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SELECTING REPERTOIRE: a MATTER of CONSCIENCE, a PERSONAL VIEWPOINT by Craig Kirchhoff | Yamaha Master Educator
JANUARY/FEBRUARY 2019 • Vol. 32, Issue 1 NEWSLETTER Selecting Repertoire with Craig Kirchhoff NATIONAL CHOIR FESTIVAL National Presenting Sponsor INDIANAPOLIS, IN 46206 IN INDIANAPOLIS, Indianapolis, IN 46225 IN Indianapolis, PERMIT NO. 2145 NO. PERMIT 39 W. Jackson Place, Suite 150 Suite Place, Jackson W. 39 U.S. POSTAGE PAID POSTAGE U.S. NON-PROFIT ORGANIZATION NON-PROFIT Music for All, Inc. All, for Music We Take Full Responsibility — For Music Education Advocacy — We believe every child deserves music education and the opportunity to play an instrument. That’s why Yamaha advocates for music and arts education at local school boards, state capitols and in Washington D.C. And, since learning music improves test scores, builds self-confidence and fosters future success, music education leads to a brighter future for our children. CSM12620 Music Advocacy Corporate USB.indd 1 8/23/17 4:46 PM From the President & CEO For your contributions to your community and students: thank you Music for All Newsletter Winter Issue Spring Issue appy New Year is a traditional greeting, heard round the world Fall Issue in many languages, to express dreams and shared individual Orchestra Issue and community wishes. When I think of the amazing men and Middle School Issue women who choose to ensure America’s future by teaching its most valuable assets, the most appropriate first words from me to Music for All, Inc. 39W. Jackson Pl., Ste. 150 you are – “Thank you.” As Music for All starts 2019 and presents Indianapolis, IN 46225-1010 to you in the newsletter our upcoming programs and events, I am 317.636.2263 • www.musicforall.org reminded that none of it would be possible without you. -
Kronos Quartet Prelude to a Black Hole Beyond Zero: 1914-1918 Aleksandra Vrebalov, Composer Bill Morrison, Filmmaker
KRONOS QUARTET PRELUDE TO A BLACK HOLE BeyOND ZERO: 1914-1918 ALeksANDRA VREBALOV, COMPOSER BILL MORRISon, FILMMAKER Thu, Feb 12, 2015 • 7:30pm WWI Centenary ProJECT “KRONOs CONTINUEs With unDIMINISHED FEROCity to make unPRECEDENTED sTRING QUARtet hisTORY.” – Los Angeles Times 22 carolinaperformingarts.org // #CPA10 thu, feb 12 • 7:30pm KRONOS QUARTET David Harrington, violin Hank Dutt, viola John Sherba, violin Sunny Yang, cello PROGRAM Prelude to a Black Hole Eternal Memory to the Virtuous+ ....................................................................................Byzantine Chant arr. Aleksandra Vrebalov Three Pieces for String Quartet ...................................................................................... Igor Stravinsky Dance – Eccentric – Canticle (1882-1971) Last Kind Words+ .............................................................................................................Geeshie Wiley (ca. 1906-1939) arr. Jacob Garchik Evic Taksim+ ............................................................................................................. Tanburi Cemil Bey (1873-1916) arr. Stephen Prutsman Trois beaux oiseaux du Paradis+ ........................................................................................Maurice Ravel (1875-1937) arr. JJ Hollingsworth Smyrneiko Minore+ ............................................................................................................... Traditional arr. Jacob Garchik Six Bagatelles, Op. 9 ..................................................................................................... -
Vanderhoef Studio Theatre, Mondavi Center
