Program Boisbuchet 2019 (EN)
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Officina a Lessi
4 Officina Alessi Catalogo Catalogue Katalog pag. Introduzione / Introduction 2 Carlo Alessi 5 Silvio Coppola 10 Richard Sapper 12 Tea&Coffee Piazza 50 Aldo Rossi 64 Staatliches Bauhaus 73 Eliel Saarinen 94 Philippe Starck 96 Riccardo Dalisi 103 Alessandro Mendini 110 Luigi Caccia Dominioni, Livio e Piergiacomo Castiglioni 118 Andrea Branzi 124 Christopher Dresser 128 Frank O. Gehry 137 Enzo Mari 140 Anonimo Pompeiano 146 Jasper Morrison 148 Mario Botta 150 Joseph Hoffmann 153 Ron Arad 156 Stefano Giovannoni 159 Tea&Coffee Towers 162 Nigel Coates 184 Doriana e Massimiliano Fuksas 186 Zaha Hadid 190 Jean Nouvel 194 Il caffè/tè Alessi 198 Peter Zumthor 210 SANAA 214 Tom Kovac 218 Wiel Arets 220 Piero Lissoni 222 Anna e Gian Franco Gasparini 224 Gruppo T 228 Mario Trimarchi 236 Andrea Morgante 240 Terence Conran 242 (Un)Forbidden City 244 Pierfrancesco Cravel 256 Sandro Chia 258 Odile Decq 260 Michele De Lucchi 262 Biografie / Biographies 265 Libri / Books 284 Bibliografia / Bibliography 286 Indice Analitico / Analytical Index 290 “OFFICINA ALESSI”, che è stato il nostro super-marchio negli anni “OFFICINA ALESSI”, which was our super-brand during the ‘80s, ‘80, rinasce nel 2006. Il suo scopo rimane il medesimo, affiancarsi is reborn in 2006. Its purpose remains the same: to stand alongside the alla produzione di tipo industriale dell’azienda con la missione di company’s industrial production while giving form to an aspect of Alessi’s dare un esito produttivo a un aspetto della attività della Alessi che activity which, before the creation of this brand, was destined to remain prima di questo marchio era destinato a rimanere solo sulla carta o on paper or in the prototype phase. -
Russian Museums Visit More Than 80 Million Visitors, 1/3 of Who Are Visitors Under 18
Moscow 4 There are more than 3000 museums (and about 72 000 museum workers) in Russian Moscow region 92 Federation, not including school and company museums. Every year Russian museums visit more than 80 million visitors, 1/3 of who are visitors under 18 There are about 650 individual and institutional members in ICOM Russia. During two last St. Petersburg 117 years ICOM Russia membership was rapidly increasing more than 20% (or about 100 new members) a year Northwestern region 160 You will find the information aboutICOM Russia members in this book. All members (individual and institutional) are divided in two big groups – Museums which are institutional members of ICOM or are represented by individual members and Organizations. All the museums in this book are distributed by regional principle. Organizations are structured in profile groups Central region 192 Volga river region 224 Many thanks to all the museums who offered their help and assistance in the making of this collection South of Russia 258 Special thanks to Urals 270 Museum creation and consulting Culture heritage security in Russia with 3M(tm)Novec(tm)1230 Siberia and Far East 284 © ICOM Russia, 2012 Organizations 322 © K. Novokhatko, A. Gnedovsky, N. Kazantseva, O. Guzewska – compiling, translation, editing, 2012 [email protected] www.icom.org.ru © Leo Tolstoy museum-estate “Yasnaya Polyana”, design, 2012 Moscow MOSCOW A. N. SCRiAbiN MEMORiAl Capital of Russia. Major political, economic, cultural, scientific, religious, financial, educational, and transportation center of Russia and the continent MUSEUM Highlights: First reference to Moscow dates from 1147 when Moscow was already a pretty big town. -
Postmodernism
