Modern British and Irish Art Irish and British Modern

Home , Adrian Daintrey, Franta Belsky, Gertrude Hermes, Irish art, Jonah Jones (sculptor), Leon Underwood

Tuesday 10 July 2018 Tuesday MODERN BRITISH AND IRISH ART IRISH AND BRITISH MODERN

MODERN BRITISH AND IRISH ART | Knightsbridge, London | Tuesday 10 July 2018 24591

MODERN BRITISH AND IRISH ART Tuesday 10 July 2018 at 1pm Knightsbridge, London

BONHAMS BIDS ENQUIRIES IMPORTANT INFORMATION Montpelier Street +44 (0) 20 7447 7447 Janet Hardie The United States Government Knightsbridge +44 (0) 20 7447 7401 fax +44 (0) 20 7393 3949 has banned the import of ivory London SW7 1HH [email protected] [email protected] into the USA. Lots containing www.bonhams.com ivory are indicated by the symbol To bid via the internet Lucy Iliff Ф printed beside the lot number VIEWING please visit www.bonhams.com +44 (0) 20 7393 3909 in this catalogue. Sunday 8 July [email protected] 11am – 3pm Please note that bids should be REGISTRATION Monday 9 July submitted no later than 4pm PRESS ENQUIRIES IMPORTANT NOTICE 9am – 4.30pm on the day prior to the auction. [email protected] Please note that all customers, Tuesday 10 July New bidders must also provide irrespective of any previous 9am – 11am proof of identity when submitting CUSTOMER SERVICES activity with Bonhams, are bids. Failure to do this may result Monday to Friday required to complete the Bidder ILLUSTRATIONS in your bids not being processed. 8.30am – 6pm Registration Form in advance of Front Cover: Lot 197 +44 (0) 20 7447 7447 the sale. The form can be found at Back Cover: Lot 194 Bidding by telephone will only be the back of every catalogue and Inside Front Cover: Lot 72 accepted on a lot with the lower Please see page 2 for bidder on our website at www.bonhams. Inside Back Cover: Lots 33 and 51 estimate in excess of £500. information including after-sale com and should be returned by Frontispiece (Pg 3): Lot 53 collection and shipment email or post to the specialist Live online bidding is department or to the bids SALE NUMBER available for this sale Please see back of catalogue department at [email protected] 24591 Please email [email protected] for important notice to bidders with “Live bidding” in the subject To bid live online and / or leave CATALOGUE line 48 hours before the auction internet bids please go to £15 to register for this service. www.bonhams.com/auctions/24591 and click on the Register to bid link at the top left of the page.

Bonhams 1793 Limited Bonhams International Board Bonhams UK Ltd Directors Registered No. 4326560 Robert Brooks Co-Chairman, Colin Sheaf Chairman, Gordon McFarlan, Andrew McKenzie, Registered Office: Montpelier Galleries Malcolm Barber Co-Chairman, Harvey Cammell Deputy Chairman, Simon Mitchell, Jeff Muse, Mike Neill, Montpelier Street, London SW7 1HH Colin Sheaf Deputy Chairman, Antony Bennett, Matthew Bradbury, Charlie O’Brien, Giles Peppiatt, India Phillips, Matthew Girling CEO, Lucinda Bredin, Simon Cottle, Andrew Currie, Peter Rees, John Sandon, Tim Schofield, +44 (0) 20 7393 3900 Patrick Meade Group Vice Chairman, Jean Ghika, Charles Graham-Campbell, Veronique Scorer, Robert Smith, James Stratton, +44 (0) 20 7393 3905 fax Jon Baddeley, Rupert Banner, Geoffrey Davies, Matthew Haley, Richard Harvey, Robin Hereford, Ralph Taylor, Charlie Thomas, David Williams, Jonathan Fairhurst, Asaph Hyman, James Knight, David Johnson, Charles Lanning, Grant MacDougall Michael Wynell-Mayow, Suzannah Yip. Caroline Oliphant, Shahin Virani, Edward Wilkinson, Leslie Wright. Central

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West Acton Horn Lane BIDS COLLECTION StationSTORAGE AND HANDLING VAT +44 (0) 20 7447 7447 All other sold lots will remain in the CHARGES ON SOLD LOTS The following symbols are used +44 (0) 20 7447 7401 fax Collections room at Knightsbridge RETURNED TO THE to denote that VAT is due on the [email protected] For a period of not less than 14 DEPARTMENT hammer price and buyer’s premium. calendar days from the sale date To bid via the internet please visit Tuesday 10 July 2018. Lots not Storage † VAT 20% on hammer price www.bonhams.com collected by 5.30pm Monday 23 Storage will be free of charge for and buyer’s premium July 2018 will be returned to the the first 14 calendar days following PAYMENTS Department storage charges may the sale Tuesday 10 July 2018. * VAT on imported items at a Buyers apply. Charges will apply from 9am preferential rate of 5% on hammer +44 (0) 20 7447 7447 Tuesday 24 July 2018. price and the prevailing rate on +44 (0) 20 7447 7401 fax buyer’s premium Storage Charges Sellers Pictures & Small Objects: Y These lots are subject to CITES Payment of sale proceeds £2.85 per day + VAT regulations, please read the +44 (0) 20 7447 7447 Furniture, Large Pictures & information in the back of +44 (0) 20 7447 7401 fax Large Objects: the catalogue. £5.70 per day + VAT VALUATIONS, TAXATION (Please note that charges apply Payment in Advance & HERITAGE Every day including weekend & (Telephone to ascertain amount due) +44 (0) 20 7468 8340 public holidays) by: cash, cheque with banker’s card, +44 (0) 20 7468 5860 fax credit, or debit card. [email protected] Handling After the first 14 calendar days Payment at time of collection by: CATALOGUE SUBSCRIPTIONS following the sale, the following cash, cheque with banker’s card, To obtain any Bonhams catalogue handling charges apply: credit, or debit card. or to take out an annual £21.00+VAT per lot for Pictures & subscription: Small Objects Subscriptions Department £42.00 +VAT per lot for Furniture, +44 (0) 1666 502200 Large Pictures & Large Objects +44 (0) 1666 505107 fax [email protected] Loss and Damage Extended Liability cover for the SHIPPING value of the Hammer Price will For information and estimates be charged at 0.6% but will not on domestic and international exceed the total value of all other shipping as well as export licenses transfer and storage charges. please contact Alban Shipping on: +44 (0) 1582 493 099 [email protected]

1 MALCOLM DRUMMOND (BRITISH, 1880-1945) Studies for ‘The Palais de Danse’ and ‘Limelight Nights’ pen and ink, pencil and chalk each: 34 x 25cm (13 3/8 x 9 13/16in). Executed in 1920 We are grateful to Dr Wendy Baron for her assistance in cataloguing this lot.

£800 - 1,200 €910 - 1,400 US$1,100 - 1,600

Provenance Probably with Maltzahn Gallery, London, May 1974 Professor Ronald Pickvance, and by descent to the present owner

Literature Possibly London, Maltzahn Gallery, Malcolm Drummond, 1880-1945, May 1974

2 WALTER RICHARD SICKERT A.R.A. (BRITISH, 1860-1942) Chagford signed and titled ‘Chagford/Sickert’ (lower right) pen and ink, coloured pencil and wash 25 x 20cm (9 13/16 x 7 7/8in).

£800 - 1,200 €910 - 1,400 US$1,100 - 1,600

2 Provenance With Gimpel Fils, London, where acquired by the family of the present owner, and thence by descent

Exhibited Hull, Ferens Art Gallery, Sickert: paintings, drawings and prints of Walter Richard Sickert, 1860-1942, 1977, with Arts Council tour to Glasgow and Plymouth (ex.cat.)

For details of the charges payable in addition to the final Hammer Price of each Lot For details of the charges payable in addition to the final Hammer Price of each Lot 4 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 3 AR SIR WILLIAM NICHOLSON (BRITISH, 1872-1949) Portrait of a Young Girl in a Black Dress signed and dated ‘William Nicholson./1908’ (upper right) gouache and pen and ink 18.5 x 19.2cm (7 5/16 x 7 9/16in). We are grateful to Patricia Reed for her assistance in cataloguing this lot.

£4,000 - 6,000 €4,500 - 6,800 US$5,400 - 8,100

Provenance Private Collection, U.K.

4 3 WALTER RICHARD SICKERT A.R.A. (BRITISH, 1860-1942) Sketches for Baccarat both signed ‘Sickert’ (lower right) watercolour and pencil largest: 5.6 x 4.5cm (2 1/8 x 1 3/4 in).(2) Executed in 1920

£1,000 - 1,500 €1,100 - 1,700 US$1,300 - 2,000

Provenance Mrs Palmer, Mettingham, Suffolk, March 1946 With Michael Parkin Gallery, London, where acquired by the present owner in August 1999

£4,000 - 6,000 €4,500 - 6,800 US$5,400 - 8,100

Provenance Acquired by the family of the present owner prior to the 1970s Private Collection, U.K.

Staffordshire born John Currie studied first at the Newcastle-under- Lyme and Hanley Schools of Art and at then the Royal College of Art, London. Following a teaching position in Bristol and a period in Ireland he returned to the capital to enrol at the Slade School in the summer of 1910. There he befriended Mark Gertler and C.R.W. Nevinson and with them formed the ‘Coster Gang’, latterly referred to as Neo-Primitives. A gifted artist and magnetic personality he was remembered by Henri Gaudier-Brzeska as ‘a great painter, and a magnificent fellow’ and Michael Sadleir as ‘blazing with genius’.

Although married with a young son, shortly before the war Currie met a young Irish model named Dolly Henry with who he embarked on a volatile, intense affair. Utterly infatuated by late 1913 Currie had left his wife and lived with Dolly near Hampstead Heath. Their relationship 5 was highly tempestuous, riddled with jealousy and not to last. By the following year Currie had fallen into depression. In a fit of rage fuelled by rumours that Dolly had posed nude for photographs, he went to her Chelsea apartment and shot her dead. Currie then turned the gun on himself fatally. He was just thirty years of age and she ten years his junior.

In the present work Dolly is identifiable by her rounded face, dark red hair, almond shaped eyes and full cheeks. She is depicted at the foot of Hampstead Heath and the maternal arrangement is contradicted by the disconnected gaze between the two figures. The identity of the child is unknown, however the likeness to Dolly is strong, suggesting she may be a family member.

6 ERIC GILL A.R.A. (BRITISH, 1882-1940) Artist and Mirror a preparatory pencil sketch together with three wood engravings, (Skelton P836, P837), 1932, on various papers, one of them published for the book Sculpture and the Living Model by Sheed & Ward, London, each approximately 127 x 750mm (5 x 3in)(I)

£1,000 - 1,500 €1,100 - 1,700 US$1,300 - 2,000

Provenance With Austin/Desmond Fine Art, London, where acquired by the present owner

For details of the charges payable in addition to the final Hammer Price of each Lot For details of the charges payable in addition to the final Hammer Price of each Lot 6 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 7 AR GILBERT SPENCER R.A. (BRITISH, 1892-1979) Girl at Garsington signed ‘G Spencer’ (lower right) oil on canvas 67 x 52.5cm (26 3/8 x 20 11/16in). Painted in 1938

£5,000 - 7,000 €5,700 - 7,900 US$6,700 - 9,400

Provenance With New Grafton Gallery, London, where acquired by the present owner Private Collection, U.K.

Exhibited London, The Fine Art Society, The Slade Tradition: 1871-1921 A Centenary Contribution, October 1971, cat.no.86 London, New Grafton Gallery, 11 August 1999

8 GWEN JOHN (BRITISH, 1876-1939) Portrait of a Girl stamped with Estate stamp ‘Gwen John’ (lower left) charcoal 20.5 x 16.5cm (8 1/16 x 6 1/2in). 7 £1,500 - 2,500 €1,700 - 2,800 US$2,000 - 3,400

Provenance E.M. Arnold M.B.E. Private Collection, U.K.

Edmund Martin Arnold (1927-2017) was a long-standing trustee of the Leeds Art Fund and held the position of Honorary Treasurer between 1944 and 1954. The Fund was established in 1912 and is one of Britain’s oldest art gallery “friends” organisations. Its core aim is to enrich the visual life of the city by making purchases of art works for display at the Leeds City Art Gallery, Temple Newsam House and Lotherton Hall. In his role with the fund Arnold often travelled to London and Paris on the hunt for exciting acquisitions for the city. It was on these trips that he also made personal acquisitions, building a fine collection of contemporary British and Continental works, including the present lot and lots 126 and 178.

£1,500 - 2,000 €1,700 - 2,300 US$2,000 - 2,700

Provenance Sale; Christie’s, London, 12 March 1982, lot 275 M. Waechter, Esq., Geneva With Crane Kalman Gallery, London, 1989, where acquired by S. B. Wright, Esq., 12 January 1990

Exhibited London, Crane Kalman Gallery, December 1989

9 10 AR DUNCAN GRANT (BRITISH, 1885-1978) Portrait of Angelica pencil 23 x 18.5cm (9 1/16 x 7 5/16in). Executed circa 1930

£800 - 1,200 €910 - 1,400 US$1,100 - 1,600

Provenance With The Bloomsbury Workshop, London Private Collection, U.K.

For details of the charges payable in addition to the final Hammer Price of each Lot For details of the charges payable in addition to the final Hammer Price of each Lot 8 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 11 AR HENRY LAMB (BRITISH, 1883-1960) Portrait of Rosaline Pollock signed and dated ‘Lamb/39’ (upper right) oil on canvas 61 x 51cm (24 x 20 1/16in).

£3,000 - 5,000 €3,400 - 5,700 US$4,000 - 6,700

Provenance Sale; Phillips, London, 12 September 1989, lot 78, where acquired by the present owner

12 AR HENRY LAMB (BRITISH, 1883-1960) 11 The Behrend Children signed and dated ‘Lamb/32’ (upper right) oil on canvas 76 x 56cm (29 15/16 x 22 1/16in).

A companion piece to the present work, The Behrend Family is in the collection of Brighton and Hove Museums and Art Galleries.

£1,200 - 1,800 €1,400 - 2,000 US$1,600 - 2,400

The following works by Leon Underwood are from a series of decorative panels created by the Artist for the interior of Thorpeside Cottage, Staines. Owned by Kay Murphy during the 1920s and 30s, the cottage was shared amongst a coterie of likeminded friends including the artist Gertrude Hermes, the opera singer Nelson Illingworth and Leon Underwood. The cottage, an old-style wooden bungalow on stilts, was an idyllic Thames-side retreat which Underwood decorated with nineteen painted panels. Unfortunately the cottage was eventually destroyed to make way for a more modern dwelling but these panels are an evocative testament to what must have been a richly creative environment.

The theatre director Joan Littlewood, a friend of Illingworth’s, provided a rare account of this unique home when she visited Thorpeside: ‘Nelson’s place had been one of Ellen Terry’s homes, a rambling riverside bungalow where the Thames was green, the trees were green and the main rooms were covered with frescoes’, going on to state that ‘here and there wood carvings, perched on pedestals, discouraged arm-waving and wild gestures. They were the work of Leon Underwood’ (Joan Littlewood, Joan’s Book: The Autobiography of Joan Littlewood, 4th ed., Bloomsbury, London, 2016, p.158).

13 AR LEON UNDERWOOD (BRITISH, 1890- 1975) Cat oil on panel 97.5 x 21.5cm (38 3/8 x 8 7/16in).

£1,000 - 1,500 €1,100 - 1,700 US$1,300 - 2,000

Provenance Private Collection, U.K.

14 AR LEON UNDERWOOD (BRITISH, 1890- 1975) Flower and Dragonfly oil and pencil on panel 98.5 x 24.5cm (38 3/4 x 9 5/8in).

£1,000 - 1,500 €1,100 - 1,700 US$1,300 - 2,000

Provenance Private Collection, U.K. 13 14

For details of the charges payable in addition to the final Hammer Price of each Lot For details of the charges payable in addition to the final Hammer Price of each Lot 10 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 15 AR LEON UNDERWOOD (BRITISH, 1890- 1975) Sculptural Figures oil on panel largest: 103 x 18cm (40 9/16 x 7 1/16in). (2)

£3,000 - 5,000 €3,400 - 5,700 US$4,000 - 6,700

Provenance Private Collection, U.K.

£1,500 - 2,000 €1,700 - 2,300 US$2,000 - 2,700

Provenance Private Collection, U.K.

17 AR LEON UNDERWOOD (BRITISH, 1890-1975) Dogs oil on panel 106 x 68.5cm (41 3/4 x 26 15/16in).

£2,000 - 3,000 €2,300 - 3,400 US$2,700 - 4,000

Provenance Private Collection, U.K.

For details of the charges payable in addition to the final Hammer Price of each Lot For details of the charges payable in addition to the final Hammer Price of each Lot 12 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 18

18 AR DUNCAN GRANT (BRITISH, 1885-1978) Still Life, Charleston signed and dated ‘D Grant./-/62’ (upper right) oil on canvas 38.5 x 47.5cm (15 3/16 x 18 11/16in).

£6,000 - 8,000 €6,800 - 9,100 US$8,100 - 11,000

Provenance Acquired directly from the Artist by the family of the present owner Private Collection, U.K.

19 AR FRANK DOBSON R.A. (BRITISH, 1886-1963) Female Nude signed and dated ‘Frank Dobson/34’ (lower right) chalk and gouache 49.5 x 34cm (19 1/2 x 13 3/8in).

£1,500 - 2,000 €1,700 - 2,300 US$2,000 - 2,700

Provenance Acquired directly from the Artist by the family of the present owner, and thence by descent 19

AR 20 AR 21 DUNCAN GRANT (BRITISH, 1885-1978) DUNCAN GRANT (BRITISH, 1885-1978) Nude Wrestlers Male Nude signed and dedicated ‘To Andy/from/D Grant’ (lower right) inscribed ‘For Willie/from/DG.’ and dated ‘-/68’ (upper right) oil and chalk oil on canvasboard 50 x 69.5cm (19 11/16 x 27 3/8in). 19 x 29.5cm (7 1/2 x 11 5/8in). together with a further painting in watercolour and pencil of nude wrestlers (2) £1,500 - 2,000 €1,700 - 2,300 £3,000 - 5,000 US$2,000 - 2,700 €3,400 - 5,700 US$4,000 - 6,700 Provenance Gifted by the Artist to Count William de Belleroche Provenance Gordon Anderson, and thence by descent Gifted by the Artist to Count William de Bellroche and Gordon Anderson, and thence by descent

For details of the charges payable in addition to the final Hammer Price of each Lot For details of the charges payable in addition to the final Hammer Price of each Lot 14 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 22 AR DUNCAN GRANT (BRITISH, 1885-1978) Male Nude signed ‘D Grant.’ (lower left) oil on paper laid on board 59 x 50cm (23 1/4 x 19 11/16in). (unframed)

£4,000 - 6,000 €4,500 - 6,800 US$5,400 - 8,100

Provenance Gifted by the Artist to Count William de Belleroche Gordon Anderson, and thence by descent 22

23 AR JOHN TURNER (IRISH, BELFAST 1916-2006) The Donegal Family signed and dated ‘John Turner 1953’ (lower right) oil on board 52 x 45cm (20 1/2 x 17 11/16in).

£2,000 - 3,000 €2,300 - 3,400 US$2,700 - 4,000

£1,000 - 1,500 €1,100 - 1,700 US$1,300 - 2,000

Provenance With Michael Parkin Gallery, London, where acquired by the present owner

24 (one of two) Exhibited Southport, Atkinson Gallery, 7 & 5 Society 1920-25, August 1979, cat.no.25, with tour to National Museum of Wales, Cardiff; The Minories, Colchester; Parkin Gallery, London and Newlyn Orion Gallery, Penzance

Sidney Hunt studied at the Slade School of Fine Art, and had his first solo exhibition at The Mayor Gallery, London, in October 1925. A member of the Seven and Five Society between 1926-1932, he was also a poet and edited the avant-garde magazine Ray, which featured the work of leading figures including Kurt Schwitters, El Lissitzky, Theo van Doesburg, Naum Gabo and Hans Arp.

25 AR ALBERT VICTOR ORMSBY WOOD (BRITISH, 1904-1977) Two Women in Conversation signed with monogram and dated ‘47’ (lower left) oil on board 42 x 26.5cm (16 9/16 x 10 7/16in). together with another painting of two women by the same hand (2)

£1,000 - 1,500 €1,100 - 1,700 US$1,300 - 2,000

Provenance With Michael Parkin Gallery, London, where acquired by the present owner in July 1993

25 (one of two)

For details of the charges payable in addition to the final Hammer Price of each Lot For details of the charges payable in addition to the final Hammer Price of each Lot 16 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 26 AR GEOFFREY TIBBLE (BRITISH, 1909-1952) Cafe Scene signed ‘Tibble’ (lower right); also signed and dated ‘Tibble/april-aug 48’ (on canvas verso) oil on canvas 76 x 56cm (29 15/16 x 22 1/16in).

£1,500 - 2,000 €1,700 - 2,300 US$2,000 - 2,700

Provenance With Austin/Desmond Fine Art, London, where acquired by the present owner

27 AR AUSTIN OSMAN SPARE (BRITISH, 1888-1956) Theurgist signed ‘Austin Osman Spare’ (lower right) pencil and wash heightened with chalk 37.5 x 30.5cm (14 3/4 x 12in).

£1,500 - 2,000 €1,700 - 2,300 US$2,000 - 2,700 26

Provenance With Alex. Reid & Lefevre Ltd, London

Walter Ritchie was introduced to sculpture while studying at Coventry The two works offered here, the first of Ritchie’s sculptures ever to School of Art by Victor Candey, the then Vice-Principle, and the come to auction, are masterful examples of his skill in carving. Ritchie medium became a life-long passion for the Artist. Initially creating would first create preparatory sketches before drawing directly onto works which were modelled and cast, he went on to discover direct the stone or wood, a process which, unique to direct carving in being carving, which became his favoured technique. Taught the basic without preliminary maquettes or models, allows the medium itself to elements by local masons, he then went on to Hornton Quarries in suggest the final form each sculpture assumes. Here, the choice of North Oxfordshire to continue his training. First visiting the Pigotts Kauri pine for Lovers and stone (thought to be Hopton Wood stone) workshop of Eric Gill in Buckinghamshire age 18, Ritchie went for The Sower lends each a distinct quality innate to the material. The on to become one of Gill’s pupils from 1938-9, later writing of the muscular, labouring figure of the sower is echoed in the unyielding experience: ‘his technical skill was a revelation...I could not have nature of the stone, whilst the more sensual embrace of the lovers is wished for a finer or more generous master’ (Walter Ritchie, Sculpture perfectly suited to the softer pine, allowing an exquisite fluidity of line in Brick and Other Materials, Cheney & Sons Ltd, Banbury, 1978, and expression. p.8). During his time with Gill, Ritchie also met Donald Potter, a former assistant of Gill’s who had his own sculpture workshop nearby and who taught Ritchie much about the techniques of carving wood.

Alongside working in these traditional materials, Ritchie went on to undertake a number of public commissions – the most famous of these being a sculpture of Len Hutton at the Oval cricket ground – a great many of which were sculpted in brick, allowing him to realise his vision of the art work and building being as one.

28 AR WALTER RITCHIE (BRITISH, 1919-1997) The Sower signed and dated ‘W RITCHIE 38’ (lower right) stone with paint 44.5 x 30 x 3.7cm (17 1/2 x 11 13/16 x 1 7/16in). We are grateful to Sally Taylor for her assistance in cataloguing this lot.

£2,500 - 3,500 €2,800 - 4,000 US$3,400 - 4,700

Provenance Gifted by the Artist to John Lloyd, and thence by descent Private Collection, U.K.

29 AR WALTER RITCHIE (BRITISH, 1919-1997) Lovers Kauri pine 26.5cm (10 7/16in) (high, excluding base) Executed in 1939 We are grateful to Sally Taylor for her assistance in cataloguing this lot.

£1,500 - 2,500 €1,700 - 2,800 US$2,000 - 3,400

Provenance Gifted by the Artist as a wedding present to the previous owner, and by descent Private Collection, U.K.

Literature Walter Ritchie, Walter Ritchie Sculpture, Lithomaster, Warwick, 1994, cat.no.96, ill. b&w p.76

For details of the charges payable in addition to the final Hammer Price of each Lot 18 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 29 30 AR JACK B. YEATS R.H.A. (IRISH, 1871-1957) The Pirate’s Lament signed ‘JACK B YEATS’ (lower right) pen and ink 10.7 x 14.5cm (4 3/16 x 5 11/16in).

£800 - 1,200 €910 - 1,400 30 US$1,100 - 1,600

Provenance With Victor Waddington, London, where acquired by the present owner circa 1972 Private Collection, U.K.

31 AR AUGUSTUS JOHN O.M., R.A. (BRITISH, 1878-1961) Composition with Peasants signed and dated ‘John/43’ (lower right) ink and wash 51.5 x 39cm (20 1/4 x 15 3/8in).

£800 - 1,200 €910 - 1,400 US$1,100 - 1,600

Provenance With The Leicester Galleries, London Private Collection Sale; Bonhams, Knightsbridge, 17 January 2012, lot 202, where acquired by the present owner

Exhibited London, The Leicester Galleries, May 1943, cat.no.8

For details of the charges payable in addition to the final Hammer Price of each Lot For details of the charges payable in addition to the final Hammer Price of each Lot 20 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 32 SIR WILLIAM ORPEN, R.A., H.R.H.A. (BRITISH, 1878-1931) Literature A Storm, Keal Kill Bruce Arnold, Orpen: Mirror to an Age, Jonathan Cape, London, 1981, signed ‘ORPEN’ (lower right) pp.101-105 oil on canvas 42.5 x 53.5cm (16 3/4 x 21 1/16in). The location depicted in the present work is almost certainly the Painted in 1901 village of Kealkill, Lisheens, West Co. Cork, Ireland. In August- September 1901, Orpen and his bride, Grace Knewstub, spent their honeymoon at Lisheens, Pearsons Bridge, near Bantry, which had £6,000 - 8,000 been bequeathed to the Artist’s father, Arthur Herbert Orpen, and €6,800 - 9,100 was used as a holiday home. The Orpen family were landowners and US$8,100 - 11,000 landlords in the area, and the now ruined house is still on the Lisheens (Little Forts) townland. According to Bruce Arnold in his book, Orpen: Provenance Mirror to an Age, in the Summer of 1901, Orpen was preparing for Private Collection, U.K. his first one-man exhibition, which was to take place at the Carfax Gallery, London, that November [1901], and that Orpen ‘was worried Exhibited about not having enough work for it; and intended to paint landscapes Probably London, Carfax Gallery, William Orpen: One Man Show, while on honeymoon.’ Consequently, in the quest for suitable subject November 1901, cat.no.15 (as A Storm, Keal Kill) landscapes, he hired bicycles sent from Dublin to reconnoitre the Possibly London, New English Art Club, Winter Exhibition, 1901, cat. surrounding countryside. Set between the villages of Pearson’s Bridge no.121 (as Kealkill) and Kealkill, the honeymoon abode was situated, just off the R584, and both villages featured in pictures that Orpen exhibited in his one- man exhibition at the Carfax Gallery.

