Abstracts, Notes of Contributors, Notes on Editorial Advisors
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Nestor [email protected]
Volume 40 Issue 6 September 2013 Nestor Bibliography of Aegean Prehistory and Related Areas Department of Classics, University of Cincinnati Editor: Carol Hershenson P.O. Box 0226, Cincinnati, Ohio, 45221-0226, U.S.A. Assistant Editor: Jeffrey L. Kramer http://classics.uc.edu/nestor [email protected] COMMUNICATIONS Grants and Fellowships On 1 November 2013 applications are due to the Institute for Aegean Prehistory (INSTAP) for 2014 New or Renewal Research Grants, the Post-Doctoral Fellowship, the Petrography Internship at the INSTAP Study Center for East Crete (SCEC), the SCEC Librarian Fellowship, and Six-Week Research Grants at INSTAP SCEC. Applications for Publication Team Support and Publication Subventions have no specific due dates. Further information and applications are available at http://www.aegeanprehistory.net/; applications can now be submitted via e-mail as MS WORD documents or fillable PDF forms. On 15 January 2014 applications are due for the Margo Tytus Visiting Scholars Program at the University of Cincinnati, Classics Department in the fields of archaeology, history, or philology, tenable during the academic year 2014-2015. Tytus Fellows will ordinarily be at least five years beyond receipt of the PhD, and will come to Cincinnati to pursue their own research. The minimum and maximum terms for Long Term Fellows are one semester and a maximum of two; Short Term Fellows will reside in Cincinnati for a minimum of one month and a maximum of two. Both categories of Tytus Fellows receive housing, a transportation allowance, a monthly stipend of $1,000, and office space, as well as the use of the University of Cincinnati and Hebrew Union College Libraries. -
Step-Mothertongue: from Nationalism to Multiculturalism the Literatures of Cyprus, Greece and Turkey
Step-Mothertongue: From Nationalism to Multiculturalism the Literatures of Cyprus, Greece and Turkey Edited by Mehmet Yasın Middlesex University Press, (London,’ 2000) 207 pp. This is a most important publication examining the national and cultural identities of Greeks, Turks, and Cypriots through their literatures. Step-Mothertongue aims to draw attention to the cross-cultural and multicultural traditions through a comparative analysis of the literature and literary traditions of Greece, Turkey and particularly of Cyprus. Step-Mothertongue is timely because it approaches nationalism from a socio-cultural and literary-historical framework, rather than a traditional ethnic identity agenda. The articles in this publication were originally presented at a conference at Middlesex University on 12-13 December 1997, which aimed to build a body of work around the critique of nationalisms in the literature of Greece, Turkey and Cyprus. There are eight articles, an interview of Vamik Volkan by Yael Navaro-Yasın, and an after word by Djemal Kadir. Seven of the eight articles are separated’ into two sections, and a section of Cypriot poetry divides them. The first section titled “National Literatures in a Global Era” comprises four articles. The first article, by Gregory Jusdanis, Ohio State University, questions the absence of contemporary Greek literature from the branch of Western European literature. Twenty years ago critics considered it highly, but the supremacy of Western literary discourses within global literature and the dominance of the English language, have made contemporary Greek literature (and others written in the non- English tongue) a “stranger at the feast”. Jusdanis also argues that the lack of a contemporary Greek literary intelligentsia sophisticated enough to reorient Greek society and deconstruct the mainstream nationalist identity is also to blame, but he fails to answer why such an intelligentsia does not exist. -
Experiments in the Performance of Participation and Democracy