Black POSTMODERNISM STYLE AND SUBVERSION, 1970–1990 TJ254-3-2011 IMUK VLX0270 Postmodernism W:247mmXH:287mm 175L 130 Stora Enso M/A Magenta(V) 130 Stora Enso M/A 175L IMUK VLX0270 Postmodernism W:247mmXH:287mm TJ254-3-2011 1 Black Black POSTMODERNISM STYLE AND SUBVERSION, 1970–1990 TJ254-3-2011 IMUK VLX0270 Postmodernism W:247mmXH:287mm 175L 130 Stora Enso M/A Magenta(V) 130 Stora Enso M/A 175L IMUK VLX0270 Postmodernism W:247mmXH:287mm TJ254-3-2011 Edited by Glenn Adamson and Jane Pavitt V&A Publishing TJ254-3-2011 IMUK VLX0270 Postmodernism W:247mmXH:287mm 175L 130 Stora Enso M/A Magenta(V) 130 Stora Enso M/A 175L IMUK VLX0270 Postmodernism W:247mmXH:287mm TJ254-3-2011 2 3 Black Black Exhibition supporters Published to accompany the exhibition Postmodernism: Style and Subversion, 1970 –1990 Founded in 1976, the Friends of the V&A encourage, foster, at the Victoria and Albert Museum, London assist and promote the charitable work and activities of 24 September 2011 – 15 January 2012 the Victoria and Albert Museum. Our constantly growing membership now numbers 27,000, and we are delighted that the success of the Friends has enabled us to support First published by V&A Publishing, 2011 Postmodernism: Style and Subversion, 1970–1990. Victoria and Albert Museum South Kensington Lady Vaizey of Greenwich CBE London SW7 2RL Chairman of the Friends of the V&A www.vandabooks.com Distributed in North America by Harry N. Abrams Inc., New York The exhibition is also supported by © The Board of Trustees of the Victoria and Albert Museum, 2011 The moral right of the authors has been asserted. -
Acknowledgments Благодарности
4 OPENING STATEMENT BY COSMOSCOW DIRECTOR ACKNOWLEDGMENTS ВСТУПИТЕЛЬНОЕ СЛОВО ДИРЕКТОРА COSMOSCOW БЛАГОДАРНОСТИ Welcome to the 6th Cosmoscow International Contemporary Art Fair. Добро пожаловать на 6-ю Международную ярмарку современного ис- Cosmoscow team members express their most heartfelt thanks to Команда Cosmoscow выражает сердечную благодарность следую- I am pleased to introduce you to our participants, the number of which кусства Cosmoscow. Я рада представить вам наших участников, число the following individuals and institutions: щим людям и организациям: has grown significantly, as compared to last year. Among them, you will которых существенно выросло по сравнению с прошлым годом. Среди find galleries you might remember from previous years, as well as new- них есть как прекрасно знакомые вам по предыдущим годам галереи, Art patrons whose generous support greatly contributed to numer- Патронам и меценатам, безвозмездная помощь которых во мно- comers that participate in Cosmoscow for the first time. We are equally так и новички, впервые участвующие в Cosmoscow. Мы одинаково рады ous initiatives of the Fair: His Excellency Mr. Fahad bin Mohammed Al гом способствовала реализации самых разных проектов ярмарки: happy to welcome both. On behalf of Cosmoscow team, I express sin- и тем и другим. От лица всей нашей команды я благодарю галеристов Attiyah, Anton Abugov, Marina Andreeva, Anton and Victoria Borisev- Его Превосходительство Фахад Мохамедович аль-Аттыйя, Антон Абугов, cere gratitude to the gallery owners and artists for their tremendous и художников за их колоссальный вклад в наше общее дело — в разви- ich, Anastasia Karneeva, Marina Kovaleva, Artyom Kuznetsov, Dmitry Марина Андреева, Антон и Виктория Борисевич, Екатерина Винокурова, contribution to our common cause — the development of the contem- тие рынка современного искусства. -
01 Cover JAN.Indd
B63C:B7;/B35C723B=5/G:=<2=< 4@33 7<A723¬ 6=E1:=A3B32 /@3G=C- 5/GA97E339A 8=7<7<5/5G; @C>3@B 3D3@3BB0/19B=A16==:E7B6 ABB@7<7/<¸A EEE=Cb;/51=C9 7AAC3B67@B33<& =C :=@3; bZ]`S[ WORDS BY LOREM DELOREM | PHOTOGRAPH BY MAET IPSUM =CbT`]\b PAGE 69 OUTREACH End of year messages from representatives HUDSON’S LETTER of diff erent gay faith on events taking place groups throughout the month – from a celebration of PAGE 72 laughter at the South CLOSET CASES Bank to the return of We assume that England’s fi nest miserablist, everyone comes out Morrissey. We give you these days, but what advice on joining a gym, of those still and catch up with Rupert determined to stay in Everett, one of our most the closet? The Christmas holidays talented and outspoken never last long enough, actors. PAGE 76 do they? Before you There seems to be big OUTNEWS know it, you’re waking up changes afoot in club land, Gay stories from home bleary-eyed on 1 January and our scene section and abroad contemplating the dreaded includes coverage of the return to work and grey, biggest launches from PAGE 78 wet January. the past few weeks, and PROPERTY Indulging in heavy retail provides last-minute New Living in Hackney and therapy in the sales may Year’s Eve advice. the latest shared- provide respite for some, We’re already working on ownership schemes while others may choose next year’s issues of Out In to plan their summer The City - a huge thanks PAGE 96 holidays. -