£2,000 - 3,000 €2,300 - 3,400 US$2,700 - 4,000 33 Provenance Acquired by the family of the present owner, and thence by descent

34 VERA WILLOUGHBY (1870-1939) Captains Unforgot - Design for an English Public School Chapel after World War I signed with monogram (lower left) oil on panel 29.5 x 40.5cm (11 5/8 x 15 15/16in).

£1,000 - 1,500 €1,100 - 1,700 US$1,300 - 2,000

Provenance With Michael Parkin Gallery, London, where acquired by the present owner

35 AR SYLVIA GOSSE (BRITISH, 1881-1968) 34 Woman Gardening indistinctly signed ‘Goss-’ (lower left) oil on canvas 36.5 x 29cm (14 3/8 x 11 7/16in).

£1,200 - 1,800 €1,400 - 2,000 US$1,600 - 2,400

Provenance Acquired by the family of the present owner circa the 1960s or 70s, and thence by descent Private Collection, U.K.

For details of the charges payable in addition to the final Hammer Price of each Lot For details of the charges payable in addition to the final Hammer Price of each Lot 22 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 36

36 CHRISTOPHER RICHARD WYNNE NEVINSON A.R.A (BRITISH, 1889-1946) The Fair, Hampstead Heath signed with initials ‘C.R.W.N.’ (lower right) oil on panel 25 x 35cm (9 13/16 x 13 3/4in). Executed circa 1925

£4,000 - 6,000 €4,500 - 6,800 US$5,400 - 8,100

Provenance With Arthur Tooth & Sons Ltd, London Private Collection, U.K.

37 AR SYLVIA GOSSE (BRITISH, 1881-1968) The Blue Muffler oil on canvas 51 x 40.5cm (20 1/16 x 15 15/16in).

£2,000 - 3,000 €2,300 - 3,400 US$2,700 - 4,000

Provenance With Michael Parkin Gallery, London, where acquired by the present owner, December 1992

Exhibited Manchester, Charles A. Jackson, May 1933 London, Michael Parkin Gallery, Walter Sickert, The Artist, His Wife, His Mistress, His Friends and One Enemy, 2 December 1992-15 January 37 1993

38 AR 39 AR ALGERNON NEWTON (BRITISH, 1880-1968) JOHN NORTHCOTE NASH R.A. (BRITISH, 1893-1977) Sketch for a Landscape Setting Sun oil on board signed ‘John Nash’ (lower left) 12.5 x 17.5cm (4 15/16 x 6 7/8in). watercolour and pencil Painted in March 1940 36 x 56.5cm (14 3/16 x 22 1/4in).

£1,500 - 2,000 £800 - 1,200 €1,700 - 2,300 €910 - 1,400 US$2,000 - 2,700 US$1,100 - 1,600

Provenance Provenance Sir Hugh Walpole, May 1940 Mrs Crawhall Ellis With Leicester Galleries, London With The Fine Art Society, London, July 1977 With Abbott and Holder, London, where acquired by the present owner With Stacy-Marks circa the late 1980s Sale; Bonhams, Knightsbridge, 13 November 2012, lot 260, where acquired by the present owner Exhibited London, Royal Academy of Arts, Summer Exhibition, 1940, cat.no.864 Exhibited London, Leicester Galleries, Catalogue of an Exhibition of the Art London, The Goupil Gallery, cat.no.34 Collection of the Late Sir Hugh Walpole C.B.E., May-June 1945, cat. no.104

For details of the charges payable in addition to the final Hammer Price of each Lot For details of the charges payable in addition to the final Hammer Price of each Lot 24 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 40

40 AR 41 AR SYLVIA GOSSE (BRITISH, 1881-1968) ARTHUR HAYWARD (BRITISH, 1889-1970) The Harvest Sloop Inn, St Ives, by Moonlight oil on canvas signed ‘-A.HAYWARD-’ (lower right) 86.5 x 107cm (34 1/16 x 42 1/8in). oil on panel 25.5 x 33cm (10 1/16 x 13in). £2,000 - 3,000 €2,300 - 3,400 £2,000 - 3,000 US$2,700 - 4,000 €2,300 - 3,400 US$2,700 - 4,000 Provenance Mr Donald Angus, Honolulu Provenance Acquired from the above by the present owner’s family circa 1945, and Acquired by the family of the present owner in 1936, and thence by thence by descent descent Private Collection, Hawaii Private Collection, U.K.

Provenance Private Collection, U.K.

43 AR CONROY MADDOX (BRITISH, 1912-2005) Surrealist Composition signed and dated ‘Conroy Maddox/39’ (lower right) gouache 24 x 36.5cm (9 7/16 x 14 3/8in).

£800 - 1,200 €910 - 1,400 US$1,100 - 1,600

Provenance Gifted by the Artist to the family of the present 43 owner in the 1970s, and thence by descent Private Collection, U.K.

44 AR MEDORA HEATHER BENT (IRISH, 1901- 1992) Harbour Scene, probably in Co Galway signed ‘M. Heather Bent.’ (lower right) gouache 39.5 x 55cm (15 9/16 x 21 5/8in).

£1,000 - 1,500 €1,100 - 1,700 US$1,300 - 2,000

For details of the charges payable in addition to the final Hammer Price of each Lot For details of the charges payable in addition to the final Hammer Price of each Lot 26 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 45

45 AR 46 AR MEDORA HEATHER BENT (IRISH, 1901-1992) MEDORA HEATHER BENT (IRISH, 1901-1992) St Ives by Moonlight Turf Carriers at Evening signed ‘BENT’ (lower centre); also signed, titled, and inscribed with signed ‘M. BENT’ (lower right); also signed and titled ‘Turf Carriers at Artist’s address ‘”St. Ives by/Moonlight/ by/Medora Heather Bent”’ (on Evening’/by Medora Bent’ (on label attached to the reverse) Artist’s label attached to canvas verso) oil on board oil on canvas 39 x 49.5cm (15 3/8 x 19 1/2in). 50 x 61cm (19 11/16 x 24in). £1,000 - 1,500 £1,500 - 2,000 €1,100 - 1,700 €1,700 - 2,300 US$1,300 - 2,000 US$2,000 - 2,700

47 AR 48 AR RONALD OSSORY DUNLOP N.E.A., A.R.A., R.B.A. (BRITISH, RONALD OSSORY DUNLOP N.E.A., A.R.A., R.B.A. (BRITISH, 1894-1973) 1894-1973) Landscape with Trees The Arun Near Ford signed ‘Dunlop’ (lower right) signed ‘Dunlop’ (lower right) oil on board oil on canvas 51 x 61cm (20 1/16 x 24in). 41 x 51cm (16 1/8 x 20 1/16in).

£1,000 - 1,500 £800 - 1,200 €1,100 - 1,700 €910 - 1,400 US$1,300 - 2,000 US$1,100 - 1,600

Provenance Provenance Sale; Sotheby’s, Chester, 15 January 1987, lot 3132 With The Fine Art Society, London, November 1945 Private Collection, U.K. Sale; Sotheby’s, Chester, 15 January 1987, lot 3123 Private Collection, U.K.

For details of the charges payable in addition to the final Hammer Price of each Lot For details of the charges payable in addition to the final Hammer Price of each Lot 28 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 49

49 AR 50 AR RONALD OSSORY DUNLOP N.E.A., A.R.A., R.B.A. (BRITISH, CHARLES CUNDALL R.A. (BRITISH, 1890-1971) 1894-1973) Porte St Cloud, Paris Port, St Tropez signed and dated ‘C.E. Cundall 1922’ (lower right); also signed, titled signed ‘Dunlop’ (lower right) and inscribed with Artist’s address ‘C E Cundall/14c Whiteheads oil on board Grove/Chelsea/PORTE ST CLOUD/PARIS’ (on panel verso) 38 x 46cm (14 15/16 x 18 1/8in). oil on panel 49 x 53cm (19 5/16 x 20 7/8in). £2,000 - 3,000 this lot is accompanied by a letter from the Artist’s widow, Jacqueline €2,300 - 3,400 Cundall, dated 2 September 1982 US$2,700 - 4,000 £1,500 - 2,000 Provenance €1,700 - 2,300 Malcomb Wombwill, February 1940 US$2,000 - 2,700 Gifted by the above to John Firth, November 1972 With Castle Gallery, Berkhamsted, where acquired by the present Provenance owner circa the early 1980s Acquired by the present owner from the Artist’s widow

Exhibited Exhibited Venice, XIX Venice Biennale, 1934, cat.no.43 (as Il Porto) London, Grosvenor Gallery, Harold Knight, Fairlie Harmar, Charles E. Cundall and Horace Mann Livens, March 1923, cat.no.81

51 † AR 52 † AR DAVID SHEPHERD O.B.E. (BRITISH, 1931-2017) DAVID SHEPHERD C.B.E. (BRITISH, 1931-2017) Green Man at Wrexham Spring in Windsor Great Park signed ‘-David Shepherd-’ (lower right) signed ‘David Shepherd’ (lower right); also signed ‘David Shepherd’ oil on canvas and variously inscribed (on the stretcher bar) 23 x 36cm (9 1/16 x 14 3/16in). oil on canvas 71 x 91cm (27 15/16 x 35 13/16in). £2,500 - 3,500 €2,800 - 4,000 £5,000 - 7,000 US$3,400 - 4,700 €5,700 - 7,900 US$6,700 - 9,400 Provenance With Halcyon Gallery, London, where acquired by the present owner in Provenance the 1980s With Halcyon Gallery, London, November 1983, where acquired by the present owner

For details of the charges payable in addition to the final Hammer Price of each Lot For details of the charges payable in addition to the final Hammer Price of each Lot 30 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 53 AR DAVID SHEPHERD O.B.E. (BRITISH, 1931-2017) The Rathambore Tiger signed and dated ‘-David Shepherd-’97’ (lower right); also signed ‘DAVID SHEPHERD’, dated ‘1997’ and variously inscribed (on the stretcher bar) oil on canvas 66 x 106.5cm (26 x 41 15/16in).

£15,000 - 20,000 €17,000 - 23,000 US$20,000 - 27,000

Provenance Sale; Bonhams, Knightsbridge, 26 April 1997, lot 83, where acquired by the previous owner, and by descent

54 AR 55 AR GERALD R. JARMAN (BRITISH, 1930-2014) GERALD R. JARMAN (BRITISH, 1930-2014) East Anglian Series No 11 Coastal Suffolk & Mahler East Anglian Series No 9 Reflections signed ‘G. JARMAN’ (on canvas verso) and titled ‘EAST ANGLIAN signed and titled ‘G. JARMAN/REFLECTIONS’ (on canvas verso); titled SERIES 11 COASTAL SUFFOLK & MAHLER’ (on canvas overlap) ‘EAST ANGLIAN SERIES No 9 REFLECTIONS’ (on canvas overlap) oil on canvas oil on canvas 106.5 x 141.5cm (41 15/16 x 55 11/16in). 100 x 113cm (39 3/8 x 44 1/2in).

£1,000 - 1,500 £800 - 1,200 €1,100 - 1,700 €910 - 1,400 US$1,300 - 2,000 US$1,100 - 1,600

Provenance Provenance The Estate of the Artist The Estate of the Artist

For details of the charges payable in addition to the final Hammer Price of each Lot For details of the charges payable in addition to the final Hammer Price of each Lot 32 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 56 AR HAROLD RILEY (BRITISH, BORN 1934) The Passage leading to Lancaster Road, Salford signed and dated ‘Riley 62’ (lower right) oil on board 94 x 59cm (37 x 23 1/4in).

£6,000 - 8,000 €6,800 - 9,100 US$8,100 - 11,000

Provenance Acquired by the family of the present owner circa the 1970s, and thence by descent

57 AR HAROLD RILEY (BRITISH, BORN 1934) Chimney, Brindle Heath signed and dated ‘Riley 70’ (lower right) oil on board 50.5 x 76.5cm (19 7/8 x 30 1/8in).

£4,000 - 6,000 €4,500 - 6,800 US$5,400 - 8,100

Provenance Acquired directly from the Artist by the family of the present owner

£4,000 - 6,000 €4,500 - 6,800 US$5,400 - 8,100

Provenance With Henry Donn, Manchester, circa 1976, where acquired by Dr. Jack Silver, and thence by family descent

59 AR ALAN LOWNDES (BRITISH, 1921-1978) The Windsor Arms signed ‘Alan Lowndes’ (lower left) and dated ‘1973’ (lower right); also titled ‘(TIGER BAY)/THE WINDSOR ARMS’, dated ‘1973’ and inscribed (on canvas verso) oil on canvas 40.5 x 53cm (15 15/16 x 20 7/8in).

£2,500 - 3,500 €2,800 - 4,000 US$3,400 - 4,700

Provenance With Crane Kalman Gallery, London, where acquired by Mr D. J. Mathias, July 1973 Private Collection, U.K.

For details of the charges payable in addition to the final Hammer Price of each Lot For details of the charges payable in addition to the final Hammer Price of each Lot 34 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 60 AR THEODORE MAJOR (BRITISH, 1908-1999) Works at Wigan signed and titled ‘MAJOR/ WORKS AT WIGAN’ (on board verso) oil on board ‘His canvases deserve to rank 76 x 95cm (29 15/16 x 37 3/8in). (unframed) among the best English paintings £10,000 - 15,000 of our time’ €11,000 - 17,000 US$13,000 - 20,000 (John Berger quoted in Mary Gaskell, Theodore Major: His Life and Works, 1976, Titford & Perry, Blackpool, n.p.) Provenance Acquired from the Artist’s daughter by the present owner in 2001

Literature Peter Davies, A Northern School: Lancashire Artists of the Twentieth Century, Redcliffe Press Ltd, 1989, illustrated p.182

£1,200 - 1,800 €1,400 - 2,000 US$1,600 - 2,400

61 (one of two) Provenance Private Collection

62 AR KENNETH ROWNTREE A.R.W.S. (BRITISH, 1915-1997) Bombed Houses signed ‘Kenneth Rowntree’ (lower left), titled and dated ‘Bombed Houses 1940’ (lower centre) watercolour 31 x 47.5cm (12 3/16 x 18 11/16in). together with a further watercolour, ‘Bombed Buildings’ by the same hand (2)

£1,000 - 1,500 €1,100 - 1,700 US$1,300 - 2,000

Provenance Private Collection

63 AR 62 (one of two) KENNETH ROWNTREE A.R.W.S. (BRITISH, 1915-1997) Bombed Buildings titled and dated ‘Bombed Buildings 1940’ (lower left), signed ‘Kenneth Rowntree’ (lower centre); also signed, titled and dated ‘1940/ Kenneth Rowntree ‘Bombed Buildings’ (on backboard) watercolour and pencil 32.5 x 50cm (12 13/16 x 19 11/16in). together with a further watercolour, ‘Bombed Buildings’ by the same hand (2)

£1,000 - 1,500 €1,100 - 1,700 US$1,300 - 2,000

Provenance Private Collection

63 (one of two)

For details of the charges payable in addition to the final Hammer Price of each Lot For details of the charges payable in addition to the final Hammer Price of each Lot 36 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 64 AR HECTOR MCDONNELL R.U.A. (IRISH, BORN 1947) Ruined Church, Kastri, Kythera oil on board 126 x 75.5cm (49 5/8 x 29 3/4in). Painted in 1975

£3,000 - 5,000 €3,400 - 5,700 US$4,000 - 6,700

Provenance With Fischer Fine Art Limited, London

65 AR SIMON PALMER (BRITISH, BORN 1956) The Picket Line 64 signed ‘Simon Palmer’ (lower right) and titled ‘The Picket Line’ (lower left) gouache and watercolour 35.5 x 24.3cm (14 x 9 9/16in).

£1,500 - 2,000 €1,700 - 2,300 US$2,000 - 2,700

Provenance Private Collection, U.K. Sale; Bonhams, Knightsbridge, 19 July 2011, lot 36, where acquired by the present owner

£800 - 1,200 €910 - 1,400 US$1,100 - 1,600

Provenance The Estate of the Artist

Exhibited London, The Chambers Gallery, Boswell, Leggat, Setch, 21 June-20 July 2006, ill. p.11

67 AR JAMES BOSWELL (NEW ZEALAND, 1906-1971) Shoreham Beach 3 titled and dated ‘SHOREHAM BEACH 1952 3’ (on board verso) oil on board 60.5 x 76cm (23 13/16 x 29 15/16in).

£800 - 1,200 €910 - 1,400 US$1,100 - 1,600

Provenance The Estate of the Artist

Exhibited London, The Chambers Gallery, Boswell, Leggat, Setch, 21 June-20 July 2006, ill. p.10

For details of the charges payable in addition to the final Hammer Price of each Lot 38 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 68 AR JAMES BOSWELL (NEW ZEALAND, 1906-1971) Shoreham Church signed and dated ‘Boswell 52’ (lower right); also signed, titled and inscribed with Artist’s address ‘JAMES BOSWELL/28 PARLIAMENT HILL N.W.3/SHOREHAM CHURCH’ (on label attached to the reverse) oil on board 51 x 76cm (20 1/16 x 29 15/16in).

£1,000 - 1,500 €1,100 - 1,700 US$1,300 - 2,000

Provenance The Estate of the Artist

Exhibited London, The Chambers Gallery, Boswell, Leggat, Setch, 21 June-20 July 2006, ill. p.11

69 AR JAMES BOSWELL (NEW ZEALAND, 1906-1971) Shoreham Beach 1 signed and dated ‘Boswell 53’ (lower left); also signed, titled and inscribed with Artist’s address ‘SHOREHAM BEACH 1 1953/JAMES BOSWELL/28 PARLIAMENT HILL/LONDON NW3’ (on board verso) oil on board 61.5 x 76cm (24 3/16 x 29 15/16in).

£1,000 - 1,500 €1,100 - 1,700 US$1,300 - 2,000

Provenance The Estate of the Artist

Exhibited London, The Chambers Gallery, Boswell, Leggat, Setch, 21 June-20 July 2006, ill. p.10

70 AR 71 AR GWILYM PRITCHARD (BRITISH, 1931-2015) JOHN KNAPP-FISHER (BRITISH, 1931-2015) Wet Ground Hill Skyline - Pembrokeshire signed and dated ‘GWILYM PRITCHARD/1958’ (lower left); also signed ‘John Knapp-Fisher -’ (lower right) and dated ‘1985-’ (lower signed, titled and inscribed ‘GWILYM PRITCHARD/12 PENCRAIG/ left); also signed and dated ‘John Knapp-Fisher 1985-’ and titled ‘HILL LLANGEFNI/ANGELSEY/’WET GROUND’ (on Artist’s label attached to SKYLINE - PEMBROKESHIRE’ (on backboard) the reverse) watercolour oil on board 7 x 32cm (2 3/4 x 12 5/8in). 58.5 x 107cm (23 1/16 x 42 1/8in). £1,000 - 1,500 £1,500 - 2,000 €1,100 - 1,700 €1,700 - 2,300 US$1,300 - 2,000 US$2,000 - 2,700 Provenance Provenance Acquired directly from the Artist by the present owner in January 1986 Private Collection, U.K.

Exhibited Conway, Royal Cambrian Academy of Art, Seventy-Seventh Annual Exhibition, 9 May-26 September 1959, cat.no.55

For details of the charges payable in addition to the final Hammer Price of each Lot For details of the charges payable in addition to the final Hammer Price of each Lot 40 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 72 AR SIR KYFFIN WILLIAMS R.A. (BRITISH, 1918-2006) ‘Rough Sea, Rhoscolyn has an almost wild Rough Sea, Rhoscolyn signed with initials ‘KW’ (lower right) intensity of expression, the monochrome oil on canvas palette carrying a vast range of close 71 x 91.5cm (27 15/16 x 36in). Painted in 1966 tonal values as black coastline rock meets rough sea and sky. A brewing storm would £15,000 - 20,000 be the irresistible pull that took Kyffin to €17,000 - 23,000 US$20,000 - 27,000 Anglesey’s western shoreline to relive the boyhood thrill of watching such weather Provenance from high on the cliffs at Trearddur.’ Acquired directly from the Artist by the present owner in 2002 Private Collection, U.K. (Rian Evans and Nicholas Sinclair, Kyffin Williams: The Light and the Dark, Lund Humphries, London, 2018, p.84) Literature John Ormond, documentary film, Horizons Hung in Air: Kyffin Williams, first broadcast 20 April 1966, BBC Rian Evans and Nicholas Sinclair, Kyffin Williams: The Light and the Dark, Lund Humphries, London, 2018, p.84, ill. fig.76

£1,000 - 1,500 €1,100 - 1,700 US$1,300 - 2,000

Provenance 73 (one of four) The Artist’s Estate Heinz Roland (Roland, Browse and Delbanco) Thence by descent

74 AR JOSEF HERMAN R.A. (BRITISH, 1911- 2000) The Cart Horse pen and ink 20 x 25.5cm (7 7/8 x 10 1/16in). together with 3 further pen and ink studies by the same hand (all unframed)(4)

£1,000 - 1,500 €1,100 - 1,700 US$1,300 - 2,000

Provenance The Artist’s Estate Heinz Roland (Roland, Browse and Delbanco) Thence by descent

75 AR 74 (one of four) JOSEF HERMAN R.A. (BRITISH, 1911- 2000) Standing Man with Spade pen and ink 20 x 25cm (7 7/8 x 9 13/16in). together with 3 further ink and watercolour sketches by the same hand (all unframed)(4)

£800 - 1,200 €910 - 1,400 US$1,100 - 1,600

Provenance The Artist’s Estate Heinz Roland (Roland, Browse and Delbanco) Thence by descent

75 (one of four)

For details of the charges payable in addition to the final Hammer Price of each Lot For details of the charges payable in addition to the final Hammer Price of each Lot 42 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 76 AR SIR KYFFIN WILLIAMS R.A. (BRITISH, 1918-2006) Anglesey Farm oil on hessian 40.5 x 70cm (15 15/16 x 27 9/16in).

£12,000 - 18,000 €14,000 - 20,000 US$16,000 - 24,000

Provenance Gifted by the Artist to Jonah Jones, 1950s, and thence by family descent Sale; Bonhams, London, 30 May 2012, lot 66, where purchased by the present owner Private Collection, U.K.

Best known for his work as a sculptor and a designer of stained glass, Jonah Jones and Williams were both part of a small and close-knit group of artists and poets working in North Wales after the war, taking the dramatic surroundings as their inspiration, with others including John Petts and Brenda Chamberlain. The present lot formed part of a trade between Williams and Judith Maro Jones, wife of Jonah, which saw the work picked from a selection of paintings from the artist’s London studio and exchanged for a hand woven rug.

Patrick Horsbrugh (1920-2014) was an eminent British Professor of Architecture who, having studied in both Britain and the United States, began a career in teaching. Horsbrugh taught at Harvard University, in North Carolina, Illinois and Nebraska also holding the title of professor emeritus at the University of Notre Dame until his death in 2014.

Having found his passion for architecture interrupted by service during World War II, Horsbrugh started working voluntarily in a planning office in Middlesbrough on the Middlesbrough Survey and Plan, under the architect Max Lock, and it was during this time that he became close friends with John Piper. He recalled: ‘It was a wonderful service for me and through that I met John Piper, the artist of some of these paintings. The finest painter in Europe at that time, John and I became friends until he died, his bronze that I had cast—a portrait—just before his death’.

77 AR FRANTA BELSKY (CZECH, 1921-2000) John Piper signed and dated ‘F Belsky/’87’ (on side of neck) bronze 33cm (13in). (high, excluding base) Conceived in 1987

Another cast of the present work is in the collection of the National Portrait Gallery, London.

£1,000 - 1,500 €1,100 - 1,700 US$1,300 - 2,000

Provenance Professor Patrick Horsbrugh Esq.

Exhibited London, Embassy of the Czechoslovak Republic, Czech and Slovak Sculptors in Great Britain, 1992, cat.no.8 (another cast, resin version)

Literature Christopher Lom (intro.), Franta Belsky - Sculpture, Richter, Prague and A. Zwemmer Ltd, London, 1992, ill. b&w n.p. (another cast, plaster version)

For details of the charges payable in addition to the final Hammer Price of each Lot For details of the charges payable in addition to the final Hammer Price of each Lot 44 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 78

78 AR 79 AR JOHN PIPER C.H. (BRITISH, 1903-1992) JOHN PIPER C.H. (BRITISH, 1903-1992) Country Church, Dorset Russborough, Blessington, County Wicklow signed ‘John Piper’ (lower left) signed ‘John Piper’ (lower right) watercolour, ink and pastel gouache, ink and pastel 35.5 x 49cm (14 x 19 5/16in). 20.5 x 44cm (8 1/16 x 17 5/16in). Painted in the 1970s £3,000 - 5,000 £4,000 - 6,000 €3,400 - 5,700 €4,500 - 6,800 US$4,000 - 6,700 US$5,400 - 8,100 Provenance Provenance Professor Patrick Horsbrugh Esq. Professor Patrick Horsbrugh Esq.

OTHER PROPERTIES

80 AR JOHN PIPER C.H. (BRITISH, 1903-1992) Carmel signed ‘John Piper’ (lower right) and titled ‘Carmel’ (lower left) gouache and ink 21 x 34cm (8 1/4 x 13 3/8in).

£3,000 - 5,000 €3,400 - 5,700 US$4,000 - 6,700

Provenance Acquired by the family of the present owner circa the 1960s or 1970s, and thence by descent

81 AR JOHN PIPER C.H. (BRITISH, 1903-1992) Lancing College two signed ‘John Piper’ (lower right) pen and ink each: 14.5 x 31cm (5 1/2 x 12 3/16in). Executed circa 1952 (3)

£3,000 - 5,000 €3,400 - 5,700 US$4,000 - 6,700

Provenance Acquired by the family of the present owner directly from the Artist circa 1952, and thence by descent

For details of the charges payable in addition to the final Hammer Price of each Lot For details of the charges payable in addition to the final Hammer Price of each Lot 46 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 82 † AR DAVID BOMBERG (BRITISH, 1890-1957) Interior, Westminster Abbey bears inscription ‘Authenticated by Dinora- Davies Rees’ (on paper verso) charcoal 62 x 47.5cm (24 7/16 x 18 11/16in). Executed in 1946

£5,000 - 7,000 €5,700 - 7,900 US$6,700 - 9,400

Provenance Sale; Sotheby’s, London, 25 March 2009, lot 26 Private Collection, U.K.

83 AR MICHAEL AYRTON (BRITISH, 1921-1975) Figure signed and dated ‘michael ayrton 51’ (lower 82 right) chalk and ink 57.5 x 38.5cm (22 5/8 x 15 3/16in).