Respublika! Experiments in the performance of participation and democracy edited by Nico Carpentier 1 2 3 Publisher NeMe, Cyprus, 2019 www.neme.org © 2019 NeMe Design by Natalie Demetriou, ndLine. Printed in Cyprus by Lithografica ISBN 978-9963-9695-8-6 Copyright for all texts and images remains with original artists and authors Respublika! A Cypriot community media arts festival was realised with the kind support from: main funder other funders in collaboration with support Further support has been provided by: CUTradio, Hoi Polloi (Simon Bahceli), Home for Cooperation, IKME Sociopolitical Studies Institute, Join2Media, KEY-Innovation in Culture, Education and Youth, Materia (Sotia Nicolaou and Marina Polycarpou), MYCYradio, Old Nicosia Revealed, Studio 21 (Dervish Zeybek), Uppsala Stadsteater, Chystalleni Loizidou, Evi Tselika, Anastasia Demosthenous, Angeliki Gazi, Hack66, Limassol Hacker Space, and Lefkosia Hacker Space. Respublika! Experiments in the performance of participation and democracy edited by Nico Carpentier viii Contents Foreword xv An Introduction to Respublika! Experiments in the Performance of 3 Participation and Democracy Nico Carpentier Part I: Participations 14 Introduction to Participations 17 Nico Carpentier Community Media as Rhizome 19 Nico Carpentier The Art of Community Media Organisations 29 Nico Carpentier Shaking the Airwaves: Participatory Radio Practices 34 Helen Hahmann Life:Moving 42 Briony Campbell and the Life:Moving participants and project team Life:Moving - The Six Participants 47 Briony Campbell -
The Case of Writers of Greek Cypriot Descent in Australia
Études helléniques I Hellenic Studies Self-Identification in Literature: The case of Wr iters of Greek Cypriot Descent in Australia Maria Herodotou * RÉSUMÉ Les Chypriotes Grecs en Australie constituent un sous-ensemble de la diaspora hellénique. La migration des Chypriotes en Australie est relativement récente en comparaison avec celle des autres Grecs. Leur plus grand nombre a émigré pendant les années 1960 et surtout après l'invasion turque en 1974. La plupart des écrivains Greco-Chypriotes sont, donc, nés à Chypre et leurs liens avec leur pays natal sont très forts. Le problème politique non résolu renforce ces liens.Cet article examine la façon par laquelle les écrivains Greco-Chypriotes s'identifientavec la Grèce, Chypre et l'Australie en tant que lieux et cultures. Les écrivains se distinguent ainsi en trois larges catégories à partir de la langue qu'ils utilisent (anglais, grec ou grec et anglais). rusage de la langue est une indication du degré de leur liaison à un certain lieu. Cela ne veut pas dire que la langue est le facteur le plus important de leur identification. Les écrivains anglophones (et quelques-uns des écrivains bilingues), par exemple, sont attachés aux deux cultures et cela crée une tension ou même un conflit qui est évident dans leur travail, quoique les hellénophones sont plus à l'aise avec leur iden tité hellénique. Ils éprouvent une nostalgie pour Chypre et ils essaient, d'une façon pénible, de recréer ou de reconstruire le lieu et sa culture. Pour tous les écrivains, la Grèce et l'hellénisme deviennent un monde conceptuel. -
Structures and Vulnerabilities of the Greek-Cypriot Broadcasting Sector 2017-09-22
Repositorium für die Medienwissenschaft Theodora A. Maniou From PSB to Privatisation: Structures and Vulnerabilities of the Greek-Cypriot Broadcasting Sector 2017-09-22 https://doi.org/10.18146/2213-0969.2017.jethc127 Veröffentlichungsversion / published version Zeitschriftenartikel / journal article Empfohlene Zitierung / Suggested Citation: Maniou, Theodora A.: From PSB to Privatisation: Structures and Vulnerabilities of the Greek-Cypriot Broadcasting Sector. In: VIEW Journal of European Television History and Culture, Jg. 6 (2017-09-22), Nr. 11, S. 102– 112. DOI: https://doi.org/10.18146/2213-0969.2017.jethc127. Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Weitergabe unter gleichen Bedingungen 4.0 Attribution - Share Alike 4.0 License. For more information see: Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz http://creativecommons.org/licenses/by-sa/4.0 finden Sie hier: http://creativecommons.org/licenses/by-sa/4.0 volume 6 issue 11/2017 FROM PSB TO PRIVATISATION STRUCTURES AND VULNERABILITIES OF THE GREEK-CYPRIOT BROADCASTING SECTOR Theodora A. Maniou Department of Journalism, Frederick University 7, Y.Frederickou str., 1036, Nicosia Cyprus [email protected] Abstract: Around the world, the historical evolution of television follows every country’s history and is closely related to the structures of every society within which it operates. In Cyprus, broadcasting remained under the direct control of the state for more than thirty years while significant political events can be associated with changes in the audiovisual media landscape. Public service broadcasting (PSB) television was established in 1957, only three years before the country denounced British colonialism and became an independent Republic, under the auspices and guidance of the BBC. -