Catalog Vernissagetv Episodes & Artists 2005-2013
Catalog VernissageTV Episodes & Artists 2005-2013 Episodes http://vernissage.tv/blog/archive/ -- December 2013 30: Nicholas Hlobo: Intethe at Locust Projects Miami 26: Guilherme Torres: Mangue Groove at Design Miami 2013 / Interview 25: Gabriel Sierra: ggaabbrriieell ssiieerrrraa / Solo show at Galería Kurimanzutto, Mexico City 23: Jan De Vliegher: New Works at Mike Weiss Gallery, New York 20: Piston Head: Artists Engage the Automobile / Venus Over Manhattan in Miami Beach 19: VernissageTV’s Best Of 2013 (YouTube) 18: Héctor Zamora: Protogeometries, Essay on the Anexact / Galería Labor, Mexico City 17: VernissageTV’s Top Ten Videos of 2013 (on Blip, iTunes, VTV) 13: Thomas Zipp at SVIT Gallery, Prague 11: Tabor Robak: Next-Gen Open Beta at Team Gallery, New York 09: NADA Miami Beach 2013 Art Fair 07: Art Basel Miami Beach Public 2013 / Opening Night 06: Pérez Art Museum Miami (PAMM) Preview 05: Art Basel Miami Beach 2013 04: Design Miami 2013 03: Untitled Art Fair Miami Beach 2013 VIP Preview 02: Kris Kuksi: Revival. Solo exhibition at Joshua Liner Gallery, New York November 2013 29: LoVid: Roots No Shoots / Smack Mellon, New York 27: Riusuke Fukahori: The Painted Breath at Joshua Liner Gallery, New York 25: VTV Classics (r3): VernissageTV Drawing Project, Scope Miami (2006) 22: VTV Classics (r3): Bruce Nauman: Elusive Signs at MOCA North Miami (2006) 20: Cologne Fine Art 2013 20: Art Residency – The East of Culture / Another Dimension 15: Dana Schutz: God Paintings / Contemporary Fine Arts, CFA, Berlin 13: Anselm Reyle and Marianna Uutinen: Last Supper / Salon Dahlmann, Berlin 11: César at Luxembourg & Dayan, New York 08: Artists Anonymous: System of a Dawn / Berloni Gallery, London 06: Places. -
Performance Archive3raw
Monika Sobczak! !art & photography! [email protected]! www.mmonikasobczak.com! www.facebook.com/monikasobczak.photography! Chronology of documented performance art and theatre pieces Date Artist Nationality Performance - title Event Place 2014-08-02 Johannes Gallus Germany ohne titlel final presentation from participants of Culture Center, Rehlovice, CZ PAStudies #36 |"between the lines #7" 2014-08-02 Filomena Krause Germany sonate 1 final presentation from participants of Culture Center, Rehlovice, CZ PAStudies #36 |"between the lines #7" 2014-08-02 Sabrina Kricheldorf Germany rohe zimtschnecken final presentation from participants of Culture Center, Rehlovice, CZ PAStudies #36 |"between the lines #7" 2014-08-02 Lisa Tostmann Germany punkt final presentation from participants of Culture Center, Rehlovice, CZ PAStudies #36 |"between the lines #7" 2014-08-02 Evelyn Gläser Germany just see final presentation from participants of Culture Center, Rehlovice, CZ PAStudies #36 |"between the lines #7" 2014-08-02 Stefanie Böhnsch Germany connection 2014 final presentation from participants of Culture Center, Rehlovice, CZ PAStudies #36 |"between the lines #7" 2014-08-02 Christoph Kugler Germany mya futura 2000 final presentation from participants of Culture Center, Rehlovice, CZ PAStudies #36 |"between the lines #7" 2014-08-02 Annelie Möller Germany if it rained soup, i’d final presentation from participants of Culture Center, Rehlovice, CZ be the only one with PAStudies #36 |"between the lines #7" a fork 2014-08-02 Alexandra Zettl Germany what -
Bespoke and Limited Edition Pieces Are All the Rage
