Domingo 23 Junio, 2013 HORIZONTE
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Jazz Lines Publications Fall Catalog 2009
Jazz lines PubLications faLL CataLog 2009 Vocal and Instrumental Big Band and Small Group Arrangements from Original Manuscripts & Accurate Transcriptions Jazz Lines Publications PO Box 1236 Saratoga Springs NY 12866 USA www.ejazzlines.com [email protected] 518-587-1102 518-587-2325 (Fax) KEY: I=Instrumental; FV=Female Vocal; MV=Male Vocal; FVQ=Female Vocal Quartet; FVT= Femal Vocal Trio PERFORMER / TITLE CAT # DESCRIPTION STYLE PRICE FORMAT ARRANGER Here is the extended version of I've Got a Gal in Kalamazoo, made famous by the Glenn Miller Orchestra in the film Orchestra Wives. This chart differs significantly from the studio recorded version, and has a full chorus band intro, an interlude leading to the vocals, an extra band bridge into a vocal reprise, plus an added 24 bar band section to close. At five and a half minutes long, it's a (I'VE GOT A GAL IN) VOCAL / SWING - LL-2100 showstopper. The arrangement is scored for male vocalist plus a backing group of 5 - ideally girl, 3 tenors and baritone, and in the GLENN MILLER $ 65.00 MV/FVQ DIFF KALAMAZOO Saxes Alto 2 and Tenor 1 both double Clarinets. The Tenor solo is written on the 2nd Tenor part and also cross-cued on the male vocal part. The vocal whistling in the interlude is cued on the piano part, and we have written out the opening Trumpet solo in full. Trumpets 1-4: Eb6, Bb5, Bb5, Bb5; Trombones 1-4: Bb4, Ab4, Ab4, F4; Male Vocal: Db3 - Db4 (8 steps): Vocal key: Db to Gb. -
Sinatra & Basie & Amos & Andy
e-misférica 5.2: Race and its Others (December 2008) www.hemisferica.org “You Make Me Feel So Young”: Sinatra & Basie & Amos & Andy by Eric Lott | University of Virginia In 1965, Frank Sinatra turned 50. In a Las Vegas engagement early the next year at the Sands Hotel, he made much of this fact, turning the entire performance—captured in the classic recording Sinatra at the Sands (1966)—into a meditation on aging, artistry, and maturity, punctuated by such key songs as “You Make Me Feel So Young,” “The September of My Years,” and “It Was a Very Good Year” (Sinatra 1966). Not only have few commentators noticed this, they also haven’t noticed that Sinatra’s way of negotiating the reality of age depended on a series of masks—blackface mostly, but also street Italianness and other guises. Though the Count Basie band backed him on these dates, Sinatra deployed Amos ‘n’ Andy shtick (lots of it) to vivify his persona; mocking Sammy Davis Jr. even as he adopted the speech patterns and vocal mannerisms of blacking up, he maneuvered around the threat of decrepitude and remasculinized himself in recognizably Rat-Pack ways. Sinatra’s Italian accents depended on an imagined blackness both mocked and ghosted in the exemplary performances of Sinatra at the Sands. Sinatra sings superbly all across the record, rooting his performance in an aura of affection and intimacy from his very first words (“How did all these people get in my room?”). “Good evening, ladies and gentlemen, welcome to Jilly’s West,” he says, playing with a persona (habitué of the famous 52nd Street New York bar Jilly’s Saloon) that by 1965 had nearly run its course. -
Jörg Böckem Und Christoph Dallach Fotos: Heidi Nikolaisen