Mika Pelo and kurt rohde, co-directors Vanderhoef Studio Theatre, Mondavi Center Vanderhoef Studio Theatre, Mondavi Center The DeparTmenT of music presenTs The Empyrean Ensemble Mika Pelo and Kurt Rohde, Co-directors Americans in Rome Pre-concert talk: 6pm, moderated by Kurt Rohde Program Mu for Solo Violin (2007) Keeril Makan (b. 1972) Piano Etude No. 5 from 7 Piano Etudes (2008–09) Don Byron (b. 1957) Bird as Prophet for Violin and Piano (1999) Martin Bresnick (b. 1946) Piano Etude No. 2 from 7 Piano Etudes (2008–09) Don Byron Song for Andrew for Piano Quartet (2008) Laura Schwendinger (b. 1962) Intermission Three Phantasy Pieces for Viola and Percussion (2005) Claude Baker I. J.B. (b. 1948) II. R.S. III. H.B. Piano Etude No. 3 (a la Suzanne Vega) from 7 Piano Etudes (2008–09) Don Byron Dusk from The Book of Hours for Piano Trio (2000) Martin Brody (b. 1949) Piano Etude No. 6 from 7 Piano Etudes (2008–09) Don Byron Mu for Solo Violin (2007) Keeril Makan Hrabba Atladottir, violin; Ellen Ruth Rose, viola; Michael Graham, cello; Chris Froh, percussion; Michael Seth Orland, piano Sunday, January 23, 2011 • 7:00 pm Vanderhoef Studio Theatre, Mondavi Center 3 NOTES Mu (2007) for prepared violin: some meanings of Mu (according to Wikipedia): · Micro- the prefix signifying one millionth. · In Zen Buddhism, a word that can mean neither yes nor no. · The twelfth letter of the Greek alphabet, which was derived from the Egyptian hieroglyphic symbol for water. · The name of a hypothetical continent that allegedly existed in one of Earth’s oceans but disappeared at the dawn of human history. -
Cbarber Repertoire 2020.Pdf
Carolyn A. Barber University of Nebraska-Lincoln Conducting Repertoire, 2001-present UNL Wind Ensemble 2020 [April 28 concert cancelled due to COVID-19 precautions on campus] March 11, Kimball Recital Hall Joan Tower, Fanfare for the Uncommon Woman No. 1 (1987) Victoria Bond, The Indispensable Man (2010) *Nebraska premiere performance Felicia Sandler, Rosie the Riveter (2000) *Nebraska premiere performance Jonathan Newman, Symphony No. 1: My Hands Are a City (2009) 2019 December 11, Kimball Recital Hall https://youtu.be/4HBj7rIC6vk Gustav Holst, Suite in E-flat (1909) Percy Grainger, arr. Perna, Mock Morris (1910/2016) Joshua Cutting, doctoral associate conductor J.S. Bach, arr. N. Falcone, Passacaglia and Fugue in C minor (1712/1969) Gustav Holst, Bach’s Fugue à la Gigue (1707/1928) Rubén Gómez, doctoral associate conductor Percy Grainger, Colonial Song (1919/1997) Paul Hindemith, Symphony in B-flat (1951) October 2, Kimball Recital Hall https://youtu.be/RkzJB7msUuY Stephen Montague, Intrada 1631 (2003) Donald Grantham, Circa 1600 (2018) Kathryn Salfelder, Crossing Parallels (2011) Bob Margolis, Terpsichore (1981) Roberto Sierra, arr. Scatterday, Tumbao from Sinfonia No. 3 (2005/2009) *Nebraska premiere performance [Spring semester sabbatical – Newell Scholar at Georgia College] 2018 December 5, Kimball Recital Hall https://youtu.be/OwTWlg7jmiI Larry Tuttle, Across the Divide (2018) Carter Pann, The Three Embraces (2013) Cindy McTee, California Counterpoint: The Twittering Machine (1993) Carter Pann, My Brother’s Brain: A Symphony for Winds (2011) Carter Pann, Floyd’s Fantastic Five-Alarm Foxy Frolic (2009) October 3, Kimball Recital Hall Bernard Rogers, Three Japanese Dances: Dance with Pennons (1933/1956) Jennifer Jolley, The Eyes of the World Are Upon You (2017) *Nebraska premiere performance Frank Ticheli, Amazing Grace (1994) Rubén Gómez, doctoral associate conductor David Maslanka, Symphony No. -
Press Release April 30 Paul Sacher
