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Wavelength (February 1983)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 2-1983 Wavelength (February 1983) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (February 1983) 28 https://scholarworks.uno.edu/wavelength/28 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. ... ,.. i .,. #pf r f~ ~ I ~ t J t .. ~ • '~ -- •-- .. I ' I . r : • 1 ,, ' ,,. .t, '~'. • .·' f I .. ""' - • ,, ' ' 4. ,I • , /rl. • 4 . • .•, .' ./j ·. ~ f/ I. • t • New Orleans is a live! A day and night kaleido scope of the gaud y, raucous, erotic and exotic Mardi Gras, Steamboats, Parades, Seafood, Jazz and the French Quarter. Discover it all in the award-winning books Mardi Gras! A Celebration and New Orleans: The Passing Parade. Brilliant color photographs by Mitchel L. Osborne are complimented by delightful and informative texts. A vail able in fine bookstores or order directly from Picayune Press, Ltd .: Mardi Gras!: A C!oth $29.95, Paper$15.95 · New Orleans: The Passing Parade: 326 Picayune Place # 200 New Orleans, LA 70130 Paper $14.95 Postage and Handhng $1.50 • LA res1dents add 3% tax • V1sa & Mastercharge accepted. ' ISSUE NO. 28 • FEBRUARY 1983 "I'm not sure, but I'm almost positive, rhar all music came from New Orleans. " Ernie K-Doe, 1979 Available in American Oak, American Walnut, Teak, Mahogany and White Features Melamine at no change In cost. -
HARD REPORT' November 21, 1986 Issue # 6 (609) 654-7272 FRONTRUNNERS ERIC CLAPTON BOB GELDOF "AUGUST" "DEEP in the HEART E.C
THE HARD REPORT' November 21, 1986 Issue # 6 (609) 654-7272 FRONTRUNNERS ERIC CLAPTON BOB GELDOF "AUGUST" "DEEP IN THE HEART E.C. DELIVERS BIG ON OF NOWHERE" HIS MOST HIGHLY ANTICIPATED ALBUM OF IN TERMS OF WRITING AND ROCKING, WE'D THE EIGHTIES! CALL THIS A WORLD CLASS SURPRISE! ATLANTIC THE KINKS KATE BUSH NINNS . "THINK VISUAL" "EXPERIMENT IV" THINK THE 12" IS A BIT THE HIGH PRIESTESS ROUGH? YOU'LL FLIP OF MIND MUSIC RATES OVER "FACTORY" AND AN "A" FOR THIS "LOST AND FOUND" CEREBRAL CONCOCTION! MCA EMI JN OE HWN PE UD SD Fs RD OA My PLUS! ETTRACKS EDDIE MONEY & TIMBUK3 CHARTSTARS * HEADLINES MOST ADDED HOWARD and the FCC 1 The Kinks "Rock & Roll Cities" (MCA) 61 2 Ann Wilson "Best Man in The World" (CAP) 53 3 Bruce Hornsby "Western Skyline..." (RCA) 40 4 Peter Gabriel "Big Time" (GEFFEN) 35 McNUTT To McWKDF HOT NUMBERS ALBUMS Billy Joel "The Bridge" 46-39 (COL) YATES Back in L.A. World Party "Private. 44-38 (CHRY.) Jason/Scorchers"Still..." 37-33 (EMI) Ben Orr "The Lace" 18-14 (E/A) DEBUTS WNEW's McEWEN Stevie Ray Vaughan "Live Alive" #23(EPIC) tubes out Robert Cray "Strong Persuader" #26 (POLY) TRACKS KBC Band "America" 92-71 JOBNAPPERS Van Halen "Rock & Roll Live" 83-63 Europe "The Final Countdown" 89-78 TEXTBOOK: Smithereens "Behind the Wall..." 57-47 GREG GILLISPIE RECORD OF THE WEEK THE STEVE MILLER BAND --FOR HIS FIRST # 1 SINCE 82's "ABRACADABRA"! INSIDE... %tea' &Mai& &Mal& EtiZiraZ CiairlZif:.-.ZaW. CfMCOLZ &L -Z Cad CcIZ Cad' Ca& &Yet Cif& Ca& Ca& Cge. -
Short Takes Jazz News Festival Reviews Jazz Stories Interviews Columns
THE INDEPENDENT JOURNAL OF CREATIVE IMPROVISED MUSIC SHORT TAKES JAZZ NEWS FESTIVAL REVIEWS JAZZAMANCA 2020 JAZZ STORIES PATTY WATERS INTERVIEWS PETER BRÖTZMANN BILL CROW CHAD LEFOWITZ-BROWN COLUMNS NEW ISSUES - REISSUES PAPATAMUS - CD REVIEWS OBITURARIES Volume 46 Number 2 April May June Edition 2020 Ed Schuller (bassist, composer) on GM Recordings My name is Eddy I play the bass A kind of music For the human race And with beauty and grace Let's stay on the case As we look ahead To an uncertain space Peace, Music Love and Life" More info, please visit: www.gmrecordings.com Email: [email protected] GM Recordings, Inc. P.O. Box 894 Wingdale, NY 12594 3 | CADENCE MAGAZINE | APRIL MAY JUNE 2016 L with Wolfgang Köhler In the Land of Irene Kral & Alan Broadbent Live at A-Trane Berlin “The result is so close, so real, so beautiful – we are hooked!” (Barbara) “I came across this unique jazz singer in Berlin. His live record transforms the deeply moving old pieces into the present.” (Album tip in Guido) “As a custodian of tradition, Leuthäuser surprises above all with his flawless intonation – and that even in a live recording!” (Frankfurter Allgemeine Zeitung) “Leuthäuser captivates the audience with his adorable, youthful velvet voice.” (JazzThing) distributed by www.monsrecords.de presents Kądziela/Dąbrowski/Kasper Tom Release date: 20th March 2020 For more information please visit our shop: sklep.audiocave.pl or contact us at [email protected] The latest piano trio jazz from Quadrangle Music Jeff Fuller & Friends Round & Round Jeff Fuller, bass • Darren Litzie, piano • Ben Bilello, drums On their 4th CD since 2014, Jeff Fuller & Friends provide engaging original jazz compositions in an intimate trio setting. -
Music & Film Memorabilia
MUSIC & FILM MEMORABILIA Friday 11th September at 4pm On View Thursday 10th September 10am-7pm and from 9am on the morning of the sale Catalogue web site: WWW.LSK.CO.Uk Results available online approximately one hour following the sale Buyer’s Premium charged on all lots at 20% plus VAT Live bidding available through our website (3% plus VAT surcharge applies) Your contact at the saleroom is: Glenn Pearl [email protected] 01284 748 625 Image this page: 673 Chartered Surveyors Glenn Pearl – Music & Film Memorabilia specialist 01284 748 625 Land & Estate Agents Tel: Email: [email protected] 150 YEARS est. 1869 Auctioneers & Valuers www.lsk.co.uk C The first 91 lots of the auction are from the 506 collection of Jonathan Ruffle, a British Del Amitri, a presentation gold disc for the album writer, director and producer, who has Waking Hours, with photograph of the band and made TV and radio programmes for the plaque below “Presented to Jonathan Ruffle to BBC, ITV, and Channel 4. During his time as recognise sales in the United Kingdom of more a producer of the Radio 1 show from the than 100,000 copies of the A & M album mid-1980s-90s he collected the majority of “Waking Hours” 1990”, framed and glazed, 52 x 42cm. the lots on offer here. These include rare £50-80 vinyl, acetates, and Factory Records promotional items. The majority of the 507 vinyl lots being offered for sale in Mint or Aerosmith, a presentation CD for the album Get Near-Mint condition – with some having a Grip with plaque below “Presented to Jonathan never been played. -
Immersion Into Noise
Immersion Into Noise Critical Climate Change Series Editors: Tom Cohen and Claire Colebrook The era of climate change involves the mutation of systems beyond 20th century anthropomorphic models and has stood, until recent- ly, outside representation or address. Understood in a broad and critical sense, climate change concerns material agencies that im- pact on biomass and energy, erased borders and microbial inven- tion, geological and nanographic time, and extinction events. The possibility of extinction has always been a latent figure in textual production and archives; but the current sense of depletion, decay, mutation and exhaustion calls for new modes of address, new styles of publishing and authoring, and new formats and speeds of distri- bution. As the pressures and re-alignments of this re-arrangement occur, so must the critical languages and conceptual templates, po- litical premises and definitions of ‘life.’ There is a particular need to publish in timely fashion experimental monographs that redefine the boundaries of disciplinary fields, rhetorical invasions, the in- terface of conceptual and scientific languages, and geomorphic and geopolitical interventions. Critical Climate Change is oriented, in this general manner, toward the epistemo-political mutations that correspond to the temporalities of terrestrial mutation. Immersion Into Noise Joseph Nechvatal OPEN HUMANITIES PRESS An imprint of MPublishing – University of Michigan Library, Ann Arbor, 2011 First edition published by Open Humanities Press 2011 Freely available online at http://hdl.handle.net/2027/spo.9618970.0001.001 Copyright © 2011 Joseph Nechvatal This is an open access book, licensed under the Creative Commons By Attribution Share Alike license. Under this license, authors allow anyone to download, reuse, reprint, modify, distribute, and/or copy this book so long as the authors and source are cited and resulting derivative works are licensed under the same or similar license. -
Some Notes on John Zorn's Cobra
Some Notes on John Zorn’s Cobra Author(s): JOHN BRACKETT Source: American Music, Vol. 28, No. 1 (Spring 2010), pp. 44-75 Published by: University of Illinois Press Stable URL: http://www.jstor.org/stable/10.5406/americanmusic.28.1.0044 . Accessed: 10/12/2013 15:16 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. University of Illinois Press is collaborating with JSTOR to digitize, preserve and extend access to American Music. http://www.jstor.org This content downloaded from 198.40.30.166 on Tue, 10 Dec 2013 15:16:53 PM All use subject to JSTOR Terms and Conditions JOHN BRACKETT Some Notes on John Zorn’s Cobra The year 2009 marks the twenty-fifth anniversary of John Zorn’s cele- brated game piece for improvisers, Cobra. Without a doubt, Cobra is Zorn’s most popular and well-known composition and one that has enjoyed remarkable success and innumerable performances all over the world since its premiere in late 1984 at the New York City club, Roulette. Some noteworthy performances of Cobra include those played by a group of jazz journalists and critics, an all-women performance, and a hip-hop ver- sion as well!1 At the same time, Cobra is routinely played by students in colleges and universities all over the world, ensuring that the work will continue to grow and evolve in the years to come. -
Entertainment
§f§§ llill HI' ENTERTAINMENT Back to the Toilet i *^ "■ Vv:,-^ -,;-:TV: 2 - . * * ieutenant Matt Ryder wife Diane, assistant producer stories such as the Isla Vista £ * lies in bed; a sensuous, and actress in the picture, reside riots and the Bank of America ^ * blonde, female officer in the Santa Barbara area, bonfire. He sees The Patriot as a # A _ *rests '7~ J,“°““T'vagainst *“”his *******arm. aHarris a m a a a o ovuvucustudied uuufilm aiat C1UUIU»Brooks steppingowire stone ui in uu his vaicci, career, auu and # vl {n the heat of passion, he con- Institute. In the early seventies hopes it will lead to more am- # IT. fesses,i v o o v a , “Ix didn’tv a a v a ii i, quituuu (thevuic Navy)navy he initiated h is career------ ----- onUiA- the-------------- bitious undertakings.— TTi------------------ His goal1 s-is ^^ j_ because I wanted to stop killin to someday direct his own # ? people. I quit because I wanted material, in hope of eventually £ ? to kill them.” Out come the producing a Hitchcock-style £ ? machine guns, and we’re off to whodunit thriller. When askea to £ ? an evening of all-American comment on The Patriot, Harris £ ? violence in true Rambo style. joked that it was made for the ^ ? . The Patriot previewed at the beer drinkers in Bakersfield. £ ? Fiesta Four theater to an Mr. and Ms. Harris £ £ audience including the director acknowledged that the film is £ ? and various cast and crew aimed at the foreign market, £ J members, as well as the paying although it is being released £ *[ public. -