TEXT: JÖRG BÖCKEM UND CHRISTOPH DALLACH FOTOS: HEIDI NIKOLAISEN Melodie und Melancholie: Anne Lilia Berge Strand, Sondre Lerche, Erlend Øye und Eirik Glambek Bøe, Mikal Telle s ist noch nicht allzu lange her, war das Einzige, was den Leuten in 100 000 Alben verkaufen, gelten die da galt ein norwegischer Musi- London zu unserer Heimat einfiel.“ Norweger als Hoffnung der modernen Eker, der auf die verwegene Idee Seitdem hat sich ein Menge geändert. Popmusik. verfiel, bei einer englischen Platten- Talentscouts der Plattenfirmen pilgern Der Ursprung des ganzen Wirbels ist firma wegen eines Vertrags vorzuspre- seit vergangenem Jahr in Scharen in die kleine Hafenstadt Bergen, 60 Grad chen, automatisch als Witzfigur: die Heimat von a-ha und versuchen, 23 Minuten nördlicher Breite. So wie ãEgal, wo wir hinkamen, es war immer mit hoch dotierten Verträgen bewaff- in den letzten Jahrzehnten in Man- dasselbe“, erinnert sich Pål Waaktaar- net, auch einen Norweger für ihr chester, Seattle oder jüngst Paris ist Savoy, Gitarrist der norwegischen Pop- Unternehmen einzufangen. Seit junge hier eine Szene entstanden, deren Mu- Pioniere „a-ha“, an die Anfangstage norwegische Bands wie Röyksopp und sik das Potenzial hat, Norwegen nun seiner Karriere. „‚Ach, ihr seid aus Kings of Convenience mit ihren Alben zum Mittelpunkt der europäischen Norwegen? Wie lustig! Das ist doch nicht nur in Norwegen die Spitze der Popwelt zu erheben. das Land, das beim Grand Prix d’Eu- Charts erreichten, sondern auch Kri- Bergen ist mit 229 000 Einwohnern rovision null Punkte geholt hat!‘ Das tiker weltweit begeistern und rund die zweitgrößte Stadt Norwegens. Der Schlechtwetter- stimmung am Nordmeer: Party in einer ehemaligen Sardinenfabrik im Industriehafen Stadtkern, inmitten von Wohn- und sestadt schon von jeher zu den wohlha- treffen sie sich privat mit ihren Freun- Industriegebieten, sieht aus, als hätte bendsten Orten. -
Jazzweek20070416.Pdf
JazzWeek with airplay data powered by jazzweek.com • April 16, 2007 Volume 3, Number 21 • $7.95 Smooth Album No. 1: Peter White, Jazz No. 1: Pat Metheny Brad Mehldau, Playin’ Favorites (Columbia/Legacy) Quartet (Nonesuch) College Jazz No. 1: Pat Metheny Brad Smooth Single No. 1: Peter White, “Mis- Mehldau, Quartet (Nonesuch) ter Magic” (Columbia/Legacy) Jazz Album Chart . 3 College Jazz Chart . 4 Smooth Jazz Album Chart . 5 Smooth Singles Chart . 6 World Music Album Chart. 7 Jazz Add Dates. 8 Jazz Radio Currents . 9 Jazz Station Panel . 12 World Music No. 1: Rara Avis, Shaktified Smooth Jazz Current Tracks. 13 (Six Degrees) Smooth Jazz Station Panel. 14 Jazz Birthdays April 16 April 24 May 1 Bennie Green (sax) (1923) Aaron Bell (1922) Ira Sullivan (1931) Herbie Mann (1930) Johnny Griffin (1928) Shirley Horn (1934) April 17 Frank Strazzeri (1930) Carlos Ward (1940) Chris Barber (1930) Joe Henderson (1937) James Newton (1953) Sam Noto (1930) Collin Walcott (1945) May 2 Han Bennink (1942) Stafford James (1946) Bing Crosby (1904) Buster Williams (1942) April 25 Richard “Groove” Holmes (1931) Jan Hammer (1948) Earl Bostic (1913) May 3 April 18 Ella Fitzgerald (1918) Yank Lawson (1911) Leo Parker (1925) Willis Jackson (1932) John Lewis (1920) Hal Galper (1938) April 26 Jimmy Cleveland (1926) April 20 Jimmy Giuffre (1921) Jymie Merritt (1926) Tito Puente (1923) Teddy Edwards (1924) May 4 Ran Blake (1935) April 27 Maynard Ferguson (1928) Beaver Harris (1936) Freddie Watts (1943) Lars Gullin (1928) Joe Bonner (1948) April 28 Richard Williams (1931) -
Ùرانك سùšù†Ø§Øªø±Ø§ ألبوù… قائم Ø
