Understanding Community Media
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Unity in Diversity“…………………………
Univerzita Pardubice Fakulta filozofická Proměny tematického a žánrového spektra časopisu Nový Prostor Iva Skořepová Bakalářská práce 2009 1 2 3 Prohlašuji: Tuto práci jsem vypracovala samostatně. Veškeré literární prameny a informace, které jsem v práci vyuţil, jsou uvedeny v seznamu pouţité literatury. Byl jsem seznámen s tím, ţe se na moji práci vztahují práva a povinnosti vyplývající ze zákona č. 121/2000 Sb., autorský zákon, zejména se skutečností, ţe Univerzita Pardubice má právo na uzavření licenční smlouvy o uţití této práce jako školního díla podle § 60 odst. 1 autorského zákona, a s tím, ţe pokud dojde k uţití této práce mnou nebo bude poskytnuta licence o uţití jinému subjektu, je Univerzita Pardubice oprávněna ode mne poţadovat přiměřený příspěvek na úhradu nákladů, které na vytvoření díla vynaloţila, a to podle okolností aţ do jejich skutečné výše. Souhlasím s prezenčním zpřístupněním své práce v Univerzitní knihovně. V Pardubicích dne 30. 06. 2009 Iva Skořepová 4 SOUHRN Práce přináší základní poznatky o moderním fenoménu pouličních časopisů. Popisuje odlišné strategie prosazované při medializaci sociální problematiky a konkrétní příklady světových streetpaperů. Zaměřuje se na konceptuální vývoj časopisu Patron a Nový Prostor v letech 1999 -2008. Zvláštní důraz je kladen na proměny jejich tematického a ţánrového spektra. KLÍČOVÁ SLOVA streetpaper, časopis Patron, časopis Nový Prostor, sociální problémy, bezdomovci TITLE Thematic and genre changes of magazine Nový Prostor ABSTRACT The work tries to define rudimentary informations about progressive phenomenon street-sold magazines. Describes different policies promoting social issues and concretes some street papers. Focal point of this bachelor work is in particular description of thematics and genres changes of street paper Patron and Nový Prostor in 1999-2008. -
Global Street Papers and Homeless [Counter] Publics: Rethinking the Technologies of Community Publishing
Global Street Papers and Homeless [Counter] publics: Rethinking the Technologies of Community Publishing Erin Anderson, University of Pittsburgh This article argues that community publishing initiatives might extend the scope and impact of their work by critically examining the ways in which technology influences the production and circulation of their [counter]public discourse. Building upon the work of Paula Mathieu, the author analyzes the material and discursive complexities of the “street •••••••••••••• paper” movement as a site of community-based publishing, finding both limitations and potential in the survival-driven, print-based, and hyperlocal character of street paper media. Discussing an emerging digital platform for participatory blogging among homeless and low- income street paper vendors, the author suggests how a model of Web-based, multimodal, and interactive communication might work to •••••••••••••• extend the community literacy practices of the street paper movement. ver the past decade, the field of communication studies has demonstrated increasing interest in a previously neglected Omovement of independent newspapers and magazines called “street papers,” examining the role that these publications play in providing a platform for self-representation and rhetorical action by marginalized people. Sold on public street corners by homeless and low-income “vendors,” street papers exist to provide these individuals with not only a source of dignified, low-threshold employment, but also an independent voice that speaks to issues that affect their lives and the lives of people like them around the world. While there has been • 76 considerable disagreement as to how well individual projects fulfill this latter aim in practice, street papers in general have garnered substantial attention for their potential to contribute to “small acts of participation” (Novak and Harter 406), “communicative democracy” (Howley 274), and “counterpublic” discourse (Parlette 96) in the public sphere. -
Experiments in the Performance of Participation and Democracy
Respublika! Experiments in the performance of participation and democracy edited by Nico Carpentier 1 2 3 Publisher NeMe, Cyprus, 2019 www.neme.org © 2019 NeMe Design by Natalie Demetriou, ndLine. Printed in Cyprus by Lithografica ISBN 978-9963-9695-8-6 Copyright for all texts and images remains with original artists and authors Respublika! A Cypriot community media arts festival was realised with the kind support from: main funder other funders in collaboration with support Further support has been provided by: CUTradio, Hoi Polloi (Simon Bahceli), Home for Cooperation, IKME Sociopolitical Studies Institute, Join2Media, KEY-Innovation in Culture, Education and Youth, Materia (Sotia Nicolaou and Marina Polycarpou), MYCYradio, Old Nicosia Revealed, Studio 21 (Dervish Zeybek), Uppsala Stadsteater, Chystalleni Loizidou, Evi Tselika, Anastasia Demosthenous, Angeliki Gazi, Hack66, Limassol Hacker Space, and Lefkosia Hacker Space. Respublika! Experiments in the performance of participation and democracy edited by Nico Carpentier viii Contents Foreword xv An Introduction to Respublika! Experiments in the Performance of 3 Participation and Democracy Nico Carpentier Part I: Participations 14 Introduction to Participations 17 Nico Carpentier Community Media as Rhizome 19 Nico Carpentier The Art of Community Media Organisations 29 Nico Carpentier Shaking the Airwaves: Participatory Radio Practices 34 Helen Hahmann Life:Moving 42 Briony Campbell and the Life:Moving participants and project team Life:Moving - The Six Participants 47 Briony Campbell -
Möt Blicken En Studie Om Gatutidningen Alumas Arbete För Social Förändring Och En Ny Syn På Hemlöshet
