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Universidade Federal Do Rio Grande Do Sul Faculdade UNIVERSIDADE FEDERAL DO RIO GRANDE DO SUL FACULDADE DE BIBLIOTECONOMIA E COMUNICAÇÃO DEPARTAMENTO DE COMUNICAÇÃO HABILITAÇÃO PUBLICIDADE E PROPAGANDA BRUNA FREITAS SORIA ANDY WARHOL’S EXPLODING PLASTIC INEVITABLE WITH THE VELVET UNDERGROUND AND NICO: LINGUAGENS, PERFORMANCES E INTERMIDIALIDADE Porto Alegre – RS 2016 BRUNA FREITAS SORIA ANDY WARHOL’S EXPLODING PLASTIC INEVITABLE WITH THE VELVET UNDERGROUND AND NICO: LINGUAGENS, PERFORMANCES E INTERMIDIALIDADE Trabalho de conclusão de curso de graduação apresentado ao Departamento de Comunicação da Universidade Federal do Rio Grande do Sul como requisito parcial para a obtenção do título de Bacharel em Comunicação Social – Habilitação Publicidade e Propaganda. Orientador: Prof. Dr. Alexandre Rocha da Silva Coorientador: Ms. André Corrêa da Silva de Araujo Porto Alegre - RS 2016 BRUNA FREITAS SORIA ANDY WARHOL’S EXPLODING PLASTIC INEVITABLE WITH THE VELVET UNDERGROUND AND NICO: LINGUAGENS, PERFORMANCES E INTERMIDIALIDADE Trabalho de conclusão de curso de graduação apresentado ao Departamento de Comunicação da Universidade Federal do Rio Grande do Sul como requisito parcial para a obtenção do título de Bacharel em Comunicação Social – Habilitação Publicidade e Propaganda. Orientador: Prof. Dr. Alexandre Rocha da Silva Coorientador: Ms. André Corrêa da Silva de Araujo Data de aprovação: BANCA EXAMINADORA __________________________________________ Prof. Dr. Alexandre Rocha da Silva Orientador __________________________________________ Ms. André Corrêa da Silva de Araujo Coorientador __________________________________________ Prof. Dra. Gabriela Machado Ramos de Almeida Examinadora __________________________________________ Prof. Dr. Marcelo Bergamin Conter Examinador UNIVERSIDADE FEDERAL DO RIO GRANDE DO SUL FACULDADE DE BIBLIOTECONOMIA E COMUNICAÇÃO AUTORIZAÇÃO Autorizo o encaminhamento para avaliação e defesa pública do TCC (Trabalho de Conclusão de Cursos) intitulado Andy Warhol’s Exploding Plastic Inevitable with The Velvet Underground and Nico: linguagens, performances e intermidialidade, de autoria de Bruna Freitas Soria, estudante do curso de Comunicação Social – Publicidade e Propaganda desenvolvida sob minha orientação. Porto Alegre, 15 de junho de 2016 Assinatura: Nome completo do orientador: Alexandre Rocha da Silva Dedicado a Andy Warhol, Lou Reed, John Cale, Sterling Morrison, Moe Tucker, Nico e Gerard Malanga. AGRADECIMENTOS Agradecimentos especiais a André Araujo, que aceitou o desafio de construir comigo este trabalho. Pelas conversas animadas sobre o Velvet Underground, pela dedicada e competente coorientação, pelos conselhos e insights, pela a paciência e apoio nos momentos de insegurança no percurso desta pesquisa serei eternamente grata. Ao professor Alexandre Rocha da Silva, pela oportunidade em desenvolver este trabalho sob sua orientação, pela leitura e sugestões precisas que enriqueceram a construção deste texto. À Marina Araujo, pela preciosa bibliografia sem a qual parte deste trabalho não teria sido possível. À minha família. Em especial à minha mãe, Dalva, pelo incentivo e apoio incondicional. “We all knew something revolutionary was happening. We just felt it. Things couldn't look this strange and new without some barrier being broken” (Andy Warhol) RESUMO Exploding Plastic Inevitable, de Andy Warhol, foi uma série de shows ocorridos entre os anos de 1966 em 1967. Nesses eventos, a banda Velvet Underground e Nico se apresentava em meio às projeções de filmes de Warhol, acompanhada pelo show de luzes e performances de dança. Divida em quatro partes, esta monografia se propõe a estudar essas apresentações ao pensar a performance a partir da perspectiva de sua linguagem híbrida verbo-visual-sonora e da intermidialidade. Para tanto, em um primeiro momento, realiza-se a apresentação dos atores que compunham o evento: o percurso do artista Andy Warhol no contexto da pop arte; o Velvet Underground no contexto da música pop. Em seguida, será descrito como o espetáculo Exploding Plastic Inevitable se estruturava, mapeando as linguagens sonora, visual e verbal, considerando a música do Velvet Underground, a presença da banda, a coreografia, os filmes de Warhol, o show de luzes e a letra das canções. Na terceira parte será apresentado o cenário das artes de vanguarda dos anos 1960, a fim de compreender como o Exploding Plastic Inevitable nele está inserido. E por fim, será analisada a intermidialidade de Andy Warhol em relação às diferentes áreas das artes com as quais trabalhou, em especial com o Exploding Plastic Inevitable. E, pela perspectiva da intermídia, como as diferentes linguagens presentes nesse evento estão articuladas. Palavras-chave: Exploding Plastic Inevitable, Andy Warhol, performance, intermidialidade