The Blank Generation
The History of Rock Music: 1976-1989 New Wave, Punk-rock, Hardcore History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) The Blank Generation (These are excerpts from my book "A History of Rock and Dance Music") Akron 1976-80 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. The "blank generation" came out of a moral vacuum. While punks roamed the suburban landscape, blue-collar workers were feeling the pinch of an economic revolution: human society had left the industrial age and entered the post-industrial age, the age in which services (such as software) prevail over manufacturing. Computers now rule the world, from Wall Street to Boeing. The assembly line took away a bit of the personality of the worker, but that was nothing: the new service- based economy takes away the worker completely, physically. In the post-industrial society the individual is even less of a "person". The individual is merely a cog in a huge organism of interconnected parts that works at the beat of a gigantic network of computers. This highly sophisticated economy treats the individual as a number, as a statistic. The goal is no longer to create a robot that behaves like a human being, but to create a human being that behaves like a robot: robots are efficient and lead to manageable and profitable businesses, whereas humans are inefficient and difficult to manage. -
Single Page Artist/Producer List
Artists, Producers and Songwriters I Have Worked With Barry Rudolph E-Mail: [email protected] VOX: (818)985-1855 (Office) FAX: (818)766-5989 as of 6/11/01 Engineered and Worked with: Hall & Oates, Lynyrd Skynyrd, Rod Stewart, Waylon Jennings, Al Wilson, Johnny Mathis, Jimmy Jam and Terry Lewis, Juice Newton, El Chicano, Shalamar, Dynasty, Gutherie Thomas, O'Bryan, Don Cornelius, Keith Moon, Robin Smith, Ringo, Rosie Gaines, James Last, John Prine, Roy Buchanan, Stanley Clarke, Tony Williams, Levon Helm, Steve Cropper, Cate Bros., Duck Dunn, The Beach Boys, Michael Bishop, Sonny and Cher, Andy Prieboy, Wall of Voodoo, Jamie Glaser, Steve Smith, Jeff Lorber, Evan Rogers and Karl Sturken, Karyn White, Dazz Band, Randy California, Maurice White, Philip Bailey, Jermaine Jackson, Robbie Nevil, David Kahne, Parthenon Huxley, Richard Scher, Jeff Pescetto, The O'Jay's, PHD, Steven Dubin, Christopher Bond, Yves Chovard, Gary Stockdale, Tommy Faragher, Lotti Golden, Paul Young, Najee, Caron Wheeler, Wendy Moten, Craig Safan, David Blue, Jack Wagner, Cleto Escobedo, Pride N' Politix, Billy Cioffi, Wayne Watson, Chris Farren, David Pack, Teena Clark, Jermaine Jackson, Curtis Stigers, Glen Ballard, Cliff Magness, James Ingram, Dr. Jam, The Silos, John Densmore The Butts Band, Wayne Perkins and The Crimsom Tide, Richard Wolf, Wilson Philips, Lucero, Rocio Banquells, Rafael Perez- Botija, Enrique Iglesias, Mick Jagger, Patti Austin, Tracie Spencer, Madness 4 Real, Solid Productions, Boy Howdy, David Frank, Tim Heintz, Siedah Garrett, Simon Stokes, -
Design and Irllage Exhibition Features S'msu Graphic Artists
May 8,1996 Page 11 owor I Design and Irllage Exhibition features S'MSU graphic artists by Alana Kumbier responsible for putting up their own Another senior design major with Features Writer wo(~, mailing out flyers announcing work in both the Design and Image the exhibit and designing the posters Exhibition and the Senior Exhibition advertising the show. is Lauri Kreienheder. For the Design By looking at the cover of just '.'This exhibition is partially spon- and Image Exhibition, Kreienheder about any magazine, checking out the sored by the department," chose to display an invitation and a cover ofa CD, ordering from a menu, Michalczyk said, "but it's really a stu- poster she designed