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Birth and Evolution of Korean Reality Show Formats
Georgia State University ScholarWorks @ Georgia State University Film, Media & Theatre Dissertations School of Film, Media & Theatre Spring 5-6-2019 Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats Soo keung Jung [email protected] Follow this and additional works at: https://scholarworks.gsu.edu/fmt_dissertations Recommended Citation Jung, Soo keung, "Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats." Dissertation, Georgia State University, 2019. https://scholarworks.gsu.edu/fmt_dissertations/7 This Dissertation is brought to you for free and open access by the School of Film, Media & Theatre at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Film, Media & Theatre Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. DYNAMICS OF A PERIPHERY TV INDUSTRY: BIRTH AND EVOLUTION OF KOREAN REALITY SHOW FORMATS by SOOKEUNG JUNG Under the Direction of Ethan Tussey and Sharon Shahaf, PhD ABSTRACT Television format, a tradable program package, has allowed Korean television the new opportunity to be recognized globally. The booming transnational production of Korean reality formats have transformed the production culture, aesthetics and structure of the local television. This study, using a historical and practical approach to the evolution of the Korean reality formats, examines the dynamic relations between producer, industry and text in the -
South Korea Report
Sustainable Governance Indicators SGI 2014 South Korea Report Thomas Kalinowski, Sang-young Rhyu, Aurel Croissant (Coordinator) SGI 2014 | 2 South Korea report Executive Summary The period under assessment covers the final two years of Lee Myung-bak’s Grand National Party (GNP) administration and the first two months of the Park Geun- hye’s newly elected administration under the same party – renamed the Saenuri Party. President Park was elected in December 2012 with 51.6% of the popular vote. It is almost impossible to evaluate the governance capacity of the new administration due to the long transition period between governments, which involved many institutional and personnel changes. Even in May 2013, for example, many positions in high level government offices remain vacant. Therefore this report largely focuses on the last two years of the Lee administration, which was characterized by an extraordinarily long lame-duck period in which few institutional changes occurred and few new policy initiatives were initiated. Despite having a majority in the newly elected National Assembly, Lee’s conservative GNP has gradually shifted support to its new party chairwoman Park over the last two years. In February 2012, the GNP renamed itself the Saenuri Party in an attempt to distance itself from the unpopular President Lee. The Lee administration also lacked popular support due to its perceived failure to revive the economy, increasing social inequality in Korea, huge corruption among the president’s closest aides, and revelations of extensive illegal wire tapping and political investigations. Civil activists also criticized the use of authoritarian measures to stifle political opposition, civil society and media. -
O Fenômeno K-Pop – Reflexões Iniciais Sob a Ótica Da Construção Do Ídolo E O Mercado Musical Pop Sul-Coreano1
Intercom – Sociedade Brasileira de Estudos Interdisciplinares da Comunicação 40º Congresso Brasileiro de Ciências da Comunicação – Curitiba - PR – 04 a 09/09/2017 O FENÔMENO K-POP – REFLEXÕES INICIAIS SOB A ÓTICA DA CONSTRUÇÃO DO ÍDOLO E O MERCADO MUSICAL POP SUL-COREANO1 Letícia Ayumi Yamasaki2 Rafael de Jesus Gomes3 Universidade do Estado de Mato Grosso (UNEMAT) Resumo: A finalidade deste artigo é discutir de que forma a indústria fonográfica começa a se reinventar a partir da abrangência da internet e da cultura participativa (JENKINS, 2008) e suas estratégias para sobreviver nesse mercado. Dessa forma, pretende-se analisar aqui o fenômeno K-Pop (Korean Popular Music) e suas técnicas para a construção do ídolo, licenciamento de produtos e seu respectivo sucesso no mercado global de música. A partir de uma reflexão inicial, discutiremos aqui como a indústria cultural está absorvendo esses elementos e construindo novos produtos. Como aporte metodológico, reuniu-se a pesquisa bibliográfica a partir dos conceitos sobre produtos culturais, economia afetiva além de pesquisa em sites focados no universo da cultura Pop Sul-Coreana. Palavras-chave: K-Pop, convergência, estratégias, indústria cultural 1. INTRODUÇÃO Um mercado que fatura bilhões de dólares por ano, altamente influenciado pelo uso de tecnologias durante o processo de produção, consumo e sua relação com a lógica do capital (BOLAÑO, 2010); (ARAGÃO, 2008); (BRITTOS, 1999); (DIAS, 2010). Este é o cenário da indústria fonográfica que, nos últimos 20 anos precisa lidar com o faturamento de suas produções e, ao mesmo tempo, precisa também se adaptar aos processos de compartilhamento via aplicativos, streamings e serviços on demand (JENKINS, 2008); (KELLNER, 2004). -