ÙØ ±Ø§Ù†Ùƒ سيناترا ألبوم قائم Ø© (الألبومات & الجدول الزم ني) Robin and the 7 Hoods – Original Score https://ar.listvote.com/lists/music/albums/robin-and-the-7-hoods-%E2%80%93- From The Motion Picture Musical Comedy original-score-from-the-motion-picture-musical-comedy-7352898/songs https://ar.listvote.com/lists/music/albums/songs-for-swingin%27-lovers%21- Songs for Swingin' Lovers! 1041548/songs 12 Songs of Christmas https://ar.listvote.com/lists/music/albums/12-songs-of-christmas-4548728/songs L.A. Is My Lady https://ar.listvote.com/lists/music/albums/l.a.-is-my-lady-2897354/songs I Remember Tommy https://ar.listvote.com/lists/music/albums/i-remember-tommy-2897925/songs Nice 'n' Easy https://ar.listvote.com/lists/music/albums/nice-%27n%27-easy-2897970/songs Sinatra & Company https://ar.listvote.com/lists/music/albums/sinatra-%26-company-1747713/songs https://ar.listvote.com/lists/music/albums/trilogy%3A-past-present-future- Trilogy: Past Present Future 614317/songs https://ar.listvote.com/lists/music/albums/ol%27-blue-eyes-is-back- Ol' Blue Eyes Is Back 3881424/songs https://ar.listvote.com/lists/music/albums/a-swingin%27-affair%21- A Swingin' Affair! 1419881/songs The Sinatra Family Wish You a Merry https://ar.listvote.com/lists/music/albums/the-sinatra-family-wish-you-a-merry- Christmas christmas-2898718/songs Young at Heart https://ar.listvote.com/lists/music/albums/young-at-heart-8058542/songs Sings Days of Wine and Roses, Moon River https://ar.listvote.com/lists/music/albums/sings-days-of-wine-and-roses%2C- -
Curriculum Vitae
curriculum vitae Kjetil Traavik Møster musiker Skanselien 15 5031 Bergen mob. (+47) 90525892 e-post: [email protected] web: www.moester.no medlem av Gramart, Norsk Jazzforum f. 17/06/76 Bergen, Norge. UTDANNELSE: 2006-2012: Master i utøving jazz/improvisasjon, Norges Musikkhøgskole 1998-2002: Cand. mag. fra NTNU, Musikkonservatoriet i Trondheim, jazzlinja 3-års utøvende musikerutdanning (fordelt på 4 år) 1-års praktisk-pedagogisk utdanning (fordelt på to år) 1996-1997: Musikk grunnfag med etnomusikologi fordypning, NTNU, Universitetet i Trondheim 1995-1996: Sund Folkehøgskole, jazzlinga Annen utdannelse Examen artium, musikklinja, Langhaugen Skole 1995 ARBEID SOM MUSIKER: Har arbeidet som utøvende musiker siden år 2000, og er involvert i diverse prosjekter, bl.a. følgende: - Møster! (startet sommeren 2010) med Ståle Storløkken – orgel/keyboards, Nikolai Eilertsen – el.bass, Kenneth Kapstad – trommer. CD-utgivelse 2013, 2014, 2015 - Møster/Edwards/Knedal Andersen Friimprovisasjonstrio med John Edwards og Dag Erik Knedal Andersen, jevnlig turnéring fra høsten 2013 - Kjetil Møster med BIT20 Ensemble Skrev og fremførte et 30 minutters stykke for 16 stemmer pluss seg selv som solist for BIT20 Ensemble våren 2013 - Kjetil Møster Solo (Kongsberg Jazzfestival 2005, Soddjazz 2006, konserter i Norge 2004, 2005, 2006, 2010, 2011, Moldejazz 2011, turné i Skandinavia 2011, CD-utgivelse 2011) - The Heat Death Friimprovisasjonstrio med Martin Kuchen, Mats Äleklint, Ola Høyer og Dag Erik Knedal Andersen. Turnéring fra 2012, planlagt CD-utgivelse på portugisiske Clean Feed november 2015. - Kjetil Møster Sextet (startet sommeren 2006 i forbindelse med tildelingen av IJFO Jazz Talent Award. Inkluderer Anders Hana, gitar, Per Zanussi og Ingebrigt Håker Flaten, el. og kontrabass, Kjell Nordeson og Morten J. -
Nr Kat Artysta Tytuł Title Supplement Nośnik Liczba Nośników Data
