Catalog Vernissagetv Episodes & Artists 2005-2013
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DANH VO Education Solo Exhibitions
DANH VO 1975 Born in Bà Rịa, Vietnam Lives and works in Berlin and Mexico City Education 2000–01 Royal Academy of Fine Arts, Copenhagen, Denmark 2002–04 Städelschule, Frankfurt, Germany Solo exhibitions 2020 Chicxulub, White Cube Bermondsey Danh Vo oV hnaD, The National Museum of Art, Osaka Danh Vo, Wising Art Palace Atelier, Taipei, Taiwan Danh Vo Presents, The Nivaagaard Collection, Denmark 2019 Danh Vo: The Mudam Collection and Pinault Collection in Dialogue, Mudam Luxembourg Danh Vo Untitled, South London Gallery Danh Vo: Cathedral Block, Prayer Stage, Gun Stock, Marian Goodman Gallery, London Kurimanzutto, Mexico City 2018 Noguchi for Danh Vo: Counterpoint, M+, Hong Kong CAPC Musée d'art contemporain de Bordeaux, France Take My Breath Away, Guggenheim Museum, New York; Statens Museum for Kunst, Copenhagen, Denmark Danh Vo: Garden with Pigeons in Flight, Casa Luis Barragán, Mexico City 2016 White Cube, Hong Kong Ng Teng Fong Roof Garden Gallery Commission, National Gallery Singapore We The People, Roof Deck Sculpture Garden, Aspen Museum of Art 2015 Homosapiens, Marian Goodman Gallery, London Danish Pavilion, 56th Venice Biennale, Venice, Italy Ydob eht ni mraw si ti, Museum Ludwig, Cologne, Germany Galerie Chantal Crousel, Paris, France Banish the Faceless: Reward your Grace, Palacio de Cristal, Museo Reina Sofia, Madrid, Spain 2.2.1861, Mirrored Gardens, Guangzhou, China 2014 Metal (with Xiu Xiu), The Kitchen, New York Nottingham Contemporary, Nottingham, United Kingdom We The People, Public Art Fund, City Hall Park & Brooklyn Bridge Park, New York Museo Jumex, Mexico City, Mexico ,الحجارة وادي 2013 Go Mo Ni Ma Da, Musée d’Art moderne de la Ville de Paris, Paris, France I M U U R 2, Solomon R. -
General Interest
GENERAL INTEREST GeneralInterest 4 FALL HIGHLIGHTS Art 60 ArtHistory 66 Art 72 Photography 88 Writings&GroupExhibitions 104 Architecture&Design 116 Journals&Annuals 124 MORE NEW BOOKS ON ART & CULTURE Art 130 Writings&GroupExhibitions 153 Photography 160 Architecture&Design 168 Catalogue Editor Thomas Evans Art Direction Stacy Wakefield Forte Image Production BacklistHighlights 170 Nicole Lee Index 175 Data Production Alexa Forosty Copy Writing Cameron Shaw Printing R.R. Donnelley Front cover image: Marcel Broodthaers,“Picture Alphabet,” used as material for the projection “ABC-ABC Image” (1974). Photo: Philippe De Gobert. From Marcel Broodthaers: Works and Collected Writings, published by Poligrafa. See page 62. Back cover image: Allan McCollum,“Visible Markers,” 1997–2002. Photo © Andrea Hopf. From Allan McCollum, published by JRP|Ringier. See page 84. Maurizio Cattelan and Pierpaolo Ferrari, “TP 35.” See Toilet Paper issue 2, page 127. GENERAL INTEREST THE MUSEUM OF MODERN ART,NEW YORK De Kooning: A Retrospective Edited and with text by John Elderfield. Text by Jim Coddington, Jennifer Field, Delphine Huisinga, Susan Lake. Published in conjunction with the first large-scale, multi-medium, posthumous retrospective of Willem de Kooning’s career, this publication offers an unparalleled opportunity to appreciate the development of the artist’s work as it unfolded over nearly seven decades, beginning with his early academic works, made in Holland before he moved to the United States in 1926, and concluding with his final, sparely abstract paintings of the late 1980s. The volume presents approximately 200 paintings, sculptures, drawings and prints, covering the full diversity of de Kooning’s art and placing his many masterpieces in the context of a complex and fascinating pictorial practice. -
Venice's Giardini Della Biennale and the Geopolitics of Architecture
