The Prints of Jacques Callot the Prints of Jacques Callot

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The Prints of Jacques Callot The Prints of Jacques Callot This fascinating exhibition of more than thirty including the Dutch master Rembrandt and the etchings and engravings by the ground- Italian etcher Stefano della Bella, among others. breaking French printmaker Jacques Callot (1592-1635) is drawn from The Museum’s Employed by the grand dukes of Tuscany permanent collection. in Florence and by the dukes of Lorraine in modern-day France, Callot produced popular During the early part of the seventeenth prints of nobles, beggars, religious themes, century, Callot elevated the art of etching contemporary theater, and war. The artist through his technical innovations that allowed approached his subjects with a penetrating, for subtle gradations of line, resulting in sometimes sympathetic, eye and produced effective, unprecedented spatial illusions. His more than 1400 prints during his lifetime — prints influenced generations of European artists a remarkable achievement. ABOVE: Jacques Callot, The Wheel (from the Grand Miseries of War series), 1633, etching, 1919.1085.1 FAR LEFT: Jacques Callot, Lady with a Large Ruff and Her Hair Worn Down (from the series The Nobility of Lorraine), c.1620 – 1623, etching, 1969.2.1 NEAR LEFT: Gallery installation at the Frick Art & Historical Center, Pittsburgh, Pennsylvania TESTIMONIALS: “Callot’s depiction of religious subjects, festivals, war and distinct social types – all featured in the exhibition – shaped the subject matter and appearance of prints throughout Europe in the early 17th century.” – Kurt Shaw, Pittsburgh Tribune CONTENTS: 36 framed etchings and engravings; extended object labels; introductory text panel; section panels SIZE: Approximately 175 linear feet EXHIBITION TOUR: Frick Art & Historical Center, Pittsburgh, Pa. For exhibition fee and availability, please see enclosed price sheet..

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Rembrandt Packet Aruni and Morgan.Indd
Rembrandt Harmenszoon Van Rijn Etchings Education Packet The Florida State University September 20- October 6 Museum of Fine Arts See website for updates of times, www.MOFA.fsu.edu hours and events. Table of Contents Rembrandt Harmenszoon van Rijn Biography ...................................................................................................................................................2 Rembrandt’s Styles and Influences ............................................................................................................ 3 Printmaking Process ................................................................................................................................4-5 Focus on Individual Prints: Landscape with Three Trees ...................................................................................................................6-7 Hundred Guilder .....................................................................................................................................8-9 Beggar’s Family at the Door ................................................................................................................10-11 Suggested Art Activities Three Trees: Landscape Drawings .......................................................................................................12-13 Beggar’s Family at the Door: Canned Food Drive ................................................................................14-15 Hundred Guilder: Money Talks ..............................................................................................16-18
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mm ; mm .... : ' ^: NATIONAL GALLERY OF ART ANNUAL REPORT 1975 Property of the National Gallery of Art Library of Congress Catalog Card Number 70-173826 All rights reserved. No part of this publication may be reproduced without the written permission of the National Gallery of Art, Washington, D C. 20565. Copyright © 1976, Board of Trustees, National Gallery of Art Inside cover photograph by Robert C. Lautman; photograph on page 91 by Helen Marcus; all other photographs by the photographic staff of the National Gallery of Art. Frontispiece: Bronze Galloping Horse, Han Dynasty, courtesy the People's Republic of China CONTENTS 6 ORGANIZATION 9 DIRECTOR'S REVIEW OF THE YEAR 20 DONORS AND ACQUISITIONS 47 LENDERS 50 NATIONAL PROGRAMS 50 Extension Program Development and Services 51 Art and Man 51 Loans of Works of Art 61 EDUCATIONAL SERVICES 61 Lectures, Tours, Texts, Films 64 Art Information Service 65 DEPARTMENTAL REPORTS 65 Curatorial Departments 66 Graphic Arts 67 Library 68 Photographic Archives 69 Conservation Treatment and Research 72 Editor's Office 72 Exhibitions and Loans 74 Registrar's Office 74 Installation and Design 75 Photographic Laboratory Services 76 STAFF ACTIVITIES 82 ADVANCED STUDY AND RESEARCH, AND SCHOLARLY PUBLICATIONS 86 MUSIC AT THE GALLERY 89 PUBLICATIONS SERVICE 90 BUILDING MAINTENANCE, SECURITY AND ATTENDANCE 92 APPROPRIATIONS 93 EAST BUILDING 94 ROSTER OF EMPLOYEES ORGANIZATION The 38th annual report of the National Gallery of Art reflects another year of continuing growth and change. Although formally established by Congress as a bureau of the Smithsonian Institution, the National Gallery is an autonomous and separately administered organization and is gov- erned by its own Board of Trustees.
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Jacques Callot at the Medici Court
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Press Release
PRESS RELEASE from THE FRICK COLLECTION 1 EAST 70TH STREET • NEW YORK • NEW YORK 10021 • TELEPHONE (212) 288-0700 • FAX (212) 628-4417 STUNNING DRAWINGS FROM WEIMAR MUSEUMS TO BE PRESENTED IN THE UNITED STATES FOR THE FIRST TIME Core of these Little-Known Collections Connected to Goethe June 1 through August 7, 2005 From Callot to Greuze: French Drawings from Weimar, an exhibition opening on June 1, 2005, at The Frick Collection presents to American audiences a selection of approximately seventy drawings from the Schlossmuseum and the Goethe-Nationalmuseum in Weimar, Germany, and offers a unique viewing opportunity as many of these works have never before been seen outside of the former Eastern bloc countries. (The two institutions—with their collections, gardens, and buildings— united in 2003 and are now known as Stiftung Weimarer Klassik und Kunstsammlungen.) The accompanying catalogue also marks the first François Boucher (1703–1770) time that many of these masterworks have been published. Sheets by A Triton Holding a Stoup in His Hands, date unknown Stumped black chalk, heightened with white chalk, on cream paper, 328 x 297 mm Jacques Callot, Charles Lebrun, Claude Lorrain, Jacques Bellange, Schlossmuseum–KK 9000 Simon Vouet, Jean-Antoine Watteau, François Boucher, Charles-Joseph Natoire, Jean-Baptiste Greuze, and Charles-Louis Clérisseau, among others, are included, promising to shed new light on the individual oeuvres of these artists as well as deepen our understanding of their practice as draftsmen within the context of other French masters. Comments Anne L. Poulet, Director of The Frick Collection, “this project presents the most complete assessment to date of Weimar’s French seventeenth- and eighteenth-century drawings, and we are pleased to offer most of our visitors—with both the exhibition and publication—their first viewing of this incredible collection.
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