§f§§ llill HI' ENTERTAINMENT Back to the Toilet i *^ "■ Vv:,-^ -,;-:TV: 2 - . * * ieutenant Matt Ryder wife Diane, assistant producer stories such as the Isla Vista £ * lies in bed; a sensuous, and actress in the picture, reside riots and the Bank of America ^ * blonde, female officer in the Santa Barbara area, bonfire. He sees The Patriot as a # A _ *rests '7~ J,“°““T'vagainst *“”his *******arm. aHarris a m a a a o ovuvucustudied uuufilm aiat C1UUIU»Brooks steppingowire stone ui in uu his vaicci, career, auu and # vl {n the heat of passion, he con- Institute. In the early seventies hopes it will lead to more am- # IT. fesses,i v o o v a , “Ix didn’tv a a v a ii i, quituuu (thevuic Navy)navy he initiated h is career------ ----- onUiA- the-------------- bitious undertakings.— TTi------------------ His goal1 s-is ^^ j_ because I wanted to stop killin to someday direct his own # ? people. I quit because I wanted material, in hope of eventually £ ? to kill them.” Out come the producing a Hitchcock-style £ ? machine guns, and we’re off to whodunit thriller. When askea to £ ? an evening of all-American comment on The Patriot, Harris £ ? violence in true Rambo style. joked that it was made for the ^ ? . The Patriot previewed at the beer drinkers in Bakersfield. £ ? Fiesta Four theater to an Mr. and Ms. Harris £ £ audience including the director acknowledged that the film is £ ? and various cast and crew aimed at the foreign market, £ J members, as well as the paying although it is being released £ *[ public. After chatting with these nationally as well. With a £ 5 people for a few hours in the modest budget and a tight 90-day & J lobby and later at the Long Bar, production schedule, creating & £ I concluded that the creators of Diane Harris, Stack The Patriot was no laughing ^ J this film are unquestionably and Frank Harris. matter (although watching it # J more interesting than the final was a different story). A good- # ^ product.___— camera crew for a local sized portion of the picture was & ** Director Frank Harris and his television station, covering (&*t o i l e t , p .7> j $. ☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆ # a A Æ l ÿ C Welcoming Remarks Photography ^Record Rundown ¿Jk"Welcome" Ilf Racing by Alexander I P Hall not Oates J k Staff Box H New Zealand by Kodak IjPChoir not Wild 2D Friday, September 19,1966 Daily Nexus FABLE OF CONTEXT- Tkere Is N o one Fable of Context Rickard, Look A t This A Pkranc Look A t Tke Smitks Welcoming Remarks, Staff Come Celebrate Sound Advice From Tke Miller’s Outpost Guys The GRAND OPENING of ¿ninRQAffei BQQK5HQP. Tke Cover Story Dies, Tke Furs Roll Over And Play Dead IN G O LETA w ith STA N L E E Vicious Circle of Vinyl His Exclusive Guest Appearance Aliens Come Twice In Seven Years Boy Bodyfinders, Girl Headkanger Enjoy Life, Eat Out More Often Everytking You Know Is Wrong Creator of Marvel's Spiderman, Thor, and the Fantastic Four Stan Tke Man Saturday, Septem ber 20 5 -6 pm 5748 Calle Real Calle Real Shopping Center Full Page A d Meet Los Brothers Hernandez Creators of the Critically Acclaimed Comic: Ditto, Tke End. AD. School Time? W rite Sunday Arts— Sept. 21 Volleyball 2 -4 p m It’s A ppearing Time? at the Not Calle Real Store Party Time? Just A Welcome Back — Good ¿NQRQiUfQd BOOKSHOP. W oody's Ti Idea, Great Ribs & Chicken 741 De La G uerra (Across from City Hall) 965-2400 It’s 5748 Calle Real 967-8980 Sandwiches ’n Burgers Calle Real Shopping Center Cold Beer Here or To Go The W oody’s M agnolia Law. 5112 HOLLISTER AVE. 967-3775 8c 229MONTECITO ST. 963-9326 9 6 1 -3 9 9 3 Daily Nexus Friday, September 19,1986 3D Racing by Alexander,New Zealand by Kodak Since the invention of the automobile, car racing has Barbara Museum of Art through Oct. 19. always held a fascination for certain people. Expensive On a completely different wavelength, another machines, high speeds and the crowds; all have influenced photography exhibit which recently opened is “Focus on the attraction to this sport. Maybe it was the “thrill of New Zealand” at the Western States Museum of victory and the agony of defeat” that lured others. Maybe it Photography, showing through Nov. 2. This exhibit, in was the girls waiting in the pits. Or maybe it was the op­ contrast to the dynamic nature of the racing images, portunity to live life in the “fast lane” — never knowing if a presents serene, pastoral views of the New Zealand race would be your last. Motor racing undoubtedly has an countryside. adventurous quality to it, which has been captured in Jesse Alexander’s