The Case of Cyprus*
Perceptions of difference in the Greek sphere The case of Cyprus* Marina Terkourafi University of Illinois at Urbana-Champaign Cypriot Greek has been cited as “the last surviving Modern Greek dialect” (Con- tossopoulos 1969:92, 2000:21), and differences between it and Standard Modern Greek are often seen as seriously disruptive of communication by Mainland and Cypriot Greeks alike. This paper attempts an anatomy of the linguistic ‘differ- ence’ of the Cypriot variety of Greek. By placing this in the wider context of the history of Cypriot Greek, the study and current state of other Modern Greek dia- lects, and state and national ideology in the two countries, Greece and Cyprus, it is possible to identify both diachronic and synchronic, as well as structural and ideological factors as constitutive of this difference. Keywords: Modern Greek dialects, language attitudes, ideology, identity, Cypriot Greek 1. Introduction: Gauging the difference A question frequently asked of the linguist who studies the Cypriot variety of Greek is “Why is Cypriot Greek so different?”1 The sheer phrasing of this question betrays some of its implicit assumptions: ‘different’ being a two-place predicate, the designation of Cypriot Greek as ‘different’ points to the existence of a second term to which Cypriot Greek is being implicitly compared. This second term is, of course, Standard Modern Greek (henceforth SMG), which, nevertheless, being ‘Standard,’ also represents the norm — or, if you prefer, the yardstick — by which divergences are measured. As Matsuda (1991, cited in Lippi Green 1997:59) points out, “[w]hen the parties are in a relationship of domination and subordination, we tend to say that the dominant is normal, and the subordinate is different from normal” (emphasis added). -
Cypriot English Literature: a Stranger at the Feast Locally and Globally
Kunapipi Volume 33 Issue 1 Article 9 2011 Cypriot english literature: A stranger at the feast locally and globally Marios Vasiliou Follow this and additional works at: https://ro.uow.edu.au/kunapipi Part of the Arts and Humanities Commons Recommended Citation Vasiliou, Marios, Cypriot english literature: A stranger at the feast locally and globally, Kunapipi, 33(1), 2011. Available at:https://ro.uow.edu.au/kunapipi/vol33/iss1/9 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Cypriot english literature: A stranger at the feast locally and globally Abstract My focus in this essay revolves around a corpus of literature written by Cypriots in English that has yet to define itself either as a hyphened branch of a national literature or as a minor independent category. So from the outset, my paper has a twofold task: firstly, to draw attention to the paradoxical position of Cypriot English writers who remain outside the literary feast both at home and abroad; and secondly, to explore the literary vicissitudes of some works of this corpus, and to examine how their minor position locally in relation to the dominant literatures in Greek and Turkish, and internationally in relation to global English — a position that Deleuze and Guattari (1986) describe as ‘minor literature’— has engendered syncretic aesthetics. This journal article is available in Kunapipi: https://ro.uow.edu.au/kunapipi/vol33/iss1/9 83 MARIoS VASILIou cypriot English Literature: A Stranger at the Feast Locally and Globally My focus in this essay revolves around a corpus of literature written by Cypriots in English that has yet to define itself either as a hyphened branch of a national literature or as a minor independent category. -
Teuxos 2 2007
