Experiments in the Performance of Participation and Democracy
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Issue How Detroit Let Siena Liggins Unleash Her Queer Superpowers on Her Debut Album
as a MICHIGAN'S LGBTQ+ NEWS SOURCE SINCE 1993 SUMMER OF PRIDE BOY FROM MICHIGAN John Grant on His Most Personal Album Yet PLUS LIVE SHOWS RETURN A Local Assault on 11 Must-See Artists Two Gay Men. Now, Coming To Town How to Heal The Queer Music Issue How Detroit Let Siena Liggins Unleash Her Queer Superpowers on Her Debut Album PRIDESOURCE.COM JULY 8, 2021 | VOL. 2928 | FREE 18 24 28 2 BTL | July 8, 2021 www.PrideSource.com 4 5 Queer Things You Can Do Right Now 6 Spotify Commissions Ruth Ellis Center Mural to Celebrate Queer Community VOL. 2928 • JULY 8, 2021 ISSUE 1178 10 Affirmations Telethon and Funding Campaign Raises $125,775, Jay Kaplan PRIDE SOURCE MEDIA GROUP Wins Jan Stevenson Award www.pridesource.com 10 How Do We Heal After an Anti-LGBTQ+ Hate Crime? Phone 734-263-1476 PUBLISHERS 12 Outed on the Job: Lesbian Prison Officer Sues Michigan Prison System Benjamin Jenkins Following ‘Horrible’ Harassment [email protected] 18 Publishers Emeritus: Jan Stevenson & Susan Horowitz 12 Transmissions: Musing on Loss DIRECTOR OF OPERATIONS 13 Parting Glances: OZ Updated Tom Wesley [email protected] 14 Michigan Supreme Court to Decide on Elliott-Larsen Civil Rights Case EDITORIAL Editorial Director 16 As Masc Lesbian As She Wants to Be Chris Azzopardi [email protected] 18 At Long Last, Live Shows Return to Michigan News & Feature Editor Eve Kucharski 20 John Grant on His Most Personal Album Yet [email protected] 22 Keep Your Pride Season Going News & Feature Writers With These 8 Queer Artists (and Allies Lawrence Ferber, Ellen Knoppow, Jason A. -
Scottish Parliament Election 2011 – Campaign Expenditure
Scottish Parliament election 2011 – campaign expenditure Contents Table 1: Summary of spending at the Scottish Parliament election 1 2011 Table 2: Total spend at the 2003, 2007 and 2011 Scottish 2 Parliament elections by party Chart 1: Total spend at the 2003, 2007 and 2011 Scottish 2 Parliament elections by party Table 3: Total spend at the Scottish Parliament election 2011 by 3 category Chart 2: Total spend at the Scottish Parliament election 2011 by 4 category Table 4: Total spend at the 2003, 2007 and 2011 Scottish 5 Parliament elections by party and category Chart 3: Total spend at the 2003, 2007 and 2011 Scottish 6 Parliament elections by category Chart 4: Total spend at the 2003, 2007 and 2011 Scottish 7 Parliament elections by party and category Glossary 8 Scottish Parliament election 2011 – campaign expenditure Table 1: Summary of spending at the Scottish Parliament election 2011 Regions Constituencies Spending Payments Notional Party name contested contested limit made expenditure Total All Scotland Pensioners Party 8 2 £664,000 £12,034 £0 £12,034 Angus Independents Representatives (AIR) 1 1 £92,000 £1,699 £0 £1,699 Ban Bankers Bonuses 2 0 £160,000 £4,254 £275 £4,529 British National Party 8 0 £640,000 £9,379 £400 £9,779 Christian Party "Proclaiming Christ's Lordship 8 2 £664,000 £352 £0 £352 Christian People's Alliance 2 0 £160,000 £988 £0 £988 Communist Party of Britain 0 1 £12,000 £0 £0 £0 Conservative and Unionist Party 8 73 £1,516,000 £256,610 £16,852 £273,462 Co-operative Party 0 11 £132,000 £1,865 £0 £1,865 Labour Party -
SIRIUS Satellite Radio Hires Dynamic Radio Industry Advertising Executives
SIRIUS Satellite Radio Hires Dynamic Radio Industry Advertising Executives Sam Benrubi, Stephen Smith To Form Cornerstone for Building SIRIUS' Ad Sales Team SIRIUS Committed to Building Ad Revenue on its Sports, Talk, Traffic, News, and Entertainment Channels NEW YORK - February 24, 2005 - SIRIUS Satellite Radio (NASDAQ: SIRI) today announced that it hired two of the radio industry's most respected and accomplished advertising executives, Sam Benrubi and Stephen Smith, to help build advertising revenue on its non-music channels. SIRIUS provides 65 channels of 100% commercial-free music; SIRIUS does offer commercial time to advertisers on its more than 55 talk, traffic, news, sports and entertainment channels. The appointments follow key programming announcements that enhance advertisers' ability to buy time on SIRIUS to reach a national audience. Recent programming announcements include this week's announcement that SIRIUS will