ABSTRACT Andy Warhol’s Exploding Plastic Inevitable was a series of shows between 1966 and 1967, featuring the live performance of the band The Velvet Underground and Nico, live projections of Warhol’s movies, light shows and dance performances. Divided into four parts, this monograph is devoted to study the Exploding Plastic Inevitable shows by its hybrid language perspective. In the first part, the actors of the show are presented: Andy Warhol’s career as a pop artist; The Velvet Underground in the context of pop music. In the second part, is described how the spectacle was structured indicating the audio, visual and verbal languages, considering the music of The Velvet Underground, the band performance, the dance performance, the Warhol’s movies, the light show and the lyrics of the Velvet Underground. Next, the avant-garde arts scene of the 1960’s is discussed in order to comprehend how the Exploding Plastic Inevitable is inserted into that context. Finally, it will analyze the intermediality of Andy Warhol concerning the different art fields the artist was involved in, especially with the Exploding Plastic Inevitable. And, from the perspective of intermedia, how the different languages present in this event are articulated. Keywords: Exploding Plastic Inevitable, Andy Warhol, performance, intermediality LISTA DE FIGURAS Figura 01 – Gerard Malanga ........................................................................................................................ 22 Figura 02 – Andy Warhol ............................................................................................................................. 23 Figura 03 – The Velvet Underground ....................................................................................................... 25 Figura 04 – Nico ............................................................................................................................................. 29 Figura 05 – Capa do álbum The Velvet Underground & Nico .......................................................... 30 Figura 06 – Screen test de Mary Woronov.............................................................................................. 32 Figura 07 – Cenas do filme Eat (1963) .................................................................................................... 37 Figura 08 – Malanga em Vinyl (1965) ................................................................................................... 38 Figura 09 – Cena do filme Vinyl (1965) ................................................................................................... 39 Figura 10 – Imagens projetadas de Nico .................................................................................................. 40 Figura 11 – Warhol no estúdio Silver Factory e globo espelhado ................................................... 41 Figura 12 – Patterns de bolinhas projetados no palco ......................................................................... 42 Figura 13 – Screen test de Malanga e Woronov (1966) ...................................................................... 47 Figura 14 – Gerard Malanga durante execução da canção de “Heroin”......................................... 48 Figura 15 – Capa e contracapa do bootleg “If it’s too loud for you move back!” ....................... 50 Figura 16 – Capa e contracapa de “A work at the Gymnasium” (2008) ......................................... 51 Figura 17 – Malanga e Superstar no filme de Ronald Nameth ......................................................... 52 Figura 18 – Cenas do filme de Nameth .................................................................................................... 53 Figura 19 – Exposição de Ronald Nameth em Estocolmo ................................................................. 53 Figura 20 – Projeções do filme de Ronald Nameth na exposição em Estocolmo ........................ 54 Figura 21 – 18 Happenings em 6 partes, Allan Kaprow (1959) ....................................................... 61 Figura 22 – Diferenças entre happenings e performances ................................................................. 65 Figura 23 – Intermidia Chart ...................................................................................................................... 72 Figura 24 – Tucker em filme de Warhol colorida pelas luzes do EPI ............................................. 79 Figura 25 – Díptico de Marylin (1962) .................................................................................................... 79 Figura 26 – Mary Woronov como Hanoi Hannah em Chelsea Girls .............................................. 80 Figura 27 – Repetição de imagens no Exploding Plastic Inevitable...............................................
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