2_2007_ EXOFYLLO.qxd 30-11-07 09:55 ™ÂÏ›‰·1 2 ETUDES HELLENIQUES HELLENIC STUDIES A Tribute to Cypriot Literature Hommage à la littérature chypriote Edited by / Sous la direction de Lefteris Papaleontiou With associate editor / Avec la collaboration de Stephanos Constantinides Contributors / Contributions de Louiza Christodoulidou Yiannis Katsouris Stephanos Constantinides Yiorgos Lyssiotis Andri H. Constantinou Elsi Mathiopoulou Leonidas Galazis Yiorgos Moleskis Evripides Garantoudes George K. Myaris Christos Hadjiathanasiou Costas Nicolaides Maria Herodotou Lefteris Papaleontiou Yiannis E. Ioannou George Papantonakis ETUDES HELLENIQUES / HELLENIC STUDIES Kyriakos Ioannou Savvas Pavlou Maria Kallousia Elli Philokyprou George Kanarakis Theodosis Pylarinos Tassos A. Kaplanis Costas Vassileiou Matthias Kappler Lefkios Zafeiriou Alexis Ziras Volume 15, No. 2, Autumn / Automne 2007 2 2007 ÉTUDES HELLÉNIQUES / HELLENIC STUDIES Études Helléniques / Hellenic Studies DIRECTEURS / EDITORS Stephanos CONSTANTINIDES Centre for Hellenic Studies and Research Canada-KEEK Michael DAMANAKIS University of Crete - Greece Panayotis TSAKONAS University of the Aegean - Greece ÉDITEUR EXTERNE / EXTERNAL EDITOR Kathryn RADFORD McGill University - Canada COMITÉ DE RÉDACTION / EDITORIAL BOARD Paris ARNOPOULOS Concordia University (Canada) Jacques BOUCHARD Université de Montréal (Canada) Jean CATSIAPIS Université de Paris X (France) Georgia CATSIMALI University of Crete (Greece) Peter CHIMBOS University of Western Ontario (Canada) Dimitri CONSTAS Panteion University -
Magazine Are Those of the Authors and Are Not Necessarily Those of This Magazine
exiledexiled ink!ink! Iranian writers and literature in exile poetry prose articles reviews price £3 Editorial Team David Clark Isabelle Romaine Miriam Frank Soheila Ghodstinat Jennifer Langer Richard McKane Nathalie Teitler Design and Layout Angel Design EWI Patrons Alev Adil Lisa Appignanesi Moris Farhi MBE Esmail Khoi Howard Jacobson exiled ink! Julia Camoys Stonor Exiled Ink! is published by Exiled Writers Ink EWI Artistic Advisory registered as Charity No.1097497 Committee Ghias Al Jundi Mir Mahfuz Ali Marion Baraitser Miriam Frank Choman Hardi Richard McKane Hom Paribag Isabelle Romaine Darija Stojnic Nathalie Teitler Editorial Office Exiled Writers Ink 31 Hallswelle Road London NW11 0DH Tel: +44 (0) 20 8458 1910 [email protected] www.exiledwriters.co.uk Printed by: The cover image is by Afshin Shahroodi and appeared in Ali Abdolrezaie’s collection Shinema which was partly censored in Iran. Material may not be used without the written expressed permission of Exiled Writers Ink. Views ex- pressed in the magazine are those of the authors and are not necessarily those of this magazine. Every effort has been made to contact all the authors regarding permission. ISSN 1744-149B Iranian Writers and Literature in Exile Contents: 4 Editorial 5 Iranian Women and Contemporary Memoirs Farideh Goldin 9 Writing Out Terror Hammed Shahidian 12 Hatred and other poems Esmail Khoi 12 The Doves/Cemetery Reza Baraheni 13 Love is the Colour of Lemon/Collage Poem 2 Ziba Karbassi 15 Standing Upright They Were Tall Enough/Forrough Ali Abdolrezaie -
In Cypriot Legends As Cultural Heritage: the Mountain/Well/Plain, and the Sea/Lake/Shore Themed Cypriot Legends
EURASIA Journal of Mathematics, Science and Technology Education ISSN: 1305-8223 (online) 1305-8215 (print) OPEN ACCESS 2017 13(11):7441-7455 DOI: 10.12973/ejmste/79798 Visualisation of the “Denouements” in Cypriot Legends as Cultural Heritage: The Mountain/Well/Plain, and the Sea/Lake/Shore Themed Cypriot Legends Gürkan Gökaşan 1*, Erdal Aygenç 1 1 Faculty of Fine Arts and Design, Near East University, Nicosia, N. CYPRUS Received 19 September 2017 ▪ Revised 29 September 2017 ▪ Accepted 23 October 2017 ABSTRACT Legends as a part of intangible culture are known to provide information on their own culture as well as the perception structure of society. From our perspective, the legends, which can be taken into consideration from that dimension, would allow the interpretation of the personality of society in general through the expression and representation of their ‘consequences’. The aim of this study is to understand the cultural structure over the written legends as a cultural heritage product in addition to illustrate the community perception in the most effective and efficient manner. Therefore, critical text analysis was conducted on the written legends and the representation style of every consequence in each legend was analysed. Additionally, in order to contribute the permanence the legends through illustration, the related scenes of the legends were re-structured with the digital collage technique. A mixed method comprised of “ready material use” by Cubism, “exaggerated style” by Dadaism, “manipulation” by Surrealism and “use of neon colours” of pop-Art in addition to the technique ‘ripped paper texture’ which is developed solely by one of three searchers were used in this study. -