be the new home of NASCAR in 2007; SIRIUS will sell all advertising time on its NASCAR channel and during the race broadcasts. "Sam and Steve are two of the best radio advertising sales executives in the country, with deep experience in broadcast advertising sales related to sports, Howard Stern, and other prominent talk show personalities," said Scott Greenstein, SIRIUS President of Entertainment and Sports. "Their appointments are an important part of the next step in the growth of SIRIUS, following our acquisition of significant programming assets that now allow SIRIUS promising advertising revenue possibilities. They will lead a team to build our advertising revenue stream to its fullest." Sam Benrubi, a senior nationwide advertising executive who has led network and local sales teams at Westwood One and Infinity Broadcasting, was named Senior Vice President, Advertising Sales. -
Revalidating Participation: Power and Pre - Figurative Politics Within Contemporary Leftwing Movements
Bart Cammaerts Revalidating participation: power and pre - figurative politics within contemporary leftwing movements Book section Original citation: Cammaerts, Bart (2019) Revalidating participation: power and pre -figurative politics within contemporary leftwing movements. In: Carpentier, Nico, (ed.) Respublika!: Experiments in the performance of participation and democracy. NeMe, Limassol, Cyprus, pp. 126-137. ISBN 9789963969586 © 2019 The Author This version available at: http://eprints.lse.ac.uk/id/eprint/91502 Available in LSE Research Online: January 2019 LSE has developed LSE Research Online so that users may access research output of the School. Copyright © and Moral Rights for the papers on this site are retained by the individual authors a nd/or other copyright owners. Users may download and/or print one copy of any article(s) in LSE Research Online to facilitate their private study or for non-commercial research. You may not engage in further distribution of the material or use it for any profit-making activities or any commercial gain. You may freely distribute the URL ( http://eprints.lse.ac.uk ) of the LSE Research Online website. This document is the author’s submitted version of the book section. There may be differences between this ve rsion and the published version. You are advised to consult the publisher’s version if you wish to cite from it. Revalidating Participation: Power and Pre-Figurative Politics within Contemporary Leftwing Movements 1 Bart Cammaerts London School of Economics and Political Science Introduction ‘Practice what you preach’ is a popular idiom not only within progressive politics, but also beyond, and this idea is also encapsulated in the famous Mahatma Gandhi quote: ‘If you want to change the world, start with yourself’. -
Unity in Diversity“…………………………
Univerzita Pardubice Fakulta filozofická Proměny tematického a žánrového spektra časopisu Nový Prostor Iva Skořepová Bakalářská práce 2009 1 2 3 Prohlašuji: Tuto práci jsem vypracovala samostatně. Veškeré literární prameny a informace, které jsem v práci vyuţil, jsou uvedeny v seznamu pouţité literatury. Byl jsem seznámen s tím, ţe se na moji práci vztahují práva a povinnosti vyplývající ze zákona č. 121/2000 Sb., autorský zákon, zejména se skutečností, ţe Univerzita Pardubice má právo na uzavření licenční smlouvy o uţití této práce jako školního díla podle § 60 odst. 1 autorského zákona, a s tím, ţe pokud dojde k uţití této práce mnou nebo bude poskytnuta licence o uţití jinému subjektu, je Univerzita Pardubice oprávněna ode mne poţadovat přiměřený příspěvek na úhradu nákladů, které na vytvoření díla vynaloţila, a to podle okolností aţ do jejich skutečné výše. Souhlasím s prezenčním zpřístupněním své práce v Univerzitní knihovně. V Pardubicích dne 30. 06. 2009 Iva Skořepová 4 SOUHRN Práce přináší základní poznatky o moderním fenoménu pouličních časopisů. Popisuje odlišné strategie prosazované při medializaci sociální problematiky a konkrétní příklady světových streetpaperů. Zaměřuje se na konceptuální vývoj časopisu Patron a Nový Prostor v letech 1999 -2008. Zvláštní důraz je kladen na proměny jejich tematického a ţánrového spektra. KLÍČOVÁ SLOVA streetpaper, časopis Patron, časopis Nový Prostor, sociální problémy, bezdomovci TITLE Thematic and genre changes of magazine Nový Prostor ABSTRACT The work tries to define rudimentary informations about progressive phenomenon street-sold magazines. Describes different policies promoting social issues and concretes some street papers. Focal point of this bachelor work is in particular description of thematics and genres changes of street paper Patron and Nový Prostor in 1999-2008. -