The Next Growth Strategy for Hallyu 79
Lee & Kim / The Next Growth Strategy for Hallyu 79 THE NEXT GROWTH STRATEGY FOR HALLYU A Comparative Analysis of Global Entertainment Firms Yeon W. Lee Seoul School of Integrated Science and Technology [email protected] Kyuchan Kim Korea Culture and Tourism Institute [email protected] Abstract Previous policy approaches on Hallyu have been focused on the role of government engagement, particularly in fostering diversity and equal business opportunities for small-and-medium enterprises (SMEs). However, a more strategic approach to the cultural industries should be implemented by carefully examining the role of the private sector, particularly the role of large enterprises (LEs). his is important because LEs have an overarching and fundamentally diferentiated role in increasing the size of industry through their expansive value-creating activities and diversiied business areas. his study focuses on the complementary roles of SMEs and LEs in facilitating the growth of Hallyu by bringing in the perspective of value chain diversiication and the modiied value chain framework for the ilm industry. By conducting a comparative analysis of the global entertainment irms in the US, China, and Japan, this study reveals how LEs in the global market enter and explore new industries within culture and continue to enhance their competitiveness. By forming a business ecosystem through linking their value-creating activities as the platform of network, this study looks into the synergistic role among enterprises of diferent size and scale and suggests that Korea’s policy for Hallyu should reorient toward a new growth strategy that encourages the integrative network of irms where the value activities of LEs serve as the platform for convergence. -
Special Article 2
Special Article 2 By KIM Yungduk Korea’s Pop Culture Policy & icy, the South Korean government has announced additional opening Japanese Animation policy initiatives four times since the first opening action in 1998. Anime films for theater showings were allowed in June 2000 as The inflow and acceptance of Japanese the third step. The scope of anime films allowed was limited to culture in South Korea were under institu- those that won international movie awards, but anime has become tional control for a long time. The South totally available in any form since Jan. 1, 2006. Korean government kept a policy of prohibit- The South Korean government’s gradual opening was meant to ing the inflow of Japanese culture for over allow sufficient time for a complete lifting of the ban and political Author Kim Yungduk 60 years. The ban originated from “an judgment to mitigate any negative influence stemming from anti- unhappy history” between South Korea and Japan in the early part of Japan sentiment and forestall any adverse consequence to domestic the 20th century. Directly after liberation from Japanese colonial rule cultural industries. in 1945, Lee Seung Man, the first president of South Korea, prohibit- ed the inflow and acceptance of Japanese culture. At that time, the Acceptance of Japanese Animation: Track Record prohibition policy was based on “dominative anti-Japan sentiment” among most Korean people, but it did not have any distinct legal Broadcasting ground. According to 2007 import and export statistics on broadcast pro- The ban on Japanese culture remained effective even after South grams reported by the Korea Communications Commission (KCC), Korea and Japan normalized diplomatic relations in 1965. -
Fine Jewelry
Mucha Ltd. Company Name CEO Kim Jeong Ju (INNOBIZ,ISO-9001 Registered) Jewelry sales / Watch sales Number of Type of Business 50 Jewelry Manufacturing / Design / Export Employees • Hongkong parkview pick gallery LAMUCHA shop open • Arirang tv “the interview” show 2014 • Chose the best global luxry brand – Korea Institute of Design Promotion • Choose the best “Hi seoul” brand- seoul city • development contribution wedding industry receive a Gangnam-gu office citation • Hongkong EXHEEHEE company MOU contract 2013 • beautiful woman Selection contest judges • Mucha & Koreana ‘Timeless gold pact’ collaboration design. • PONYCANYON – export Mucha licence and Jewelry of KBS DRAMA ‘Love Rain’ 2012 • Grand opening the Shilla duty free shop • Organized the 3rd Asia Jewelry Award in 2011 • Registered as a government supported company organized by the ATC and Global Technology Research Project 2011 • Started TV Home-shopping, online and local businesses in Japan and China • Kim Jeong Ju Jewelry Designer Korean Wave documentary broadcast worldwide on Arirang TV • Organized the 2nd Korean Hanguel-Designed Jewelry Award Show • Designed the tiara for Miss Seoul 2010 • Registered as a Venture Business INNO-BIZ and ISO 9001 • Organized 2010 Asian Model Festival Award • Winner of Presidential prize for Design of Korea • Winner of prize for Korean Good Design (Light of Oriental) • Selected for Venture Business 2009 • Started Kim Jeong Ju Design Laboratory (nationally recognized cert.) • Designed the tiara for 2009 Miss Korea • Designed the tiara for 2009 -