£2,000 - 3,000 €2,300 - 3,400 US$2,700 - 4,000

Provenance With Redfern Gallery, London, where acquired by Nigel Balchin, 29 May 1951, and thence by descent Sale; Sotheby’s, London, 11 July 2013, lot 132 Private Collection, U.K.

Exhibited London, Redfern Gallery, Michael Ayrton, 29 May-23 June 1951, cat.no.37

£2,000 - 3,000 €2,300 - 3,400 US$2,700 - 4,000

Provenance Acquired directly from the Artist in 1987 by the present owner

85 AR REG BUTLER (BRITISH, 1913-1981) Torso numbered ‘4/8’ and stamped with foundry stamp (on base) bronze 8cm (3 1/8in) (high, excluding base) Conceived in 1964, the present work is number 4 from the edition of 8

£1,500 - 2,000 €1,700 - 2,300 US$2,000 - 2,700

Provenance Private Collection, Germany Private Collection, U.K. 84 Exhibited London, Gimpel Fils, Reg Butler, Musée Imaginaire, Bronzes, Middle & Late period, 10 September-11 October 1986, cat.no.20 (another cast)

Literature Margaret Garlake, The Sculpture of Reg Butler, The Henry Moore Foundation in association with Lund Humphries, London, 2006, cat. no.228, ill. b&w (another cast)

For details of the charges payable in addition to the final Hammer Price of each Lot For details of the charges payable in addition to the final Hammer Price of each Lot 48 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 86 87

86 AR 87 AR LAURENCE STEPHEN LOWRY R.A. (BRITISH, 1887-1976) LAURENCE STEPHEN LOWRY R.A. (BRITISH, 1887-1976) Study of a Kneeling Nude Study of a Standing Nude signed ‘L S Lowry’ (upper left) twice signed and inscribed ‘L S Lowry/20 mins’ (upper right and lower pencil left) 36.5 x 26.5cm (14 3/8 x 10 7/16in). pencil 54 x 35cm (21 1/4 x 13 3/4in). £3,000 - 5,000 Executed circa 1918 €3,400 - 5,700 with a further study in pencil of a reclining nude by the same hand to US$4,000 - 6,700 the reverse

Provenance £3,000 - 5,000 Sale; Christie’s, London, 4 November 1966, lot 29, where acquired by €3,400 - 5,700 the present owner US$4,000 - 6,700

Provenance With Prestons Art Gallery, Bolton, where acquired by Professor Ronald Pickvance, June 1966, and thence by descent

Exhibited Nottingham, Nottingham University Art Gallery, L. S. Lowry R.A., 45 Paintings and Drawings, 28 May-15 June 1974, cat.no.19 (as Nude Study)

£4,000 - 6,000 €4,500 - 6,800 US$5,400 - 8,100

Provenance With Gimpel Fils, London Acquired from the above in December 1964 by a Private Collection, U.S.A. Private Collection, U.K.

Exhibited Venice, XXXII Venice Biennale, 1964, ill. b&w (another cast)

Literature 88 Alan Bowness, Bernard Meadows, Sculpture and Drawings, The Henry Moore Foundation in association with Lund Humphries, 1995, cat.no.BM93, p.142, ill. b&w pl.61 (another cast)

89 AR SIR EDUARDO PAOLOZZI (BRITISH, 1924-2005) Reefer Madness signed, dated and numbered ‘E PAOLOZZI/ A/C/1996’ (lower centre) bronze 16 x 23.5 x 3.5cm (6 5/16 x 9 1/4 x 1 3/8in). Conceived in 1996, the present work is an Artist’s Cast

£3,000 - 5,000 €3,400 - 5,700 US$4,000 - 6,700

Provenance Gifted by the Artist to his secretary, Sabina Grinling Sale; Sotheby’s, Olympia, 23 November 2005, lot 239

For details of the charges payable in addition to the final Hammer Price of each Lot For details of the charges payable in addition to the final Hammer Price of each Lot 50 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 90 AR DAME ELISABETH FRINK R.A. (BRITISH, 1930-1993) Horse and Rider signed and dated ‘Frink 74’ (lower left) pencil 83 x 59cm (32 11/16 x 23 1/4in).

£5,000 - 7,000 €5,700 - 7,900 US$6,700 - 9,400

Provenance With Jonathan Clark Fine Art, London, where acquired by the present owner, 22 May 1990 Private Collection, U.K.

91 AR GLENYS BARTON (BRITISH, 1944) 90 Angela Flowers signed and dated ‘Glenys Barton/2002’ and inscribed ‘2002/6’ (inside sculpture) ceramic 59cm (23 1/4in). (high) Executed in 2002, the present work is unique

£3,000 - 5,000 €3,400 - 5,700 US$4,000 - 6,700

Provenance Gifted by the Artist to the present owner

£1,000 - 1,500 €1,100 - 1,700 US$1,300 - 2,000

Provenance With Prestons Art Gallery, Bolton, where acquired by Professor Ronald Pickvance, June 1966, and thence by descent

93 AR KEITH VAUGHAN (BRITISH, 1912-1977) Standing Male Nude signed ‘Keith Vaughan’ (lower right) pencil 27.3 x 19.8cm (10 3/4 x 7 13/16in).

£1,000 - 1,500 €1,100 - 1,700 US$1,300 - 2,000

Provenance With The Piccadilly Gallery, London Acquired from the above by Prestons Art Gallery, Bolton, January 1965 Acquired from the above by Professor Ronald Pickvance, June 1966, and thence by descent

For details of the charges payable in addition to the final Hammer Price of each Lot For details of the charges payable in addition to the final Hammer Price of each Lot 52 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 94

94 AR JOHN MINTON (BRITISH, 1917-1957) Spanish Fishermen signed ‘John Minton’ and indistinctly inscribed (on label attached to the frame) oil on board 21 x 33cm (8 1/4 x 13in).

£3,000 - 5,000 €3,400 - 5,700 US$4,000 - 6,700

Provenance With Alex. Reid & Lefevre Ltd, London, where acquired by the family of the present owner, and thence by descent Private Collection, U.K.

95 AR JOHN CRAXTON R.A. (BRITISH, 1922-2009) Night Ravine etching with carborundum and aquatint, 1971, on wove paper, signed, titled, dated ‘71’ and inscribed ‘artist’s proof’, with full margins, 475 x 225mm (18 5/8 x 8 7/8in)(PL)

£1,200 - 1,800 €1,400 - 2,000 US$1,600 - 2,400

Provenance Private Collection, London

96 AR 97 AR BEN NICHOLSON O.M. (BRITISH, 1894-1982) PETER LANYON (BRITISH, 1918-1964) Sketch for Walton Wood Cottage, Cumberland Sketch for Mullion Bay - The Cliffs inscribed and dated ‘Cumberland 1928’ (on the reverse); bears stamped with studio stamp and inscribed by Sheila Lanyon ‘Sketch for inscription ‘My father, Ben Nicholson, made this drawing of Walton Mullion Bay - The Cliffs/Peter Lanyon 1955’ (on card attached to the Wood Cottage, near Brampton in Cumberland, where his sister Nancy backboard) was living/Jake Nicholson’ (on the backboard) charcoal and chalk pencil 23 x 33cm (9 1/16 x 13in). 33 x 41cm (13 x 16 1/8in). £2,000 - 3,000 £2,500 - 3,500 €2,300 - 3,400 €2,800 - 4,000 US$2,700 - 4,000 US$3,400 - 4,700 Provenance Provenance Sheila Lanyon Sale; Christie’s, South Kensington, 14 October 2004, lot 107, where With Anthony Hepworth Fine Art, Bath, where acquired by the previous acquired by the present owner owner in January 1991 Sale; Christie’s, London, 9 June 2006, lot 35 Private Collection

For details of the charges payable in addition to the final Hammer Price of each Lot For details of the charges payable in addition to the final Hammer Price of each Lot 54 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 98 AR JOHN CRAXTON R.A. (BRITISH, 1922- 2009) Dorset Landscape pen and ink, gouache and chalk 23 x 29cm (9 1/16 x 11 7/16in). Executed in 1941

£4,000 - 6,000 €4,500 - 6,800 US$5,400 - 8,100

Provenance With Christopher Hull Gallery, London, where acquired by the previous owner, 28 April 1988 Sale; Sotheby’s, London, The Eye of a Collector: Works from the Collection of Stanley J. Seeger, 14 June 2001, lot 64 Private Collection

99 AR BRYAN WYNTER (BRITISH, 1915-1975) Carn, Zennor signed and dated ‘Wynter/54’ (lower right) watercolour and gouache 24 x 35cm (9 7/16 x 13 3/4in).

£3,000 - 5,000 €3,400 - 5,700 US$4,000 - 6,700

Provenance Acquired by the previous owners in October 1956 Their sale; Christie’s, London, 30 May 1997, lot 29, where acquired by the present owner

101

100 AR 101 AR WILHELMINA BARNS-GRAHAM (BRITISH, 1912-2004) PETER LANYON (BRITISH, 1918-1964) Porthleven (Study For Large Painting) Study for St Just signed and dated ‘W Barns Graham 1951’ (lower right) signed and dated ‘Peter Lanyon 52’ (lower right); also signed, titled pencil and wash and dated ‘Peter Lanyon-/St. Just 1952’ (on paper verso) 38 x 55.5cm (14 15/16 x 21 7/8in). pencil 27 x 38cm (10 5/8 x 14 15/16in). £2,000 - 3,000 (unframed) €2,300 - 3,400 US$2,700 - 4,000 £1,000 - 1,500 €1,100 - 1,700 Provenance US$1,300 - 2,000 With Michael Parkin Gallery, London, where acquired by the present owner Provenance Sheila Lanyon

Exhibited Kilkenny, Butler Gallery, Kilkenny Castle, Cornwall: Drawings by Peter Lanyon and Photographs by Andrew Lanyon, 15 February-8 March 1984, cat. no.48, with British Council tour to Ireland, Portugal and Spain

For details of the charges payable in addition to the final Hammer Price of each Lot For details of the charges payable in addition to the final Hammer Price of each Lot 56 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 102 AR WILLIAM SCOTT R.A. (BRITISH, 1913- 1989) Abstract Composition pastel 33.5 x 36cm (13 3/16 x 14 3/16in). Executed in 1964 The present work is registered with the William Scott Archive as no.1131

£6,000 - 8,000 €6,800 - 9,100 US$8,100 - 11,000

Provenance Private Collection Sale; Christie’s, London, 8 March 1991, lot 151 Private Collection 102

103 AR WILLIAM SCOTT R.A. (BRITISH, 1913- 1989) Abstract Composition pastel 34.5 x 36cm (13 9/16 x 14 3/16in). Excecuted in 1964 The present work is registered with the William Scott Archive as no.1134.

£6,000 - 8,000 €6,800 - 9,100 US$8,100 - 11,000

Provenance Sale; Christie’s, London, 8 March 1991, lot 154, where acquired by the present owner

103

£2,500 - 3,500 €2,800 - 4,000 US$3,400 - 4,700

Provenance Private Collection, Cornwall, 2006 Private Collection, U.K.

105 AR DENIS MITCHELL (BRITISH, 1912-1993) Paphos signed and dated ‘Denis Mitchell 75’ (lower left); also signed, titled and dated ‘PAPHOS 1975/Denis Mitchell’ and inscribed ‘To/Elizabeth & Keith/With love and/thanks/from/Denis/April 1981’ (on backboard) oil and gesso on board 35.5 x 10cm (14 x 3 15/16in). together with a Christmas card by the same hand (2)

£2,000 - 3,000 €2,300 - 3,400 US$2,700 - 4,000

104 Provenance Gifted by the Artist to the present owner in April 1981

Exhibited Swansea, Glynn Vivian Art Gallery and Museum, Festival Exhibition of Sculpture by Denis Mitchell, 6 October-3 November 1979 (ex.cat.).

106 AR PAUL MOUNT (BRITISH, 1922-2009) First Tango signed ‘Paul Mount’ and numbered ‘1/7’ (on slate base) stainless steel 35.5cm (14in) (high, excluding base) Conceived in 1990, the present work is number 1 from the edition of 7

£4,000 - 6,000 €4,500 - 6,800 US$5,400 - 8,100

Provenance With New Art Centre, London Private Collection, U.K. Gifted by the above to the present owner circa 1998

107 * AR SIR TERRY FROST R.A. (BRITISH, 1915-2003) Yellow Collage indistinctly signed (on canvas verso) oil and canvas collage on canvas 38 x 38cm (14 15/16 x 14 15/16in).

£2,500 - 3,500 €2,800 - 4,000 US$3,400 - 4,700

Provenance With Studio 18, Jersey Private Collection, U.K.

105 (one of two)

For details of the charges payable in addition to the final Hammer Price of each Lot 58 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 107

106 108 AR JOAN GILLCHREST (BRITISH, 1918-2008) A Windy Day! signed with initials ‘JG’ (lower left); also signed and titled ‘A windy day!/Joan Gillchrest’ (on paper verso) oil on paper 21 x 15cm (8 1/4 x 5 7/8in).

£2,000 - 3,000 €2,300 - 3,400 US$2,700 - 4,000

109 AR FRED YATES (BRITISH, 1922-2008) Swimming stamped twice with studio stamp (on canvas verso and stretcher bar) oil on canvas 33 x 41.5cm (13 x 16 5/16in).

£1,200 - 1,800 €1,400 - 2,000 US$1,600 - 2,400

Provenance The Artist’s Studio Sale, Artcurial, Paris, 31 March 2014, (part lot, lot number untraced), where acquired by the present owner Private Collection, U.K.

108

109

For details of the charges payable in addition to the final Hammer Price of each Lot For details of the charges payable in addition to the final Hammer Price of each Lot 60 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 110 AR SHERREE VALENTINE-DAINES (BRITISH, BORN 1956) At the Witterings signed with initials ‘SEVD’ (lower right) oil on board 20.5 x 15.5cm (8 1/16 x 6 1/8in). Painted in 2011

£2,000 - 3,000 €2,300 - 3,400 US$2,700 - 4,000

Provenance Acquired directly from the Artist by the present owner Private Collection, U.K. 110 111 AR SHERREE VALENTINE-DAINES (BRITISH, BORN 1956) A Boy With his Model Boat signed with initials ‘SEVD’ (lower right) oil on board 29.5 x 24.5cm (11 5/8 x 9 5/8in).

£2,500 - 3,500 €2,800 - 4,000 US$3,400 - 4,700

111

£2,000 - 3,000 €2,300 - 3,400 US$2,700 - 4,000

Provenance 112 With Marlborough Fine Art, London Private Collection, U.K.

113 AR JOHN BELLANY C.B.E., R.A., H.R.S.A., L.L.D.(LON) (BRITISH, 1942-2013) The Ventriloquist signed ‘Bellany’ (lower right) and again signed and dated ‘Bellany/86’ with etching (lower right) watercolour with etching 54 x 37cm (21 1/4 x 14 9/16in).

£1,000 - 1,500 €1,100 - 1,700 US$1,300 - 2,000

Provenance With Royal Academy, London where acquired by the previous owner in 1987 Acquired from the above by the present owner in September 2003 Private Collection, U.K.

114 AR CONROY MADDOX (BRITISH, 1912-2005) Game of Chance II signed and dated ‘CONROY MADDOX ‘91’ (lower right) 113 gouache 49 x 39cm (19 5/16 x 15 3/8in). together with another gouache by the same hand, ‘Don Juan’ (2)

£800 - 1,200 €910 - 1,400 US$1,100 - 1,600

Provenance With The Lynda Cotton Gallery, Watchet, West Somerset, where acquired by the present owner Private Collection, U.K.

114 (one of two)

For details of the charges payable in addition to the final Hammer Price of each Lot For details of the charges payable in addition to the final Hammer Price of each Lot 62 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 115 AR JOHN BRATBY R.A. (BRITISH, 1928-1992) Irises signed ‘BRATBY’ (lower right), inscribed ‘No.9 Flower of Summer’ (on canvas overlap), and dated ‘15, 16 June 66’ and variously inscribed (on stretcher bar) oil on canvas

142 x 81cm (55 7/8 x 31 7/8in).

£5,000 - 8,000 €5,700 - 9,100 US$6,700 - 11,000

Provenance With Zwemmer Gallery, London Acquired by the family of the present owner in July 1967 at the Fairfields Hall exhibition, Croydon, and thence by descent

Exhibited Croydon, Fairfields Hall, Exhibition of Paintings by John Bratby, 11-29 July 1967, cat.no.9

116 AR RUSKIN SPEAR R.A. (BRITISH, 1911-1990) 115 Lady with Bouquet of Daffodils signed and dated ‘Ruskin Spear 1954’ (lower right) oil on board 67 x 56cm (26 3/8 x 22 1/16in).

£2,000 - 3,000 €2,300 - 3,400 US$2,700 - 4,000

Provenance Private Collection, U.S.A.

116

£1,500 - 2,000 €1,700 - 2,300 US$2,000 - 2,700

Provenance With Chris Beetles Ltd, London Private Collection, U.K.

Exhibited London, Chris Beetles Ltd, Ronald Searle, 2003, cat.no.111

Literature Ronald Searle, Slightly Foxed - But Still Desirable: Ronald Searle’s Wicked World of Book Collecting, Souvenir Press, London, 1989, ill. p.49

118 AR RUDOLPH IHLEE (BRITISH, 1883-1968) The Childrens’ Matinee signed ‘R.Ihlee’ (lower right) oil on board 40 x 57.5cm (15 3/4 x 22 5/8in).

£1,000 - 1,500 €1,100 - 1,700 US$1,300 - 2,000

Provenance With Belgrave Gallery Ltd, London With Austin/Desmond Fine Art, London, where acquired by the present owner 117

118

For details of the charges payable in addition to the final Hammer Price of each Lot For details of the charges payable in addition to the final Hammer Price of each Lot 64 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 119 ROBERT HARDY (BRITISH, BORN 1952) Statue of Eros - Piccadilly Circus signed ‘HARDY’ (lower left); also signed, titled and dated ‘HARDY/ Statue of Eros/-Piccadilly Circus/2015’ and stamped with Artist’s stamp (on canvas verso) oil and pencil on canvas 100 x 73cm (39 3/8 x 28 3/4in).

£2,500 - 3,500 €2,800 - 4,000 US$3,400 - 4,700

120 AR MATTHEW LINDOP (BRITISH, BORN 1978) Times Square signed, titled and dated ‘M. Lindop Times Square 2017’ (on the stretcher bar) oil and gloss paint on canvas 59 x 84cm (23 1/4 x 33 1/16in).

£1,000 - 1,500 €1,100 - 1,700 US$1,300 - 2,000

119

120

£3,000 - 5,000 €3,400 - 5,700 US$4,000 - 6,700

Provenance With Worthing Museum and Art Gallery, 20 January 1996, where acquired by the present owner Private Collection, U.K.

Exhibited Worthing, Worthing Museum and Art Gallery, 1996

122 AR 121 JOHN BRATBY R.A. (BRITISH, 1928-1992) Carnival People on Walkway and Clown, Venezia signed ‘BRATBY’ (lower left); also signed twice and inscribed (on labels attached to the reverse) oil on canvas 121.5 x 91cm (47 13/16 x 35 13/16in). with a copy of the letter from the Artist’s widow detailing the purchase of the work by the previous owner from the Summer Exhibition in 1992

£2,000 - 3,000 €2,300 - 3,400 US$2,700 - 4,000

Provenance Acquired from the Estate of the Artist in August 1992 by the previous owner Private Collection, U.K.

Exhibited London, Royal Academy of Arts, Summer Exhibition, 1992, cat.no.1017

122

For details of the charges payable in addition to the final Hammer Price of each Lot 66 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 123 AR JOHN BRATBY R.A. (BRITISH, 1928-1992) Sophia Brown in Blue Dress signed ‘BRATBY’ (lower right); inscribed ‘Sophia in blue dress’ (on stretcher bar); also indisctinctly inscribed and dated ‘Jan 66’ (on canvas overlap) oil on canvas 111.5 x 86.5cm (43 7/8 x 34 1/16in).

£5,000 - 7,000 €5,700 - 7,900 US$6,700 - 9,400

Provenance With James Hyman Gallery, London, where acquired by the present owner Private Collection, U.K.

Exhibited London, The Zwemmer Gallery, New Paintings by John Bratby, 5 October-5 November 1966, cat.no.26 (as Sophia Brown Accra, seated, in 123 blue dress) New York, ACA Gallery, John Bratby, 1967, (as Ghanaian Exotic Dancer Seated), illustrated front cover Newcastle, Laing Art Gallery, John Bratby, 1967, cat. no.68 (as Sophia Negress)

124 AR JOHN BRATBY R.A. (BRITISH, 1928-1992) John Bratby as Joss Ackland and Patti After The Rain signed ‘BRATBY’ (lower left) oil on canvas 121 x 91cm (47 5/8 x 35 13/16in). Painted in July 1990

£1,000 - 1,500 €1,100 - 1,700 US$1,300 - 2,000

124

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN BRITISH AND IRISH ART | 67 125 EDWARD WOLFE (SOUTH AFRICAN, 1897-1982) Portrait of a Young Woman signed ‘Wolfe’ (lower right) oil on canvas 61 x 50cm (24 x 19 11/16in).

£1,000 - 1,200 €1,100 - 1,400 US$1,300 - 1,600

Provenance With The Lefevre Gallery, London, 1948 With The Lynda Cotton Gallery, Watchet, West Somerset, where 125 acquired by the present owner Private Collection, U.K.

126 AR RUSKIN SPEAR R.A. (BRITISH, 1911-1990) Model at Wash Basin signed and dated ‘Ruskin Spear 36’ (lower right) chalk 49 x 35cm (19 5/16 x 13 3/4in).

£1,000 - 1,500 €1,100 - 1,700 US$1,300 - 2,000

Provenance E.M. Arnold M.B.E. Private Collection, U.K.

126

For details of the charges payable in addition to the final Hammer Price of each Lot For details of the charges payable in addition to the final Hammer Price of each Lot 68 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 127

128

127 AR 128 AR CAREL WEIGHT R.A. (BRITISH, 1908-1997) CAREL WEIGHT R.A. (BRITISH, 1908-1997) Landscape with Figures The Lane signed ‘Carel Weight’ (lower left) signed ‘Carel Weight’ (lower left); also titled ‘The Lane.’ (on card verso) oil on board oil on card 25.5 x 40.5cm (10 1/16 x 15 15/16in). 26.5 x 34cm (10 7/16 x 13 3/8in).

£1,000 - 1,500 £1,000 - 1,500 €1,100 - 1,700 €1,100 - 1,700 US$1,300 - 2,000 US$1,300 - 2,000

£2,500 - 3,500 €2,800 - 4,000 US$3,400 - 4,700

Exhibited London, Royal Academy of Arts

130 AR LEONARD MCCOMB R.A. (BRITISH, BORN 1930) Camellias in a Black Jug signed with monogram and dated ‘1988’ (lower right) oil on canvas laid to board 36 x 25.5cm (14 3/16 x 10 1/16in).

129 £2,500 - 3,500 €2,800 - 4,000 US$3,400 - 4,700

Exhibited London, Royal Academy of Arts

131 AR MARY FEDDEN R.A. (BRITISH, 1915-2012) Orange Poppies signed and dated ‘Fedden/1989’ (lower left); also signed and titled ‘Mary Fedden/Orange Poppies’ (on Artist’s label attached to the stretcher bar) oil on canvas 75.5 x 51cm (29 3/4 x 20 1/16in).

£10,000 - 15,000 €11,000 - 17,000 US$13,000 - 20,000

Provenance Private Collection, U.K., 1990 Castlegate Fine Art, Keswick, from whom acquired by Penny van der Have, and thence by descent Acquired from the above by the present owner, July 2013

130

For details of the charges payable in addition to the final Hammer Price of each Lot 70 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 131 132 AR SIMON ALBERT BUSSY (BRITISH, 1869- 1954) Orange chalk 26.5 x 22cm (10 7/16 x 8 11/16in). together with a further chalk drawing of lemons, by the same hand (both unframed) (2)

£1,500 - 2,000 €1,700 - 2,300 US$2,000 - 2,700

Provenance Acquired directly from the Artist by the family of the present owner, and thence by descent 132 133 AR SCOTTIE WILSON R.S.A., R.S.W. (BRITISH, 1889-1972) Four Butterflies each signed ‘SCOTTIE’ (lower right) gouache each: 24 x 16.5cm (9 7/16 x 6 1/2in). together with a further painting of Four Butterflies and one of birds and fish, both by the same hand (3)

£1,000 - 1,500 €1,100 - 1,700 US$1,300 - 2,000

Provenance One with Circle Paintings and Sculpture, London Acquired by the family of the present owner, and thence by descent

133 (one of three)

For details of the charges payable in addition to the final Hammer Price of each Lot For details of the charges payable in addition to the final Hammer Price of each Lot 72 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 134

134 AR MARY FEDDEN R.A. (BRITISH, 1915-2012) Still Life of Fruit signed and dated ‘Fedden ‘09’ (lower right) oil on canvas 40.5 x 50.5cm (15 15/16 x 19 7/8in).

£5,000 - 7,000 €5,700 - 7,900 US$6,700 - 9,400

Provenance Acquired directly from the Artist by the present owner

135 AR MARY FEDDEN R.A. (BRITISH, 1915-2012) Julian and the Bird signed and dated ‘Fedden 1984’ (lower left) gouache 25.5 x 18cm (10 1/16 x 7 1/16in).

£1,500 - 2,000 €1,700 - 2,300 US$2,000 - 2,700

Provenance With Michael Parkin Gallery, London, where acquired by the present owner 135

£800 - 1,200 €910 - 1,400 US$1,100 - 1,600

Provenance Private Collection, U.K. 136 137 AR GUY TAPLIN (BRITISH, BORN 1939) Waterbird signed and titled ‘WATERBIRD/GUY TAPLIN’ (on underside) painted wood 30cm (11 13/16in) (long)

£800 - 1,200 €910 - 1,400 US$1,100 - 1,600

Provenance Private Collection, U.K.

138 AR GUY TAPLIN (BRITISH, BORN 1939) Curlew 137 signed, titled and inscribed ‘CURLEW/GUY TAPLIN/WIVENHOE/ESSEX/3’ (on underside) painted wood, metal and driftwood 44cm (17 5/16in). (long)

£1,000 - 1,500 €1,100 - 1,700 US$1,300 - 2,000

Provenance Private Collection, U.K.

138

For details of the charges payable in addition to the final Hammer Price of each Lot For details of the charges payable in addition to the final Hammer Price of each Lot 74 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. ‘I want my birds to look like the sort of things you might come across on the beach when you were a child. You put them in your pocket and hoped to keep them for the rest of your life.’ (Guy Taplin quoted in Adrian Csáky and Ian Collins, Birds of Creation: Guy Taplin, Csáky Art, Berkshire, 1998, p.50.)

139 AR GUY TAPLIN (BRITISH, BORN 1939) House Martins painted wood 69 x 50 x 9.5 (27 3/16 x 19 11/16 x 3 3/4in).

£1,000 - 1,500 €1,100 - 1,700 US$1,300 - 2,000 139 Provenance Private Collection, U.K.

