blooddrunk effort. This album is heavier, has stronger writing and higher Asia-Phoenix production values than their 1986 self-titled debut. Everything Taint-Secrets and Lies about this album seems very well planned as the band seems to The Eruptors interview Danger-Shove it up know exactly where they are going. This direction allows the listener your azz and California to really be able to soak in all that is transpiring as the band winds Red their way through some solidly crafted material. The guitars this Clash of the album covers time around have some definite rhythms mixed in with the flurry of Interview with Sami sound that ruled the first album. -
September”—Earth Wind & Fire (1978) Added to the National Registry: 2018 Essay by Rickey Vincent (Guest Post)*
“September”—Earth Wind & Fire (1978) Added to the National Registry: 2018 Essay by Rickey Vincent (guest post)* “Do you remember, the 21st night of September…?” those were the opening lyrics to one of the biggest hits of 1978, and still one of the most entertaining pop songs over the decades. It is a song about memory, memories that have happened, and memories yet to come. A contagious joy emanates from the song, with lyrics that tease with importance, yet captivate with a repeating “ba-de-ya” refrain that is as memorable as any lyrical phrase. The song is a staple of movie soundtracks (such as “Ted 2,” “Barbershop--The Next Cut,” and “Night at the Museum”), commercial jingles, and family gatherings everywhere. With music providing tickles of percussion, soaring yet comforting horn lines, and the breathtaking harmonies, “September” is one of Earth Wind & Fires’ most catchy sing- along favorites. The lyrics spoke of dancing under the stars, and of celebrating moments in our lives. The words captured ideas that seemed so meaningful, yet really were not. The 21st night of September? What date was that? Was it someone’s birthday? How could a song tug at one’s memories, and yet refer to so little? Co-writer Allee Willis has said the date was used simply because it “sounded right when sung.” The irony was that Earth Wind & Fire had had a run of some of the most thought- provoking and inspiring messages in their catalogue of hit songs, from “Keep Your Head To the Sky” to “Shining Star” and “That’s the Way of the World,” there was an expectation of something deeper underpinning the uplifting experience. -
VAGRANT RECORDS the Lndie to Watch
VAGRANT RECORDS The lndie To Watch ,Get Up Kids Rocket From The Crypt Alkaline Trio Face To Face RPM The Detroit Music Fest Report 130.0******ALL FOR ADC 90198 LOUD ROCK Frederick Gier KUOR -REDLANDS Talkin' Dirty With Matt Zane No Motiv 5319 Honda Ave. Unit G Atascadero, CA 93422 HIP-HOP Two Decades of Tommy Boy WEEZER HOLDS DOWN el, RADIOHEAD DOMINATES TOP ADDS AIR TAKES CORE "Tommy's one of the most creative and versatile multi-instrumentalists of our generation." _BEN HARPER HINTO THE "Geggy Tah has a sleek, pointy groove, hitching the melody to one's psyche with the keen handiness of a hat pin." _BILLBOARD AT RADIO NOW RADIO: TYSON HALLER RETAIL: ON FEDDOR BILLY ZARRO 212-253-3154 310-288-2711 201-801-9267 www.virginrecords.com [email protected] [email protected] [email protected] 2001 VIrg. Records Amence. Inc. FEATURING "LAPDFINCE" PARENTAL ADVISORY IN SEARCH OF... EXPLICIT CONTENT %sr* Jeitetyr Co owe Eve« uuwEL. oles 6/18/2001 Issue 719 • Vol 68 • No 1 FEATURES 8 Vagrant Records: become one of the preeminent punk labels The Little Inclie That Could of the new decade. But thanks to a new dis- Boasting a roster that includes the likes of tribution deal with TVT, the label's sales are the Get Up Kids, Alkaline Trio and Rocket proving it to be the indie, punk or otherwise, From The Crypt, Vagrant Records has to watch in 2001. DEPARTMENTS 4 Essential 24 New World Our picks for the best new music of the week: An obit on Cameroonian music legend Mystic, Clem Snide, Destroyer, and Even Francis Bebay, the return of the Free Reed Johansen. -
Pearl Jam to Release Live Italian Concert Film Immagine in Cornice (Picture in a Frame) on September 25
For Immediate Release: July 31, 2007 PEARL JAM TO RELEASE LIVE ITALIAN CONCERT FILM IMMAGINE IN CORNICE (PICTURE IN A FRAME) ON SEPTEMBER 25 FILM IS DIRECTED BY DANNY CLINCH AND INCLUDES OVER AN HOUR AND A HALF OF LIVE PERFORMANCES AND RARE, BEHIND-THE-SCENES FOOTAGE FROM THE BAND'S 2006 ITALIAN CONCERT DATES SEATTLE, WA- Pearl Jam announces the release of Immagine in Cornice "Picture in a Frame" (Monkeywrench Records), a live concert film chronicling the band's performances with behind-the-scenes footage from the five Italian concerts that took place as part of the band’s 2006 European tour. Featured cities and venues include: Pala Malaguti in Bologna, the Arena di Verona, the Forum in Milan, Palaisozaki in Torino and Duomo Square in Pistoia, Italy. A limited edition commemorative t-shirt will be available for a special price when purchased with Immagine in Cornice at www.pearljam.com during a special pre-sale beginning August 22. Immagine in Cornice will be released at retail stores on Tuesday, September 25. Immagine in Cornice was directed by renowned photographer, filmmaker and long-time friend of the band Danny Clinch (Bruce Springsteen Devils and Dust, Live from Bonnaroo 2004) and was shot in High Definition, Super-8 and a number of formats in between. ''Picture in a Frame'' is a film I've really wanted to make," says director Danny Clinch. "The band invited me to Italy and gave me the access I needed to show a side seldom seen by their fans. It has become a collaboration, as well - the band even offered me some music that has never been heard and Mike (McCready) went into the studio to create some more music for the soundscapes.