International Conference ART AND POLITICS IN EUROPE IN THE MODERN PERIOD Faculty of Humanities and Social Sciences, University of Zagreb Zagreb, 29 June − 2 July 2016
WEDNESDAY, 29 JUNE 2016
D I (A) LIBRARY CONFERENCE HALL (B) A-126 (C) 9:30-10:30 REGISTRATION / COFFEE 10:30 CONFERENCE OPENING (D6) 11:00-12:00 KEYNOTE LECTURE Matthew Rampley, University of Birmingham, UK (D6) 12:00-13:45 LUNCH BREAK SESSION 1.A SESSION 1.B SESSION 1.C IMPACT OF ARISTOCRACY AND WORKS OF ART REPRESENTING (TRANS)NATIONAL STYLES AND STATE POLITICS ON ART AND IDEOLOGIES VISUAL IDENTITIES ARCHITECTURE Iconography and Politics I National Styles in Architecture Aristocracies and Governments Inspiring and Supporting Art Production 13:45-14:10 13:45-14:10 13:45-14:10 Zvonko Maković, University of Jasenka Gudelj, University of Ada Hajdu, National University of Zagreb, Croatia, Ideological Zagreb, Croatia, San Girolamo dei Arts, Bucharest, Romania, A Dimension of Equestrian Croati in Rome: Painting Politics National Byzantine. The Monuments and Politics of Painting Nationalisation of Byzantine Heritage in the Balkan Countries 14:10-14:35 14:10-14:35 14:10-14:35 Anna Penkała, Pedagogical Tanja Trška, University of Zagreb, Gábor György Papp, Hungarian University, Krakow, Poland, Croatia, Painted History and Academy of Sciences, Budapest, Nobles Women Patronage in XVIII Military Imagery in the Scuola di Hungary, Budapest: 1896. The Century Poland San Giorgio degli Architecture of the Millennial Schiavoni in Venice Exhibition and the Shaping of National Identity 14:35-15:00 14:35-15:00 14:35-15:00 Zsuzsa Sidó, Hungarian Academy Sanja Cvetnić, University of Tanja D. Conley, Massachusetts of Sciences, Budapest, Hungary, Zagreb, Croatia, The Frankapan College of Art and Design, Boston, Noblesse Oblige: an Aristocrat in Family and Political Iconography of United States of America, Genus, the Service of Modern Art. Count Early Modern and Modern Croatia Natio, Narratio: the Question of Tivadar Andrássy Fathers of National Architectures 15:00-15:25 15:00-15:25 15:00-15:25 Igor Borozan, University of Danko Šourek, University of Cosmin Minea, University of Belgrade, Serbia, Between the Zagreb, Croatia, Iconography of Birmingham, United Kingdom, Arts and Politics: Ritual Cradle the Sacred Stage: the Triumphal Political Ideologies and the National Donation and the Case of False Arch for the Canonical Coronation Architectural Style in Early 20th Pregnancy of Queen Draga of Our Lady of Trsat (1715) Century Romania Obrenovic 15:25-15:50 15:25-15:50 15:25-15:50 Gülsen Kaya Osmanbaşoğlu, Vlasta Zajec, Institute of Art Vendula Hnídková, Czech Academy Social Sciences University of History, Zagreb, Croatia, Political of Sciences, Prague, Czech Ankara, Turkey, Patronaging Art Messages behind the Marble Altar Republic, Intentions Hidden in Style in Turkey: Shifting from the of St. John of Nepomuk in Zagreb after the WWI Dominant State Ideology Cathedral 15:50-16:20 COFFEE BREAK SESSION 2.A SESSION 2.B SESSION 2.C IMPACT OF ARISTOCRACY AND ROLE OF POLITICS IN (TRANS)NATIONAL STYLES AND STATE POLITICS ON ART AND PROTECTION, PRESENTATION VISUAL IDENTITIES ARCHITECTURE AND USE OF ARTISTIC AND Art, Architecture and Yugoslavism Influence of Political Bodies on ARCHITECTURAL HERITAGE Architecture and Urban Planning Damnatio Memoriae 16:20-16:45 16:20-16:45 16:20-16:45 Anita Ruso, University of Zagreb, Hadrien Volle, University Paris 1 Sandi Bulimbašić, Ministry of Croatia, Ritual and Ceremonial Pantheon-Sorbonne, Paris, Culture of the Republic of Croatia, Architecture of Rebuilt Dubrovnik France, Using Architectural Split, Croatia, Medulić, the as a Result of the State's Policy Ornaments to "Erase" Monarchy: Association of Croatian Artists in the the Example of Saint-Germain’s Context of Central European Artistic Theater During the French and Political Aspirations: the Myth Revolution and the Nation 16:45-17:10 16:45-17:10 16:45-17:10 Dragan Damjanović, University of Marina Dmitrieva, Centre of Aleksandar Ignjatović, University of Zagreb, Croatia, Public History and Culture of East Belgrade, Serbia, Straddling the Architecture of Zagreb in the 19th Central Europe, Leipzig, Germany, National Divide: Yugoslavism, Century Alien Monuments. The Memory of Furore Orientalis and Ivan Previous Regimes in Post-socialist Meštrović's Vidovdan Temple (1906- Cities 1913) 17:10-17:35 17:10-17:35 17:10-17:35 Sanja Zadro, University of Zagreb, Vladimir Peter Goss, University of Dalibor Prančević, University of Croatia, Transformations of the Rijeka, Croatia, Josef Strzygowski Split, Croatia, Sculptor Ivan Rondo Square in Mostar in the and Yves Klein: Ressurectiones Meštrović and the First World War: First Half of the 20th Century: Memoriae Constructing the Network of Urban Planning and Architecture Relationships through the Artistic and Political Engagement 17:35-18:00 17:35-18:00 17:35-18:00 André Luís Costa, The Porto Ana Munk, University of Zagreb, Vinko Srhoj, University of Zadar, School of Architecture, Portugal, Croatia, Idolatry, Iconophilia and Croatia, Ivan Meštrović: Art and A Necessary Risk: Ideology and Iconoclasm: Europe Then and the Politics, Idealism and Practicality Symbolism in Oscar Niemeyer’s Middle East Now European Buildings
THURSDAY, 30 JUNE 2016
D I (A) LIBRARY CONFERENCE HALL (B) A-126 (C) 9:00-10:00 REGISTRATION / COFFEE 10:00-11:00 KEYNOTE LECTURE Christian Fuhrmeister, Zentralinstitut für Kunstgeschichte, Munich, Germany (D6) SESSION 3.A SESSION 3.B SESSION 3.C IMPACT OF ARISTOCRACY AND WORKS OF ART REPRESENTING (TRANS)NATIONAL STYLES AND STATE POLITICS ON ART AND IDEOLOGIES VISUAL IDENTITIES ARCHITECTURE Iconography and Politics II Constructing National Myths Sovereigns and State Authorities Influencing Architecture 11:00-11:25 11:00-11:25 11:00-11:25 Tijana Borić, University of Nis, Tiphaine Gaumy, Mazarine Lucie Rychnová, Charles University Serbia, Manifesto of Power and Library, Paris / University of Caen, in Prague, Czech Republic, Jan Hus Restored Statehood: the Town of France, The Iconography of Monuments in Bohemia – Building a Karageorge in Topola Popular Revolts in the Modern Hero for a Nation Europe (14th-18th Centuries): Images and Authorities 11:25-11:50 11:25-11:50 11:25-11:50 Aleksander Łupienko, Polish Aleksandra Kučeković, University Viktorija Antolković, Croatian Academy of Science, Warsaw, of Arts, Belgrade, Serbia, Art, Academy of Sciences and Arts, Poland, Meaning and Power in the Politics and Religious Identity − Zagreb, Croatia, Constructing Urban Centres of the 19th century Coats of Arms of the Pakrac- Croatian Middle Ages through Polish territories Slavonian Bishopric in the 18th History Painting Century 11:50-12:15 11:50-12:15 11:50-12:15 Michał Pszczółkowski, Academy Lovorka Magaš Bilandžić, Elisabeth Ansel, Technical of Fine Arts in Gdańsk, Poland, University of Zagreb, Croatia, University Dresden, Germany, Architecture as a Tool of Creating an Icon: the Role of Envisioning Independence – Transculturation in Polish Lands Photography in Shaping a Public Visualizing Ireland. Framing the during the Partitions Image of the Karadjordjevic Royal National in Irish Art at the Family Beginning of the 20th Century 12:15-12:40 12:15-12:40 12:15-12:40 Aleksandar Kadijević, University Ana Panić, Museum of Yugoslav Jerzy Gorzelik, University of Silesia of Belgrade, Serbia, Between Daily History, Belgrade, Serbia, Works in