Canon Law of Eastern Churches
KB- KBZ Religious Legal Systems KBR-KBX Law of Christian Denominations KBR History of Canon Law KBS Canon Law of Eastern Churches Class here works on Eastern canon law in general, and further, on the law governing the Orthodox Eastern Church, the East Syrian Churches, and the pre- Chalcedonean Churches For canon law of Eastern Rite Churches in Communion with the Holy See of Rome, see KBT Bibliography Including international and national bibliography 3 General bibliography 7 Personal bibliography. Writers on canon law. Canonists (Collective or individual) Periodicals, see KB46-67 (Christian legal periodicals) For periodicals (Collective and general), see BX100 For periodicals of a particular church, see that church in BX, e.g. BX120, Armenian Church For periodicals of the local government of a church, see that church in KBS Annuals. Yearbooks, see BX100 Official gazettes, see the particular church in KBS Official acts. Documents For acts and documents of a particular church, see that church in KBS, e.g. KBS465, Russian Orthodox Church Collections. Compilations. Selections For sources before 1054 (Great Schism), see KBR195+ For sources from ca.1054 on, see KBS270-300 For canonical collections of early councils and synods, both ecumenical/general and provincial, see KBR205+ For document collections of episcopal councils/synods and diocesan councils and synods (Collected and individual), see the church in KBS 30.5 Indexes. Registers. Digests 31 General and comprehensive) Including councils and synods 42 Decisions of ecclesiastical tribunals and courts (Collective) Including related materials For decisions of ecclesiastical tribunals and courts of a particular church, see that church in KBS Encyclopedias. -
Download and Upload Speeds for Any Individual Device That Is Connected to the Network
UC Irvine UC Irvine Electronic Theses and Dissertations Title Acceleration and Information: Managing South Korean Online Gaming Culture Permalink https://escholarship.org/uc/item/2204k0wv Author Rea, Stephen Campbell Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, IRVINE Acceleration and Information: Managing South Korean Online Gaming Culture DISSERTATION submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in Anthropology by Stephen C. Rea Dissertation Committee: Associate Professor Keith M. Murphy, Chair Professor Tom Boellstorff Professor Bill Maurer 2015 © 2015 Stephen C. Rea TABLE OF CONTENTS Page ACKNOWLEDGEMENTS iii CURRICULUM VITAE v ABSTRACT OF THE DISSERTATION vi CHAPTER 1: Playing at the Speed of Life: Korean Online Gaming Culture and the 1 Aesthetic Representations of an Advanced Information Society CHAPTER 2: “Slow to Industrialize, but Let’s Lead in Informatization”: The Korea 31 Information Infrastructure, the IMF, and Online Games CHAPTER 3: Situating Korean Online Gaming Culture Offline 71 CHAPTER 4: Managing the Gap: The Temporal, Spatial, and Social Entailments of 112 Playing Online Games CHAPTER 5: Crafting Stars: e-Sports and the Professionalization of Korean Online 144 Gaming Culture CHAPTER 6: “From Heroes to Monsters”: “Addiction” and Managing Online Gaming 184 Culture CONCLUSION 235 BIBLIOGRAPHY 242 ii ACKNOWLEDGEMENTS This dissertation would not have been -
South Korea Freedomhouse.Org
https://freedomhouse.org/report/freedom-press/2015/south-korea#.VfGYegnwHBk.cleanprint South Korea freedomhouse.org Threats to press freedom in South Korea under President Park Geun-hye continued in 2014. At the center of the concerns was the increased reliance by the Park administration on the National Security Law, which had a chilling effect on working journalists. Legal Environment Freedom of the press is guaranteed by the constitution and generally respected in practice, though Article 7 of the National Security Law prescribes imprisonment for praising or expressing sympathy for North Korea. In December 2014, Shim Eun-mi, a Korean-American author and talk show host, faced multiple rounds of police questioning regarding allegations that she had made comments sympathetic toward North Korea during her speaking tours in South Korea. The National Security Law was also used as the main basis for a 2014 Constitutional Court ruling ordering the dissolution of the small opposition Unified Progressive Party, which was accused by the government of supporting North Korea. In 2012, Park Jung-geun, a photographer and blogger, was arrested on charges of violating the National Security Law. Park had reposted messages from the North Korean government’s Twitter account, an action which he argued was intended to lampoon the North Korean regime. Park’s 2012 guilty verdict was reversed on appeal in 2013. The selective enforcement of the National Security Law is a concern for working journalists. Defamation is a criminal offense, with sentences of up to seven years in prison, and charges are occasionally threatened or brought against reporters or commentators who criticize the government. -
Cj E&M (130960.Kq)