Evanescence Disponibile in Digitale E
EVANESCENCE DISPONIBILE IN DIGITALE E DAL10 LUGLIO IN RADIO THE GAME IS OVER : L’ALBUM DI INEDITI IN USCITA NEL 2020 POSTICIPATA AL 9 SETTEMBRE 2021 l’unica data italiana al MEDIOLANUM FORUM DI ASSAGO (MI) 03/07/2020 il nuovo singolo estratto da “THE BITTER TRUTH” È disponibile in digitale e da venerdì 10 luglio entrerà in rotazione radiofonica “THE GAME IS OVER”, il nuovo singolo estratto dall’album di inediti “THE BITTER TRUTH” (BMG), in uscita nel 2020. Caratterizzato dalla presenza massiccia di chitarre e percussioni e dalla straordinaria voce da mezzosoprano di Amy Lee, “THE GAME IS OVER” è un inno di protesta contro le maschere che la società ci costringe ad indossare tutti i giorni. Di fronte alla depressione e all'ansia – e specialmente in un mondo che sembra sgretolarsi ogni giorno sempre di più – questo brano è un grido di ribellione al dover fingere che tutto vada bene. «Questa canzone parla dell'essere stanchi delle apparenze, delle maschere che indossiamo con gli altri per farli sentire a proprio agio – dichiara Amy Lee – Quello che sentiamo è diverso da ciò che mostriamo all'esterno per adattarci ai confini di ciò che è socialmente accettabile, o di ciò che non ci renderà sgradevoli o troppo "strani" agli occhi di chi ci sta intorno» Il video del brano, girato con uno smartphone tra luci e ombre, sarà online dalle ore 18.00 di oggi, venerdì 3 luglio, al seguente link: https://youtu.be/jJEZgUjjZqM. Durante la première, Amy Lee, leader della band, parteciperà in diretta su YouTube ad un Q&A insieme ai fan. -
1 Damir Očko Zagreb, 1977
Damir Očko Zagreb, 1977 EDUCATION AND RESIDENCIES 2011 Temple Bar Gallery & Studios, Dublin, Ireland 2010 Nordic Art Center Dale, Norway Künstlerresidenz Blumen, Leipzig, Germany 2008-2009 Akademie Schloss Solitude, Stuttgart, Germany 2007 HIAP, Helsinki, Finland KulurKontakt, Vienna, Austria Tirana Institute of Contemporary Art, Tirana, Albania 1997-2003 Academy of Fine Arts, Zagreb, Croatia SELECTED SOLO EXHIBITIONS 2015 Photon - Centre for Contemporary Photography. Ljubljana, Slovenia Studies on Shivering, Gallery Kasia Michalski, Warsaw, Poland 2014 Studies on Shivering, Temple Bar Gallery & Studios, Dublin, Ireland Damir Očko: PST, APOTEKA, Vodnjan, Croatia Studies on Shivering, Künstlerhaus Halle für Kunst & Medien, Graz, Austria (cat.) 2013 Kabinett - ArtBasel Miami (with Yvon Lambert), Miami, US Damir Očko: FILMS, Gallery Tiziana di Caro, Salerno, Italy Psst, TRAPEZ, Budapest, Hungary The Body Score, Yvon Lambert Gallery (project space), Paris, France 2012 Damir Ocko: The Kingdom of Glottis, Palais de Tokyo, Paris, France On Ulterior Scale, FIAC (with Gallery Tiziana di Caro), Paris, France On Ulterior Scale, MultiMedia Center Luka, Pula, Croatia Očko/Tadić, Galerie de l’ESAM, Caen, France (With M. Tadić) We saw nothing but the uniform blue of the Sky, Gallery Tiziana di Caro, Salerno, Italy 2011 On Ulterior Scale, Kunsthalle Dusseldorf, Dusseldorf, Germany (cat.) Jedinstvo Hall - Gallery Močvara, 26th Music Biennale, Zagreb, Croatia 2010 Castle & Elephant, Coventry, UK Event Horizon, Kunstverein Leipzig, Leipzig, Germany The Age of Happiness, Tiziana di Caro Gallery, Salerno, Italy Screening Room, Blumen, Leipzig, Germany 2009 The Age of Happiness, Lothringer13 Städtische Kunsthalle München, Munich, Germany (cat.) The Age of Happiness, Akademie Schloss Solitude, Stuttgart, Germany 2007 The End of the World, Miroslav Kraljević Gallery, Zagreb, Croatia Why does Gravity make things fall?, Tirana Institute of Contemporary Art, Tirana, Albania (With N. -
100 24 £2 Million 9,300 21,000 34 £24 Million 2017-18