nr kat artysta tytuł title nośnik liczba data supplement nośników premiery 9985841 '77 Nothing's Gonna Stop Us black LP+CD LP / Longplay 2 2015-10-30 9985848 '77 Nothing's Gonna Stop Us Ltd. Edition CD / Longplay 1 2015-10-30 88697636262 *NSYNC The Collection CD / Longplay 1 2010-02-01 88875025882 *NSYNC The Essential *NSYNC Essential Rebrand CD / Longplay 2 2014-11-11 88875143462 12 Cellisten der Hora Cero CD / Longplay 1 2016-06-10 88697919802 2CELLOSBerliner Phil 2CELLOS Three Language CD / Longplay 1 2011-07-04 88843087812 2CELLOS Celloverse Booklet Version CD / Longplay 1 2015-01-27 88875052342 2CELLOS Celloverse Deluxe Version CD / Longplay 2 2015-01-27 88725409442 2CELLOS In2ition CD / Longplay 1 2013-01-08 88883745419 2CELLOS Live at Arena Zagreb DVD-V / Video 1 2013-11-05 88985349122 2CELLOS Score CD / Longplay 1 2017-03-17 0506582 65daysofstatic Wild Light CD / Longplay 1 2013-09-13 0506588 65daysofstatic Wild Light Ltd. Edition CD / Longplay 1 2013-09-13 88985330932 9ELECTRIC The Damaged Ones CD Digipak CD / Longplay 1 2016-07-15 82876535732 A Flock Of Seagulls The Best Of CD / Longplay 1 2003-08-18 88883770552 A Great Big World Is There Anybody Out There? CD / Longplay 1 2014-01-28 88875138782 A Great Big World When the Morning Comes CD / Longplay 1 2015-11-13 82876535502 A Tribe Called Quest Midnight Marauders CD / Longplay 1 2003-08-18 82876535512 A Tribe Called Quest People's Instinctive Travels And CD / Longplay 1 2003-08-18 88875157852 A Tribe Called Quest People'sThe Paths Instinctive Of Rhythm Travels and the CD / Longplay 1 2015-11-20 82876535492 A Tribe Called Quest ThePaths Low of RhythmEnd Theory (25th Anniversary CD / Longplay 1 2003-08-18 88985377872 A Tribe Called Quest We got it from Here.. -
Youandmeagainsttheworld.Pdf (9.000Mb)
FORORD Denne oppgaven har sitt utspring i kjærlighet til en musikkgenre, og etter hvert kjærlighet til miljøet rundt akkurat denne genren. Det var sånn den ble til. En stor takk til alle i miljøet som har kommet med talløse oppmuntringer underveis i prosessen med oppgaven, og som har bidratt med informasjon og synspunkter, stort og smått. Og for at miljøet finnes, selv om det var ukjent for meg veldig lenge og jeg trodde jeg var omtrent den eneste i verden som likte denne type musikk. Uten at tre travle popstjerner hadde stilt velvillig opp, hadde oppgaven manglet et viktig aspekt og svært viktig innsikt fra musikkverdenen som ikke menigmann uten videre kan ta del i. Tusen takk til dem for at de tok seg tid til å prate med meg og for at de trodde på prosjektet mitt. Gjennom sin musikk og sine bidrag til oppgaven har de vært en viktig kilde til både inspirasjon og motivasjon. 2 KAPITTELOVERSIKT 1. Innledning med problemstilling side 4 2. Metode side 7 3. Musikkindustrien – og media side 11 3.1 Musikk på radio side 15 3.2 Musikk på tv side 16 4. Symbolsk kapital i forskjellige kulturelle felt side 17 4.1 Bourdieu – ulike former for kapital side 18 4.2 Sosiale og kulturelle felt side 19 4.3 Symbolsk makt side 21 4.4 Subkulturell kapital side 22 5. En kort historie om synth side 26 6. Subkultur – i et teoretisk perspektiv side 29 6.1 Synth som subkultur side 32 7. Bandpresentasjoner side 45 7.1 Apoptygma Berzerk – In This Together side 45 7.2 Combichrist – This Shit Will Fcuk You Up side 58 7.3 Gothminister – Happiness in Darkness side 68 8. -
Bergen Kommune Brosjyre.ENG.Indd