CJ E&M (130960.KQ) Top player in Korea’s media content market Company Report │ Sep 21, 2017 As Korea’s leading media content company, CJ E&M’s efforts to improve its content competitiveness over the past few years have finally begun to bear fruit. Also positive, we point out that the firm has a wide variety of anticipated content lined up for the peak season of 4Q. Meanwhile, thanks to Buy (initiate) the strong success of music group Wanna One, we expect CJ E&M’s music business to continue showing strong growth. Reflecting these positives, we TP W100,000 ( initiate ) predict that CJ E&M’s share price will rise going forward. CP (’17/09/19) W79,500 Sector Media Kospi/Kosdaq 2,416.05 / 674.48 Market cap (common) US$2,729.8mn Outstanding shares (common) 38.7mn Stands as Korea’s number-one media content platform 52W high (’17/01/20) W88,700 CJ E&M is Korea’s number-one content producer/platform operator. Positive low (’16/12/05) W53,800 Average trading value (60D) US$12.1mn results from its investment in content over the past few years are to start being Dividend yield (2017E) 0.25% reflected in the firm’s earnings from 2017, and should continue to boost its Foreign ownership 28.3% earnings figures in 2018. Major shareholders CJ Corp and 5 others 42.9% 1) Media content division: Operating throughout the industry value chain (via its Wellington Management Hong Kong Limited and one other 5.1% broadcasting platforms, drama production and writing arms), the media Share perf 3M 6M 12M content division boasts strong competitiveness. -
Domestic Hallyu: K-Pop Metatexts and the Media's Self-Reflexive Gesture
International Journal of Communication 11(2017), 2308–2331 1932–8036/20170005 Domestic Hallyu: K-Pop Metatexts and the Media’s Self-Reflexive Gesture MICHELLE CHO1 McGill University, Canada Television serves as a crucial medium for shaping the South Korean public’s response to the success of hallyu, or the Korean Wave, in news reports, variety shows, and celebrity interview programs. Further, in the last decade, several K-pop idols have been cast in serial narrative television shows that fictionalize hallyu creative industries. These metatextual shows domesticate transnational idol pop celebrities by contributing layers of televisual intimacy to their star personae and by seeming to expose the inner workings of the entertainment industries. This essay focuses on two notable examples, Dream High (2011, KBS2) and Answer Me 1997 (2012, tvN), to consider what this proliferation of popular narratives about media production and reception on South Korean television signifies. I argue that the intertextual presentation of K-pop on Korean television negotiates a complex relationship between popular culture and public culture in South Korea. The metatextual relay revealed in these shows—what I characterize as the media’s self-reflexive critical gesture—provides access to the ideological impasses of the attempt to produce intimate national publics through globalized contents. Keywords: metatextuality, television, K-drama, K-pop, hallyu, Korean Wave If the ideological function of mass culture is understood as a process whereby otherwise dangerous and protopolitical impulses are “managed” and defused, rechanneled and offered spurious objects, then some preliminary step must also be theorized in which these same impulses—the raw material upon which the process works—are initially awakened within the very text that seeks to still them. -
Korea Economic Institute Europen Lessons for Korean Unification
Academic2010 Paper Series 0n Korea Contents: Ploughshares into Swords: Economic Implications of South Korean Military Spending Global Financial Crisis and Systemic Risks in the Korean Banking Sector The Bank of Korea in Historical and Comparative Perspective South Korea’s National Identity Sensitivity: Evolution, Manifestations, Volume 3 Prospects Broadcasting Deregulation in South Korea Repositioning the Korea Brand to a Global Audience: Challenges, Pitfalls, and Current Strategy Academic Science Engagement with North Korea Maintaining a Rogue Regime: Kim Jong-Il and the North Korea Succession Process Trust Building through Institutions: Korea Economic Institute Europen Lessons for Korean Unification 22151KEIA_Cover-N2.indd 1 8/9/10 10:47 AM Table of Contents Preface .....................................................................................................vii South Korea: Economic Issues and Policies Ploughshares into Swords: Economic Implications of South Korean Military Spending John Feffer . .1 Global Financial Crisis and Systemic Risks in the Korean Banking Sector Myung-koo Kang . .23 The Bank of Korea in Historical and Comparative Perspective Thomas Cargill . 49 South Korea: Government and Society South Korea’s National Identity Sensitivity: Evolution, Manifestations, Prospects Gilbert Rozman . 67 Broadcasting Deregulation in South Korea Ki-sung Kwak . 81 Repositioning the Korea Brand to a Global Audience: Challenges, Pitfalls, and Current Strategy Keith Dinnie . 95 North Korea Academic Science Engagement with North Korea