photographs, exhibited currently at the Santa Jesse Alexander was attracted to the “fast lane” lifestyle and began attending races in the 50s. This portfolio shows black-and-white and cibachrome prints from the 50s and 60s throughout Europe. The “Ferrari Fire #1-4” (1960) sequence demonstrates the panic and fear of the pit crew, the driver and the crowd. Alexander focuses on the win­ looking like a travelogue for Travel and Leisure m agazine. ners, the losers, the jubilant crowd and wild-eyed drivers. All the im ages are pleasant, quaint and cliched. Another outstanding image in his show is the cibachrome These pictures are technically excellent, but the creative print “Peter Collins, Targa Florio” (1958). The picture level leaves the viewer wanting more. All are very displays.the anticipation of the crowd, the nervousness of beautiful, yet this fact does not save the show from ap­ the officials, and the impishness of the driver, all in the off- pearing to be a Kodak commercial. This group of images primary colors reminiscent of early color photography. was summed up by contributing photographer Ernest Haas “Focus on New Zealand” is a collective exhibition of when he said, “We (the photographers) came to New international photographers who looked closely at this oft Zealand to find our innocence.” That’s for sure. No risks overlooked country. As it is the first major showing to w ere taken in this show. concentrate on New Zealand, the photographs ended up (See PHOTO, p.6) Join the Gang at the ROMA»... we welcome everyone COUPON COUPON FREE MUFFIN TWO CAPPACCINOS With Purchase o f any Espresso Drink FOR THE PRICE OF ONE Not good with any other offer. Expires 10/3/86 Not good with any other offer. ■ ■ ■■ Expires 10/3/86* ■ ■ 4D Friday, September 19,1966 Daily Nexus To Be Phranc,J"he Smiths SP EA K ER W IRE Prejudice. Bias. Predisposition, WE'VE GOT MILES OF IT. partiality, predilection. Which is to say that I knew before I went that I OTHER AUDIO ACCESSORIES IN STOCK: was going to like what I got. On FM ANTENNAS ★ TAPE DECK PATCH CORDS ★ HEAD PHONES Aug. 22, 1986, The Sm iths per­ ★ EXTENSION CABLES * FUSES ★ TDK AND MAXELL BLANK TAPES formed at the Arlington. Phranc * DISCWASHERS * CABLE SPLITTERS * NEEDLES AND MOREI (with a Ph and a hard c) opened for them. I went because I expected to like it. I liked it a lot. Phranc is one of the best opening performers I’ve ever seen. She gets the audience warmed up in morningjory her own unique way. She bills herself as “your average, all- ( i » American, Jewish lesbian folksinger,” which just about A ctitforent kind oi record store. covers it. She comes onstage alone, she and her guitar. She is slender, androgynous, dressed in a flat-top, jeans and a plaid madras shirt. She looks, as far as rock-n-roll stars go, 910 Embarcadero Del Norte • lala Vista fairly unremarkable. Then she OREN 10-10 D A ILY • 12-8 SU N D A Y S • 9684666 begins to play, and she begins to seem a little more remarkable. Her voice is strong; her songs have something to say, whether about Reagan’s policies in South Africa or about her newest girlfriend. Her songs are fairly simple; neither words nor music is complicated. She captured the audience with lines like, “Reagan won’t give up and he won’t give in/He’8 got his head stuck up what’s left of his colon." By the end of her all-too- short set the audience was en­ thusiastic, clapping and singing Morrissey, the heart, along with Phranc. She’s quite winning — by the time one hears a Marr, the backbone. few of her tunes, one is compelled to like her, her songs, her humor. piness of his fans. He has a way of rest of the boys — there were five Intermission. The audience mills twisting his cardigan over his head this time instead of four — are about, dressed in neutrals (mostly and otherwise bare chest that’s even more unassuming visually our favorite color — black). quite endearing. He moaned and (i.e. they stood there ex­ Staring and stared at. We wait. howled and crooned to our hearts’ pressionless and played). The Smiths, with their usual content. A bit o’ the theatrical The Smiths’ sound live is very sense of drama, make us wait about him, has Morrissey, and it is akin to their sound on vinyl. Which more. The lights dim, then the with that he keeps the audience on is not to say that they sound pre­ bright lights glare at us from the the arms of their seats. He is the mixed, only that their ability exists stage, music plays, but still no sign heart of the Smiths, and when we and flourishes in the real world, of the Smiths.