Katowice, Poland, The Myth of Politics and Civilization Nostalgia − of Art and Authority – a View Antemurale in the Art. Catholicism King Alexander I Karadjordjevic Offered by the Landscapes from and Nationalism in Poland between and Interwar Yugoslav the Collection of Josip Broz Tito the World Wars Architecture 12:40-13:05 12:40-13:05 12:40-13:05 Elvira Ibragimova, Independant Katarina Mohar, Slovenian Iva Prosoli, Zagreb City Museum, researcher, Russia, Political Academy of Sciences and Arts, Croatia, From Heimatkunst to Factors of the Development of Ljubljana, Slovenia, Art Zagreb School (Attempt of Creating Modernism in the Kingdom of Representing the State: Official National Identity through Yugoslavia Residences in Socialist Slovenia Photography) 13:05-15:00 LUNCH BREAK SESSION 4.A SESSION 4.B SESSION 4.C POLITICAL ENGAGEMENT OF POLITICAL AND SOCIAL ASPECTS ART IN MUSEUMS ARTISTS, ARCHITECTS, CRITICS, OF ART Strategies of Museum INTELLECTUALS Theoretical Approaches Communication Individual Positions 15:00-15:25 15:00-15:25 15:00-15:25 Angelina Milosavljević-Ault, Rebeka Vidrih, University of Rajka Bračun Sova, Independant Singidunum University, Belgrade, Ljubljana, Slovenia, About the researcher, Ljubljana, Slovenia, Serbia, An Artist In and Out of Alliance of Art and Politics Museum Interpretation in Slovenia System in Early Modern Florence. and Croatia: A Comparative Analysis Social Context and Struggle for of the National Gallery of Slovenia Establishment of Personal Position and the Strossmayer Gallery of Old of Young Giorgio Vasari as Masters Reflected in His Letters of 1534- 1536 15:25-15:50 15:25-15:50 15:25-15:50 Vladimir Simić, University of Nadežda Čačinovič, University of Eglė Juocevičiūtė, National Gallery Belgrade, Serbia, Zacharia Orfelin, Zagreb, Croatia, Cultural Transfer of Art of the Lithuanian Art Patriotic Enlightenment and the and Acceleration Spatial and Museum, Vilnius, Lithuania, Art Role of Artist-Intellectual in Temporal Structures of Modernity Museum Communication in Theresian Reforms in Habsburg Lithuania during the 1980s and Monarchy 1990s 15:50-16:15 15:50-16:15 15:50-16:15 Anatolii Rykov, St. Petersburg Karla Lebhaft, University of Zadar, Denis Detling / Museum of State University, Russia, Russian Croatia, Croatian Neo-Avant- Slavonia, Osijek, Croatia, Željka Modernism as Fascism. The case Gardes and the ‘Cultural Logic’ of Miklošević / University of Zagreb, of Nikolay Punin the Self-Managed Socialism Croatia, Changing the Social Politics of Art Museums 16:15-16:40 16:15-16:40 16:15-16:40 Tamara Bjažić Klarin, Institute of Jay Hetrick, American University Jasminka Babić, Museum of Fine Art History, Zagreb, Croatia, in Dubai, United Arab Emirates, Arts, Split, Croatia, Displaying Stjepan Planić – from Interwar Maurizio Lazzarato’s Politics of Socio-Critical and Political Art at a Activist to Postwar personae non Aesthetics Museum – Example of gratae Contemporary Art Collection Display at the Museum of Fine Arts in Split 16:40-17:00 COFFEE BREAK SESSION 5.A SESSION 5.B SESSION 5.C ART, ARCHITECTURE AND POLITICAL AND SOCIAL ASPECT ROLE OF POLITICS IN PROTECTION, EXHIBITION PRACTICES ELICITING OF ART PRESENTATION AND USE OF CHANGES Questioning the Canon ARTISTIC AND ARCHITECTURAL Resisting Ideologies and Cultural HERITAGE Amnesia State Policies and the Preservation of Heritage 17:00-17:25 17:00-17:25 17:00-17:25 Jennifer L. Shaw, Sonoma State Emilie Anne-Yvonne Luse, Duke Franko Ćorić, University of Zagreb, University, California, United University, Durham, United States Croatia, Protection and Restoration States of America, Surrealist of America, The Mistake of of Historic Monuments as a Cultural Resistance: Cahun