to publicize an or even reading one of your text- dent-run exhibition with faculty as- exhibition of five artists of the Dada books, you can view the work of a sistance." movement. graphic designer. Lana Hardt, a senior design major, "I thought I'd throw something in Last Friday marked the opening of is currently showing works in both the for contrast," Kreienheder said. "Ihad the annual Design and Image exhibi- Design and Image Exhibition down- a lot of fun with that project. It was tion at the Art and Design Ga1lery in town and at the Senior Exhibition at very challenging. Ilike its dirty look. the Downtown Hall on Jefferson Av- the Student Exhibition Center on "Everybody was encouraged to put enue. The exhibit features student- Walnut Street. Her contribution to the in work. We get ,experience showing selected works from all areas of the Design and Image show is a brochure our work. -
Wavelength (January 1985)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 1-1985 Wavelength (January 1985) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (January 1985) 51 https://scholarworks.uno.edu/wavelength/51 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. NEW ORLEANS MUSIC MAGAZ, " ISSUE NO. 51 JANUARY • 1985 $1.50 S . s DrPT. IULK RATE US POSTAGE JAH ' · 5 PAID Hew Orleans. LA EARL K.LC~G Perm1t No. 532 UBRf\RYu C0550 EARL K LONG LIBRARY UNIV OF N. O. ACQUISITIONS DEPT N. O. I HNNY T L)e GO 1ST B T GOSP RO P E .NIE • THE C T ES • T 0 S & T ALTER MOUTON, , 0 T & BOUR E (C JU S) • OBER " UNI " 0 KWO • E ·Y AY • PLEASA T JOSE H AL BL ES N GHT) 1 Music Pfogramming M A ~ -----leans, 2120 Canal, New Orleans, LA-70112 WAVELENGTH ISSUE NO. 51 e JANUARY 1985 "I'm not sure, but I'm almost positive, that all music came from New Orleans." Ernie K-Doe, 1979 FEATURES Remembering the Beaconette ...... 14 The Line ........................ 22 An American Mother . ............. 24 1984 Band Guide ................. 27 DEPARTMENTS January News .................. ... 4 It's Music . 8 Radio ........................... 14 New Bands ...................... 13 Rhythmics. 10 January Listings . ................. 3 3 C/assijieds ...................... -
John Lurie and the Lounge Lizards
John Lurie and The Lounge Lizards John Lurie the sax player, the actor, the painter and the fisherman. Though this might sound like a schizophrenic portrait it's simply the truth. All these different personalities suit in the same physical body. Born in Worcester, Massachusetts on December 14 1952, he's mostly known as the founder of The Lounge Lizards, a modern jazz ensemble featuring a bunch of hipsters of the New York Downtown scene. Along with his brother Evan on piano there were Arto Lindsay (guitar), Anton Fier (drums) and Steve Piccolo (bass). This is the band playing inside “The Lounge Lizards” (EEG, 1981), their first official album, although the band was already active at the end of the seventies. The ensemble underwent a few changes over the years: Arto Lindsay was later replaced by Marc Ribot on guitar and more elements were added until the band expanded into an octet, sometimes even a nonet, maintaining John Lurie in New York, 1982 however their typical unsettling, ironic, often sharp, sound. The Lounge Lizards perfectly embodied the Downtown noir-like atmosphere surrounding the artists in New York at the beginning of the eighties. “No pain for cakes” (Island, 1987), “Voice of Chunk” (Strange & Beautiful Music, 1990), “Queen of all ears” (Strange & Beautiful Music, 1998) plus a bunch of live recordings followed their self-titled debut release and are the overall output of the band. Not too much of an output considering when the band was formed, but John used the stage to refine, rearrange and shape the tunes over and over.