Design round-up: bespoke and limited edition pieces are all the rage The unique works and objects of desire that are making waves in Brussels and soon at Tefaf By Emma Crichton-Miller February 27, 2020 Steel bottles by Lukasz Friedrich at Galerie Philia The Brussels-based Collectible fair, dedicated to bespoke and limited edition contemporary design, has become a firm fixture in the calendar. Founded in 2018 and based in the city’s vast 1930s Vanderborght building, it opens its third edition just before Tefaf, hoping to catch collectors on their way to Maastricht. Emma Crichton-Miller, “Design round-up: bespoke and limited edition pieces are all the rage,” Financial Times, February 27, 2020. Founders Clélie Debehault and Liv Vaisberg, both originally collectors themselves, established Collectible to support young designers as well as galleries showing ambitious “functional art” from Belgium and beyond. “There is a whole world between art and design that is as exciting as art,” Vaisberg says. Debehault agrees: “We wanted to show collectors that they can collect design the same way they already collect art.” Unique pieces and very limited editions are a speciality here, and the fair is supported by all three major Belgian design museums — Design Museum Gent, CID Grand-Hornu and ADAM in Brussels. Brussels itself, which had no existing design fair but a profusion of collectors, was an ideal location. Ceramic sculpture by Merete Rasmussen at Puls Ceramics Emma Crichton-Miller, “Design round-up: bespoke and limited edition pieces are all the rage,” Financial Times, February 27, 2020. Although many of Collectible’s leading design galleries are based in London, Paris, New York or further afield, there is a strong concentration from Belgium: “We have Maniera, we have Victor Hunt and Valerie Traan in Antwerp,” Vaisberg says. -
The Life and Death of Marina Abramoviæ
THE LIFE AND DEATH OF MARINA ABRAMOVIÆ robert wilson, marina abramović, antony, willem dafoe INFO CREDITS performers productieteam / production team Marina Abramović, Ivan Civic, Amanda Sam Collins, productieleiding production Coogan, Willem Dafoe, Andrew Gilchrist, manager, Gemma Tonge, zakelijke leiding data / dates regie, toneelbeeld, lichtconcept / Antony, Elke Luyten, Christopher Nell, company manager, Jane Rosenbaum, toneel- do 21 (generale repetitie) direction, set design, lighting concept Kira O’Reilly, Antony Rizzi, Carlos Soto, meester van het gezelschap company stage vr 22, za 23, zo 24* juni 2012 Robert Wilson Svetlana Spajić. manager, Ros Chapelle adjunct toneelmees- Thu 21 (dress rehearsal) co-creatie / co-creation Svetlana Spajić Group (Minja Nikolić, ter deputy stage manager, Louise Martin Fri 22, Sat 23, Sun 24* June 2012 Marina Abramović Zorana Bantić, Dragana Tomić) adjunct toneelmeester deputy stage manager, locatie / venue muzikale leiding, componist, musici / musicians Sarah Coates, assistent toneelmeester Koninklijk Theater Carré liedteksten / musical director, composer Doug Wieselman, gitaar, klarinet, percussie assistant stage manager, Lynsey Peisinger, aanvang / starting time & lyricist guitar, clarinet, percussion souffleurprompt , Shanti Freed, supervisie 20.00 u, *15.00 u Antony Gael Rakotondrabe, piano, repetitor, kostuums costume supervisor, Jon Clarence, 8 pm, *3 pm componist / composer percussie piano, repetiteur, percussion geluidstechnicus sound operator, Amy duur / running time William Basinski Matmos, -
The Finnish School in St. Petersburg with the Support of UPM, Tikkurila and K-Rauta Are Representing Finland at the Festival
Генеральный финансовый партнер: Стратегический партнер: Финансовые партнеры: Партнеры фестиваля: Информационные партнеры: Author of the idea: Vladimir Gusev – Director of the Russian Museum Authors of the concept of exhibition-contest “CHILDREN: THE FLOWERS OF LIFE” Elena Evgrafova – Head of the sector of socio-cultural development of the gardens of the Russian Museum Stakeholders: Federal State Budgetary Institution of Culture «The State Russian Museum» The Foundation for the development of the State Russian Museum «Friends of the Russian Museum» Project coordinators: Elena Evgrafova – Head of the Sector of socio-cultural development of the gardens of the Russian Museum Daria Savosteenko – Head of the PR Department Olga Cherdantseva – Chief custodian of the Russian Museum gardens Marina Pokhvalinskaya – Head of the Department for work with sponsors of the Russian Museum, Director of the Foundation for the development of the State Russian Museum «Friends of the Russian Museum» Contents SHOW-GARDENS ................................................................................................................ 