140 AR GUY TAPLIN (BRITISH, BORN 1939) Brent Goose signed and titled ‘BRENT GOOSE/THE SEA TAR BRAY/GUY TAPLIN’ (on underside) painted wood 31cm (12 3/16in). (high)

£1,000 - 1,500 €1,100 - 1,700 US$1,300 - 2,000

Provenance Private Collection, U.K.

140

142

141 AR 142 AR RICHARD ADAMS (BRITISH, BORN 1960) ADRIAN DAINTREY (BRITISH, 1902-1988) The Chatterboxes South Kensington signed and dated ‘Richard Adams 1997’ (upper right) signed ‘Adrian Daintrey’ (lower left); also signed, titled and inscribed pastel with Artist’s address ‘ADRIAN DAINTREY/PARK STUDIO/PELHAM 78.5 x 111.5cm (30 7/8 x 43 7/8in). STREET/(NO.2) SW7/”SOUTH KENSINGTON” (on canvas verso) oil on canvas £1,500 - 2,000 101.5 x 127cm (39 15/16 x 50in). €1,700 - 2,300 (unframed) US$2,000 - 2,700 £1,000 - 1,500 Provenance €1,100 - 1,700 With Hybrid Gallery US$1,300 - 2,000 Sale; Bonhams, Knightsbridge, 2 June 2015, lot 177, where acquired by the present owner Provenance With Michael Parkin Fine Art, London Sale; Bonhams, Knightsbridge, 5 March 2013, lot 75, where acquired by the present owner

For details of the charges payable in addition to the final Hammer Price of each Lot For details of the charges payable in addition to the final Hammer Price of each Lot 76 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 143

143 * AR ADRIAN BERG R.A. (BRITISH, 1929-2011) Gloucester Lodge, Regents Park signed and dated ‘Adrian Berg/8.75/6’ (on canvas verso); also titled and dated ‘Gloucester Lodge, Regent’s Park/Summer 1975/6’ (on label attached to the canvas overlap) oil on canvas 71 x 107cm (27 15/16 x 42 1/8in).

£2,500 - 3,500 €2,800 - 4,000 US$3,400 - 4,700

Provenance With Waddington and Tooth Galleries, London, where acquired by the present owner

144 AR PATRICK HAYMAN (BRITISH, 1915-1988) Riverside with Tall Buildings signed ‘HAYMAN-’ (lower left); also signed, titled and dated ‘”RIVERSIDE WITH/TALL BUILDINGS”/(OIL 1983)/Patrick Hayman’ (on backboard) oil on board 46.2 x 28.5cm (18 3/16 x 11 1/4in).

£2,000 - 3,000 €2,300 - 3,400 US$2,700 - 4,000

Provenance Private Collection, London

144

£800 - 1,200 €910 - 1,400 US$1,100 - 1,600

146 AR 145 IAN HOUSTON (BRITISH, BORN 1934) Zierikzee signed ‘Ian Houston’ (lower left) oil on board 25.5 x 36cm (10 1/16 x 14 3/16in). Painted circa 1987

£800 - 1,200 €910 - 1,400 US$1,100 - 1,600

Provenance With Mandell’s Gallery, Norwich

147 AR IAN HOUSTON (BRITISH, BORN 1934) Low Tide, St Ives signed ‘Ian Houston’ (lower left) oil on board 20 x 31cm (7 7/8 x 12 3/16in).

£600 - 800 €680 - 910 146 US$810 - 1,100

147

For details of the charges payable in addition to the final Hammer Price of each Lot For details of the charges payable in addition to the final Hammer Price of each Lot 78 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 148

148 AR FRED CUMING (BRITISH, BORN 1930) Bright Evening, Venice signed ‘Cuming’ (lower left) oil on board 29.5 x 61cm (11 5/8 x 24in).

£2,500 - 3,500 €2,800 - 4,000 US$3,400 - 4,700

Provenance Acquired directly from the Artist by the present owner Private Collection, U.K.

149 AR KEN MORONEY (BRITISH, BORN 1949) Amsterdam Street Scene signed ‘K Moroney’ (lower left) oil on board 50 x 40cm (19 11/16 x 15 3/4in).

£1,000 - 1,500 €1,100 - 1,700 US$1,300 - 2,000

149

151

150 AR 151 AR DONALD MCINTYRE (BRITISH, 1923-2009) DONALD MCINTYRE (BRITISH, 1923-2009) Farm by the Sea Resting Sandend signed ‘D McINTYRE-’ (lower right) signed with initials ‘DMc’ (lower right) acrylic on card acrylic on card 50 x 76cm (19 11/16 x 29 15/16in). 20 x 27.5cm (7 7/8 x 10 13/16in).

£3,000 - 5,000 £1,000 - 1,500 €3,400 - 5,700 €1,100 - 1,700 US$4,000 - 6,700 US$1,300 - 2,000

Provenance Private Collection, U.K. Sale; Bonhams, Knightsbridge, 15 June 2004, lot 218, where acquired by the present owner

For details of the charges payable in addition to the final Hammer Price of each Lot For details of the charges payable in addition to the final Hammer Price of each Lot 80 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 152

153

152 AR 153 AR KEN HOWARD R.A. (BRITISH, BORN 1932) ANTHONY EYTON R.A. (BRITISH, BORN 1923) Beach at Sennen French Landscape signed ‘Ken Howard’ (lower left) signed ‘A. EYTON’ (lower right) oil on canvas oil on board 20 x 61cm (7 7/8 x 24in). 36.5 x 47.5cm (14 3/8 x 18 11/16in). Painted in the early 1960s £3,000 - 5,000 €3,400 - 5,700 £1,200 - 1,800 US$4,000 - 6,700 €1,400 - 2,000 US$1,600 - 2,400 Provenance Sale; Bonhams, Knightsbridge, 11 March 2014, lot 5, where acquired Provenance by the present owner Private Collection, U.K., from whom acquired by the present owner

£1,200 - 1,800 €1,400 - 2,000 US$1,600 - 2,400

Provenance 154 Private Collection, by whom gifted to the present owner

Sold to benefit CW+, the charity of Chelsea and Westminster Hospitals NHS Foundation Trust

155 AR PADRAIG MACMIADHACHAIN R.W.A. (IRISH, 1929-2017) Teseuqe Indian Village signed and dated ‘MacMiadacain 81’ (lower left); also signed, titled and inscribed ‘TESEUQE INDIAN VILLAGE/NEW MEXICO/USA/P MACMIADHACHAIN’ (on canvas verso) oil on canvas 91 x 91cm (35 13/16 x 35 13/16in).

£1,000 - 1,500 €1,100 - 1,700 US$1,300 - 2,000

Provenance Private Collection, by whom gifted to the present owner

Sold to benefit CW+, the charity of Chelsea and Westminster Hospitals NHS Foundation Trust

155 156 AR PADRAIG MACMIADHACHAIN R.W.A. (IRISH, 1929-2017) St Aldems Head, Dorset signed and dated ‘MacMiadacain 82’ (lower left); also titled and dated ‘ST ALDEMS/HEAD/DORSET/JULY 82’ (on canvas verso) oil on canvas 91 x 91cm (35 13/16 x 35 13/16in).

£800 - 1,200 €910 - 1,400 US$1,100 - 1,600

Provenance Private Collection, by whom gifted to the present owner

Sold to benefit CW+, the charity of Chelsea and Westminster Hospitals NHS Foundation Trust

156

For details of the charges payable in addition to the final Hammer Price of each Lot For details of the charges payable in addition to the final Hammer Price of each Lot 82 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 157

158

157 AR 158 AR MICHAEL KIDNER R.A. (BRITISH, 1917-2009) ANTHONY GROSS (BRITISH, 1905-1984) La Cadière, South of France Figures in Landscape signed with initials, titled and dated ‘La Cadiere South of France MK signed with initials ‘AG’ (lower left) 53’ (on army kit bag verso) oil on board oil on army kit bag 33 x 38.5cm (13 x 15 3/16in). 51 x 60.5cm (20 1/16 x 23 13/16in). £1,500 - 2,000 £3,000 - 5,000 €1,700 - 2,300 €3,400 - 5,700 US$2,000 - 2,700 US$4,000 - 6,700 Provenance Provenance With Belgrave Gallery, London, where acquired by the present owner, Acquired directly from the Artist by the present owner 11 November 1988 Private Collection, U.K.

£2,000 - 3,000 €2,300 - 3,400 US$2,700 - 4,000

Provenance With Campbell’s, London, where acquired by the present owner in June 1999

159

160 AR PETER KUHFELD (BRITISH, BORN 1952) White bench, Highgrove House signed ‘Kuhfeld’ (lower right) oil on canvas 66 x 82cm (26 x 32 5/16in).

£1,000 - 2,000 €1,100 - 2,300 US$1,300 - 2,700

160

For details of the charges payable in addition to the final Hammer Price of each Lot For details of the charges payable in addition to the final Hammer Price of each Lot 84 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 161 AR JULIAN TREVELYAN R.A. (BRITISH, 1910- 1988) Landscape at Thury (Yonne) signed and dated ‘Trevelyan ‘49’ (lower right) oil on canvas 46 x 61cm (18 1/8 x 24in).

£4,000 - 6,000 €4,500 - 6,800 US$5,400 - 8,100

Provenance Sale; Bonhams, Knightsbridge, 25 September 2007, lot 83A, where acquired by the present owner

161

162 AR COLIN HAYES (BRITISH, 1919-2003) The Path to the Farm at St Esteve signed ‘Hayes’ (lower left) oil on canvas 62 x 75cm (24 7/16 x 29 1/2in). Painted in 1976

£1,000 - 1,500 €1,100 - 1,700 US$1,300 - 2,000

Provenance Acquired directly from the Artist by General Sir Peter Hunt, and thence by descent Acquired from the above by the present owner circa 2013-14

Exhibited London, Royal Academy of Arts, Summer Exhibition, 1977, cat.no.81

162

163 AR EDWARD BAWDEN R.A. (BRITISH, 1903-1989) Padre’s Tent at Mersa Matruh signed ‘Edward Bawden’ (lower right) watercolour and pen and ink 24.5 x 58.5cm (9 5/8 x 23 1/16in).

£3,000 - 5,000 €3,400 - 5,700 US$4,000 - 6,700

Provenance With Castlemaine Art Gallery, Australia With Austin/Desmond Fine Art, London, where acquired by the present owner Private Collection, U.K.

Literature Alan Ross, Colours of War, Jonathan Cape, London, 1983, p.142 (ill.b&w)

164 AR SEAN JEFFERSON (BRITISH, BORN 1957) Table Top Time Machine signed and dated ‘SEAN JEFFERSON 16’ (lower centre); also signed, titled, inscribed and dated ‘(TWO DIMENSIONAL)/TABLE TOP TIME MACHINE/SEAN JEFFERSON 2016’ (on backboard) oil on board 25 x 20cm (9 13/16 x 7 7/8in).

£1,500 - 2,000 €1,700 - 2,300 US$2,000 - 2,700 164

For details of the charges payable in addition to the final Hammer Price of each Lot For details of the charges payable in addition to the final Hammer Price of each Lot 86 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 165 (four of eighteen)

165 AR CECIL BEATON (BRITISH, 1904-1980) Provenance Illustrations for These Fine Adventurers, or Mission to Mombasa Commissioned from the Artist by Donn Casey, and thence by descent one inscribed ‘THESE FINE ADVENTURERS...’ (upper centre); another inscribed ‘THE FIGHT WITH THE COBRA’ (lower centre) The present works were created when the Artist was a guest of Lord watercolour and pen and ink and Lady Casey in Bengal in 1944. Lord Casey had been appointed each 19 x 16.3cm (7 1/2 x 6 7/16in). Governor of Bengal in 1943, and while staying with them Beaton fell (all unframed) (18) ill with dengue fever. Whilst recovering, the Casey’s son Donn, who Executed in 1944 was a teenager at the time, persuaded him to provide illustrations together with several copies of the original manuscript of These Fine for the story that he had written, Mission to Mombasa, or These Fine Adventurers, or Mission to Mombasa and documents relating to the Adventurers. As Lady Casey wrote: ‘The results were magnificent. manuscript and illustrations Cecil’s always brilliant pen was released by his ecstatic and no doubt irritable condition into Donn’s uninhibited world. The [eighteen] illustrations swirl with movement and colour. Out of delirium came £6,000 - 8,000 invention of a high order’ (Maie Casey, Tides and Eddies, Penguin, €6,800 - 9,100 1966, p.142). US$8,100 - 11,000

166 AR RICHARD PRICE R.O.I. (BRITISH, BORN 1962) End of the Day signed ‘Richard Price.’ (lower left) oil on canvasboard 25 x 30cm (9 13/16 x 11 13/16in). together with a further oil painting on canvasboard, ‘Windsurfers’, by the same hand (2)

£800 - 1,200 €910 - 1,400 US$1,100 - 1,600

167 AR RICHARD PRICE R.O.I. (BRITISH, BORN 1962) Blonde Nude with Lamp signed ‘Richard Price’ (lower left) oil on canvas 123 x 61cm (48 7/16 x 24in).

£600 - 800 €680 - 910 US$810 - 1,100

167

For details of the charges payable in addition to the final Hammer Price of each Lot For details of the charges payable in addition to the final Hammer Price of each Lot 88 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 168 AR RICHARD PRICE R.O.I. (BRITISH, BORN 1962) In the Morning Sunlight signed ‘Richard Price’ (lower right) oil on canvasboard 35.5 x 25cm (14 x 9 13/16in). together with a further oil painting, ‘Morning Light’, by the same hand (2)

£800 - 1,200 €910 - 1,400 US$1,100 - 1,600

169 AR RICHARD PRICE R.O.I. (BRITISH, BORN 1962) 168 (one of two) Harmony in Green and Red signed ‘Richard Price’ (lower left); titled (on board verso) oil on board 46 x 36cm (18 1/8 x 14 3/16in).

£500 - 700 €570 - 790 US$670 - 940

169

£1,000 - 1,500 €1,100 - 1,700 US$1,300 - 2,000

Provenance Acquired directly from the Artist by the present owner Private Collection, U.K.

171 AR SUSAN RYDER (BRITISH, BORN 1944) The Boudoir signed ‘Ryder’ (lower right) oil on canvas 51 x 66cm (20 1/16 x 26in).

£800 - 1,200 €910 - 1,400 US$1,100 - 1,600

Provenance Acquired directly from the Artist by the present owner Private Collection, U.K.

170

171

For details of the charges payable in addition to the final Hammer Price of each Lot For details of the charges payable in addition to the final Hammer Price of each Lot 90 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 172 AR JOHN BRATBY R.A. (BRITISH, 1928-1992) Full Length Portrait of Miss Zena Tibbenham, Aged 17 signed ‘BRATBY’ (upper left) oil on canvas 137 x 38cm (53 15/16 x 14 15/16in).

£2,000 - 3,000 €2,300 - 3,400 US$2,700 - 4,000

Provenance Acquired directly from the Artist by the present owner Private Collection, U.K.

173 AR 172 JOHN KIRBY (BRITISH, BORN 1949) Untitled oil on board 46 x 29.5cm (18 1/8 x 11 5/8in).

£1,000 - 1,500 €1,100 - 1,700 US$1,300 - 2,000

Provenance With Flowers Gallery, London

173

£2,500 - 3,500 €2,800 - 4,000 US$3,400 - 4,700

Provenance Vincentians Art Collection, St Mary’s College, Strawberry Hill, from whom acquired by the present owner

174

175 AR MAURICE COCKRILL R.A. (BRITISH, 1936-2013) Pruning signed and dated ‘Maurice Cockrill. 1990.’ (on canvas verso) oil on canvas 60.5 x 51cm (23 13/16 x 20 1/16in).

£1,000 - 1,500 €1,100 - 1,700 US$1,300 - 2,000

Provenance With Bernard Jacobson Gallery, London Sale; Bonhams, Knightsbridge, 17 July 2007, lot 135, where acquired by the present owner

175

For details of the charges payable in addition to the final Hammer Price of each Lot For details of the charges payable in addition to the final Hammer Price of each Lot 92 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 176 AR SÉAN MCSWEENEY (IRISH, 1935-2018) Irish Coast Scene signed ‘Séan McSweeney’ (lower right) oil on canvas 74 x 102cm (29 1/8 x 40 3/16in).

£4,000 - 6,000 €4,500 - 6,800 US$5,400 - 8,100

Provenance Acquired directly from the Artist by the present owner in 1989 or 1990

176

177 AR JOHN KINGERLEE (IRISH, BORN 1936) Kilcatherine Gridscape signed, titled and dated ‘Kilcatherine./2005/2007/Kingerlee’ (on board verso) oil on canvas, laid on board 38.5 x 46cm (15 3/16 x 18 1/8in).

£3,000 - 4,000 €3,400 - 4,500 US$4,000 - 5,400

Provenance Sale; Morgan O’Driscoll, Cork, 14 September 2015, lot 70, where acquired by the present owner

177

£2,000 - 3,000 €2,300 - 3,400 US$2,700 - 4,000

Provenance E.M. Arnold M.B.E. Private Collection, U.K. 178 179 AR WILLIAM GEAR (BRITISH, 1915-1997) Nocturne signed and dated ‘Gear ‘48’ (upper left); also signed, titled and dated ‘Gear/”NOCTURNE”/MAY 1948’ (on paper verso) ink, gouache and watercolour 49 x 31.5cm (19 5/16 x 12 3/8in).

£1,000 - 1,500 €1,100 - 1,700 US$1,300 - 2,000

Provenance With The Redfern Gallery, London Sale; Christie’s, South Kensington, 3 March 2005, lot 266, where acquired by the present owner

179

For details of the charges payable in addition to the final Hammer Price of each Lot For details of the charges payable in addition to the final Hammer Price of each Lot 94 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 180 AR WILLIAM GEAR (BRITISH, 1915-1997) Study with Red signed and dated ‘Gear ‘61’ (lower right); also signed, dated and titled ‘Gear/Oct ‘61/”STUDY WITH RED”’ (on canvas verso) oil on canvas 64 x 51cm (25 3/16 x 20 1/16in).

£6,000 - 8,000 €6,800 - 9,100 US$8,100 - 11,000

Provenance With Ikon Gallery, Birmingham, where acquired by the present owner 180 circa the early 1980s

181 AR WILLIAM GEAR (BRITISH, 1915-1997) Spanish Souvenir signed and dated ‘Gear ‘89’ (lower right); also signed and dated ‘Gear/July/Sept ‘89’ (on canvas verso); bears inscription ‘”SPANISH SOUVENIR”’ (on canvas verso) oil on canvas 122 x 81cm (48 1/16 x 31 7/8in).

£5,000 - 7,000 €5,700 - 7,900 US$6,700 - 9,400

Provenance With Alan Wheatley Art, London, where acquired by the present owner Private Collection, U.K.

181

£4,000 - 6,000 €4,500 - 6,800 US$5,400 - 8,100

182 Provenance Miss Elizabeth Brunner With Waddington Galleries, London Private Collection

Exhibited Southampton, Southampton Art Gallery, December 1962

183 AR TREVOR BELL (BRITISH, 1930-2017) Composition in Brown and Purple signed and dated ‘Bell 1959’ (lower centre) watercolour and gouache 91.5 x 58.5cm (36 x 23 1/16in).

£3,000 - 5,000 €3,400 - 5,700 US$4,000 - 6,700

Provenance Sale; Bonhams, London, 26 June 2007, lot 150, where acquired by the present owner

184 AR JOHN WELLS (BRITISH, 1907-2000) Old Wall and Wire signed, titled, dated and inscribed ‘John Wells. 1960-1975/”Old Wall + Wire”/Anchor Studios/Trewarveneth Street/NEWLYN/CORNWALL.’ (on backboard); also dated and titled ‘1960-75/old wall and wire.’ (on label attached to backboard) 183 oil on card 14.5 x 23cm (5 11/16 x 9 1/16in).

£1,800 - 2,500 €2,000 - 2,800 US$2,400 - 3,400

Provenance Acquired by the family of the present owner, and thence by descent Private Collection, U.K.

184

For details of the charges payable in addition to the final Hammer Price of each Lot For details of the charges payable in addition to the final Hammer Price of each Lot 96 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 185 AR FRANCIS DAVISON (BRITISH, 1919-1984) Brown Field With White stamped twice with Estate stamp (on labels attached to the backboard) collage 87 x 88cm (34 1/4 x 34 5/8in). Executed circa 1969

£5,000 - 7,000 €5,700 - 7,900 US$6,700 - 9,400

Provenance With Austin/Desmond Fine Art, London, where acquired by the present owner, 23 February 2008

Exhibited Sudbury, Gainsborough’s House, Francis Davison, 22 August-18 October 1992, cat. no.8

186 AR TREVOR BELL (BRITISH, 1930-2017) No. 5 Dark Movement signed, titled and dated ‘DARK MOVEMENT/ by/TREVOR BELL 1961 (on board verso) oil on board 185 91 x 121.5cm (35 13/16 x 47 13/16in).

£5,000 - 7,000 €5,700 - 7,900 US$6,700 - 9,400

Provenance P.W.S. Andrews, Nuffield College, Oxford With Waddington Galleries, London Private Collection

Exhibited Southampton, Southampton Art Gallery, December 1962

186

£2,000 - 3,000 €2,300 - 3,400 US$2,700 - 4,000

Provenance Private Collection, London 187 188 AR BILL JACKLIN R.A. (BRITISH, BORN 1943) The Granary signed and dated ‘Jacklin 70’ (lower right); titled ‘The Granary’ (lower centre) pen and ink 23 x 23cm (9 1/16 x 9 1/16in).(image)

£1,000 - 1,500 €1,100 - 1,700 US$1,300 - 2,000

Provenance Private Collection, London

188

For details of the charges payable in addition to the final Hammer Price of each Lot For details of the charges payable in addition to the final Hammer Price of each Lot 98 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 189 AR PRUNELLA CLOUGH (BRITISH, 1919- 1999) Constellation signed ‘Clough’ (on board verso) metallic paint and mixed media on board 74.5 x 58cm (29 5/16 x 22 13/16in). Painted in 1984

£5,000 - 7,000 €5,700 - 7,900 US$6,700 - 9,400

Provenance Gifted by the Artist to the previous owner Sale; Christie’s, South Kensington, 14 July 2011, lot 241 Private Collection, U.K.

Exhibited London, Camden Arts Centre, Prunella Clough, 17 May-30 June 1996, un-numbered catalogue, with tour to Oriel 31, Powys London, Annely Juda Fine Art, Prunella Clough The Late Paintings and selected earlier works, 1 November-16 December 2000, cat.no.51, ill. p.48

190 AR JEFFREY STEELE (BRITISH, 1931) Geometric Study signed ‘Jeffrey Steele’ (lower right); also inscribed, dated and dedicated ‘Sg III 106 1964/1994 for Liz 25 iv 94’ (lower left) gouache, felt-tip pen and pencil 50.5 x 61cm (19 7/8 x 24in). 189 £800 - 1,200 €910 - 1,400 US$1,100 - 1,600

Provenance Gifted by the Artist to the present owner Private Collection, U.K.

Jeffrey Steele was awarded a scholarship by the French government in 1959 to study in Paris for three months, and the experience proved a turning point for the artist. There, he encountered the work of artists such as Victor Vasarely, Max Bill and Josef Albers, and decided to adopt a geometrical abstract approach. Returning to Cardiff in 1960, he was to work in monochrome for eight years, his works from this period being identified with the Op art movement. He had his first solo show at the Institute of Contemporary Arts in 1961, and had work included in the 1965 exhibition The Responsive Eye at the Museum of Modern Art, New York.

190

£2,000 - 3,000 €2,300 - 3,400 US$2,700 - 4,000

191 Provenance Sale; Sotheby’s, Olympia, 11 February 2004, lot 301, where acquired by the present owner

192 * AR PETER KINLEY (BRITISH, 1926-1988) Study for Studio Window II signed ‘Kinley’ (lower right) oil and pencil 27.5 x 34cm (10 13/16 x 13 3/8in). Painted in 1975

£1,000 - 1,500 €1,100 - 1,700 US$1,300 - 2,000

Provenance With Arthur Tooth & Sons Ltd, London, where acquired by the present owner

193 AR RICHARD SMITH (BRITISH, 1931-2016) 192 Project for Summer Sculpture signed and dated ‘R. Smith 65’ (lower centre); titled ‘Project for Summer Sculpture’ (upper left) oil pastel and pencil 40.5 x 35cm (15 15/16 x 13 3/4in).

£600 - 800 €680 - 910 US$810 - 1,100

Provenance With Kasmin Limited, London Private Collection

193

For details of the charges payable in addition to the final Hammer Price of each Lot For details of the charges payable in addition to the final Hammer Price of each Lot 100 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 194 (five of six)

194 AR GRAYSON PERRY (BRITISH, BORN 1960) Tax on Cultural Capital five signed ‘Grayson Perry’ (lower right) felt-tip pen each: 29.8 x 21cm (11 3/4 x 8 1/4in). (all unframed) (6) ‘An artist’s job is to make new clichés’ £4,000 - 6,000 €4,500 - 6,800 (Grayson Perry, Playing to the Gallery, US$5,400 - 8,100 Penguin, London, 2016, p.117)

Provenance Private Collection, U.K.

£2,000 - 3,000 €2,300 - 3,400 US$2,700 - 4,000

Provenance Acquired directly from the Artist in 1978 by the present owner’s family, and thence by descent Private Collection, U.K.

195

196 AR ALBERT IRVIN R.A. (BRITISH, 1922-2015) Abstract Composition signed and dated ‘Irvin 76’ (upper left) watercolour 79 x 56cm (31 1/8 x 22 1/16in).

£1,200 - 1,800 €1,400 - 2,000 US$1,600 - 2,400

Provenance Acquired directly from the Artist by the present owner Private Collection

196

For details of the charges payable in addition to the final Hammer Price of each Lot For details of the charges payable in addition to the final Hammer Price of each Lot 102 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 197 AR ALBERT IRVIN R.A. (BRITISH, 1922-2015) Torriano II ‘Irvin’s celebratory approach signed and dated ‘Irvin ‘99’ (on the canvas overlap) acrylic on canvas epitomised the idea of painting as 85 x 123cm (33 7/16 x 48 7/16in). the expression of the life force within £5,000 - 7,000 €5,700 - 7,900 the space of the image.’ US$6,700 - 9,400 (Mike Tooby, ‘Albert Irvin obituary’, The Guardian, 27 March 2015) Provenance With Gimpel Fils, London, where acquired by the present owners Private Collection, U.K.