The City is Bergen History • Nature • Industry • Culture Street life • Services City of Water FACTS ABOUT BERGEN With a population of 240.000, Bergen is Norway’s second largest As the capital of Western city and the largest in the county of Hordaland. It is also the capital Norway, Bergen has devel- of Western Norway, which is the leading region for all signifi cant oped close ties with other municipalities in the region, Norwegian export industries. such as joint ownership of the Port Authorities of Bergen is a charming blend of tradition and innovation. Throughout Bergen, the regional waste history Bergen has built a strong reputation as a centre for trade and management company BIR shipping. This is due to its strategic location on the coast. Proximity and the regionally owned power company BKK. to the sea has continued to provide benefi ts for the maritime and marine industries and for tourism. The Bergen region has the most complete maritime environment and is also an international centre of infl uence for fi sheries, aquaculture and seafood. Western Norway produces 80% of Norway’s exports of crude oil, and the Bergen region is home to a leading expertise within oil and gas on a global scale. Bergen has a considerable shipping fl eet, and the city is dominant in the global market of transporting chemicals and other goods. The Bergen region is also home to strong and growing industries within information and communication technology (ICT), media, the arts and education. The municipality supports several network organisations, such as Maritime Bergen, Fiskeriforum Vest, Bergen Tourist Board, Hordaland Oil and Gas, Education in Bergen and Bergen Media City. -
Kurt Elling February 2011 Kurt Elling Is Among the World's Foremost Jazz
Kurt Elling February 2011 Kurt Elling is among the world’s foremost jazz vocalists. He has been named “Male Singer of the Year” by the Jazz Journalists Association on half a dozen occasions in the past ten years, and during the same interval has been the perennial winner of the DownBeat Critics Poll. He is also a Grammy winner, and every record he has made has been Grammy nominated. Elling’s rich baritone spans four octaves and features both astonishing technical mastery and emotional depth. His command of rhythm, texture, phrasing, and dynamics is more like a virtuoso jazz instrumentalist than a vocalist. His repertoire includes original compositions and modern interpretations of standards, all of which are springboards for inspired improvisation, scatting, spoken word, and poetry. Declared The New York Times, “Elling is the standout male vocalist of our time.” Said The Washington Post, “Since the mid-1990s, no singer in jazz has been as daring, dynamic or interesting as Kurt Elling. With his soaring vocal flights, his edgy lyrics and sense of being on a musical mission, he has come to embody the creative spirit in jazz.” He has been featured in profiles for CBS Sunday Morning, CNN, on Ramsey Lewis’s Legends of Jazz, and in hundreds of publications. Elling has recorded and/or performed with an array of artists, including Terence Blanchard, Dave Brubeck, Jon Hendricks, Charlie Hunter, Al Jarreau, Christian McBride, and Kurt Rosenwinkel. He served as the Artist-in-Residence for the Singapore Music and Monterey Jazz Festivals. He has also written multi-disciplinary works for The Steppenwolf Theatre and the City of Chicago. -
Late Night Jazz Reprise – Eine Liebesgeschichte in 30 Songs