FOLKLORIC MODERNISM: VENICE’S GIARDINI DELLA BIENNALE AND THE GEOPOLITICS OF ARCHITECTURE Joel Robinson This paper considers the national pavilions of the Venice Biennale, the largest and longest running exposition of contemporary art. It begins with an investigation of the post-fascist landscape of Venice’s Giardini della Biennale, whose built environment continued to evolve in the decades after 1945 with the construction of several new pavilions. With a view to exploring the architectural infrastructure of an event that has always billed itself as ‘international’, the paper asks how the mapping of national pavilions in this context might have changed to reflect the supposedly post-colonial and democratic aspirations of the West after the Second World War. Homing in on the nations that gained representation here in the 1950s and 60s, it looks at three of the more interesting architectural additions to the gardens: the pavilions for Israel, Canada and Brazil. These raise questions about how national pavilions are mobilised ideologically, and form/provide the basis for a broader exploration of the geopolitical superstructure of the Biennale as an institution. Keywords: pavilion, Venice Biennale, modernism, nationalism, geopolitics, postcolonialist. Joel Robinson, The Open University Joel Robinson is a Research Affiliate in the Department of Art History at the Open University and an Associate Lecturer for the Open University in the East of England. His main interests are modern and contemporary art, architecture and landscape studies. He is the author of Life in Ruins: Architectural Culture and the Question of Death in the Twentieth Century (2007), which stemmed from his doctoral work in art history at the University of Essex, and he is co-editor of a new anthology in art history titled Art and Visual Culture: A Reader (2012). -
Janet Cardiff & George Bures Miller
JANET CARDIFF & G. B. MILLER page 61 JANET CARDIFF & GEORGE BURES MILLER Live & work in Grindrod, Canada Janet Cardiff Born in 1957, Brussels, Canada George Bures Miller Born in 1960, Vegreville, Canada AWARDS 2021 Honorary degrees, NSCAD (Nova ScoOa College of Art & Design) University, Halifax, Canada 2011 Käthe Kollwitz Prize, Akademie der Künste, Berlin, Germany 2004 Kunstpreis der Stadt Jena 2003 Gershon Iskowitz Prize 2001 Benesse Prize, 49th Venice Biennale, Venice, Italy Biennale di Venezia Special Award, 49th Venice Biennale, Venice, Italy 2000 DAAD Grant & Residency, Berlin, Germany SELECTED INDIVIDUAL EXHIBITIONS 2019 Janet Cardiff & George Bures Miller, Museo de Arte Contemporaneo de Monterrey, Monterrey, Mexico 2018-2019 Janet Cardiff & Geroge Bures Miller: The Instrument of Troubled Dreams, Oude Kerk, Amsterdam, The Netherlands 2018 Janet Cardiff & George Bures Miller: The Poetry Machine and other works, Fraenkel Gallery, FRAENKELGALLERY.COM [email protected] JANET CARDIFF & G. B. MILLER page 62 San Francisco, CA FOREST… for a thousand years, UC Santa Cruz Arboretum and Botanic Garden, Santa Cruz, CA Janet Cardiff & George Bures Miller: Two Works, SCAD Art Museum, Savannah, GA 2017-18 Janet Cardiff & George Bures Miller, 21st Century Museum of Contemporary Art, Kanazawa, Japan 2017 Janet Cardiff: The Forty Part Motet, Switch House at Tate Modern, London, England; Nelson Atkins Museum of Art, Kansas City, MO; Mobile Museum of Art, Mobile, AL; Auckland Castle, Durham, England; TRAFO Center for Contemporary Art, Szczecin, Poland -
A Lower East Side Gallery Guide
A LOWER EAST SIDE GALLERY GUIDE In the last 15 years, the scene on New York’s Lower East Side has slowly flourished—lower rents and the 2007 arrival of the New Museum being major factors. Just this month marks the arrival of an expansive new space from Richard Taittinger Gallery (yes, he’s an heir to the champagne dynasty of the same name), which joins a spate of big-name galleries (Sperone Westwater, Lehmann Mapuin, Boesky East) and early 2000s pioneers (Nicelle Beauchene, Invisible Exports, Miguel Abreu, Canada, Rachel Uffner). For gallery director Risa Needleman of Invisible Exports, the arrival of the more established guard is a great thing, bringing even more diversity, not to mention footfall, to the LES—there’s room for everyone here. Below is a guide to things up this weekend, as there are a lot of not-to-be-missed shows closing soon. Consider taking a spin on Sunday: While the Chelsea galleries all close that day, the LES is in full swing. WHERE THE GALLERISTS AND ARTISTS EAT & DRINK: While Vanessa’s Dumpling House and Cup & Saucer on