198 ROBERT O’RORKE (BRITISH, BORN 1945) Untitled 1 signed ‘ROBERT O’RORKE’ (on canvas overlap) acrylic on three canvases 81 x 193cm (31 7/8 x 76in). (overall) Painted in 1970

£1,000 - 1,500 €1,100 - 1,700 US$1,300 - 2,000

The present work and lot 199 were both painted following the Artist’s graduation from the Royal College of Art in 1969, where he had absorbed the influences of British and American pop artists including Hockney, Kitaj and Peter Blake (his tutor at the RCA), as well as Robert Rauschenberg and Jasper Johns. Upon graduating O’Rorke moved to a shared studio at St Katharine Docks, a warehouse next to the Tower of London which Bridget Riley and Peter Sedgley had taken a short lease on. Focusing only on form, colour and gestural brushwork, the two lots offered here are an exuberant example of the Artist’s work in the early 1970s.

199 ROBERT O’RORKE (BRITISH, BORN 1945) Untitled 2 signed ‘ROBERT O’RORKE’ (on canvas 199 overlap) acrylic on canvas 121.5 x 121.5cm (47 13/16 x 47 13/16in). Painted in 1971

£1,000 - 1,500 €1,100 - 1,700 US$1,300 - 2,000

For details of the charges payable in addition to the final Hammer Price of each Lot For details of the charges payable in addition to the final Hammer Price of each Lot 104 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 200 AR SANDRA BLOW R.A. (BRITISH, 1925- 2006) Three Lines signed, titled with symbol and dated ‘Blow 2003’ (on canvas overlap) acrylic and collage on canvas 106.5 x 106.5cm (41 15/16 x 41 15/16in).

£3,000 - 5,000 €3,400 - 5,700 US$4,000 - 6,700

Provenance CCA Galleries, London, where acquired by the present owner in December 2004

201 AR GEOFFREY RIGDEN (1943-2016) Famagusta Gate signed, titled, inscribed and dated ‘Famagusta Gate TOP G Rigden 86’ (on canvas overlap) acrylic and canvas collage on canvas 122 x 132cm (48 1/16 x 51 15/16in). 200 £1,000 - 1,500 €1,100 - 1,700 US$1,300 - 2,000

Provenance With The Francis Graham-Dixon Gallery, London Acquired from the above by Tom Bendhem, 29 June 1988 Gifted by the above to The Contemporary Art Society, London

Geoffrey Rigden was an abstract painter and sculptor, influenced by an eclectic number of French and American artists and also a love of jazz. After studying at the Royal College of Art, he went on to teach at both Canterbury College of Art and in the Fine Art department at the University of Reading, as well as working for several years as a part-time assistant at the legendary Kasmin Gallery, helping with shows by artists including Anthony Caro and Kenneth Noland, artists who both influenced his work.

Sold to benefit CW+, the charity of Chelsea and Westminster Hospitals NHS Foundation Trust

201

For details of the charges payable in addition to the final Hammer Price of each Lot For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN BRITISH AND IRISH ART | 105 TITO CONTI ENQUIRIES Index 19TH CENTURY EUROPEAN, (ITALIAN, 1842-1924) +44 (0) 20 7468 8360 VICTORIAN AND BRITISH A classical beauty (detail) [email protected] Adams, Richard 141 Howard, Ken 152 Price, Richard 166, 167, 168, 169 IMPRESSIONIST ART oil on canvas Ayrton, Michael 83 Hunt, Sidney 24 Pritchard, Gwilym 70 Wednesday 26 September 2018 69.8 x 50.8cm (27 1/2 x 20in). £20,000 - 30,000 Barns-Graham, Wilhelmina 100 Ihlee, Rudolph 118 Rigden, Geoffrey 201 New Bond Street, London plus buyer’s premium and other fees * Barton, Glenys 91 Irvin, Albert 195, 196, 197 Riley, Harold 56, 57 Bawden, Edward 163 Jacklin, Bill 187, 188 Ritchie, Walter 28, 29 Beaton, Cecil 165 Jarman, Gerald R. 54, 55 Rowntree, Kenneth 61, 62, 63 Bell, Trevor 182, 183, 186 Jefferson, Sean 164 Ryder, Susan 170, 171 Bellany, John 113 John, Augustus 31 Scott, William 102, 103 Belsky, Franta 77 John, Gwen 8 Searle, Ronald 117 Bent, Medora Heather 44, 45, 46 Jones, Allen 191 Shepherd, David 51, 52, 53 Berg, Adrian 143 Kidner, Michael 157 Sickert, Walter Richard 2, 4 Blow, Sandra 200 Kingerlee, John 177 Smith, Richard 193 Bomberg, David 82 Kinley, Peter 192 Spare, Austin Osman 27 Boswell, James 66, 67, 68, 69 Kirby, John 173 Spear, Ruskin 9, 116, 126 Bratby, John 115, 121, 122, 123, 124, 172 Knapp-Fisher, John 71 Spencer, Gilbert 7 Brown, Ralph 84 Kuhfeld, Peter 160 Steele, Jeffrey 190 Bussy, Simon Albert 132 Lamb, Henry 11, 12 Taplin, Guy 136, 137, 138, 139, 140 Butler, Reg 85 Lanyon, Peter 97, 101 Tibble, Geoffrey 26 Cockrill, Maurice 175 Le Brocquy, Louis 178 Trevelyan, Julian 161 Craxton, John 95, 98 Lindop, Matthew 120 Turner, John 23 Cuming, Fred 148 Lowndes, Alan 59 Underwood, Leon 13, 14, 15, 16, 17 Cundall, Charles 50 Lowry, Laurence Stephen 86, 87 Valentine-Daines, Sherree 110, 111 Currie, John S. 5 Macmiadhachain, Padraig 154, 155, 156 Vaughan, Keith 92, 93 Daintrey, Adrian 142 Maddox, Conroy 43, 114 Weight, Carel 127, 128 Davison, Francis 185 Major, Theodore 60 Wells, John 184 Delaney, Arthur 58 McComb, Leonard 129, 130 Williams, Kyffin 72, 76 Dobson, Frank 19 McDonnell, Hector 64 Willoughby, Vera 34 Drummond, Malcolm 1 McIntyre, Donald 150, 151 Wilson, Scottie 133 Dunlop, Ronald Ossory 47, 48, 49 McSweeney, Séan 176 Wolfe, Edward 125 Eyton, Anthony 153 Minton, John 94 Wood, Albert Victor Ormsby 25 Fedden, Mary 131, 134, 135 Mitchell, Denis 105 Wynter, Bryan 99 Feiler, Paul 104 Moroney, Ken 145, 149 Yates, Fred 109 Frink, Elisabeth 90 Mount, Paul 106 Yeats, Jack B. 30 Frost, Terry 107 Nash, John Northcote 39 Gear, William 179, 180, 181 Neal, Charles 159 Gill, Eric 6 Nemon, Oscar 33 Gillchrest, Joan 108 Nevinson, Christopher Richard Wynne 36 Gosse, Sylvia 35, 37, 40 Newton, Algernon 38 Grant, Duncan 10, 18, 20, 21, 22 Nicholson, Ben 96 Gross, Anthony 158 Nicholson, William 3 Hambling, Maggi 174 Nolan, Sidney 112 Hardy, Robert 119 O’Rorke, Robert 198, 199 Hayes, Colin 162 Orpen, Sir William 32 Hayman, Patrick 144 Palmer, Simon 65 Hayward, Arthur 41, 42 Paolozzi, Eduardo, Sir 89 Herman, Josef 73, 74, 75 Perry, Grayson 194 Houston, Ian 146, 147 Piper, John 78, 79, 80, 81

bonhams.com/pic-vop 106 | BONHAMS *For details of the charges payable in addition to the final hammer price, please visit bonhams.com/buyersguide TITO CONTI ENQUIRIES 19TH CENTURY EUROPEAN, (ITALIAN, 1842-1924) +44 (0) 20 7468 8360 VICTORIAN AND BRITISH A classical beauty (detail) [email protected] IMPRESSIONIST ART oil on canvas Wednesday 26 September 2018 69.8 x 50.8cm (27 1/2 x 20in). £20,000 - 30,000 New Bond Street, London plus buyer’s premium and other fees *

bonhams.com/pic-vop *For details of the charges payable in addition to the final hammer price, please visit bonhams.com/buyersguide NOTICE TO BIDDERS This notice is addressed by Bonhams to any person who are sold as items of interest for display purposes only. If you or as to the anticipated or likely selling price of any Lot. No Bidding in person Buyer’s Premium and associated charges. If we approve the 8. VAT may be interested in a Lot, including Bidders and potential yourself do not have expertise regarding a Lot, you should statement or representation by Bonhams or on its behalf in any You should come to our Bidder registration desk at the Sale identity of your client in advance, we will be in a position to Bidders (including any eventual Buyer of the Lot). For ease of consult someone who does to advise you. We can assist in way descriptive of any Lot or any Estimate is incorporated into venue and fill out a Bidder Registration Form on (or, if possible, address the invoice to your principal rather than you. We will The prevailing rate of VAT at the time of going to press is 20%, reference we refer to such persons as “Bidders” or “you”. Our arranging facilities for you to carry out or have carried out more our Buyer’s Agreement. before) the day of the Sale. The bidding number system is require proof of the agent’s client’s identity and residence in but this is subject to government change and the rate payable List of Definitions and Glossary is incorporated into this Notice detailed inspections and tests. Please ask our staff for details. sometimes referred to as “paddle bidding”. You will be issued advance of any bids made by the agent on his behalf. Please will be the rate in force on the date of the Sale. to Bidders. It is at Appendix 3 at the back of the Catalogue. Alterations with a large card (a “paddle”) with a printed number on it. This refer to our Conditions of Business and contact our Customer Where words and phrases are used in this notice which are in Any person who damages a Lot will be held liable for the Descriptions and Estimates may be amended at Bonhams’ will be attributed to you for the purposes of the Sale. Should Services Department for further details. The following symbols, shown beside the Lot number, are the List of Definitions, they are printed in italics. loss caused. discretion from time to time by notice given orally or in you be a successful Bidder you will need to ensure that your used to denote that VAT is due on the Hammer Price and writing before or during a Sale. number can be clearly seen by the Auctioneer and that it is 6. CONTRACTS BETWEEN THE BUYER AND Buyer’s Premium: IMPORTANT: Additional information applicable to the Sale 3. DESCRIPTIONS OF LOTS AND ESTIMATES your number which is identified as the Buyer’s. You should not SELLER AND THE BUYER AND BONHAMS † VAT at the prevailing rate on Hammer Price and Buyer’s may be set out in the Catalogue for the Sale, in an insert in THE LOT IS AVAILABLE FOR INSPECTION AND YOU MUST let anyone else use your paddle as all Lots will be invoiced to Premium the Catalogue and/or in a notice displayed at the Sale venue Contractual Description of a Lot FORM YOUR OWN OPINION IN RELATION TO IT. YOU ARE the name and address given on your Bidder Registration Form. On the Lot being knocked down to the Buyer, a Contract for Ω VAT on imported items at the prevailing rate on Hammer and you should read them as well. Announcements affecting The Catalogue contains an Entry about each Lot. Each Lot STRONGLY ADVISED TO EXAMINE ANY LOT OR HAVE IT Once an invoice is issued it will not be changed. If there is Sale of the Lot will be entered into between the Seller and the Price and Buyer’s Premium the Sale may also be given out orally before and during the is sold by its respective Seller to the Buyer of the Lot as EXAMINED ON YOUR BEHALF BEFORE THE SALE. any doubt as to the Hammer Price of, or whether you are the Buyer on the terms of the Contract for Sale set out in Appendix * VAT on imported items at a preferential rate of 5% Sale without prior written notice. You should be alert to the corresponding only with that part of the Entry which is printed successful Bidder of, a particular Lot, you must draw this to 1 at the back of the Catalogue. You will be liable to pay the on Hammer Price and the prevailing rate on Buyer’s possibility of changes and ask in advance of bidding if there in bold letters and (except for the colour, which may be 4. CONDUCT OF THE SALE the attention of the Auctioneer before the next Lot is offered for Purchase Price, which is the Hammer Price plus any applicable Premium have been any. inaccurately reproduced) with any photograph of the Lot in the Sale. At the end of the Sale, or when you have finished bidding VAT. At the same time, a separate contract is also entered into G Gold bullion exempt from VAT on the Hammer Price Catalogue. The remainder of the Entry, which is not printed in Our Sales are public auctions which persons may attend and please return your paddle to the Bidder registration desk. between us as Auctioneers and the Buyer. This is our Buyer’s and subject to VAT at the prevailing rate on the Buyer’s 1. OUR ROLE bold letters, represents Bonhams’ opinion (given on behalf of you should take the opportunity to do so. We do reserve the Agreement, the terms of which are set out in Appendix 2 at the Premium the Seller) about the Lot only and is not part of the Contractual right at our sole discretion to refuse admission to our premises Bidding by telephone back of the Catalogue. Please read the terms of the Contract • Zero rated for VAT, no VAT will be added to the Hammer In its role as Auctioneer of Lots, Bonhams acts solely for Description in accordance with which the Lot is sold by the or to any Sale without stating a reason. We have complete If you wish to bid at the Sale by telephone, please complete a for Sale and our Buyer’s Agreement contained in the Catalogue Price or the Buyer’s Premium and in the interests of the Seller. Bonhams’ job is to sell the Seller. discretion as to whether the Sale proceeds, whether any Telephone Bidding Form, which is available from our offices or in case you are the successful Bidder. We may change the a Buyers from within the EU: VAT is payable at the Lot at the highest price obtainable at the Sale to a Bidder. Lot is included in the Sale, the manner in which the Sale is in the Catalogue. Please then return it to the office responsible terms of either or both of these agreements in advance of prevailing rate on just the Buyer’s Premium (NOT the Bonhams does not act for Buyers or Bidders in this role and Estimates conducted and we may offer Lots for Sale in any order we for the Sale at least 24 hours in advance of the Sale. It is their being entered into, by setting out different terms in the Hammer Price). Buyers from outside the EU: VAT is does not give advice to Buyers or Bidders. When it or its In most cases, an Estimate is printed beside the Entry. choose notwithstanding the numbers given to Lots in the your responsibility to check with our Bids Office that your Catalogue and/or by placing an insert in the Catalogue and/ payable at the prevailing rate on both Hammer Price and staff make statements about a Lot or, if Bonhams provides Estimates are only an expression of Bonhams’ opinion made Catalogue. You should therefore check the date and starting bid has been received. Telephone calls will be recorded. The or by notices at the Sale venue and/or by oral announcements Buyer’s Premium. If a Buyer, having registered under a Condition Report on a Lot it is doing that on behalf of the on behalf of the Seller of the range where Bonhams thinks the time of the Sale, whether there have been any withdrawals telephone bidding facility is a discretionary service and may not before and during the Sale. You should be alert to this a non-EU address, decides that the item is not to be Seller of the Lot. Bidders and Buyers who are themselves Hammer Price for the Lot is likely to fall; it is not an Estimate or late entries. Remember that withdrawals and late entries be available in relation to all Lots. We will not be responsible possibility of changes and ask if there have been any. exported from the EU, then he should advise Bonhams not expert in the Lots are strongly advised to seek and obtain of value. It does not take into account any VAT or Buyer’s may affect the time at which a Lot you are interested in is put for bidding on your behalf if you are unavailable at the time of immediately. independent advice on the Lots and their value before bidding Premium payable or any other fees payable by the Buyer, up for Sale. We have complete discretion to refuse any bid, the Sale or if the telephone connection is interrupted during 7. BUYER’S PREMIUM AND OTHER CHARGES for them. The Seller has authorised Bonhams to sell the Lot which are detailed in paragraph 7 of the Notice to Bidders, to nominate any bidding increment we consider appropriate, bidding. Please contact us for further details. PAYABLE BY THE BUYER In all other instances no VAT will be charged on the Hammer as its agent on its behalf and, save where we expressly make below. Lots can in fact sell for Hammer Prices below and to divide any Lot, to combine two or more Lots, to withdraw Price, but VAT at the prevailing rate will be added to Buyer’s it clear to the contrary, Bonhams acts only as agent for the above the Estimate. Any Estimate should not be relied on any Lot from a Sale and, before the Sale has been closed, Bidding by post or fax Under the Buyer’s Agreement, a premium (the Buyer’s Premium which will be invoiced on a VAT inclusive basis. Seller. Any statement or representation we make in respect as an indication of the actual selling price or value of a Lot. to put up any Lot for auction again. Auction speeds can Absentee Bidding Forms can be found in the back of this Premium) is payable to us by the Buyer in accordance with the of a Lot is made on the Seller’s behalf and, unless Bonhams Estimates are in the currency of the Sale. exceed 100 Lots to the hour and bidding increments are Catalogue and should be completed and sent to the office terms of the Buyer’s Agreement and at rates set out below, 9. PAYMENT sells a Lot as principal, not on our behalf and any Contract for generally about 10%. However these do vary from Sale to responsible for the Sale. It is in your interests to return your calculated by reference to the Hammer Price and payable Sale is between the Buyer and the Seller and not with us. If Condition Reports Sale and from Auctioneer to Auctioneer. Please check with form as soon as possible, as if two or more Bidders submit in addition to it. For this Sale the following rates of Buyer’s It is of critical importance that you ensure that you have readily Bonhams sells a Lot as principal this will either be stated in the In respect of most Lots, you may ask for a Condition Report the department organising the Sale for advice on this. Where identical bids for a Lot, the first bid received takes preference. Premium will be payable by Buyers of Lots: available funds to pay the Purchase Price and the Buyer’s Catalogue or an announcement to that effect will be made by on its physical condition from Bonhams. If you do so, this will a Reserve has been applied to a Lot, the Auctioneer may, In any event, all bids should be received at least 24 hours Premium (plus VAT and any other charges and Expenses to us) the Auctioneer, or it will be stated in a notice at the Sale or an be provided by Bonhams on behalf of the Seller free of charge. in his absolute discretion, place bids (up to an amount not before the start of the Sale. Please check your Absentee 25% up to £175,000 of the Hammer Price in full before making a bid for the Lot. If you are a successful insert in the Catalogue. Bonhams is not entering into a contract with you in respect equalling or exceeding such Reserve) on behalf of the Seller. Bidding Form carefully before returning it to us, fully completed 20% from £175,001 to £3,000,000 of the Hammer Price Bidder, payment will be due to us by 4.30 pm on the second of the Condition Report and accordingly does not assume We are not responsible to you in respect of the presence or and signed by you. It is your responsibility to check with our 12.5% from £3,000,001 of the Hammer Price working day after the Sale so that all sums are cleared by the Bonhams does not owe or undertake or agree to any duty responsibility to you in respect of it. Nor does the Seller owe or absence of any Reserve in respect of any Lot. If there is a Bids Office that your bid has been received. This additional eighth working day after the Sale. Payments made by anyone or responsibility to you in contract or tort (whether direct, agree to owe you as a Bidder any obligation or duty in respect Reserve it will normally be no higher than the lower figure for service is complimentary and is confidential. Such bids are Storage and handling charges may also be payable by the other than the registered Buyer will not be accepted. Bonhams collateral, express, implied or otherwise). If you successfully bid of this free report about a Lot, which is available for your own any Estimate in the Catalogue, assuming that the currency of made at your own risk and we cannot accept liability for our Buyer as detailed on the specific Sale Information page at the reserves the right to vary the terms of payment at any time. for a Lot and buy it, at that stage Bonhams does enter into an inspection or for inspection by an expert instructed by you. the Reserve has not fluctuated adversely against the currency failure to receive and/or place any such bids. All bids made front of the catalogue. agreement with the Buyer. The terms of that contract are set However, any written Description of the physical condition of of the Estimate. The Buyer will be the Bidder who makes the on your behalf will be made at the lowest level possible Bonhams’ preferred payment method is by out in our Buyer’s Agreement, which you will find at Appendix the Lot contained in a Condition Report will form part of the highest bid acceptable to the Auctioneer for any Lot (subject subject to Reserves and other bids made for the Lot. Where The Buyer’s Premium and all other charges payable to us by bank transfer. 2 at the back of the Catalogue. This will govern Bonhams’ Contractual Description of the Lot under which it is sold to to any applicable Reserve) to whom the Lot is knocked down appropriate your bids will be rounded down to the nearest the Buyer are subject to VAT at the prevailing rate, currently relationship with the Buyer. any Buyer. by the Auctioneer at the fall of the Auctioneer’s hammer. Any amount consistent with the Auctioneer’s bidding increments. 20%. You may electronically transfer funds to our Trust Account. dispute as to the highest acceptable bid will be settled by the New Bidders must also provide proof of identity and address If you do so, please quote your paddle number and invoice 2. LOTS The Seller’s responsibility to you Auctioneer in his absolute discretion. All bids tendered will when submitting bids. Failure to do this will result in your bid VAT may also be payable on the Hammer Price of the Lot, number as the reference. Our Trust Account details are as The Seller does not make or agree to make any representation relate to the actual Lot number announced by the Auctioneer. not being placed. where indicated by a symbol beside the Lot number. See follows: Subject to the Contractual Description printed in bold letters of fact or contractual promise, Guarantee or warranty and An electronic currency converter may be used at the Sale. This paragraph 8 below for details. in the Entry about the Lot in the Catalogue (see paragraph 3 undertakes no obligation or duty, whether in contract or in equipment is provided as a general guide as to the equivalent Bidding via the internet Bank: National Westminster Bank Plc below), Lots are sold to the Buyer on an “as is” basis, with tort (other than to the eventual Buyer as set out above), in amount in certain currencies of a given bid. We do not accept Please visit our Website at http://www.bonhams.com for On certain Lots, which will be marked “AR” in the Catalogue Address: PO Box 4RY all faults and imperfections. Illustrations and photographs respect of the accuracy or completeness of any statement any responsibility for any errors which may occur in the use of details of how to bid via the internet. and which are sold for a Hammer Price of €1,000 or greater 250 Regent Street contained in the Catalogue (other than photographs forming or representation made by him or on his behalf, which is in the currency converter. We may use video cameras to record (converted into the currency of the Sale using the European London W1A 4RY part of the Contractual Description) or elsewhere of any Lots any way descriptive of any Lot or as to the anticipated or the Sale and may record telephone calls for reasons of security Bidding through an agent Central Bank Reference rate prevailing on the date of the Sale), Account Name: Bonhams 1793 Limited Trust Account are for identification purposes only. They may not reveal the likely selling price of any Lot. Other than as set out above, no and to assist in solving any disputes which may arise in relation Bids will be accepted as placed on behalf of the person named the Additional Premium will be payable to us by the Buyer to Account Number: 25563009 true condition of the Lot. A photograph or illustration may not statement or representation in any way descriptive of a Lot to bids made at the Sale. At some Sales, for example, jewellery as the principal on the Bidding Form although we may refuse cover our Expenses relating to the payment of royalties under Sort Code: 56-00-27 reflect an accurate reproduction of the colour(s) of the Lot. or any Estimate is incorporated into any Contract for Sale Sales, we may use screens on which images of the Lots will be to accept bids from an agent on behalf of a principal and the Artists Resale Right Regulations 2006. The Additional IBAN Number: GB 33 NWBK 560027 25563009 Lots are available for inspection prior to the Sale and it is for between a Seller and a Buyer. projected. This service is provided to assist viewing at the Sale. will require written confirmation from the principal confirming Premium will be a percentage of the amount of the Hammer you to satisfy yourself as to each and every aspect of a Lot, The image on the screen should be treated as an indication the agent’s authority to bid. Nevertheless, as the Bidding Price calculated in accordance with the table below, and shall If paying by bank transfer, the amount received after the including its authorship, attribution, condition, provenance, Bonhams’ responsibility to you only of the current Lot. It should be noted that all bids tendered Form explains, any person placing a bid as agent on behalf not exceed €12,500 (converted into the currency of the Sale deduction of any bank fees and/or conversion of the currency history, background, authenticity, style, period, age, suitability, You have the opportunity of examining the Lot if you want to will relate to the actual Lot number announced by of another (whether or not he has disclosed that fact or the using the European Central Bank Reference rate prevailing on of payment to pounds sterling must not be less than the quality, roadworthiness (if relevant), origin, value and and the Contract for Sale for a Lot is with the Seller and not the Auctioneer. We do not accept any responsibility for any identity of his principal) will be jointly and severally liable with the date of the Sale). sterling amount payable, as set out on the invoice. estimated selling price (including the Hammer Price). It is your with Bonhams; Bonhams acts as the Seller’s agent only (unless errors which may occur in the use of the screen. the principal to the Seller and to Bonhams under any contract responsibility to examine any Lot in which you are interested. It Bonhams sells the Lot as principal). resulting from the acceptance of a bid. Subject to the above, Hammer Price Percentage amount Payment may also be made by one of the following methods: should be remembered that the actual condition of a Lot may 5. BIDDING please let us know if you are acting on behalf of another From €0 to €50,000 4% not be as good as that indicated by its outward appearance. Bonhams undertakes no obligation to you to examine, person when bidding for Lots at the Sale. From €50,000.01 to €200,000 3% Sterling personal cheque drawn on a UK branch of a bank In particular, parts may have been replaced or renewed and investigate or carry out any tests, either in sufficient depth or at We do not accept bids from any person who has not From €200,000.01 to €350,000 1% or building society: all cheques must be cleared before you Lots may not be authentic or of satisfactory quality; the inside all, on each Lot to establish the accuracy or otherwise of any completed and delivered to us one of our Bidding Forms, Equally, please let us know if you intend to nominate another From €350,000.01 to €500,000 0.5% can collect your purchases and should be made payable to of a Lot may not be visible and may not be original or may be Descriptions or opinions given by Bonhams, or by any person either our Bidder Registration Form, Absentee Bidding Form or person to bid on your behalf at the Sale unless this is to be Exceeding €500,000 0.25% Bonhams 1793 Limited. damaged, as for example where it is covered by upholstery on Bonhams’ behalf, whether in the Catalogue or elsewhere. Telephone Bidding Form. You will be asked for proof of identity, carried out by us pursuant to a Telephone or Absentee Bidding or material. Given the age of many Lots they may have been residence and references, which, when asked for, you must Form that you have completed. If we do not approve the Cash: you may pay for Lots purchased by you at this Sale damaged and/or repaired and you should not assume that You should not suppose that such examinations, investigations supply if your bids are to be accepted by us. Please bring agency arrangements in writing before the Sale, we are entitled with notes or coins in the currency in which the Sale is a Lot is in good condition. Electronic or mechanical parts or tests have occurred. your passport, driving licence (or similar photographic proof of to assume that the person bidding at the Sale is bidding on his conducted (but not any other currency) provided that the total may not operate or may not comply with current statutory identity) and proof of address. We may request a deposit from own behalf. Accordingly, the person bidding at the Sale will be amount payable by you in respect of all Lots purchased by requirements. You should not assume that electrical items Bonhams does not make or agree to make any representation you before allowing you to bid. We may refuse entry to a Sale the Buyer and will be liable to pay the Hammer Price and you at the Sale does not exceed £3,000, or the equivalent designed to operate on mains electricity will be suitable for of fact, and undertakes no obligation or duty (whether in to any person even if that person has completed a Bidding in the currency in which the Sale is conducted, at the time connection to the mains electricity supply and you should contract or tort) in respect of the accuracy or completeness Form. when payment is made. If the amount payable by you for Lots obtain a report from a qualified electrician on their status before of any statement or representation made by Bonhams or on exceeds that sum, the balance must be paid otherwise than doing so. Such items which are unsuitable for connection Bonhams’ behalf which is in any way descriptive of any Lot in coins or notes; this limit applies to both payment at our premises and direct deposit into our bank account.