Late Night Jazz Reprise – Eine Liebesgeschichte in 30 Songs Samstag, 29. September 2018 22.05 – 24.00 (Erstsendung: 11.02.2017) SRF 2 Kultur Bald ist Valentinstag, der Tag der Liebenden (und der Blumenhändlerinnen). Wir erzählen in „Late Night Jazz“ eine Liebesgeschichte von zarten Anfängen bis zum bitteren Ende. Eine Geschichte in 30 Songs aus dem Great American Songbook und darüber hinaus, von „For Every Man There’s A Woman“, was natürlich auch umgekehrt gilt, bis zu „Que reste-t-il de nos amours“, dem melancholischen Blick zurück auf die gemeinsame Geschichte, die so hoffnungsvoll begonnen hatte. Zwei Stunden für glücklich und unglücklich Liebende… Redaktion: Beat Blaser Moderation: Annina Salis André Previn – Alone: Ballads for Solo Piano (2007) Label: Emarcy Track 05: What Is This Thing Called Love? Sarah Vaughan - It's A Man's World (1967) Label: Verve Music Track 05: For Every Man There's A Woman Ella Fitzgerald - Ella Swings Brightly with Nelson (1961) Label: Verve Track 14: Somebody Loves Me Nicole Herzog/Stewy von Wattenwyl Group - I Loves You Billie (2016) Label: Brambus Track 02: Lover Man Chet Baker - Young Chet (1954) Label: Pacific Track 02: But Not for Me Renee Olstead - Skylark (2008) Label: Reprise Track 05: When I Fall in Love Tony Bennett/Bill Evans - The Tony Bennett/Bill Evans Album (1975) Label: Fantasy Track 06: My Foolish Heart Shirley Horn - Close Enough for Love (1989) Label: Verve Track 01: Beautiful Friendship Clifford Brown with Strings (1955) Label: West Wind Track 11: Blue Moon Tony Bennett - The Art of Romance (2004) Label: Columbia Track 01: Close Enough for Love Johnny Hartman - The Voice That Is! (1964) Label: Impulse! Track 01: The More I See You Jamie Cullum - Twenty Something (2003) Label: Universal Track 08: I Get A Kick Out of You Frank Sinatra - Sinatra At the Sands with Count Basie (1966) Label: Reprise Track 02: I've Got A Crush on You Sammy Davis Jr. -
Schooltime 07/08 Study Guide
SchoolTime 07/08 Photo by Henry Roxas Study Guide JazzReach—Subway Sounds Tuesday, February 5, 2008 at 11:00 a.m. Zellerbach Hall About Cal Performances and SchoolTime The mission of Cal Performances is to inspire, nurture and sustain a lifelong appreciation for the performing arts. Cal Performances, the performing arts presenter of the University of California, Berkeley, fulfi lls this mission by presenting, producing and commissioning outstanding artists, both renowned and emerging, to serve the University and the broader public through performances and education and community programs. In 2005/06 Cal Performances celebrated 100 years on the UC Berkeley Campus. Our SchoolTime program cultivates an early appreciation for and understanding of the performing arts amongst our youngest audiences, with hour-long, daytime performances by the same world-class artists who perform as part of the main season. Teachers have come to rely on SchoolTime as an integral and important part of the academic year. Cal Performances Education and Community Programs Sponsors Cal Performances’ Education and Community Programs are supported by American Express Company Foundation, California Arts Council, California Mortage & Realty, Design Community & Environment, Evelyn & Walter Haas, Jr. Fund, Orton Development Inc., Sharon & Barclay Simpson, Pacifi c National Bank, The Wallace Foundation, Bernard E. & Alba Witkin Charitable Trust, and The Zellerbach Family Foundation. SchoolTime JazzReach— Subway Sounds | I Welcome January 10, 2008 Dear Educators and Students, Welcome to Cal Performance’s SchoolTime! On Tuesday, February 5, at 11:00 a.m. your class will attend the SchoolTime performance of JazzReach’s Subway Songs at Zellerbach Hall on the UC Berkeley campus.