! 6 Meyersville Road Chatham, New Jersey 07928 USA Ph/Fax 800.706.4182 [email protected] www.orchestranextcentury.org ! ! ! FOR IMMEDIATE RELEASE Contact: Gary Schneider 973-457-5724 March 15, 2013 [email protected] To the Point: Orchestra for the Next Century pays tribute to Paul Sacher in concert at New York’s Merkin Concert Hall. Orchestra for the Next Century, Gary M. Schneider, Music Director, follows up its acclaimed NY debut in February at the Ecstatic Music Festival with a tribute to the great Swiss conductor and musical philanthropist Paul Sacher in a concert on April 30, 2013 at 8:00 pm at Merkin Concert Hall in New York City. The concert features two works Sacher commissioned from Stravinsky and Martinů paired with recent works by distinguished American composers Margaret Brouwer and Paul Moravec. Tickets are $25 / $20 for students. For information and tickets, call 212- 501-3330 or online at www.kaufmanmusiccenter.org. Igor Stranvinsky’s Concerto in D for String Orchestra and Bohuslav Martinů’s Double Concerto for Two String Orchestras, Piano and Timpani are among the many important works Sacher commissioned for his Basel Chamber Orchestra. Through his commissioning of new works from many of the most important composers of the 20th century, Sacher is responsible for the existence of an amazing number of landmark compositions, many of which entered the repertory and are performed every year in concert halls around the world. The concert will also include the New York premier of Margaret Brouwer’s Concerto for Violin and Orchestra, featuring the acclaimed Japanese-American violinist Michi Wiancko, for whom it was written. -
Myra Melford & Snowy Egret Language of Dreams
Saturday, November 19, 2016, 8pm Zellerbach Hall Myra Melford & Snowy Egret Language of Dreams Conceived and composed by Myra Melford Myra Melford’s Snowy Egret Myra Melford, piano, melodica, and sampler Ron Miles, cornet Liberty Ellman, guitar Stomu Takeishi, acoustic bass guitar Tyshawn Sorey, drums David Szlasa, video artist and lighting design Oguri, dancer and choreography Sofia Rei, narrator/spoken text Hans Wendl, artistic direction and production Texts excerpted from Eduardo Galeano’s Memory of Fire (Memoria del Fuego ) trilogy: Genesis (1982) Faces and Masks (1984) Century of the Wind (1986) Copyright 1982, 1984, 1986 respectively by Eduardo Galeano. Translation copyright 1985, 1987, 1988 by Cedric Belfrage. Published in Spanish by Siglo XXI Editores, México, and in English by Nation Books. By permission of Susan Bergholz Literary Services, New York, NY and Lamy, NM. All rights reserved. e creation and presentation of Language of Dreams was made possible by Yerba Buena Center for the Arts, a Guggenheim Fellowship, the Doris Duke Performing Artist Award, and a University of California Faculty Research Grant. Jazz residency and education activities generously underwritten by the Thatcher-Meyerson Family. n e s i o B s e l y M Myra Melford (far right) with Snowy Egret Language of Dreams I Prelude e Promised Land Snow e Kitchen II e Virgin of Guadalupe A Musical Evening For Love of Fruit/Ching Ching III Language IV Times of Sleep and Fate Little Pockets/Everybody Pays Taxes Market e First Protest V Night of Sorrow Day of the Dead e Strawberry VI Reprise – e Virgin of Guadalupe This performance will last approximately 75 minutes and will be performed without intermission. -
Concerts from the Library of Congress 2012-2013
Concerts from the Library of Congress 2012-2013 LIBRARY LATE ACME & yMusic Friday, November 30, 2012 9:30 in the evening sprenger theater Atlas performing arts center The McKim Fund in the Library of Congress was created in 1970 through a bequest of Mrs. W. Duncan McKim, concert violinist, who won international prominence under her maiden name, Leonora Jackson; the fund supports the commissioning and performance of chamber music for violin and piano. Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. Please take note: UNAUTHORIZED USE OF PHOTOGRAPHIC AND SOUND RECORDING EQUIPMENT IS STRICTLY PROHIBITED. PATRONS ARE REQUESTED TO TURN OFF THEIR CELLULAR PHONES, ALARM WATCHES, OR OTHER NOISE-MAKING DEVICES THAT WOULD DISRUPT THE PERFORMANCE. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. Please recycle your programs at the conclusion of the concert. THE LIBRARY OF CONGRESS Atlas Performing Arts Center FRIDAY, NOVEMBER 30, 2012, at 9:30 p.m. THE mckim Fund In the Library of Congress American Contemporary Music Ensemble Rob Moose and Caleb Burhans, violin Nadia Sirota, viola Clarice Jensen, cello Timothy Andres, piano CAROLINE ADELAIDE SHAW Limestone and Felt, for viola and cello DON BYRON Spin, for violin and piano (McKim Fund Commission) JOHN CAGE (1912-1992) String Quartet in Four Parts (1950) Quietly Flowing Along Slowly Rocking Nearly Stationary Quodlibet MICK BARR ACMED, for violin, viola and cello Intermission *Meet the Artists* yMusic Alex Sopp, flutes Hideaki Aomori, clarinets C.J. -
Symphonic Winds, April 24, 2021
Illinois State University ISU ReD: Research and eData School of Music Programs Music 4-24-2021 Symphonic Winds, April 24, 2021 F. Mack Wood conductor Follow this and additional works at: https://ir.library.illinoisstate.edu/somp Part of the Music Performance Commons Recommended Citation Wood, F. Mack conductor, "Symphonic Winds, April 24, 2021" (2021). School of Music Programs. 4453. https://ir.library.illinoisstate.edu/somp/4453 This Performance Program is brought to you for free and open access by the Music at ISU ReD: Research and eData. It has been accepted for inclusion in School of Music Programs by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. Illinois State University Wonsook Kim College of Fine Arts School of Music ________________________________________________________________ Symphonic Winds F. Mack Wood, conductor _________________________________________________________________ Center for the Performing Arts April 24, 2021 Saturday Noon This is the one-hundred and eighth program of the 2020-2021 season. Program Please silence all electronic devices for the duration of the concert. Thank you. Ecstatic Fanfare (2012/2015) Steven Bryant (born 1972) Arranged by Alan Lourens Hymn to a Blue Hour (2010/2021) John Mackey (born 1973) Dancing Fire (2016/2020) Kevin Day (born 1996) Arranged by Josh Trentadue ~Intermission~ Endowed Scholarship Award Presentations Menlo Park, 1879 (2020) James M. David (born 1985) Letters from the Traveling Doll Nicole Piunno (born 1985) I. Love and Loss II. The Mountains Are Calling III. Star Gazing IV. Cityscapes V. Love Will Return Program Notes Thank you for joining us for today’s performance of the Illinois State University Symphonic Winds. -
Boston Symphony Orchestra Concert Programs, Summer, 1991, Tanglewood
/JQL-EWOOD . , . ., An Enduring Tradition ofExcellence In science as in the lively arts, fine performance is crafted with aptitude attitude and application Qualities that remain timeless . As a worldwide technology leader, GE Plastics remains committed to better the best in engineering polymers silicones, superabrasives and circuit board substrates It's a quality commitment our people share Everyone. Every day. Everywhere, GE Plastics .-: : ;: ; \V:. :\-/V.' .;p:i-f bhubuhh Seiji Ozawa, Music Director Grant Llewellyn and Robert Spano, Assistant Conductors One Hundred and Tenth Season, 1990-91 Trustees of the Boston Symphony Orchestra, Inc. Nelson J. Darling, Jr., Chairman Emeritus J. P. Barger, Chairman George H. Kidder, President T Mrs. Lewis S. Dabney, Vice-Chairman Archie C. Epps, V ice-Chairman Mrs. John H. Fitzpatrick, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer David B. Arnold, Jr. Avram J. Goldberg Mrs. August R. Meyer Peter A. Brooke Mrs. R. Douglas Hall III Mrs. Robert B. Newman James F. Cleary Francis W. Hatch Peter C. Read John F. Cogan, Jr. Julian T. Houston Richard A. Smith Julian Cohen Mrs. BelaT. Kalman Ray Stata William M. Crozier, Jr. Mrs. George I. Kaplan William F. Thompson Mrs. Michael H. Davis Harvey Chet Krentzman Nicholas T. Zervas Mrs. Eugene B. Doggett R. Willis Leith, Jr. Trustees Emeriti Vernon R. Alden Mrs. Harris Fahnestock Mrs. George R. Rowland Philip K. Allen Mrs. John L. Grandin Mrs. George Lee Sargent Allen G. Barry E. Morton Jennings, Jr. Sidney Stoneman Leo L. Beranek Albert L. Nickerson John Hoyt Stookey Mrs. John M. Bradley Thomas D. Perry, Jr. -