and Moore on Modernism? Surveys of Policy of the Austro-Hungarian the Isle of Jersey Contemporary Art in 1930s France Monarchy 17:25-17:50 17:25-17:50 17:25-17:50 Francisco Requena Crespo, Nikki Petroni, University of Malta, Martina Ivanuš, Ministry of Culture Politechnic University of Valencia, Msida, Malta, Subverting the of the Republic of Croatia, Zagreb, Spain, Marek Leykam. Canon: Critical Rethinking of Croatia, Socio-political Perspective Architecture as a resistence Tradition in Peripheral Modern Art of Post war Reconstruction of Plitvice Lakes National Park 17:50-18:15 17:50-18:15 17:50-18:15 Aldona Tołysz, Nicolaus Ana Šeparović, Miroslav Krleža Santiago Pastor Vila, Independant Copernicus University Torun, Institute of Lexicography, Zagreb, researcher, Alcoy, Spain, Two Poland, Between Freedom and Croatia, Croatian Painting and Art Different Approaches for Urban Policy: Art Scene in the Early and Criticism in the Period of Socialist Renewal in East and West Berlin Middle Communist Period in Realism: Theory vs. Practice during the 1980’s Poland 18:15-18:40 18:15-18:40 Sandra Uskoković, University of Irina Cărăbaş, National University Dubrovnik, Croatia, of Arts in Bucharest, Romania, Reconstruction of "Unwanted" Modernism and Agency in Socialist Urban Memory Realist Art in Romania 20:00 CONFERENCE DINNER
FRIDAY, 1 JULY 2016
D I (A) LIBRARY CONFERENCE HALL (B) A-126 (C) 9:00-9:30 REGISTRATION / COFFEE SESSION 6.A SESSION 6.B SESSION 6.C ART, ARCHITECTURE AND POLITCAL AND SOCIAL ASPECTS OF ROLE OF POLITICS IN EXHIBITION PRACTICES ELICITING ART PROTECTION, PRESENTATION CHANGES Socially Engaged Art / Art as AND USE OF ARTISTIC AND Media of Individual and State Political Activism ARCHITECTURAL HERITAGE Representation Political Uses and Interpretation of Artworks 9:30-9:55 9:30-9:55 9:30-9:55 Frano Dulibić, University of Sebastian Mühl, Hochschule für Marjeta Ciglenečki, University of Zagreb, Croatia, Ideologies, Gestaltung Offenbach, Germany, Maribor, Slovenia, Painting as a Cartoons and Strip Cartoons during Utopia in Contemporary Art Diplomatic Gift and its Copy in a the Second World War in Croatia Practices Castle Gallery
9:55-10:20 9:55-10:20 9:55-10:20 Jasna Jovanov, Jasmina Jakšić Elisabetta Rattalino, University of Iva Pasini Tržec, Ljerka Dulibić, Subić, The Pavle Beljanski St Andrews, St Andrews, United Croatian Academy of Sciences Memorial Collection, Novi Sad, Kingdom, Agriculture as Political and Arts, Zagreb, Croatia, The Serbia, Art vs. Ideology − First Agent? Gianfranco Baruchello and Pre- and After- Lives of Display of the Pavle Beljanski Agricola Cornelia Spa (1973-1975). Transferred Museum Objects: On Collection the Exchange of Two Paintings from the Strossmayer Gallery in Zagreb for a Baptismal Font from the Venetian Museo Correr, 1942 10:20-10:45 10:20-10:45 10:20-10:45 Ana Bogdanović, University of Martina Bratić, Croatian Academy Jasminka Najcer Sabljak / Belgrade, Serbia, Representing of Sciences and Arts, Zagreb, Museum of Fine Arts, Osijek, Yugoslavia at the Venice Biennale Croatia, Should Engaged Art Re- Croatia, Silvija Lučevnjak / Našice in 1950 and 1952: a Case Study on engage? Some Perspectives of Yael Local History Museum, Croatia, the Relationship between the Bartana's Works State Authorities and the Heritage State and Exhibition Politics of Noble Families of Eastern Croatia 10:45-11:10 10:45-11:10 10:45-11:10 Asta Vrečko, University of Luís Ferro, University of Évora, Agata Wolska, Independent Ljubljana, Slovenia, Portugal, Vision of Power and researcher, Krakow, Poland, Internationalisation of the Art Transformation: Three Essay-Films Restitution as Art of Politics – the System in Slovenia (1945–1963) of Harun Farocki Altarpiece of Veit Stoss Case 11:10-11:30 COFFEE BREAK SESSION 7.A SESSION 7.B SESSION 7.C POLITICAL ENGAGEMENT OF WORKS OF ARCHITECTURE ART IN MUSEUMS ARTISTS, CRITICS, INTELLECTUALS REPRESENTING IDEOLOGIES Collecting and Displaying Policies