Annual Report 2017-18 Over Published in 100 in street papers 24 34 languages countries Our network in numbers 9,300 vendors sell street papers at any one time 21,000 2,000 vendors earn an volunteers support our income by selling global movement street papers each year Every month, vendors collectively earn £2 Million 20 Million 5 street papers were sold Million across the world readers worldwide in the past year That’s a grand total of £24 Million in the pockets of vendors every year insp.ngo @_INSP /inspstreetpapers INSP Support INSP Hub A new ‘Guides and Resources’ service was launched on the INSP Hub in 2017, giving street paper staff 65 access to a treasure trove of street paper knowledge resources available and expertise. “Having access to these Guides and Resources have helped steer our Research and Development Committee to identify the best strategies for fundraising, applying for grants, reaching out to 61 corporate sponsors, and gaining support from our local officials.” Jeff Hertz, Founder, Two Way Street, USA street papers have used resources “I have found the INSP Hub Resources very useful, and it helps to reinforce the idea that our vendors are part of a global movement of street papers promoting social trading and opportunity. As a team we faced a particularly challenging situation recently and it was reassuring that our policies are in line with other street papers.” 89 Carolyn Russell, Sales and Outreach Worker, The Big Issue, UK unique users News Service Our online editorial service is delivered through the INSP Hub, providing editorial support and resources to street papers to build their capacity and quality, and increase vendors’ sales. -
Global Street Papers and Homeless [Counter] Publics: Rethinking the Technologies of Community Publishing
Global Street Papers and Homeless [Counter] publics: Rethinking the Technologies of Community Publishing Erin Anderson, University of Pittsburgh This article argues that community publishing initiatives might extend the scope and impact of their work by critically examining the ways in which technology influences the production and circulation of their [counter]public discourse. Building upon the work of Paula Mathieu, the author analyzes the material and discursive complexities of the “street •••••••••••••• paper” movement as a site of community-based publishing, finding both limitations and potential in the survival-driven, print-based, and hyperlocal character of street paper media. Discussing an emerging digital platform for participatory blogging among homeless and low- income street paper vendors, the author suggests how a model of Web-based, multimodal, and interactive communication might work to •••••••••••••• extend the community literacy practices of the street paper movement. ver the past decade, the field of communication studies has demonstrated increasing interest in a previously neglected Omovement of independent newspapers and magazines called “street papers,” examining the role that these publications play in providing a platform for self-representation and rhetorical action by marginalized people. Sold on public street corners by homeless and low-income “vendors,” street papers exist to provide these individuals with not only a source of dignified, low-threshold employment, but also an independent voice that speaks to issues that affect their lives and the lives of people like them around the world. While there has been • 76 considerable disagreement as to how well individual projects fulfill this latter aim in practice, street papers in general have garnered substantial attention for their potential to contribute to “small acts of participation” (Novak and Harter 406), “communicative democracy” (Howley 274), and “counterpublic” discourse (Parlette 96) in the public sphere. -
VENDORS ALBERTA STREET NEWS PAGE 2 the Cover of the Paper
Volume 14 Issue 9 September 2017 VENDORS ALBERTA STREET NEWS PAGE 2 the cover of the paper. Alberta Street Vendors All!! News vendors work as entrepreneurs – they buy as many papers as they ALBERTA STREET By Linda Dumont need for 50 cents per copy, then sell If you are reading this, them for the price of a donation. They NEWS you have probably also choose their location, and can Founder/Publisher/ met an Alberta work on any public sidewalk, or even Editor, Design and layout: Street News on private property if they get permis- Linda Dumont vendor on the sion from the owner. They keep the street, and pur- money they earn from paper sales. Writers: chased a paper. Our Alberta vendors face many Your support Maria B. barriers to employment. Some are for our vendors mentally or physically challenged John Zapantis is important, and Joanne Benger with mental illness and chronic health I would like to ex- problems, some have prison records Sharon Austin press my thanks to all and/or lack of education that make Lindsay Houston of our Alberta Street News customers. finding employment difficult. Vending Linda Dumont Many of you also help our vendors provides the flexibility to choose your Angelique Branston in other small ways that are so im- own working hours, so even if the Eliza Rossignoli portant. – buying a cup of coffee, or vendor struggles with severe physi- Carmxtli Ortiz simply stopping by for a chat. cal limitations, he or she can work in INSP News Service Alberta Street News is made pos- those small window of time when he Dond Ola Tilseth sible through donations and ads like or she feels ok. -