Canal are popular and comfortingly kitschy choices for daytime eats, below are a couple of the insider’s after-hours haunts. Grey Lady: Lobster Rolls, Seafood Stew and Dark N’ Stormy’s are popular favorites at this Nantucket-inspired bar and restaurant. Fig. 19: Appropriately tucked behind Envoy Enterprises on Chrystie Street, many a gallery after party is known to take place here. BOESKY EAST !20 Clinton St. | 212.680.9889 Robert Elfgen: There and After All (March 29th through April 26th) Gallerist Marianne Boesky made her first entry east just last Spring, giving her stable of established artists—Roxy Paine, Melissa Gordon, Barnaby Furnas—a space to connect with a downtown crowd. -
The Art of Anselm Reyle
001 009 019 027 Untitled, 2000 Untitled, 2000 Untitled, 2002 Untitled, 2001 Acrylic on canvas, 120 x 103 cm Acrylic on canvas, 120 x 103 cm Acrylic on canvas, 67 x 56 cm Acrylic on canvas, 135 x 114 cm Private collection Collection Marcel Brient, Paris Collection of the artist Mimi Dusselier, Belgium Courtesy Galerie Giti Nourbakhsch, Courtesy Galerie Giti Nourbakhsch, Courtesy Galerie Giti Nourbakhsch, Berlin Berlin Berlin Untitled, 2002 Found object, metal, 700 x 250 cm Untitled, 1999 Untitled, 1999 Courtesy Gagosian Gallery, New York Believe, 2002 Acrylic on canvas, 135 x 114 cm Acrylic on canvas, 135 x 114 cm Found object, neon tubes Collection of the artist DekaBank-Kunstsammlung des 320x410x11 cm 21. Jahrhunderts, Frankfurt on the Main Courtesy of the artist Courtesy Galerie Giti Nourbakhsch, 021 Berlin Exhibition view Trust, Galerie IIC Jennifer Ray, Paris, 2002 (solo show) Untitled, 1999 029/031 Acrylic on canvas, 88.5 x 79 cm From left to right: Exhibition view beyond, Pat and Juan vergez Collection, on Galerie Giti Nourbakhsch, Berlin, Buenos Aires Exhibition view Luftgitarren, Lamp, 2002 2001 (solo show) Courtesy Galerie Giti Nourbakhsch, Marienstraße 1a, Berlin, 2000 Found object, stroboscope light Berlin (solo show) 80x50 cm From left to right: Courtesy of the artist Daimler Art Collection, Stuttgart /Berlin Courtesy Galerie Giti Nourbakhsch, Hay Wagon, 2001 Berlin Found object (fragment), neon lacquer 004 200x140x160 cm Untitled, 2000 022 Trust, 2001 Boros Collection, Berlin Acrylic on canvas, 120 x 103 cm Exhibition view, -
ALF.TNC.LESFA.2021.Artist List
ARTIST WORKS CONTACT TITLE MEDIUM DIMENSIONS PRICE ARTIST STATMENT Adrian 1,2,3 [email protected] “BATTLE” BONDED 7.5” DIAMETER $1200.00 DiMetriou BRONZE “A MIDSUMMER BONDED 3.25” X1.5” $150.00 NIGHTS DREAM” BRONZE X0.5” “QUARNTINOPLIS” BONDED 4” DIAMETER X $150.00 BRONZE .05” Andrew 1 [email protected] Breaking Point Oil paint, price upon I define my style as subconscious abstract, painting without consideration of the end result. I do not Charcoal, request believe in mistakes or editing the way I have manipulated the surface. Using music as a rhythm and flow Hockenberry to my paintings, I make each piece balanced while experimenting with alternative applications and string,Canvas, materials. It’s as simple as paint on surface, surface being anything to hold paint, paint being anything to wood, make an impression on surface. Anna Pasztor 1,2,3 [email protected] “Hidden Blue” Acrylic on 8” x 8” price upon ARTIST STATEMENT of ANNA PASZTOR for the Exhibition Canvas and request “SURVIVING COVID” The year spent under the lockdown because of COVID was a very strange year for me. I belonged to the Wood lucky ones. The lockdown opened up new possibilities for me that were life saving and life changing. In April of 2020, I joined the Lab Ensemble of NowNetArts and participated in weekly presentations through the Internet until the end of June. The ensemble was originated by a sound research program, “For Synthesis” Acrylic on Wood 8” x 8” price upon and most of the members are musicians. request Our “demonstration presentations” were concerts with structured music improvisation. -
Russian Museums Visit More Than 80 Million Visitors, 1/3 of Who Are Visitors Under 18