NTB/MAIN/1.2018/V2 NTB/MAIN/1.2018/V2 Bidding in person Buyer’s Premium and associated charges. If we approve the 8. VAT You should come to our Bidder registration desk at the Sale identity of your client in advance, we will be in a position to venue and fill out a Bidder Registration Form on (or, if possible, address the invoice to your principal rather than you. We will The prevailing rate of VAT at the time of going to press is 20%, before) the day of the Sale. The bidding number system is require proof of the agent’s client’s identity and residence in but this is subject to government change and the rate payable sometimes referred to as “paddle bidding”. You will be issued advance of any bids made by the agent on his behalf. Please will be the rate in force on the date of the Sale. with a large card (a “paddle”) with a printed number on it. This refer to our Conditions of Business and contact our Customer will be attributed to you for the purposes of the Sale. Should Services Department for further details. The following symbols, shown beside the Lot number, are you be a successful Bidder you will need to ensure that your used to denote that VAT is due on the Hammer Price and number can be clearly seen by the Auctioneer and that it is 6. CONTRACTS BETWEEN THE BUYER AND Buyer’s Premium: your number which is identified as the Buyer’s. You should not SELLER AND THE BUYER AND BONHAMS † VAT at the prevailing rate on Hammer Price and Buyer’s let anyone else use your paddle as all Lots will be invoiced to Premium the name and address given on your Bidder Registration Form. On the Lot being knocked down to the Buyer, a Contract for Ω VAT on imported items at the prevailing rate on Hammer Once an invoice is issued it will not be changed. If there is Sale of the Lot will be entered into between the Seller and the Price and Buyer’s Premium any doubt as to the Hammer Price of, or whether you are the Buyer on the terms of the Contract for Sale set out in Appendix * VAT on imported items at a preferential rate of 5% successful Bidder of, a particular Lot, you must draw this to 1 at the back of the Catalogue. You will be liable to pay the on Hammer Price and the prevailing rate on Buyer’s the attention of the Auctioneer before the next Lot is offered for Purchase Price, which is the Hammer Price plus any applicable Premium Sale. At the end of the Sale, or when you have finished bidding VAT. At the same time, a separate contract is also entered into G Gold bullion exempt from VAT on the Hammer Price please return your paddle to the Bidder registration desk. between us as Auctioneers and the Buyer. This is our Buyer’s and subject to VAT at the prevailing rate on the Buyer’s Agreement, the terms of which are set out in Appendix 2 at the Premium Bidding by telephone back of the Catalogue. Please read the terms of the Contract • Zero rated for VAT, no VAT will be added to the Hammer If you wish to bid at the Sale by telephone, please complete a for Sale and our Buyer’s Agreement contained in the Catalogue Price or the Buyer’s Premium Telephone Bidding Form, which is available from our offices or in case you are the successful Bidder. We may change the a Buyers from within the EU: VAT is payable at the in the Catalogue. Please then return it to the office responsible terms of either or both of these agreements in advance of prevailing rate on just the Buyer’s Premium (NOT the for the Sale at least 24 hours in advance of the Sale. It is their being entered into, by setting out different terms in the Hammer Price). Buyers from outside the EU: VAT is your responsibility to check with our Bids Office that your Catalogue and/or by placing an insert in the Catalogue and/ payable at the prevailing rate on both Hammer Price and bid has been received. Telephone calls will be recorded. The or by notices at the Sale venue and/or by oral announcements Buyer’s Premium. If a Buyer, having registered under telephone bidding facility is a discretionary service and may not before and during the Sale. You should be alert to this a non-EU address, decides that the item is not to be be available in relation to all Lots. We will not be responsible possibility of changes and ask if there have been any. exported from the EU, then he should advise Bonhams for bidding on your behalf if you are unavailable at the time of immediately. the Sale or if the telephone connection is interrupted during 7. BUYER’S PREMIUM AND OTHER CHARGES bidding. Please contact us for further details. PAYABLE BY THE BUYER In all other instances no VAT will be charged on the Hammer Price, but VAT at the prevailing rate will be added to Buyer’s Bidding by post or fax Under the Buyer’s Agreement, a premium (the Buyer’s Premium which will be invoiced on a VAT inclusive basis. Absentee Bidding Forms can be found in the back of this Premium) is payable to us by the Buyer in accordance with the Catalogue and should be completed and sent to the office terms of the Buyer’s Agreement and at rates set out below, 9. PAYMENT responsible for the Sale. It is in your interests to return your calculated by reference to the Hammer Price and payable form as soon as possible, as if two or more Bidders submit in addition to it. For this Sale the following rates of Buyer’s It is of critical importance that you ensure that you have readily identical bids for a Lot, the first bid received takes preference. Premium will be payable by Buyers of Lots: available funds to pay the Purchase Price and the Buyer’s In any event, all bids should be received at least 24 hours Premium (plus VAT and any other charges and Expenses to us) before the start of the Sale. Please check your Absentee 25% up to £175,000 of the Hammer Price in full before making a bid for the Lot. If you are a successful Bidding Form carefully before returning it to us, fully completed 20% from £175,001 to £3,000,000 of the Hammer Price Bidder, payment will be due to us by 4.30 pm on the second and signed by you. It is your responsibility to check with our 12.5% from £3,000,001 of the Hammer Price working day after the Sale so that all sums are cleared by the Bids Office that your bid has been received. This additional eighth working day after the Sale. Payments made by anyone service is complimentary and is confidential. Such bids are Storage and handling charges may also be payable by the other than the registered Buyer will not be accepted. Bonhams made at your own risk and we cannot accept liability for our Buyer as detailed on the specific Sale Information page at the reserves the right to vary the terms of payment at any time. failure to receive and/or place any such bids. All bids made front of the catalogue. on your behalf will be made at the lowest level possible Bonhams’ preferred payment method is by subject to Reserves and other bids made for the Lot. Where The Buyer’s Premium and all other charges payable to us by bank transfer. appropriate your bids will be rounded down to the nearest the Buyer are subject to VAT at the prevailing rate, currently amount consistent with the Auctioneer’s bidding increments. 20%. You may electronically transfer funds to our Trust Account. New Bidders must also provide proof of identity and address If you do so, please quote your paddle number and invoice when submitting bids. Failure to do this will result in your bid VAT may also be payable on the Hammer Price of the Lot, number as the reference. Our Trust Account details are as not being placed. where indicated by a symbol beside the Lot number. See follows: paragraph 8 below for details. Bidding via the internet Bank: National Westminster Bank Plc Please visit our Website at http://www.bonhams.com for On certain Lots, which will be marked “AR” in the Catalogue Address: PO Box 4RY details of how to bid via the internet. and which are sold for a Hammer Price of €1,000 or greater 250 Regent Street (converted into the currency of the Sale using the European London W1A 4RY Bidding through an agent Central Bank Reference rate prevailing on the date of the Sale), Account Name: Bonhams 1793 Limited Trust Account Bids will be accepted as placed on behalf of the person named the Additional Premium will be payable to us by the Buyer to Account Number: 25563009 as the principal on the Bidding Form although we may refuse cover our Expenses relating to the payment of royalties under Sort Code: 56-00-27 to accept bids from an agent on behalf of a principal and the Artists Resale Right Regulations 2006. The Additional IBAN Number: GB 33 NWBK 560027 25563009 will require written confirmation from the principal confirming Premium will be a percentage of the amount of the Hammer the agent’s authority to bid. Nevertheless, as the Bidding Price calculated in accordance with the table below, and shall If paying by bank transfer, the amount received after the Form explains, any person placing a bid as agent on behalf not exceed €12,500 (converted into the currency of the Sale deduction of any bank fees and/or conversion of the currency of another (whether or not he has disclosed that fact or the using the European Central Bank Reference rate prevailing on of payment to pounds sterling must not be less than the identity of his principal) will be jointly and severally liable with the date of the Sale). sterling amount payable, as set out on the invoice. the principal to the Seller and to Bonhams under any contract resulting from the acceptance of a bid. Subject to the above, Hammer Price Percentage amount Payment may also be made by one of the following methods: please let us know if you are acting on behalf of another From €0 to €50,000 4% person when bidding for Lots at the Sale. From €50,000.01 to €200,000 3% Sterling personal cheque drawn on a UK branch of a bank From €200,000.01 to €350,000 1% or building society: all cheques must be cleared before you Equally, please let us know if you intend to nominate another From €350,000.01 to €500,000 0.5% can collect your purchases and should be made payable to person to bid on your behalf at the Sale unless this is to be Exceeding €500,000 0.25% Bonhams 1793 Limited. carried out by us pursuant to a Telephone or Absentee Bidding Form that you have completed. If we do not approve the Cash: you may pay for Lots purchased by you at this Sale agency arrangements in writing before the Sale, we are entitled with notes or coins in the currency in which the Sale is to assume that the person bidding at the Sale is bidding on his conducted (but not any other currency) provided that the total own behalf. Accordingly, the person bidding at the Sale will be amount payable by you in respect of all Lots purchased by the Buyer and will be liable to pay the Hammer Price and you at the Sale does not exceed £3,000, or the equivalent in the currency in which the Sale is conducted, at the time when payment is made. If the amount payable by you for Lots exceeds that sum, the balance must be paid otherwise than in coins or notes; this limit applies to both payment at our premises and direct deposit into our bank account.

NTB/MAIN/1.2018/V2 Debit cards (including China Union Pay (CUP) cards and otherwise, whether given orally or in writing and whether given sleeving and measurements once rendered unserviceable 18. FURNITURE • Unless otherwise specified, dimensions given are those of 24. WINE debit cards issued by Visa and MasterCard only). There is no before or during the Sale. Neither we nor the Seller will be according to the Gun Barrel Proof Act of 1968 to 1978 and the the piece of paper on which the image is printed, including limit on payment value if payment is made in person using Chip liable for any loss of Business, profits, revenue or income, or Rules of Proof. Upholstered Furniture any margins. Some photographs may appear in the Lots which are lying under Bond and those liable to VAT may & Pin verification. for loss of reputation, or for disruption to Business or wasted Whilst we take every care in cataloguing furniture which has Catalogue without margins illustrated. not be available for immediate collection. time on the part of management or staff, or for indirect losses Condition of Firearms been upholstered we offer no Guarantee as to the originality • All photographs are sold unframed unless stated in the Lot Payment by telephone may also be accepted up to £5,000, or consequential damages of any kind, irrespective in any Comment in this Catalogue is restricted, in general, to of the wood covered by fabric or upholstery. Description. Examining the wines subject to appropriate verification procedures, although this case of the nature, volume or source of the loss or damage exceptional condition and to those defects that might It is occasionally possible to provide a pre-Sale tasting for facility is not available for first time buyers. If the amount alleged to be suffered, and irrespective of whether the said affect the immediate safety of a firearm in normal use. An 19. JEWELLERY 21. PICTURES larger parcels (as defined below). This is generally limited to payable by you for Lots exceeds that sum, the balance must loss or damage is caused by or claimed in respect of any intending Bidder unable to make technical examinations more recent and everyday drinking wines. Please contact the Explanation of Catalogue Terms be paid by other means. negligence, other tort, breach of contract (if any) or statutory and assessments is recommended to seek advice from a department for details. Gemstones The following terms used in the Catalogue have the following duty, restitutionary claim or otherwise. In any circumstances gunmaker or from a modern firearms specialist. All prospective Historically many gemstones have been subjected to a variety meanings but are subject to the general provisions relating to Credit cards (including China Union Pay (CUP) cards and where we and/or the Seller are liable in relation to any Lot or Bidders are advised to consult the ˚ of bore and wall-thickness of treatments to enhance their appearance. Sapphires and 0It is not our policy to inspect every unopened case. In the Descriptions contained in the Contract for Sale: credit cards issued by Visa and MasterCard only). There is any Description or Estimate made of any Lot, or the conduct measurements posted in the saleroom and available from the rubies are routinely heat treated to improve their colour and case of wines older than 20 years the boxes will usually • “Jacopo Bassano”: in our opinion a work by the artist. a £5,000 limit on payment value if payment is made in person of any Sale in relation to any Lot, whether in damages, for department. Bidders should note that guns are stripped only clarity, similarly emeralds are frequently treated with oils have been opened and levels and appearance noted in When the artist’s forename(s) is not known, a series of using Chip & Pin verification. an indemnity or contribution, or for a restitutionary remedy or where there or resin for the same purpose. Other treatments such as the Catalogue where necessary. You should make proper asterisks, followed by the surname of the artist, whether otherwise, our and/or the Seller’s liability (combined, if both is a strong indication of a mechanical malfunction. Stripping staining, irradiation or coating may have been used on other allowance for variations in ullage levels and conditions of corks, preceded by an initial or not, indicates that in our opinion It may be advisable to notify your debit or credit card provider we and the Seller are liable) will be limited to payment of a sum is not, otherwise, undertaken. Guns intended for use should gemstones. These treatments may be permanent, whilst capsules and labels. the work is by the artist named; of your intended purchase in advance to reduce delays caused which will not exceed by way of maximum the amount of the be stripped and cleaned beforehand. Hammer guns should others may need special care or re-treatment over the years • “Attributed to Jacopo Bassano”: in our opinion probably by us having to seek authority when you come to pay. Purchase Price of the Lot irrespective in any case of the nature, have their rebound mechanisms checked before use. The to retain their appearance. Bidders should be aware that a work by the artist but less certainty as to authorship is Corks and Ullages volume or source of any loss or damage alleged to be suffered safety mechanisms of all guns must be tested before use. Estimates assume that gemstones may have been subjected Ullage refers to the space between the base of the cork expressed than in the preceding category; Note: only one debit or credit card may be used for payment or sum claimed as due, and irrespective of whether the liability All measurements are approximate. to such treatments. A number of laboratories issue certificates and the wine. Ullage levels for Bordeaux shaped bottles are • “Studio/Workshop of Jacopo Bassano”: in our opinion a of an account balance. If you have any questions with arises from any negligence, other tort, breach of contract (if that give more detailed Descriptions of gemstones. However only normally noted when below the neck and for Burgundy, work by an unknown hand in a studio of the artist which regards to card payments, please contact our Customer any) or statutory duty or otherwise. Nothing set out above will there may not be consensus between different laboratories on Alsace, German and Cognac shaped bottles when greater Original Gun Specifications Derived from may or may not have been executed under the artist’s Services Department. be construed as excluding or restricting (whether directly or the degrees, or types of treatment for any particular gemstone. than 4 centimetres (cm). Acceptable ullage levels increase with Gunmakers direction; indirectly) our liability or excluding or restricting any person’s The Sporting Gun Department endeavours to confirm a gun’s In the event that Bonhams has been given or has obtained age; generally acceptable levels are as follows: • “Circle of Jacopo Bassano”: in our opinion a work by 10. COLLECTION AND STORAGE rights or remedies in respect of (i) fraud, or (ii) death or original specification and date of manufacture with makers who certificates for any Lot in the Sale these certificates will be a hand closely associated with a named artist but not Under 15 years old – into neck or less than 4cm personal injury caused by our negligence (or by the negligence hold their original records. disclosed in the Catalogue. Although, as a matter of policy, necessarily his pupil; 15 to 30 years old – top shoulder (ts) or up to 5cm The Buyer of a Lot will not be allowed to collect it until payment of any person under our control or for whom we are legally Bonhams endeavours to provide certificates from recognised • “Follower of Jacopo Bassano”: in our opinion a work by a Over 30 years old – high shoulder (hs) or up to 6cm in full and in cleared funds has been made (unless we have responsible), or (iii) acts or omissions for which we are liable laboratories for certain gemstones, it is not feasible to obtain Licensing Requirements painter working in the artist’s style, contemporary or nearly made a special arrangement with the Buyer). For collection and under the Occupiers Liability Act 1957, or (iv) any other liability Firearms Act 1968 as amended certificates for each Lot. In the event that no certificate is contemporary, but not necessarily his pupil; It should be noted that ullages may change between removal of purchased Lots, please refer to Sale Information at to the extent the same may not be excluded or restricted as Bonhams is constantly reviewing its procedures and would published in the Catalogue, Bidders should assume that the • “Manner of Jacopo Bassano”: in our opinion a work in the publication of the Catalogue and the Sale and that corks may the front of the Catalogue. Our offices are open 9.00am – 5pm a matter of law or (v) our undertakings under paragraphs 9 (in remind you that, in the case of firearms or shotguns subject to gemstones may have been treated. Neither Bonhams nor style of the artist and of a later date; fail as a result of transporting the wine. We will only accept Monday to Friday. Details relating to the collection of a Lot, the relation to specialist Stamp or Book Sales only) and 10 of the certification, to conform with current legislation, Bonhams is the Seller accepts any liability for contradictions or differing • “After Jacopo Bassano”: in our opinion, a copy of a known responsibility for Descriptions of condition at the time of storage of a Lot and our Storage Contractor after the Sale are Buyer’s Agreement. The same applies in respect of the Seller, required to see, as appropriate, your original registered firearms certificates obtained by Buyers on any Lots subsequent to work of the artist; publication of the Catalogue and cannot accept responsibility set out in the Catalogue. as if references to us in this paragraph were substituted with dealer’s certificate / shot gun certificate / firearm certificate / the Sale. • “Signed and/or dated and/or inscribed”: in our opinion the for any loss resulting from failure of corks either before or after references to the Seller. museum firearms licence / Section 5 authority or import licence signature and/or date and/or inscription are from the hand this point. (or details of any exemption from which you may benefit, for 11. SHIPPING Estimated Weights of the artist; For information and estimates on domestic and international instance Crown servant status) for the firearm(s) you have If a stone(s) weight appears within the body of the Description 15. BOOKS • “Bears a signature and/or date and/or inscription”: in our shipping as well as export licenses please contact purchased prior to taking full payment of the amount shown in capital letters, the stone(s) has been unmounted and Options to buy parcels opinion the signature and/or date and/or inscription have A parcel is a number of Lots of identical size of the same wine, Alban Shipping on +44 (0) 1582 493 099 As stated above, all Lots are sold on an “as is” basis, subject on your invoice. Should you not already be in possession of weighed by Bonhams. If the weight of the stone(s) is stated been added by another hand. bottle size and Description. The Buyer of any of these Lots has [email protected] to all faults, imperfections and errors of Description save as such an authority or exemption, you are required to initially to be approximate and does not appear in capital letters, the the option to accept some or all of the remaining Lots in the set out below. However, you will be entitled to reject a Book pay a deposit of 95% of the total invoice with the balance of stone(s) has been assessed by us within its/their settings, 22. PORCELAIN AND GLASS parcel at the same price, although such options will be at the 12. EXPORT/TRADE RESTRICTIONS in the circumstances set out in paragraph 11 of the Buyers 5% payable on presentation of your valid certificate or licence and the stated weight is a statement of our opinion only. This Auctioneer’s sole discretion. Absentee Bidders are, therefore, Agreement. Please note that Lots comprising printed Books, showing your authority to hold the firearm(s) concerned. information is given as a guide and Bidders should satisfy Damage and Restoration advised to bid on the first Lot in a parcel. It is your sole responsibility to comply with all export and unframed maps and bound manuscripts are not liable to VAT themselves with regard to this information as to its accuracy. For your guidance, in our Catalogues we detail, as far as import regulations relating to your purchases and also to on the Buyer’s Premium. Please be advised that if a successful Bidder is then unable practicable, recorded all significant defects, cracks and obtain any relevant export and/or import licence(s). Export to produce the correct paperwork, the Lot(s) will be reoffered Wines in Bond Signatures restoration. Such practicable Descriptions of damage cannot Wines lying in Bond are marked Δ. All Lots sold under Bond, licences are issued by Arts Council England and application 16. CLOCKS AND WATCHES by Bonhams in the next appropriate Sale, on standard terms 1. A diamond brooch, by Kutchinsky be definitive, and in providing Condition Reports, we cannot and which the Buyer wishes to remain under Bond, will be forms can be obtained from its Export Licensing Unit. The for Sellers, and you will be responsible for any loss incurred by When the maker’s name appears in the title, in Bonhams’ Guarantee that there are no other defects present which have invoiced without VAT or Duty on the Hammer Price. If the detailed provisions of the export licencing arrangements can All Lots are sold “as is”, and the absence of any reference to Bonhams on the original Sale to you. opinion the piece is by that maker. not been mentioned. Bidders should satisfy themselves by Buyer wishes to take the Lot as Duty paid, UK Excise Duty and be found on the ACE website http://www.artscouncil.org.uk/ the condition of a clock or watch does not imply that the Lot is inspection, as to the condition of each Lot. Please see the VAT will be added to the Hammer Price on the invoice. what-we-do/supporting-museums/cultural-property/export- in good condition and without defects, repairs or restorations. In the case of RFD certificates and Section 5 authorities, we 2. A diamond brooch, signed Kutchinsky Contract for Sale printed in this Catalogue. Because of the controls/export-licensing/ or by phoning ACE on +44 (0)20 Most clocks and watches have been repaired in the course of wish to keep an up-to-date copy on file. Please supply us with Has a signature that, in Bonhams’ opinion, is authentic but difficulty in determining whether an item of glass has been Buyers must notify Bonhams at the time of the sale whether 7973 5188. The need for import licences varies from country their normal lifetime and may now incorporate parts not original a Fax or photocopy. It would be helpful if you could send us an may contain gemstones that are not original, or the piece may repolished, in our Catalogues reference is only made to visible they wish to take their wines under Bond or Duty paid. If a to country and you should acquaint yourself with all relevant to them. Furthermore, Bonhams makes no representation or updated copy whenever your certificate or authority is renewed have been altered. chips and cracks. No mention is made of repolishing, severe Lot is taken under Bond, the Buyer will be responsible for all local requirements and provisions. The refusal of any import or warranty that any clock or watch is in working order. As clocks or changed. or otherwise. VAT, Duty, clearance and other charges that may be payable export licence(s) or and watches often contain fine and complex mechanisms, 3. A diamond brooch, mounted by Kutchinsky thereon. any delay in obtaining such licence(s) shall not permit the Bidders should be aware that a general service, change of Lots marked ‘S1´ and bearing red labels are Section 1 firearms Has been created by the jeweller, in Bonhams’ opinion, but 23. VEHICLES rescission of any Sale nor allow any delay in making full battery or further repair work, for which the Buyer is solely and require a valid British Firearms certificate, RFD Licence or using stones or designs supplied by the client. Buyers outside the UK must be aware that any forwarding payment for the Lot. Generally, please contact our shipping responsible, may be necessary. Bidders should be aware import licence. agent appointed to export their purchases must have a department before the Sale if you require assistance in that the importation of watches such as Rolex, Frank Muller The Veteran Car Club of Great Britain 20. PHOTOGRAPHS movement certificate for Lots to be released under Bond. relation to export regulations. and Corum into the United States is highly restricted. These Lots marked ‘S2’ and bearing blue labels are Section 2 watches may not be shipped to the USA and can only be firearms and require a valid British Shotgun certificate, RFD Explanation of Catalogue Terms Dating Plates and Certificates • “Bill Brandt”: in our opinion a work by the artist. When mention is made of a Veteran Car Club Dating Plate or Bottling Details and Case Terms 13. CITES REGULATIONS imported personally. licence or import licence. • “Attributed to Bill Brandt”: in our opinion probably a work by Dating Certificate in this Catalogue, it should be borne in mind The following terms used in the Catalogue have the following the artist, but less certainty to authorship is expressed than that the Veteran Car Club of Great Britain using the services of meanings: Please be aware that all Lots marked with the symbol Y are 17. FIREARMS – PROOF, CONDITION AND Lots marked ‘S5´ and bearing specially marked red labels are in the preceding category. Veteran Car Company Ltd, does from time to time, review cars CB – Château bottled subject to CITES regulations when exporting these items CERTIFICATION Section 5 prohibited firearms and require a valid Section 5 • “Signed and/or titled and/or dated and/or inscribed”: in already dated and, in some instances, where fresh evidence DB – Domaine bottled outside the EU. These regulations may be found at Authority or import licence. our opinion the signature and/or title and/or date and/or becomes available, the review can result in an alteration of EstB – Estate bottled http://www.defra.gov.uk/ahvla-en/imports-exports/cites/ or Proof of Firearms inscription are in the artist’s hand. date. Whilst the Club and Veteran Car Company Ltd make BB – Bordeaux bottled may be requested from: The term “proof exemption” indicates that a firearm has been Lots marked with a ‘S58´ and bearing yellow labels are for • “Signed and/or titled and/or dated and/or inscribed in every effort to ensure accuracy, the date shown on the Dating BE – Belgian bottled examined at a Proof House, but not proved, as either (a) it was obsolete calibres and no licence is required unless ammunition Animal Health and Veterinary Laboratories Agency (AHVLA) another hand”: in our opinion the signature and/or title and/ Plate or Dating Certificate cannot be guaranteed as correct and FB – French bottled deemed of interest and not intended for use, or (b) ammunition is held. Wildlife Licencing or date and/or inscription have been added by intending purchasers should make their own enquiries as to the GB – German bottled was not available. In either case, the firearm must be regarded Floor 1, Zone 17, Temple Quay House another hand. date of the car. OB – Oporto bottled as unsafe to fire unless subsequently proved. Firearms Unmarked Lots require no licence. 2 The Square, Temple Quay • The date given is that of the image (negative). Where no UK – United Kingdom bottled proved for Black Powder should not be used with smokeless BRISTOL BS1 6EB further date is given, this indicates that the photographic owc – original wooden case ammunition. Please do not hesitate to contact the Modern Sporting Gun Tel: +44 (0) 117 372 8774 print is vintage (the term “vintage” may also be included in iwc – individual wooden case Department should you have any queries. the Lot Description). A vintage photograph is one which oc – original carton The term “Certificate of Unprovability” indicates that a firearm 14. THE SELLERS AND/OR BONHAMS’ LIABILITY was made within approximately 5-10 years of the negative. has been examined at a Proof House and is deemed both Taxidermy and Related Items Where a second, later date appears, this refers to the date unsuitable for proof and use. Reproof is required before any As a Seller of these articles, Bonhams undertakes to comply Other than any liability of the Seller to the Buyer of a Lot of printing. Where the exact printing date is not known, but such firearm is to be used. fully with Cites and DEFRA regulations. Buyers are advised to under the Contract for Sale, neither we nor the Seller are understood to be later, “printed later” will appear in the Lot inform themselves of all such regulations and should expect liable (whether in negligence or otherwise) for any error or Description. the exportation of items to take some time to arrange. misdescription or omission in any Description of a Lot or any Guns Sold as Parts Barrels of guns sold as parts will only be made available for Estimate in respect of it, whether contained in the Catalogue or