Institutionen för kommunikation och medier Möt blicken En studie om gatutidningen Alumas arbete för social förändring och en ny syn på hemlöshet Av: Karin Wallby KANDIDATUPPSATS HT 2010 MKVK01-Strategisk kommunikation Handledare:Samman Tobiasfattning Linné Examinator: Bo Isenberg Sammanfattning Wallby, Karin (2010) Möt blicken – En studie av gatutidningen Alumas arbete för social förändring och en ny syn på hemlöshet. Författad vid Institutionen för kommunikation och medier, Lunds universitet, hösten 2010. Gatutidningen Aluma startades i Malmö 2001. Syftet var, likt hos redan existerande gatutidningar, att genom försäljning av tidningen ge hemlösa och socialt exkluderade personer möjlighet till sysselsättning och egen inkomst. Samtidigt avsåg innehållet i tidningen att skapa opinion i frågor kring hemlöshet. Idag har Aluma över hundra aktiva försäljare och tidningen säljs i mellan 12- och 15 000 exemplar varje månad. Denna studie har ämnat att, utifrån ett medie- och kommunikationsvetenskapligt perspektiv, utreda hur man på Aluma arbetar för att förändra synen på hemlöshet och att undersöka vilken roll försäljarna har i detta arbete. Ett samtidigt syfte har varit att belysa vilka sociala funktioner Aluma har för sina försäljare. Studien utvecklades utifrån teorier som problematiserar dagens mediala klimat och journalistikens egentliga roll i samhället, samt utifrån bland annat Jürgen Habermas syn på mediernas roll för opinionsbildning. Genom intervjuer med personal vid Aluma och med försäljarna själva målades en komplex bild av verksamheten upp. De möten mellan försäljaren och köpare som tidningsförsäljningen möjliggör har visat sig vara den kanske viktigaste funktionen, medan möjligheten till opinionsbildning kan anses vara begränsad just för att man agerar i egenskap av gatutidning. Aluma kan på flera sätt betraktas som ett viktigt inslag i försäljarens liv och för hans eller hennes syn på sin situation. -
The Right to City in Argentina: Building Capacity Through Hecho En Buenos Aires, a Street Newspaper Keira Philipp-Schnurer University of New Mexico
University of New Mexico UNM Digital Repository Architecture and Planning ETDs Electronic Theses and Dissertations Winter 11-15-2016 The Right to City in Argentina: Building Capacity through Hecho en Buenos Aires, a Street Newspaper Keira Philipp-Schnurer University of New Mexico Follow this and additional works at: https://digitalrepository.unm.edu/arch_etds Part of the Latin American Languages and Societies Commons, and the Urban, Community and Regional Planning Commons Recommended Citation Philipp-Schnurer, Keira. "The Right to City in Argentina: Building Capacity through Hecho en Buenos Aires, a Street Newspaper." (2016). https://digitalrepository.unm.edu/arch_etds/33 This Thesis is brought to you for free and open access by the Electronic Theses and Dissertations at UNM Digital Repository. It has been accepted for inclusion in Architecture and Planning ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. i Keira Philipp-Schnurer Candidate Community and Regional Planning, Latin American Studies Department This thesis is approved, and it is acceptable in quality and form for publication: Approved by the Thesis Committee: Claudia Isaac, Chairperson David Henkel Susan Tiano ii THE RIGHT TO THE CITY IN ARGENTINA: BUILDING CAPACITY THROUGH HECHO EN BUENOS AIRES, A STREET NEWSPAPER By Keira Philipp-Schnurer B.A., English and Spanish, Ohio Wesleyan University, 2008 THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Community and Regional Planning and Master of Arts in Latin American Studies The University of New Mexico Albuquerque, New Mexico December, 2016 iii DEDICATION To the people of Hecho en Buenos Aires and beyond who seek the 'possible-impossible,' a transformative utopian future. -
Global Street Papers and Homeless [Counter] Publics: Rethinking the Technologies of Community Publishing
© 2010, Erin Anderson. Global Street Papers and Homeless [Counter] publics: Rethinking the Technologies of Community Publishing Erin Anderson, University of Pittsburgh This article argues that community publishing initiatives might extend the scope and impact of their work by critically examining the ways in which technology influences the production and circulation of their [counter]public discourse. Building upon the work of Paula Mathieu, the author analyzes the material and discursive complexities of the “street •••••••••••••• paper” movement as a site of community-based publishing, finding both limitations and potential in the survival-driven, print-based, and hyperlocal character of street paper media. Discussing an emerging digital platform for participatory blogging among homeless and low- income street paper vendors, the author suggests how a model of Web-based, multimodal, and interactive communication might work to •••••••••••••• extend the community literacy practices of the street paper movement. ver the past decade, the field of communication studies has demonstrated increasing interest in a previously neglected Omovement of independent newspapers and magazines called “street papers,” examining the role that these publications play in providing a platform for self-representation and rhetorical action by marginalized people. Sold on public street corners by homeless and low-income “vendors,” street papers exist to provide these individuals with not only a source of dignified, low-threshold employment, but also an independent voice that speaks to issues that affect their lives and the lives of people like them around the world. While there has been • 76 considerable disagreement as to how well individual projects fulfill this latter aim in practice, street papers in general have garnered substantial attention for their potential to contribute to “small acts of participation” (Novak and Harter 406), “communicative democracy” (Howley 274), and “counterpublic” discourse (Parlette 96) in the public sphere.