Moscow 4 There are more than 3000 museums (and about 72 000 museum workers) in Russian Moscow region 92 Federation, not including school and company museums. Every year Russian museums visit more than 80 million visitors, 1/3 of who are visitors under 18 There are about 650 individual and institutional members in ICOM Russia. During two last St. Petersburg 117 years ICOM Russia membership was rapidly increasing more than 20% (or about 100 new members) a year Northwestern region 160 You will find the information aboutICOM Russia members in this book. All members (individual and institutional) are divided in two big groups – Museums which are institutional members of ICOM or are represented by individual members and Organizations. All the museums in this book are distributed by regional principle. Organizations are structured in profile groups Central region 192 Volga river region 224 Many thanks to all the museums who offered their help and assistance in the making of this collection South of Russia 258 Special thanks to Urals 270 Museum creation and consulting Culture heritage security in Russia with 3M(tm)Novec(tm)1230 Siberia and Far East 284 © ICOM Russia, 2012 Organizations 322 © K. Novokhatko, A. Gnedovsky, N. Kazantseva, O. Guzewska – compiling, translation, editing, 2012 [email protected] www.icom.org.ru © Leo Tolstoy museum-estate “Yasnaya Polyana”, design, 2012 Moscow MOSCOW A. N. SCRiAbiN MEMORiAl Capital of Russia. Major political, economic, cultural, scientific, religious, financial, educational, and transportation center of Russia and the continent MUSEUM Highlights: First reference to Moscow dates from 1147 when Moscow was already a pretty big town. -
Tomma Abts Francis Alÿs Mamma Andersson Karla Black Michaël
Tomma Abts 2015 Books Zwirner David Francis Alÿs Mamma Andersson Karla Black Michaël Borremans Carol Bove R. Crumb Raoul De Keyser Philip-Lorca diCorcia Stan Douglas Marlene Dumas Marcel Dzama Dan Flavin Suzan Frecon Isa Genzken Donald Judd On Kawara Toba Khedoori Jeff Koons Yayoi Kusama Kerry James Marshall Gordon Matta-Clark John McCracken Oscar Murillo Alice Neel Jockum Nordström Chris Ofili Palermo Raymond Pettibon Neo Rauch Ad Reinhardt Jason Rhoades Michael Riedel Bridget Riley Thomas Ruff Fred Sandback Jan Schoonhoven Richard Serra Yutaka Sone Al Taylor Diana Thater Wolfgang Tillmans Luc Tuymans James Welling Doug Wheeler Christopher Williams Jordan Wolfson Lisa Yuskavage David Zwirner Books Recent and Forthcoming Publications No Problem: Cologne/New York – Bridget Riley: The Stripe Paintings – Yayoi Kusama: I Who Have Arrived In Heaven Jeff Koons: Gazing Ball Ad Reinhardt Ad Reinhardt: How To Look: Art Comics Richard Serra: Early Work Richard Serra: Vertical and Horizontal Reversals Jason Rhoades: PeaRoeFoam John McCracken: Works from – Donald Judd Dan Flavin: Series and Progressions Fred Sandback: Decades On Kawara: Date Paintings in New York and Other Cities Alice Neel: Drawings and Watercolors – Who is sleeping on my pillow: Mamma Andersson and Jockum Nordström Kerry James Marshall: Look See Neo Rauch: At the Well Raymond Pettibon: Surfers – Raymond Pettibon: Here’s Your Irony Back, Political Works – Raymond Pettibon: To Wit Jordan Wolfson: California Jordan Wolfson: Ecce Homo / le Poseur Marlene -
Danh Vō Bà Rja, Vietnam, 1975 Lives and Works in Berlin, Germany
kurimanzutto danh vō Bà Rja, Vietnam, 1975 lives and works in Berlin, Germany education & residencies 2013 Villa Medici Artist Residency, Rome. 2009 Kadist Art Foundation Residency, Paris. 2006 Villa Aurora Artist Residency, Los Angeles. 2002–2004 Städelschule, Frankfurt. 2000–2001 Royal Academy of Fine Arts, Copenhagen. grants & awards 2015 Arken Art Prize, Denmark. 2012 Hugo Boss Prize awarded by the Solomon R. Guggenheim Foundation, United States. 2009 Nominee for the Nationalgalerie Prize for Young Art, Germany. 2007 BlauOrange Kunstpreis der Deutschen Volksbanken und Raiffeisenbanken, Germany. solo exhibitions 2020 Danh Vo. Wising Art Place Atelier, Taipei, Taiwan. Danh Vo oV hnaD. The National Museum of Art, Osaka, Japan. Danh Vo Presents. The Nivaagaard Collection, Denmark. Chicxulub. White Cube Bermondsey, London. 