52 Greetings ............................................................................................................................ 7 ADMINISTRATION OF GARDEN AND PARK HOUSEHOLD, ST PETERSBURG COMMITTEE FOR CITY IMPROVEMENT .....................................................................................52 The concept of the festival .........................................................................................12 -
The Artists Fate Jacek Malczewski 1900-1901 Frieze Palace of Art, Kraków Photograph by Piotr Ko
The artists fate Jacek Malczewski 1900-1901 frieze Palace of Art, Kraków Photograph by Piotr Ko¿urno th INTERVIEWSFilling “the 20 Century & PROJECTS Black Hole” in Europeana Katie Ann Smith Gordon with the Partage Plus McKenna Maria Project. Sliwinska An Interview with Katie Ann Smith and Gordon McKenna by Maria Sliwinska Necklace Josef Hoffmann Executed by the Wiener Werkstätte, Vienna 1916 MAK - Austrian Museum of Applied Arts Contemporary Art, Vienna, Go 1833 Photo: © MAK/Katrin Wißkirchen Katie and Gordon, you are the coordinators of the Partage Plus project, which contributes to the development of Europeana. Why did you find the Art Nouveau theme worth exploring as a dedi- cated project? Art Nouveau was one of the most prominent European art styles of the late 19th and early 20th centuries. It is represented in almost every art form, in archives, libraries, museum collections, photo archives and architecture, which is one of the reasons why we chose this theme for the Partage Plus project. Art Nouveau is now even more popular than before, having recovered from a disinterest with the arrival of modernist styles. It can now be found everywhere in contemporary society in coffee shops, restaurants, adverts, and food packaging. To add to this, many drawings, paintings, objects and sculptures from the period are now considered masterpieces of craftsmanship and appreciated for their originality. It is also worth noting that Art Nouveau monuments are now recognised by UNESCO on their World Heritage List as significant contributions to cultural heritage. As a result, we knew that the theme would interest an immense range of audiences, from specialists to the general public, so we chose to explore Art Nouveau in the project. -
Catalogo Catalogue Katalog Pag
Catalogo Catalogue Katalog pag. Introduzione / Introduction 2 Carlo Alessi 5 Silvio Coppola 10 Peter Arnell 12 Richard Sapper 14 Tea&Coffee Piazza 52 Aldo Rossi 66 Robert Venturi 75 Staatliches Bauhaus 79 Eliel Saarinen 100 Sylvia Stave 102 Philippe Starck 104 Riccardo Dalisi 113 Twergi 120 Alessandro Mendini 124 Luigi Caccia Dominioni, Livio e Piergiacomo Castiglioni 130 Achille Castiglioni 136 Piero Bottoni 141 Andrea Branzi 144 Christopher Dresser 151 Frank O. Gehry 165 Enzo Mari 168 Anonimo Pompeiano 174 Jasper Morrison 176 Mario Botta 178 Norman Foster 181 Joseph Hoffmann 183 Ron Arad 188 Stefano Giovannoni 191 Tea&Coffee Towers 196 Nigel Coates 218 Doriana e Massimiliano Fuksas 221 Zaha Hadid 224 Jean Nouvel 228 Il caffè/tè Alessi 232 Patricia Urquiola 248 Peter Zumthor 250 SANAA 254 Tom Kovac 258 Wiel Arets 260 Piero Lissoni 264 EOOS 266 Biografie / Biographies 268 Libri / Books 284 Bibliografia / Bibliography 286 Indice Analitico / Analytical Index 290 “OFFICINA ALESSI”, che è stato il nostro super-marchio negli anni “OFFICINA ALESSI”, which was our super-brand during the ‘80s, is “OFFICINA ALESSI”, qui a été notre super-marque dans les années 80, “OFFICINA ALESSI” ist in den 80er Jahren unsere Supermarke gewesen und ‘80, rinasce nel 2006. Il suo scopo rimane il medesimo, affiancarsi alla reborn in 2006. Its purpose remains the same: to stand alongside the renaît en 2006, avec le même objectif : seconder la production de type industriel wurde 2006 zu neuem Leben erweckt. Ihre Ausrichtung ist jedoch geblieben: Ziel produzione di