NTB/MAIN/1.2018/V2 NTB/MAIN/1.2018/V2 18. FURNITURE • Unless otherwise specified, dimensions given are those of 24. WINE the piece of paper on which the image is printed, including Upholstered Furniture any margins. Some photographs may appear in the Lots which are lying under Bond and those liable to VAT may Whilst we take every care in cataloguing furniture which has Catalogue without margins illustrated. not be available for immediate collection. been upholstered we offer no Guarantee as to the originality • All photographs are sold unframed unless stated in the Lot of the wood covered by fabric or upholstery. Description. Examining the wines It is occasionally possible to provide a pre-Sale tasting for 19. JEWELLERY 21. PICTURES larger parcels (as defined below). This is generally limited to more recent and everyday drinking wines. Please contact the Explanation of Catalogue Terms department for details. Gemstones The following terms used in the Catalogue have the following Historically many gemstones have been subjected to a variety meanings but are subject to the general provisions relating to of treatments to enhance their appearance. Sapphires and 0It is not our policy to inspect every unopened case. In the Descriptions contained in the Contract for Sale: rubies are routinely heat treated to improve their colour and case of wines older than 20 years the boxes will usually • “Jacopo Bassano”: in our opinion a work by the artist. clarity, similarly emeralds are frequently treated with oils have been opened and levels and appearance noted in When the artist’s forename(s) is not known, a series of or resin for the same purpose. Other treatments such as the Catalogue where necessary. You should make proper asterisks, followed by the surname of the artist, whether staining, irradiation or coating may have been used on other allowance for variations in ullage levels and conditions of corks, preceded by an initial or not, indicates that in our opinion gemstones. These treatments may be permanent, whilst capsules and labels. the work is by the artist named; others may need special care or re-treatment over the years • “Attributed to Jacopo Bassano”: in our opinion probably to retain their appearance. Bidders should be aware that a work by the artist but less certainty as to authorship is Corks and Ullages Estimates assume that gemstones may have been subjected Ullage refers to the space between the base of the cork expressed than in the preceding category; to such treatments. A number of laboratories issue certificates and the wine. Ullage levels for Bordeaux shaped bottles are • “Studio/Workshop of Jacopo Bassano”: in our opinion a that give more detailed Descriptions of gemstones. However only normally noted when below the neck and for Burgundy, work by an unknown hand in a studio of the artist which there may not be consensus between different laboratories on Alsace, German and Cognac shaped bottles when greater may or may not have been executed under the artist’s the degrees, or types of treatment for any particular gemstone. than 4 centimetres (cm). Acceptable ullage levels increase with direction; In the event that Bonhams has been given or has obtained age; generally acceptable levels are as follows: • “Circle of Jacopo Bassano”: in our opinion a work by certificates for any Lot in the Sale these certificates will be a hand closely associated with a named artist but not Under 15 years old – into neck or less than 4cm disclosed in the Catalogue. Although, as a matter of policy, necessarily his pupil; 15 to 30 years old – top shoulder (ts) or up to 5cm Bonhams endeavours to provide certificates from recognised • “Follower of Jacopo Bassano”: in our opinion a work by a Over 30 years old – high shoulder (hs) or up to 6cm laboratories for certain gemstones, it is not feasible to obtain painter working in the artist’s style, contemporary or nearly certificates for each Lot. In the event that no certificate is contemporary, but not necessarily his pupil; It should be noted that ullages may change between published in the Catalogue, Bidders should assume that the • “Manner of Jacopo Bassano”: in our opinion a work in the publication of the Catalogue and the Sale and that corks may gemstones may have been treated. Neither Bonhams nor style of the artist and of a later date; fail as a result of transporting the wine. We will only accept the Seller accepts any liability for contradictions or differing • “After Jacopo Bassano”: in our opinion, a copy of a known responsibility for Descriptions of condition at the time of certificates obtained by Buyers on any Lots subsequent to work of the artist; publication of the Catalogue and cannot accept responsibility the Sale. • “Signed and/or dated and/or inscribed”: in our opinion the for any loss resulting from failure of corks either before or after signature and/or date and/or inscription are from the hand this point. Estimated Weights of the artist; If a stone(s) weight appears within the body of the Description • “Bears a signature and/or date and/or inscription”: in our in capital letters, the stone(s) has been unmounted and Options to buy parcels opinion the signature and/or date and/or inscription have A parcel is a number of Lots of identical size of the same wine, weighed by Bonhams. If the weight of the stone(s) is stated been added by another hand. bottle size and Description. The Buyer of any of these Lots has to be approximate and does not appear in capital letters, the the option to accept some or all of the remaining Lots in the stone(s) has been assessed by us within its/their settings, 22. PORCELAIN AND GLASS parcel at the same price, although such options will be at the and the stated weight is a statement of our opinion only. This Auctioneer’s sole discretion. Absentee Bidders are, therefore, information is given as a guide and Bidders should satisfy Damage and Restoration advised to bid on the first Lot in a parcel. themselves with regard to this information as to its accuracy. For your guidance, in our Catalogues we detail, as far as practicable, recorded all significant defects, cracks and Wines in Bond Signatures restoration. Such practicable Descriptions of damage cannot Wines lying in Bond are marked Δ. All Lots sold under Bond,

1. A diamond brooch, by Kutchinsky be definitive, and in providing Condition Reports, we cannot and which the Buyer wishes to remain under Bond, will be When the maker’s name appears in the title, in Bonhams’ Guarantee that there are no other defects present which have invoiced without VAT or Duty on the Hammer Price. If the opinion the piece is by that maker. not been mentioned. Bidders should satisfy themselves by Buyer wishes to take the Lot as Duty paid, UK Excise Duty and inspection, as to the condition of each Lot. Please see the VAT will be added to the Hammer Price on the invoice.

2. A diamond brooch, signed Kutchinsky Contract for Sale printed in this Catalogue. Because of the Has a signature that, in Bonhams’ opinion, is authentic but difficulty in determining whether an item of glass has been Buyers must notify Bonhams at the time of the sale whether may contain gemstones that are not original, or the piece may repolished, in our Catalogues reference is only made to visible they wish to take their wines under Bond or Duty paid. If a have been altered. chips and cracks. No mention is made of repolishing, severe Lot is taken under Bond, the Buyer will be responsible for all or otherwise. VAT, Duty, clearance and other charges that may be payable

3. A diamond brooch, mounted by Kutchinsky thereon. Has been created by the jeweller, in Bonhams’ opinion, but 23. VEHICLES using stones or designs supplied by the client. Buyers outside the UK must be aware that any forwarding The Veteran Car Club of Great Britain agent appointed to export their purchases must have a 20. PHOTOGRAPHS movement certificate for Lots to be released under Bond. Explanation of Catalogue Terms Dating Plates and Certificates • “Bill Brandt”: in our opinion a work by the artist. When mention is made of a Veteran Car Club Dating Plate or Bottling Details and Case Terms • “Attributed to Bill Brandt”: in our opinion probably a work by Dating Certificate in this Catalogue, it should be borne in mind The following terms used in the Catalogue have the following the artist, but less certainty to authorship is expressed than that the Veteran Car Club of Great Britain using the services of meanings: in the preceding category. Veteran Car Company Ltd, does from time to time, review cars CB – Château bottled • “Signed and/or titled and/or dated and/or inscribed”: in already dated and, in some instances, where fresh evidence DB – Domaine bottled our opinion the signature and/or title and/or date and/or becomes available, the review can result in an alteration of EstB – Estate bottled inscription are in the artist’s hand. date. Whilst the Club and Veteran Car Company Ltd make BB – Bordeaux bottled • “Signed and/or titled and/or dated and/or inscribed in every effort to ensure accuracy, the date shown on the Dating BE – Belgian bottled another hand”: in our opinion the signature and/or title and/ Plate or Dating Certificate cannot be guaranteed as correct and FB – French bottled or date and/or inscription have been added by intending purchasers should make their own enquiries as to the GB – German bottled another hand. date of the car. OB – Oporto bottled • The date given is that of the image (negative). Where no UK – United Kingdom bottled further date is given, this indicates that the photographic owc – original wooden case print is vintage (the term “vintage” may also be included in iwc – individual wooden case the Lot Description). A vintage photograph is one which oc – original carton was made within approximately 5-10 years of the negative. Where a second, later date appears, this refers to the date of printing. Where the exact printing date is not known, but understood to be later, “printed later” will appear in the Lot Description.