11:30 -11:55 11:30 -11:55 11:30 -11:55 Baiba Vanaga, Independant Davor Stipan, First Gymnasium in Nóra Veszprémi, University of researcher, Riga, Latvia, Education Split, Croatia, Case study: Birmingham, United Kingdom, A of Women Artists in Latvia in the Architecture in the Service of Politics Pantheon of National Art: the Late 19th Century and First on the Example of the "Croatian Picture Gallery of the Hungarian Women Sculptors House" in Split National Museum in the Nineteenth Century 11:55-12:20 11:55-12:20 11:55-12:20 Marcelo Mari, University of Daniel Zec, Museum of Fine Arts, Eva March, Isabel Valverde, Brasilia, Brazil, The Kathe Kollwitz Osijek, Croatia, Oscar Nemon's Pompeu Fabra University, Engravings between Communist "Temple of Universal Ethics" Project Barcelona, Spain, An Incarnation Artists and Intellectuals in Brazil of the Nation's Essence: the Case of Romanesque Mural Paintings at the National Museum of Art of Catalonia (Barcelona) 12:20-12:45 12:20-12:45 12:20-12:45 Alessandro Del Puppo, University Mirna Meštrović / Zagreb City Katja Mahnič, University of of Udine, Italy, Formalists and administration, Croatia, Ljubljana, Slovenia, Josip Marxists: Realism and Abstraction Goran Arčabić, Zagreb City Mantuani on the Role of Art in Cold War Italy Museum, Croatia, Cold War Scene Collection within the Modern on "non- (so) aligned" terrain: Museum Building the American Pavillon at Zagreb Fair in the mid-1950s 12:45-13:10 12:45-13:10 Maria de Fátima Morethy Couto, Martina Malešič, University of University of Campinas, Brazil, Ljubljana, Slovenia, Swedish Kinetics, Despite it All: South Modern Kitchen for Slovenian American Artists in Europe and the Homes – Appropriating the Modern Spectator Participation Swedish Kitchen in Slovenia in the Context of Cold War 13:10-15:00 LUNCH BREAK SESSION 8.A SESSION 8.B SESSION 8.C ART, ARCHITECTURE AND ROLE OF POLITICS IN PROTECTION, ART IN MUSEUMS EXHIBITION PRACTICES ELICITING PRESENTATION AND USE OF Politics and Museums CHANGES ARTISTIC AND ARCHITECTURAL Artist in Opposition HERITAGE State and Cultural Policy 15:00-15:25 15:00-15:25 15:00-15:25 Elizabeth Kajs, University of Snježana Pintarić, Museum of Marina Bregovac Pisk, Croatian Bristol, Bristol, United Kingdom, Contemporary Art, Zagreb, Croatia, History Museum, Zagreb, Croatia, The Origins of an Identity: Käthe Artists' Studios and Cultural Policy Collecting Paintings, Prints and Kollwitz’s Early Explorations of the Sculptures in a National Museum Public and Private from the 19th to the 21st Centuries 15:25-15:50 15:25-15:50 15:25-15:50 Orsolya Danyi, McDaniel College Alina Popescu, CEREFREA − Villa Markian Prokopovych, University Europe, Budapest, Hungary, A Noël in Bucarest, The Union of of Birmingham, United Kingdom, European among Hungarians. An Artists and the Etatization of Arts in The City, Its Art, and Its Publics: Interwar Battle between Modern Romania in the ’50s Cracow’s Art Collections in the and Conservative Art in Hungary Long Nineteenth Century and Their Public Reception 15:50-16:15 15:50-16:15 15:50-16:15 Marin Ivanović, Independant Maro Grbić, Independant Antonija Mlikota, University of researcher, Dubrovnik, Croatia, researcher, Zagreb, Croatia, Tito's Zadar, Croatia, The Case of Art of Ivo Dulčić and Politics in Diplomatic Instrument: Intimate vanished Museum in Zadar and Yugoslavia from 1959 to 1975 Sculptures need for Provenance research 16:15-16:45 FINAL DISCUSSION (DI)