Byliner Staff About Humility and Gratitude
Join Us on September 2012 Newsletter of The Press Club of Cleveland From the President Rock Hall Panel Revisits WMMS’s Past and Ed Byers Speculates About Radio’s Future First off, it’s almost By Anastasia Pantsios, Cleveland SCENE Hall of Fame time and People who weren’t around or who were some full disclosure on too young to remember Cleveland in the Stuart Warner’s being ’70s and ’80s might wonder why anyone elected to the Hall of would make a fuss over a mundane “guy- Fame. zone” station like WMMS, with its bland As most of you know, commercial hard rock and its focus on Stuart has chaired The Press Club’s Hall sports and hot babes — appealing to a spe- of Fame committee for as long as I can cific group of males under 30. (L-R) WMMS’s staff; Walt Tiburski, Denny remember, which, in of itself, should In a special program, presented by The Sanders, Gaye Ramstrom, John Gorman, Billy qualify one for induction. But as we all Press Club of Cleveland and the Rock and Bass and moderator Jim Henke, curator, The know, Stuart’s journalism credentials are Roll Hall of Fame, five people who were Rock and Roll Hall of Fame and Museum. second to none. pivotal in creating the WMMS legend The instant we found out that Stuart’s spoke at the Rock Hall’s Foster Theatre Sanders, its evening air personality and name had been placed in nomination for about what made the station so dominant behind-the-scenes guide; John Gorman, the Hall, he not only stepped down as in Cleveland and so influential nationwide the hyper-competitive program direc- chairman, but departed the committee — and speculated on whether that influ- tor who took the station to the top of the altogether until after the election. -
Impact Report 2014 Iheartmedia Communities ™ Impact Report 2014 Contents
Impact Report 2014 iHeartMedia Communities ™ Impact Report 2014 Contents Company Overview 02 Executive Letter 04 Community Commitment 06 iHeartMedia 09 2014 Special Projects 12 National Radio Campaigns 30 Radiothons 102 Public Affairs Shows 116 Responding to Disasters 128 Wish Granting 132 Special Events and Fundraising 142 2014 Honorary Awards and Recognition 148 Music Development 160 Local Advisory Boards 174 On-Air Personalities 178 Station Highlights 196 Clear Channel Outdoor 240 Community Commitment 242 Protecting Our Communities 244 National Partners & Programs 248 Market Highlights 258 IMPACT REPORT 2014 | 1 Company Overview ABOUT IHEARTMEDIA, INC. iHeartMedia, Inc. is one of the leading global media and entertainment companies specializing in radio, digital, outdoor, mobile, live events, social and on-demand entertainment and information services for local communities and providing premier opportunities for advertisers. For more company information visit iHeartMedia.com. ABOUT IHEARTMEDIA With 245 million monthly listeners in the U.S., 97 million monthly digital uniques and 196 million monthly consumers of its Total Traffic and Weather Network, iHeartMedia has the largest reach of any radio or television outlet in America. It serves over 150 markets through 858 owned radio stations, and the company’s radio stations and content can be heard on AM/FM, HD digital radio, satellite radio, on the Internet at iHeartRadio.com and on the company’s radio station websites, on the iHeartRadio mobile app, in enhanced auto dashes, on tablets and smartphones, and on gaming consoles. iHeartRadio, iHeartMedia’s digital radio platform, is the No. 1 all-in-one digital audio service with over 500 million downloads; it reached its first 20 million registered users faster than any digital service in Internet history and reached 50 million users faster than any digital music service and even faster than Twitter, Facebook and Pinterest.