2019 The Mudam Collection and Pinault Collection in dialogue. Mudam, Luxemburg. Dahn Vo: Untitled. South London Gallery. kurimanzutto To Each his Due. Take Ninagawa, Tokyo. We The People. Media Gallery, New York. Danh Vo. kurimanzutto, Mexico. Danh Vo. Cathedral Block Prayer Stage Gun Stock. Marian Goodman, London. 2018 Garden with Pigeons at Flight. Estancia FEMSA – Casa Luis Barragán, Mexico City. Take My Breath Away. Guggenheim Museum, New York. Noguchi for Danh Vo: counterpoint. M+ Pavilion, West Kowloon, Hong Kong. Take My Breath Away, SMK, Copenhagen. Danh Vo. Musée d’art contemporain de Bordeaux, France. 2017 Ng Teng Fong Roof Garden Commission, National Gallery, Singapore. 2016 We the People. Aspen Art Museum, United States. Ng Teng Fong Roof Garden Commission: Danh Vo. National Gallery Singapore. Danh Vo. White Cube, Hong Kong. 2015 Destierra a los sin rostro / Premia tu gracia (Banish the Faceless / Reward your Grace). -
Shifting Perspectives in the Venice Biennale's Hungarian Exhibition
17 Looking Forwards or Back? Shifting Perspectives in the Venice Biennale’s Hungarian Exhibition: 1928 and 1948 KINGA BÓDI 268 Kinga Bódi Kinga Bódi, PhD, is curator at the Museum of Fine Arts, Budapest. As a doctoral fellow at the Swiss Institute for Art Research (SIK–ISEA) she investigated the cultural representation of Hungary at the Venice Biennale from its beginnings until 1948. In her present essay, Bódi jointly discusses the frst contemporary avant-garde Hungarian show in Venice in 1928 and the Biennale edition of 1948, which she interprets as a counterpoint of sorts to the one twenty years earlier, defned by conservative ideological principles and neo-Classicism. Her study examines the historical, social, cultural, political, artistic, professional, and personal background of these two specifc years of Hungarian participation in Venice. At the same time, her essay contributes to current international dialogues on the changing role of international exhibitions, curatorial activities, and (museum) collections. (BH) Looking Forwards or Back? Shifting Perspectives in the Venice Biennale’s Hungarian Exhibition: 1928 and 19481 From 1895 to 1948, it was self-evident that Hungary would take part in the Venice Biennale. During this period, the country too kept in step, more or less, with the artistic and conceptual changes that governed the Biennale, virtually the sole major international exhibition opportunity for Hungarian artists then and now. Tis is perhaps why, for the 124 years since the frst participation, the question of the Hungarian Pavilion has remained at the centre of domestic art-scene debates. Comparing nations has always been a facet of the Venice Biennale. -
Big Time Fun!
small town charm big time fun! www.haysUSA.net • 800.569.4505 HaysCVBVisitorGuideCover2.indd 1 12/3/12 12:40:54 PM Welcome to Hays We invite you to experience the many opportunities that our charming community has to offer. You’ll enjoy our small town friendliness whether you come to Hays for a family vacation, business trip, sporting event, shopping or just passing through. We are proud of our colorful history as a wild frontier town and we encourage you to explore our city so you can find out for yourself “Where history walked the streets.” Many of the interesting and historic places to visit are free or charge only a small admission fee. Be sure to visit our unique museums and tourist attractions to learn about our military past and Volga German heritage. Discover the scenic beauty and natural history of western Kansas with an outing to Frontier Park, the Hays F.E.E.T. trails and the Sternberg Museum of Natural History. The past comes alive everyday in Hays! Table of contents Agricultural attractions ...........4-5 Art galleries.............................6-9 Chestnut Street District .......10-11 Churches ..................................14 Community profile .....................3 Community services .................14 Downtown Hays ..................12-13 Events and festivals .................32 Fishing .....................................15 Frontier history ....................18-19 call for informaiton German Heritage .................20-21 Hunting ....................................15 1-800-569-4505 Lodging ....................................22