Rthecharioteer a Review of Modern Greek Culture
rTheCHARIOTEER A Review of Modern Greek Culture NUMBERS 7 AND 8 1965 A DOUBLE ISSUE ... ¥. • ~· t• . "'~.. • •. ____ CYPRUS ITS POETRY, PROSE, AND ART from ancient times to the present ' Published by · Parnassos, Greek Cultural Sodety of New York $2.50 THE CHARIOTEER A REVIEW OF MODERN GREEK CULTURE Published by Parnassos, Greek Cultural Society of New York NUMBERS 7 AND 8 EDITORIAL STAFF Executive Editors Andonis Decavalles Bebe Spanos Managing Editor Katherine Hortis Art Editor Milton Marx Consulting Editor on Cyprus Issue Costas Proussis Copy Editors Howard and Penelope Black Representative in Greece Dr. Mortimer R. Proctor (Athens College) HONORARY BOARD C. MAURICE BowRA Warden ofWadham College, Oxford LAWRENCE DuRRELL poet, author of The Alexandria Quartet MosEs HADAS Jay Professor of Greek, Columbia University RicHMOND LATTIMORE Profossor of Classics, Bryn Mawr College JoHN MAVROGORDATO Retired Profossor ofByzantine and Modern Greek, Exeter College, Oxford THE CHARIOTEER is published by PARNASSOS, GREEK CULTURAL SOCIETY OF NEW YORK, a non-profit organization under the laws of the State of New York, Box 2928, Grand Central Station, New York 17, N.Y. 4-Number Subscription $6.oo; 8-Number Subscription $n.so; foreign countries, including Canada: 4-Number Subscription $7.00; 8-Number Subscription $IJ.so, U. S. currency. Distributor: H. DeBoer, 188 High Street, Nutley, N. ]. Copyright© 1965, by Pamassos. All rights reserved. Printed at The Thistle Press, New York. PARNASSOS EXECUTWE COUNCIL Honorary President Andonis Decavalles President Katherine Hartis Vice President Constantine Kollitus Secretary Penelope Vassilaros Treasurer Katherine Karayiannides Cultural Chairman Frances Dickinson Social Chairman Lola Gounaris Membership Chairman Tak:is Ganiaris Public Relations Fotine Nicholas Library Chairman Helene Pandelak:is Board of Directors Steve Aldi Nicholas Herzegovitch Babis Meliaressis . -
Marios Vasiliou
Writing Cyprus: Homecoming and Cosmopolitanism in Colonial, Anti-Colonial, and Postcolonial Anglophone Literary Texts Marios Vasiliou Vasiliou Department of English Studies MariosMay 2014 Abstract The present thesis explores the divergent meanings of homecoming and cosmopolitanism for Anglophone literary narratives that write Cyprus in three distinct periods: the colonial, the anti-colonial and nationalist, and the postcolonial. While all three periods manifest a plurality of Anglophone narratives that write the island and inscribe it with an identity which reflects their ideological intentions, they also exemplify significant differences regarding the meanings invested on the above themes. In other words, reaching a ‘homecoming’ or finding a cultural arrival in the Anglophone narratives that write Cyprus often passes through the idiom of cosmopolitanism, but the latter manifests different meanings at different historical periods in the literary history of the island. While the first colonial narratives (which contribute to a literary colonial cosmopolitanism on the island) waver between domesticating and vilifying depictions of the island to the extent that only the first ones imbibe some form of ‘homecoming’ to the island, anti-colonial texts uniformly envisage ‘home’ along nationalist strictures and exude a sense of homecoming in their glorification of the nation and its nostalgia for ethnic homogeneity. In contrast to both, the Anglophone postcolonial texts that I deal with envisage ‘home’ across ethnic lines and imbibe an idiom of cosmopolitanism of the utopian and heterotopian kinds that is unlike any former cosmopolitan visionsVasiliou that have been observed before in the island’s literary topographies. Cultural arrival, for these latter texts, is envisaged in rapprochement and cross-cultural friendship and is often deferred since the notions of home, homecoming, and community are often deemed to be implicated in, and traversed by, disruption and dislocation.