Evanescence Disponibile in Digitale E
EVANESCENCE DISPONIBILE IN DIGITALE E DAL10 LUGLIO IN RADIO THE GAME IS OVER : L’ALBUM DI INEDITI IN USCITA NEL 2020 POSTICIPATA AL 9 SETTEMBRE 2021 l’unica data italiana al MEDIOLANUM FORUM DI ASSAGO (MI) 03/07/2020 il nuovo singolo estratto da “THE BITTER TRUTH” È disponibile in digitale e da venerdì 10 luglio entrerà in rotazione radiofonica “THE GAME IS OVER”, il nuovo singolo estratto dall’album di inediti “THE BITTER TRUTH” (BMG), in uscita nel 2020. Caratterizzato dalla presenza massiccia di chitarre e percussioni e dalla straordinaria voce da mezzosoprano di Amy Lee, “THE GAME IS OVER” è un inno di protesta contro le maschere che la società ci costringe ad indossare tutti i giorni. Di fronte alla depressione e all'ansia – e specialmente in un mondo che sembra sgretolarsi ogni giorno sempre di più – questo brano è un grido di ribellione al dover fingere che tutto vada bene. «Questa canzone parla dell'essere stanchi delle apparenze, delle maschere che indossiamo con gli altri per farli sentire a proprio agio – dichiara Amy Lee – Quello che sentiamo è diverso da ciò che mostriamo all'esterno per adattarci ai confini di ciò che è socialmente accettabile, o di ciò che non ci renderà sgradevoli o troppo "strani" agli occhi di chi ci sta intorno» Il video del brano, girato con uno smartphone tra luci e ombre, sarà online dalle ore 18.00 di oggi, venerdì 3 luglio, al seguente link: https://youtu.be/jJEZgUjjZqM. Durante la première, Amy Lee, leader della band, parteciperà in diretta su YouTube ad un Q&A insieme ai fan. -
June 2020 Volume 87 / Number 6
JUNE 2020 VOLUME 87 / NUMBER 6 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow. -
FOR IMMEDIATE RELEASE June 23, 2016 CONTACT: Ren Mitchell 832-314-9994 [email protected]
FOR IMMEDIATE RELEASE June 23, 2016 CONTACT: Ren Mitchell 832-314-9994 [email protected] Karen Stokes Dance presents DEEP: Seaspace at Zilkha Hall, Hobby Center for Performing Arts HOUSTON, TX: Karen Stokes Dance presents “DEEP: Seaspace” October 20-22, 2016 at 8:00pm at the Hobby Center for Performing Arts, Zilkha Hall. “DEEP: Seaspace” is the culminating performance of a multi-year initiative inspired by the history and landmarks of the City of Houston. With an original score by composer Bill Ryan played live by nationally recognized musicians, the evening length live performance will explore Houston for two if its defining industries: sea and space. “DEEP: Seaspace” fuses history, landscape, dance, and music through the lens of two iconic Houston enterprises: The Houston Ship Channel and NASA. While Sea speaks to the pioneering spirit of the founding of Houston along the banks of Buffalo Bayou and the formation of the Houston Ship Channel, Space is inspired by Houston’s stronghold in space exploration and human achievement. Celebrating Houston's unique heritage and Texas’ pioneering spirit, “DEEP: Seaspace” investigates the core of human progress, the fundamental spirit of Houston, and the desire to understand the unknown to forge a better tomorrow. In “DEEP: Seaspace,” Stokes explores “launching” and “landing” through a unique blend of quirky and innovative choreographic styles that has become the trademark of her 20 years of work in contemporary dance. Stokes has received regional and national acclaim for her choreography including being name “Best Choreographer in Houston” in both 2014 and 2015 by the Houston Press. Nancy Wozny, of Texas Arts & Culture, wrote: “In Houston, it’s Karen Stokes who comes to mind as an artist tightly tied to Texas.