NTB/MAIN/1.2018/V2 SYMBOLS 1.4 The contract is made on the fall of the Auctioneer’s 4.2 The Seller will not be liable for any breach of any hammer in respect of the Lot when it is knocked undertaking, whether implied by the Sale of Goods THE FOLLOWING SYMBOLS ARE USED TO down to you. Act 1979 or otherwise, as to the satisfactory quality DENOTE of the Lot or its fitness for any purpose. 2 SELLER’S UNDERTAKINGS Y Subject to CITES regulations when exporting these items 5 RISK, PROPERTY AND TITLE outside the EU, see clause 13. 2.1 The Seller undertakes to you that: TP Objects displayed with a TP will be located at the 5.1 Risk in the Lot passes to you when it is knocked Cadogan Tate warehouse and will only be available for 2.1.1 the Seller is the owner of the Lot or is duly authorised down to you on the fall of the Auctioneer’s collection from this location. to sell the Lot by the owner; hammer in respect of the Lot. The Seller will W Objects displayed with a w will be located in the not be responsible thereafter for the Lot prior to Bonhams Warehouse and will only be available for 2.1.2 save as disclosed in the Entry for the Lot in the you collecting it from Bonhams or the Storage collection from this location. Catalogue, the Seller sells the Lot with full title Contractor, with whom you have separate contract(s) Δ Wines lying in Bond. guarantee or, where the Seller is an executor, trustee, as Buyer. You will indemnify the Seller and keep the AR An Additional Premium will be payable to us by the Buyer liquidator, receiver or administrator, with whatever Seller fully indemnified from and against all claims, to cover our Expenses relating to payment of royalties right, title or interest he may have in the Lot; proceedings, costs, expenses and losses arising in under the Artists Resale Right Regulations 2006. See respect of any injury, loss and damage caused to the clause 7 for details. 2.1.3 except where the Sale is by an executor, trustee, Lot after the fall of the Auctioneer’s hammer until you ○ The Seller has been guaranteed a minimum price for the liquidator, receiver or administrator the Seller is both obtain full title to it. Lot, either by Bonhams or a third party. This may take the legally entitled to sell the Lot, and legally capable form of an irrevocable bid by a third party, who may make of conferring on you quiet possession of the Lot 5.2 Title to the Lot remains in and is retained by the a financial gain on a successful Sale or a financial loss if and that the Sale conforms in every respect with Seller until the Purchase Price and all other sums unsuccessful. the terms implied by the Sale of Goods Act 1979, payable by you to Bonhams in relation to the Lot ▲ Bonhams owns the Lot either wholly or partially or may Sections 12(1) and 12(2) (see the Definitions and have been paid in full to, and received in cleared otherwise have an economic interest. Glossary); funds by, Bonhams. Ф This lot contains or is made of ivory. The United States Government has banned the import of ivory into 2.1.4 the Seller has complied with all requirements, legal or 6 PAYMENT the USA. otherwise, relating to any export or import of the Lot, and all duties and taxes in respect of the export or 6.1 Your obligation to pay the Purchase Price arises Ω a •, †, *, G, , see clause 8, VAT, for details. import of the Lot have (unless stated to the contrary when the Lot is knocked down to you on the fall of in the Catalogue or announced by the Auctioneer) the Auctioneer’s hammer in respect of the Lot. DATA PROTECTION – USE OF YOUR INFORMATION been paid and, so far as the Seller is aware, all third parties have complied with such requirements in 6.2 Time will be of the essence in relation to payment of Where we obtain any personal information about you, we the past; the Purchase Price and all other sums payable by shall only use it in accordance with the terms of our Privacy you to Bonhams. Unless agreed in writing with you Policy (subject to any additional specific consent(s) you may 2.1.5 subject to any alterations expressly identified as such by Bonhams on the Seller’s behalf (in which case have given at the time your information was disclosed). A made by announcement or notice at the Sale venue you must comply with the terms of that agreement), copy of our Privacy Policy can be found on our Website www. or by the Notice to Bidders or by an insert in the all such sums must be paid to Bonhams by you bonhams.com or requested by post from Customer Services Catalogue, the Lot corresponds with the Contractual in the currency in which the Sale was conducted Department, 101 New Bond Street, London, W1S 1SR or by Description of the Lot, being that part of the Entry by not later than 4.30pm on the second working email from [email protected] about the Lot in the Catalogue which is in bold day following the Sale and you must ensure that letters and (except for colour) with any photograph of the funds are cleared by the seventh working day APPENDIX 1 the Lot in the Catalogue and the contents of after the Sale. Payment must be made to Bonhams any Condition Report which has been provided to by one of the methods stated in the Notice to CONTRACT FOR SALE the Buyer. Bidders unless otherwise agreed with you in writing by Bonhams. If you do not pay any sums due in IMPORTANT: These terms may be changed in advance of 3 DESCRIPTIONS OF THE LOT accordance with this paragraph, the Seller will have the Sale of the Lot to you, by the setting out of different terms the rights set out in paragraph 8 below. in the Catalogue for the Sale and/or by placing an insert in the 3.1 Paragraph 2.1.5 sets out what is the Contractual Catalogue and/or by notices at the Sale venue and/or by oral Description of the Lot. In particular, the Lot is not 7 COLLECTION OF THE LOT announcements before and during the Sale at the Sale venue. sold as corresponding with that part of the Entry in You should be alert to this possibility of changes and ask in the Catalogue which is not printed in bold letters, 7.1 Unless otherwise agreed in writing with you by advance of bidding if there have been any. which merely sets out (on the Seller’s behalf) Bonhams, the Lot will be released to you or to your Bonhams’ opinion about the Lot and which is not order only when Bonhams has received cleared Under this contract the Seller’s liability in respect of the quality part of the Contractual Description upon which the funds to the amount of the full Purchase Price and of the Lot, it’s fitness for any purpose and its conformity with Lot is sold. Any statement or representation other all other sums owed by you to the Seller and to any Description is limited. You are strongly advised to examine than that part of the Entry referred to in paragraph Bonhams. the Lot for yourself and/or obtain an independent examination 2.1.5 (together with any express alteration to it of it before you buy it. as referred to in paragraph 2.1.5), including any 7.2 The Seller is entitled to withhold possession from you Description or Estimate, whether made orally or in of any other Lot he has sold to you at the same or 1 THE CONTRACT writing, including in the Catalogue or on Bonhams’ at any other Sale and whether currently in Bonhams’ Website, or by conduct, or otherwise, and whether possession or not until payment in full and in cleared 1.1 These terms govern the Contract for Sale of the Lot by or on behalf of the Seller or Bonhams and funds of the Purchase Price and all other sums due by the Seller to the Buyer. whether made prior to or during the Sale, is not part to the Seller and/or Bonhams in respect of the Lot. of the Contractual Description upon which the Lot is 1.2 The Definitions and Glossary contained in Appendix sold. 7.3 You will collect and remove the Lot at your own 3 in the Catalogue are incorporated into this Contract expense from Bonhams’ custody and/ or control or for Sale and a separate copy can also be provided 3.2 Except as provided in paragraph 2.1.5, the Seller from the Storage Contractor’s custody in accordance by Bonhams on request. Where words and phrases does not make or give and does not agree to with Bonhams’ instructions or requirements. are used which are in the List of Definitions, they are make or give any contractual promise, undertaking, printed in italics. obligation, guarantee, warranty, or representation 7.4 You will be wholly responsible for packing, handling of fact, or undertake any duty of care, in relation to and transport of the Lot on collection and for 1.3 The Seller sells the Lot as the principal to the any Description of the Lot or any Estimate in relation complying with all import or export regulations in Contract for Sale, such contract being made to it, nor of the accuracy or completeness of any connection with the Lot. between the Seller and you through Bonhams which Description or Estimate which may have been made acts in the sole capacity as the Seller’s agent and not by or on behalf of the Seller including by Bonhams. 7.5 You will be wholly responsible for any removal, as an additional principal. However, if the Catalogue No such Description or Estimate is incorporated into storage or other charges or Expenses incurred states that Bonhams sells the Lot as principal, or this Contract for Sale. by the Seller if you do not remove the Lot in such a statement is made by an announcement accordance with this paragraph 7 and will by the Auctioneer, or by a notice at the Sale, or an 4 FITNESS FOR PURPOSE AND indemnify the Seller against all charges, costs, insert in the Catalogue, then Bonhams is the Seller SATISFACTORY QUALITY including any legal costs and fees, Expenses and for the purposes of this agreement. losses suffered by the Seller by reason of your 4.1 The Seller does not make and does not agree failure to remove the Lot including any charges to make any contractual promise, undertaking, due under any Storage Contract. All such sums obligation, guarantee, warranty, or representation of due to the Seller will be payable on demand. fact in relation to the satisfactory quality of the Lot or its fitness for any purpose. NTB/MAIN/1.2018/V2 SYMBOLS 1.4 The contract is made on the fall of the Auctioneer’s 4.2 The Seller will not be liable for any breach of any 8 FAILURE TO PAY FOR THE LOT 9 THE SELLER’S LIABILITY 10.3 If either party to the Contract for Sale is prevented hammer in respect of the Lot when it is knocked undertaking, whether implied by the Sale of Goods from performing that party’s respective obligations THE FOLLOWING SYMBOLS ARE USED TO down to you. Act 1979 or otherwise, as to the satisfactory quality 8.1 If the Purchase Price for a Lot is not paid to 9.1 The Seller will not be liable for any injury, loss or under the Contract for Sale by circumstances DENOTE of the Lot or its fitness for any purpose. Bonhams in full in accordance with the Contract for damage caused by the Lot after the fall of the beyond its reasonable control or if performance of its 2 SELLER’S UNDERTAKINGS Sale the Seller will be entitled, with the prior written Auctioneer’s hammer in respect of the Lot. obligations would by reason of such circumstances Y Subject to CITES regulations when exporting these items 5 RISK, PROPERTY AND TITLE agreement of Bonhams but without further notice to give rise to a significantly increased financial outside the EU, see clause 13. 2.1 The Seller undertakes to you that: you, to exercise one or more of the following rights 9.2 Subject to paragraph 9.3 below, except for breach of cost to it, that party will not, for so long as such TP Objects displayed with a TP will be located at the 5.1 Risk in the Lot passes to you when it is knocked (whether through Bonhams or otherwise): the express undertaking provided in paragraph 2.1.5, circumstances prevail, be required to perform such Cadogan Tate warehouse and will only be available for 2.1.1 the Seller is the owner of the Lot or is duly authorised down to you on the fall of the Auctioneer’s the Seller will not be liable for any breach of any term obligations. This paragraph does not apply to the collection from this location. to sell the Lot by the owner; hammer in respect of the Lot. The Seller will 8.1.1 to terminate immediately the Contract for Sale of the that the Lot will correspond with any Description obligations imposed on you by paragraph 6. W Objects displayed with a w will be located in the not be responsible thereafter for the Lot prior to Lot for your breach of contract; applied to it by or on behalf of the Seller, whether Bonhams Warehouse and will only be available for 2.1.2 save as disclosed in the Entry for the Lot in the you collecting it from Bonhams or the Storage implied by the Sale of Goods Act 1979 or otherwise. 10.4 Any notice or other communication to be given collection from this location. Catalogue, the Seller sells the Lot with full title Contractor, with whom you have separate contract(s) 8.1.2 to resell the Lot by auction, private treaty or any under the Contract for Sale must be in writing and Δ Wines lying in Bond. guarantee or, where the Seller is an executor, trustee, as Buyer. You will indemnify the Seller and keep the other means on giving seven days’ written notice to 9.3 Unless the Seller sells the Lot in the course of a may be delivered by hand or sent by first class AR An Additional Premium will be payable to us by the Buyer liquidator, receiver or administrator, with whatever Seller fully indemnified from and against all claims, you of the intention to resell; Business and the Buyer buys it as a Consumer, post or air mail or fax transmission, if to the Seller, to cover our Expenses relating to payment of royalties right, title or interest he may have in the Lot; proceedings, costs, expenses and losses arising in addressed c/o Bonhams at its address or fax under the Artists Resale Right Regulations 2006. See respect of any injury, loss and damage caused to the 8.1.3 to retain possession of the Lot; 9.3.1 the Seller will not be liable (whether in negligence, number in the Catalogue (marked for the attention of clause 7 for details. 2.1.3 except where the Sale is by an executor, trustee, Lot after the fall of the Auctioneer’s hammer until you other tort, breach of contract or statutory duty or in the Company Secretary), and if to you to the address ○ The Seller has been guaranteed a minimum price for the liquidator, receiver or administrator the Seller is both obtain full title to it. 8.1.4 to remove and store the Lot at your expense; restitution or under the Misrepresentation Act 1967, or fax number of the Buyer given in the Bidding Form Lot, either by Bonhams or a third party. This may take the legally entitled to sell the Lot, and legally capable or in any other way) for any lack of conformity with, (unless notice of any change of address is given in form of an irrevocable bid by a third party, who may make of conferring on you quiet possession of the Lot 5.2 Title to the Lot remains in and is retained by the 8.1.5 to take legal proceedings against you for any sum or inaccuracy, error, misdescription or omission in writing). It is the responsibility of the sender of the a financial gain on a successful Sale or a financial loss if and that the Sale conforms in every respect with Seller until the Purchase Price and all other sums due under the Contract for Sale and/or damages for any Description of the Lot or any Entry or Estimate in notice or communication to ensure that it is received unsuccessful. the terms implied by the Sale of Goods Act 1979, payable by you to Bonhams in relation to the Lot breach of contract; relation to the Lot made by or on behalf of the Seller in a legible form within any applicable time period. ▲ Bonhams owns the Lot either wholly or partially or may Sections 12(1) and 12(2) (see the Definitions and have been paid in full to, and received in cleared (whether made in writing, including in the Catalogue, otherwise have an economic interest. Glossary); funds by, Bonhams. 8.1.6 to be paid interest on any monies due (after as well or on the Website, or orally, or by conduct or 10.5 If any term or any part of any term of the Contract This lot contains or is made of ivory. The United States Ф as before judgement or order) at the annual rate otherwise) and whether made before or after this for Sale is held to be unenforceable or invalid, Government has banned the import of ivory into 2.1.4 the Seller has complied with all requirements, legal or 6 PAYMENT of 5% per annum above the base rate of National agreement or prior to or during the Sale; such unenforceability or invalidity will not affect the the USA. otherwise, relating to any export or import of the Lot, Westminster Bank Plc from time to time to be enforceability and validity of the remaining terms or and all duties and taxes in respect of the export or 6.1 Your obligation to pay the Purchase Price arises calculated on a daily basis from the date upon which 9.3.2 the Seller will not be liable for any loss of Business, the remainder of the relevant term. Ω a •, †, *, G, , see clause 8, VAT, for details. import of the Lot have (unless stated to the contrary when the Lot is knocked down to you on the fall of such monies become payable until the date of actual Business profits or revenue or income or for loss of in the Catalogue or announced by the Auctioneer) the Auctioneer’s hammer in respect of the Lot. payment; reputation or for disruption to Business or wasted 10.6 References in the Contract for Sale to Bonhams will, DATA PROTECTION – USE OF YOUR INFORMATION been paid and, so far as the Seller is aware, all third time on the part of the Buyer or of the Buyer’s where appropriate, include reference to Bonhams’ parties have complied with such requirements in 6.2 Time will be of the essence in relation to payment of 8.1.7 to repossess the Lot (or any part thereof) which has management or staff or, for any indirect losses or officers, employees and agents. Where we obtain any personal information about you, we the past; the Purchase Price and all other sums payable by not become your property, and for this purpose consequential damages of any kind, irrespective in shall only use it in accordance with the terms of our Privacy you to Bonhams. Unless agreed in writing with you (unless the Buyer buys the Lot as a Consumer from any case of the nature, volume or source of the loss 10.7 The headings used in the Contract for Sale are for Policy (subject to any additional specific consent(s) you may 2.1.5 subject to any alterations expressly identified as such by Bonhams on the Seller’s behalf (in which case the Seller selling in the course of a Business) you or damage alleged to be suffered, and irrespective convenience only and will not affect its interpretation. have given at the time your information was disclosed). A made by announcement or notice at the Sale venue you must comply with the terms of that agreement), hereby grant an irrevocable licence to the Seller by of whether the said loss or damage is caused by copy of our Privacy Policy can be found on our Website www. or by the Notice to Bidders or by an insert in the all such sums must be paid to Bonhams by you himself and to his servants or agents to enter upon or claimed in respect of any negligence, other tort, 10.8 In the Contract for Sale “including” means “including, bonhams.com or requested by post from Customer Services Catalogue, the Lot corresponds with the Contractual in the currency in which the Sale was conducted all or any of your premises (with or without vehicles) breach of contract, statutory duty, restitutionary claim without limitation”. Department, 101 New Bond Street, London, W1S 1SR or by Description of the Lot, being that part of the Entry by not later than 4.30pm on the second working during normal Business hours to take possession of or otherwise; email from [email protected] about the Lot in the Catalogue which is in bold day following the Sale and you must ensure that the Lot or part thereof; 10.9 References to the singular will include reference to letters and (except for colour) with any photograph of the funds are cleared by the seventh working day 9.3.3 in any circumstances where the Seller is liable to the plural (and vice versa) and reference to any one APPENDIX 1 the Lot in the Catalogue and the contents of after the Sale. Payment must be made to Bonhams 8.1.8 to retain possession of any other property sold to you in respect of the Lot, or any act, omission, gender will include reference to the other genders. any Condition Report which has been provided to by one of the methods stated in the Notice to you by the Seller at the Sale or any other auction statement, or representation in respect of it, or CONTRACT FOR SALE the Buyer. Bidders unless otherwise agreed with you in writing or by private treaty until all sums due under the this agreement or its performance, and whether in 10.10 Reference to a numbered paragraph is to a by Bonhams. If you do not pay any sums due in Contract for Sale shall have been paid in full in damages, for an indemnity or contribution or for paragraph of the Contract for Sale. IMPORTANT: These terms may be changed in advance of 3 DESCRIPTIONS OF THE LOT accordance with this paragraph, the Seller will have cleared funds; a restitutionary remedy or in any way whatsoever, the Sale of the Lot to you, by the setting out of different terms the rights set out in paragraph 8 below. the Seller’s liability will be limited to payment of a 10.11 Save as expressly provided in paragraph 10.12 in the Catalogue for the Sale and/or by placing an insert in the 3.1 Paragraph 2.1.5 sets out what is the Contractual 8.1.9 to retain possession of, and on seven days written sum which will not exceed by way of maximum the nothing in the Contract for Sale confers (or purports Catalogue and/or by notices at the Sale venue and/or by oral Description of the Lot. In particular, the Lot is not 7 COLLECTION OF THE LOT notice to sell, Without Reserve, any of your other amount of the Purchase Price of the Lot irrespective to confer) on any person who is not a party to the announcements before and during the Sale at the Sale venue. sold as corresponding with that part of the Entry in property in the possession of the Seller and/or of in any case of the nature, volume or source of Contract for Sale any benefit conferred by, or the You should be alert to this possibility of changes and ask in the Catalogue which is not printed in bold letters, 7.1 Unless otherwise agreed in writing with you by Bonhams (as bailee for the Seller) for any purpose any loss or damage alleged to be suffered or sum right to enforce any term of, the Contract for Sale. advance of bidding if there have been any. which merely sets out (on the Seller’s behalf) Bonhams, the Lot will be released to you or to your (including, without limitation, other goods sold to claimed as due, and irrespective of whether the Bonhams’ opinion about the Lot and which is not order only when Bonhams has received cleared you) and to apply any monies due to you as a result liability arises from any negligence, other tort, breach 10.12 Where the Contract for Sale confers an immunity Under this contract the Seller’s liability in respect of the quality part of the Contractual Description upon which the funds to the amount of the full Purchase Price and of such Sale in satisfaction or part satisfaction of any of contract, statutory duty, bailee’s duty, restitutionary from, and/or an exclusion or restriction of, the of the Lot, it’s fitness for any purpose and its conformity with Lot is sold. Any statement or representation other all other sums owed by you to the Seller and to amounts owed to the Seller or to Bonhams; and claim or otherwise. responsibility and/or liability of the Seller, it will also any Description is limited. You are strongly advised to examine than that part of the Entry referred to in paragraph Bonhams. operate in favour and for the benefit of Bonhams, the Lot for yourself and/or obtain an independent examination 2.1.5 (together with any express alteration to it 8.1.10 so long as such goods remain in the possession 9.4 Nothing set out in paragraphs 9.1 to 9.3 above will Bonhams’ holding company and the subsidiaries of it before you buy it. as referred to in paragraph 2.1.5), including any 7.2 The Seller is entitled to withhold possession from you of the Seller or Bonhams as its bailee, to rescind be construed as excluding or restricting (whether of such holding company and the successors and Description or Estimate, whether made orally or in of any other Lot he has sold to you at the same or the contract for the Sale of any other goods sold to directly or indirectly) any person’s liability or excluding assigns of Bonhams and of such companies and of 1 THE CONTRACT writing, including in the Catalogue or on Bonhams’ at any other Sale and whether currently in Bonhams’ you by the Seller at the Sale or at any other auction or restricting any person’s rights or remedies in any officer, employee and agent of Bonhams and Website, or by conduct, or otherwise, and whether possession or not until payment in full and in cleared or by private treaty and apply any monies received respect of (i) fraud, or (ii) death or personal injury such companies, each of whom will be entitled to 1.1 These terms govern the Contract for Sale of the Lot by or on behalf of the Seller or Bonhams and funds of the Purchase Price and all other sums due from you in respect of such goods in part or full caused by the Seller’s negligence (or any person rely on the relevant immunity and/or exclusion and/or by the Seller to the Buyer. whether made prior to or during the Sale, is not part to the Seller and/or Bonhams in respect of the Lot. satisfaction of any amounts owed to the Seller or to under the Seller’s control or for whom the Seller is restriction within and for the purposes of Contracts of the Contractual Description upon which the Lot is Bonhams by you. legally responsible), or (iii) acts or omissions for which (Rights of Third Parties) Act 1999, which enables the 1.2 The Definitions and Glossary contained in Appendix sold. 7.3 You will collect and remove the Lot at your own the Seller is liable under the Occupiers Liability Act benefit of a contract to be extended to a person who 3 in the Catalogue are incorporated into this Contract expense from Bonhams’ custody and/ or control or 8.2 You agree to indemnify the Seller against all legal 1957, or (iv) any other liability to the extent the same is not a party to the contract, and generally at law. for Sale and a separate copy can also be provided 3.2 Except as provided in paragraph 2.1.5, the Seller from the Storage Contractor’s custody in accordance and other costs of enforcement, all losses and other may not be excluded or restricted as a matter of law. by Bonhams on request. Where words and phrases does not make or give and does not agree to with Bonhams’ instructions or requirements. Expenses and costs (including any monies payable 11 GOVERNING LAW are used which are in the List of Definitions, they are make or give any contractual promise, undertaking, to Bonhams in order to obtain the release of the printed in italics. 10 MISCELLANEOUS obligation, guarantee, warranty, or representation 7.4 You will be wholly responsible for packing, handling Lot) incurred by the Seller (whether or not court All transactions to which the Contract for Sale of fact, or undertake any duty of care, in relation to and transport of the Lot on collection and for proceedings will have been issued) as a result of 10.1 You may not assign either the benefit or burden of applies and all connected matters will be governed 1.3 The Seller sells the Lot as the principal to the any Description of the Lot or any Estimate in relation complying with all import or export regulations in Bonhams taking steps under this paragraph 8 on the Contract for Sale. by and construed in accordance with the laws of Contract for Sale, such contract being made to it, nor of the accuracy or completeness of any connection with the Lot. a full indemnity basis together with interest thereon that part of the United Kingdom where the Sale between the Seller and you through Bonhams which Description or Estimate which may have been made (after as well as before judgement or order) at the 10.2 The Seller’s failure or delay in enforcing or exercising takes place and the Seller and you each submit to acts in the sole capacity as the Seller’s agent and not by or on behalf of the Seller including by Bonhams. 7.5 You will be wholly responsible for any removal, rate specified in paragraph 8.1.6 from the date upon any power or right under the Contract for Sale will the exclusive jurisdiction of the courts of that part as an additional principal. However, if the Catalogue No such Description or Estimate is incorporated into storage or other charges or Expenses incurred which the Seller becomes liable to pay the same until not operate or be deemed to operate as a waiver of of the United Kingdom, save that the Seller may states that Bonhams sells the Lot as principal, or this Contract for Sale. by the Seller if you do not remove the Lot in payment by you. his rights under it except to the extent of any express bring proceedings against you in any other court of such a statement is made by an announcement accordance with this paragraph 7 and will waiver given to you in writing. Any such waiver will competent jurisdiction to the extent permitted by by the Auctioneer, or by a notice at the Sale, or an 4 FITNESS FOR PURPOSE AND indemnify the Seller against all charges, costs, 8.3 On any resale of the Lot under paragraph 8.1.2, the not affect the Seller’s ability subsequently to enforce the laws of the relevant jurisdiction. Bonhams has a insert in the Catalogue, then Bonhams is the Seller SATISFACTORY QUALITY including any legal costs and fees, Expenses and Seller will account to you in respect of any balance any right arising under the Contract for Sale. complaints procedure in place. for the purposes of this agreement. losses suffered by the Seller by reason of your remaining from any monies received by him or on 4.1 The Seller does not make and does not agree failure to remove the Lot including any charges his behalf in respect of the Lot, after the payment of to make any contractual promise, undertaking, due under any Storage Contract. All such sums all sums due to the Seller and to Bonhams, within obligation, guarantee, warranty, or representation of due to the Seller will be payable on demand. 28 days of receipt of such monies by him or on his fact in relation to the satisfactory quality of the Lot or behalf. its fitness for any purpose. NTB/MAIN/1.2018/V2 NTB/MAIN/1.2018/V2 APPENDIX 2 3 PAYMENT 4.4 If you have not collected the Lot by the date 7 FAILURE TO PAY OR TO REMOVE THE LOT 7.3 If you pay us only part of the sums due to us such 9.3 Paragraph 9 will not apply in respect of a Forgery if: specified in the Notice to Bidders, you authorise us, AND PART PAYMENTS payment shall be applied firstly to the Purchase Price BUYER’S AGREEMENT 3.1 Unless agreed in writing between you and us or as acting as your agent and on your behalf, to enter of the Lot (or where you have purchased more than 9.3.1 the Entry in relation to the Lot contained in the otherwise set out in the Notice to Bidders, you must into a contract (the “Storage Contract”) with the 7.1 If all sums payable to us are not so paid in full at one Lot pro-rata towards the Purchase Price of each Catalogue reflected the then accepted general IMPORTANT: These terms may be changed in advance of pay to us by not later than 4.30pm on the second Storage Contractor for the storage of the Lot on the the time they are due and/or the Lot is not removed Lot) and secondly to the Buyer’s Premium (or where opinion of scholars and experts or fairly indicated the Sale of the Lot to you, by the setting out of different terms working day following the Sale: then current standard terms and conditions agreed in accordance with this agreement, we will without you have purchased more than one Lot pro-rata to that there was a conflict of such opinion or reflected in the Catalogue for the Sale and/or by placing an insert in the between Bonhams and the Storage Contractor further notice to you be entitled to exercise one or the Buyer’s Premium on each Lot) and thirdly to any the then current opinion of an expert acknowledged Catalogue and/or by notices at the Sale venue and/or by oral 3.1.1 the Purchase Price for the Lot; (copies of which are available on request). If the Lot more of the following rights (without prejudice to any other sums due to us. to be a leading expert in the relevant field; or announcements before and during the Sale at the Sale venue. is stored at our premises storage fees at our current rights we may exercise on behalf of the Seller): You should be alert to this possibility of changes and ask in 3.1.2 a Buyer’s Premium in accordance with the rates set daily rates (currently a minimum of £3 plus VAT per 7.4 We will account to you in respect of any balance we 9.3.2 it can be established that the Lot is a Forgery only advance of bidding if there have been any. out in the Notice to Bidders on each lot, and Lot per day) will be payable from the expiry of the 7.1.1 to terminate this agreement immediately for your hold remaining from any monies received by us in by means of a process not generally accepted for period referred to in paragraph 4.2. These storage breach of contract; respect of any Sale of the Lot under our rights under use until after the date on which the Catalogue was 1 THE CONTRACT 3.1.3 if the Lot is marked [AR], an Additional Premium fees form part of our Expenses. this paragraph 7 after the payment of all sums due to published or by means of a process which it was which is calculated and payable in accordance with 7.1.2 to retain possession of the Lot; us and/or the Seller within 28 days of receipt by us of unreasonable in all the circumstances for us to have 1.1 These terms govern the contract between Bonhams the Notice to Bidders together with VAT on that sum 4.5 Until you have paid the Purchase Price and any all such sums paid to us. employed. personally and the Buyer, being the person to whom if applicable so that all sums due to us are cleared Expenses in full the Lot will either be held by us as 7.1.3 to remove, and/or store the Lot at your expense; a Lot has been knocked down by the Auctioneer. funds by the seventh working day after the Sale. agent on behalf of the Seller or held by the Storage 8 CLAIMS BY OTHER PERSONS IN RESPECT 9.4 You authorise us to carry out such processes and Contractor as agent on behalf of the Seller and 7.1.4 to take legal proceedings against you for payment OF THE LOT tests on the Lot as we in our absolute discretion 1.2 The Definitions and Glossary contained in Appendix 3.2 You must also pay us on demand any Expenses ourselves on the terms contained in the Storage of any sums payable to us by you (including the consider necessary to satisfy ourselves that the Lot 3 to the Catalogue for the Sale are incorporated payable pursuant to this agreement. Contract. Purchase Price) and/or damages for breach of 8.1 Whenever it becomes apparent to us that the Lot is is or is not a Forgery. into this agreement and a separate copy can also contract; the subject of a claim by someone other than you be provided by us on request. Where words and 3.3 All payments to us must be made in the currency 4.6 You undertake to comply with the terms of any and other than the Seller (or that such a claim can 9.5 If we are satisfied that a Lot is a Forgery we will (as phrases which are defined in the List of Definitions in which the Sale was conducted, using, unless Storage Contract and in particular to pay the 7.1.5 to be paid interest on any monies due to us (after reasonably be expected to be made), we may, at our principal) purchase the Lot from you and you will are used in this agreement, they are printed in italics. otherwise agreed by us in writing, one of the charges (and all costs of moving the Lot into storage) as well as before judgement or order) at the annual absolute discretion, deal with the Lot in any manner transfer the title to the Lot in question to us, with Reference is made in this agreement to information methods of payment set out in the Notice to due under any Storage Contract. You acknowledge rate of 5% per annum above the base lending rate which appears to us to recognise the legitimate full title guarantee, free from any liens, charges, printed in the Notice to Bidders, printed in the Bidders. Our invoices will only be addressed to the and agree that you will not be able to collect the Lot of National Westminster Bank Plc from time to time interests of ourselves and the other parties involved encumbrances and adverse claims, in accordance Catalogue for the Sale, and where such information registered Bidder unless the Bidder is acting as an from the Storage Contractor’s premises until you to be calculated on a daily basis from the date upon and lawfully to protect our position and our legitimate with the provisions of Sections 12(1) and 12(2) of is referred to it is incorporated into this agreement. agent for a named principal and we have approved have paid the Purchase Price, any Expenses and all which such monies become payable until the date of interests. Without prejudice to the generality of the the Sale of Goods Act 1979 and we will pay to you that arrangement, in which case we will address the charges due under the Storage Contract. actual payment; discretion and by way of example, we may: an amount equal to the sum of the Purchase Price, 1.3 Except as specified in paragraph 4 of the Notice to invoice to the principal. Buyer’s Premium, VAT and Expenses paid by you in Bidders the Contract for Sale of the Lot between you 4.7 You will be wholly responsible for packing, handling 7.1.6 to repossess the Lot (or any part thereof) which has 8.1.1 retain the Lot to investigate any question raised or respect of the Lot. and the Seller is made on the fall of the Auctioneer’s 3.4 Unless otherwise stated in this agreement all and transport of the Lot on collection and for not become your property, and for this purpose reasonably expected by us to be raised in relation to hammer in respect of the Lot, when it is knocked sums payable to us will be subject to VAT at the complying with all import or export regulations in (unless you buy the Lot as a Consumer) you hereby the Lot; and/or 9.6 The benefit of paragraph 9 is personal to, and down to you. At that moment a separate contract is appropriate rate and VAT will be payable by you on connection with the Lot. grant an irrevocable licence to us, by ourselves, our incapable of assignment by, you. also made between you and Bonhams on the terms all such sums. servants or agents, to enter upon all or any of your 8.1.2 deliver the Lot to a person other than you; and/or in this Buyer’s Agreement. 4.8 You will be wholly responsible for any removal, premises (with or without vehicles) during normal 9.7 If you sell or otherwise dispose of your interest in the 3.5 We may deduct and retain for our own benefit from storage, or other charges for any Lot not removed business hours to take possession of any Lot or part 8.1.3 commence interpleader proceedings or seek any Lot, all rights and benefits under this paragraph will 1.4 We act as agents for the Seller and are not the monies paid by you to us the Buyer’s Premium, in accordance with paragraph 4.2, payable at our thereof; other order of any court, mediator, arbitrator or cease. answerable or personally responsible to you for any the Commission payable by the Seller in respect current rates, and any Expenses we incur (including government body; and/or breach of contract or other default by the Seller, of the Lot, any Expenses and VAT and any interest any charges due under the Storage Contract), all of 7.1.7 to sell the Lot Without Reserve by auction, private 9.8 Paragraph 9 does not apply to a Lot made up of or unless Bonhams sells the Lot as principal. earned and/or incurred until payment to the Seller. which must be paid by you on demand and in any treaty or any other means on giving you three 8.1.4 require an indemnity and/or security from you in including a Chinese painting or Chinese paintings, a event before any collection of the Lot by you or on months’ written notice of our intention to do so; return for pursuing a course of action agreed to by motor vehicle or motor vehicles, a Stamp or Stamps 1.5 Our personal obligations to you are governed by 3.6 Time will be of the essence in relation to any your behalf. you. or a Book or Books. this agreement and we agree, subject to the terms payment payable to us. If you do not pay the 7.1.8 to retain possession of any of your other property in below, to the following obligations: Purchase Price, or any other sum due to us in 5 STORING THE LOT our possession for any purpose (including, without 8.2 The discretion referred to in paragraph 8.1: 10 OUR LIABILITY accordance with this paragraph 3, we will have the limitation, other goods sold to you or with us for Sale) 1.5.1 we will, until the date and time specified in the Notice rights set out in paragraph 7 below. We agree to store the Lot until the earlier of your until all sums due to us have been paid in full; 8.2.1 may be exercised at any time during which we have 10.1 We will not be liable whether in negligence, other to Bidders or otherwise notified to you, store theLot removal of the Lot or until the time and date set out actual or constructive possession of the Lot, or at tort, breach of contract or statutory duty or in in accordance with paragraph 5; 3.7 Where a number of Lots have been knocked down in the Notice to Bidders, on the Sale Information 7.1.9 to apply any monies received from you for any any time after such possession, where the cessation restitution or under the Misrepresentation Act 1967 to you, any monies we receive from you will be Page or at the back of the catalogue (or if no date purpose whether at the time of your default or at any of such possession has occurred by reason of any or in any other way for lack of conformity with or 1.5.2 subject to any power of the Seller or us to refuse to applied firstly pro-rata to pay the Purchase Price of is specified, by 4.30pm on the seventh day after the time thereafter in payment or part payment of any decision, order or ruling of any court, mediator, any inaccuracy, error, misdescription or omission in release the Lot to you, we will release the Lot to you each Lot and secondly pro-rata to pay all amounts Sale) and, subject to paragraphs 6 and 10, to be sums due to us by you under this agreement; arbitrator or government body; and any Description of the Lot or any Entry or Estimate in accordance with paragraph 4 once you have paid due to Bonhams. responsible as bailee to you for damage to or the in respect of it, made by us or on our behalf or by to us, in cleared funds, everything due to us and the loss or destruction of the Lot (notwithstanding that it 7.1.10 on three months’ written notice to sell, Without 8.2.2 will not be exercised unless we believe that there or on behalf of the Seller (whether made in writing, Seller; 4 COLLECTION OF THE LOT is not your property before payment of the Purchase Reserve, any of your other property in our exists a serious prospect of a good arguable case in including in the Catalogue, or on the Bonhams’ Price). If you do not collect the Lot before the time possession or under our control for any purpose favour of the claim. Website, or orally, or by conduct or otherwise) and 1.5.3 we will provide guarantees in the terms set out in 4.1 Subject to any power of the Seller or us to refuse and date set out in the Notice to Bidders (or if no (including other goods sold to you or with us for whether made before or after this agreement or prior paragraphs 9 and 10. to release the Lot to you, once you have paid to us, date is specified, by 4.30pm on the seventh day Sale) and to apply any monies due to you as a result 9 FORGERIES to or during the Sale. in cleared funds, everything due to the Seller and after the Sale) we may remove the Lot to another of such Sale in payment or part payment of any 1.6 We do not make or give and do not agree to make to us, we will release the Lot to you or as you may location, the details of which will usually be set out amounts owed to us; 9.1 We undertake a personal responsibility for any 10.2 Our duty to you while the Lot is at your risk and/or or give any contractual promise, undertaking, direct us in writing. The Lot will only be released on in the relevant section of the Catalogue. If you have Forgery in accordance with the terms of this your property and in our custody and/or control is to obligation, Guarantee, warranty, representation of production of a buyer collection document, obtained not paid for the Lot in accordance with paragraph 3, 7.1.11 refuse to allow you to register for a future Sale or to paragraph 9. exercise reasonable care in relation to it, but we will fact in relation to any Description of the Lot or any from our cashier’s office. and the Lot is moved to any third party’s premises, reject a bid from you at any future Sale or to require not be responsible for damage to the Lot or to other Estimate in relation to it, nor of the accuracy or the Lot will be held by such third party strictly to you to pay a deposit before any bid is accepted by 9.2 Paragraph 9 applies only if: persons or things caused by: completeness of any Description or Estimate which 4.2 You must collect and remove the Lot at your own Bonhams’ order and we will retain our lien over the us at any future Sale in which case we will be entitled may have been made by us or on our behalf or by expense by the date and time specified in the Notice Lot until we have been paid in full in accordance with to apply such deposit in payment or part payment, 9.2.1 your name appears as the named person to whom 10.2.1 handling the Lot if it was affected at the time of Sale or on behalf of the Seller (whether made orally or in to Bidders, or if no date is specified, by 4.30pm on paragraph 3. as the case may be, of the Purchase Price of any Lot the original invoice was made out by us in respect of to you by woodworm and any damage is caused as writing, including in the Catalogue or on Bonhams’ the seventh day after the Sale. of which you are the Buyer. the Lot and that invoice has been paid; and a result of it being affected by woodworm; or Website, or by conduct, or otherwise), and whether 6 RESPONSIBILITY FOR THE LOT made before or after this agreement or prior to or 4.3 For the period referred to in paragraph 4.2, the Lot 7.2 You agree to indemnify us against all legal and other 9.2.2 you notify us in writing as soon as reasonably 10.2.2 changes in atmospheric pressure; nor will we be during the Sale. No such Description or Estimate is can be collected from the address referred to in the 6.1 Only on the payment of the Purchase Price to us costs, all losses and all other Expenses (whether or practicable after you have become aware that the liable for: incorporated into this agreement between you and Notice to Bidders for collection on the days and will title in the Lot pass to you. However under the not court proceedings will have been issued) incurred Lot is or may be a Forgery, and in any event within us. Any such Description or Estimate, if made by us times specified in the Notice to Bidders. Thereafter, Contract for Sale, the risk in the Lot passed to you by us as a result of our taking steps under this one year after the Sale, that the Lot is a Forgery; and 10.2.3 damage to tension stringed musical instruments; or or on our behalf, was (unless Bonhams itself sells the Lot may be removed elsewhere for storage and when it was knocked down to you. paragraph 7 on a full indemnity basis together with the Lot as principal) made as agent on behalf of the you must enquire from us as to when and where you interest thereon (after as well as before judgement or 9.2.3 within one month after such notification has been 10.2.4 damage to gilded picture frames, plaster picture Seller. can collect it, although this information will usually be 6.2 You are advised to obtain insurance in respect of the order) at the rate specified in paragraph 7.1.5 from given, you return the Lot to us in the same condition frames or picture frame glass; and if the Lot is or set out in the Notice to Bidders. Lot as soon as possible after the Sale. the date upon which we become liable to pay the as it was at the time of the Sale, accompanied by becomes dangerous, we may dispose of it without 2 PERFORMANCE OF THE CONTRACT FOR same until payment by you. written evidence that the Lot is a Forgery and details notice to you in advance in any manner we think fit SALE of the Sale and Lot number sufficient to identify the and we will be under no liability to you for doing so. Lot. You undertake to us personally that you will observe and comply with all your obligations and undertakings to the Seller under the Contract for Sale in respect of the Lot.

NTB/MAIN/1.2018/V2 NTB/MAIN/1.2018/V2 7 FAILURE TO PAY OR TO REMOVE THE LOT 7.3 If you pay us only part of the sums due to us such 9.3 Paragraph 9 will not apply in respect of a Forgery if: AND PART PAYMENTS payment shall be applied firstly to the Purchase Price of the Lot (or where you have purchased more than 9.3.1 the Entry in relation to the Lot contained in the 7.1 If all sums payable to us are not so paid in full at one Lot pro-rata towards the Purchase Price of each Catalogue reflected the then accepted general the time they are due and/or the Lot is not removed Lot) and secondly to the Buyer’s Premium (or where opinion of scholars and experts or fairly indicated in accordance with this agreement, we will without you have purchased more than one Lot pro-rata to that there was a conflict of such opinion or reflected further notice to you be entitled to exercise one or the Buyer’s Premium on each Lot) and thirdly to any the then current opinion of an expert acknowledged more of the following rights (without prejudice to any other sums due to us. to be a leading expert in the relevant field; or rights we may exercise on behalf of the Seller): 7.4 We will account to you in respect of any balance we 9.3.2 it can be established that the Lot is a Forgery only 7.1.1 to terminate this agreement immediately for your hold remaining from any monies received by us in by means of a process not generally accepted for breach of contract; respect of any Sale of the Lot under our rights under use until after the date on which the Catalogue was this paragraph 7 after the payment of all sums due to published or by means of a process which it was 7.1.2 to retain possession of the Lot; us and/or the Seller within 28 days of receipt by us of unreasonable in all the circumstances for us to have all such sums paid to us. employed. 7.1.3 to remove, and/or store the Lot at your expense; 8 CLAIMS BY OTHER PERSONS IN RESPECT 9.4 You authorise us to carry out such processes and 7.1.4 to take legal proceedings against you for payment OF THE LOT tests on the Lot as we in our absolute discretion of any sums payable to us by you (including the consider necessary to satisfy ourselves that the Lot Purchase Price) and/or damages for breach of 8.1 Whenever it becomes apparent to us that the Lot is is or is not a Forgery. contract; the subject of a claim by someone other than you and other than the Seller (or that such a claim can 9.5 If we are satisfied that a Lot is a Forgery we will (as 7.1.5 to be paid interest on any monies due to us (after reasonably be expected to be made), we may, at our principal) purchase the Lot from you and you will as well as before judgement or order) at the annual absolute discretion, deal with the Lot in any manner transfer the title to the Lot in question to us, with rate of 5% per annum above the base lending rate which appears to us to recognise the legitimate full title guarantee, free from any liens, charges, of National Westminster Bank Plc from time to time interests of ourselves and the other parties involved encumbrances and adverse claims, in accordance to be calculated on a daily basis from the date upon and lawfully to protect our position and our legitimate with the provisions of Sections 12(1) and 12(2) of which such monies become payable until the date of interests. Without prejudice to the generality of the the Sale of Goods Act 1979 and we will pay to you actual payment; discretion and by way of example, we may: an amount equal to the sum of the Purchase Price, Buyer’s Premium, VAT and Expenses paid by you in 7.1.6 to repossess the Lot (or any part thereof) which has 8.1.1 retain the Lot to investigate any question raised or respect of the Lot. not become your property, and for this purpose reasonably expected by us to be raised in relation to (unless you buy the Lot as a Consumer) you hereby the Lot; and/or 9.6 The benefit of paragraph 9 is personal to, and grant an irrevocable licence to us, by ourselves, our incapable of assignment by, you. servants or agents, to enter upon all or any of your 8.1.2 deliver the Lot to a person other than you; and/or premises (with or without vehicles) during normal 9.7 If you sell or otherwise dispose of your interest in the business hours to take possession of any Lot or part 8.1.3 commence interpleader proceedings or seek any Lot, all rights and benefits under this paragraph will thereof; other order of any court, mediator, arbitrator or cease. government body; and/or 7.1.7 to sell the Lot Without Reserve by auction, private 9.8 Paragraph 9 does not apply to a Lot made up of or treaty or any other means on giving you three 8.1.4 require an indemnity and/or security from you in including a Chinese painting or Chinese paintings, a months’ written notice of our intention to do so; return for pursuing a course of action agreed to by motor vehicle or motor vehicles, a Stamp or Stamps you. or a Book or Books. 7.1.8 to retain possession of any of your other property in our possession for any purpose (including, without 8.2 The discretion referred to in paragraph 8.1: 10 OUR LIABILITY limitation, other goods sold to you or with us for Sale) until all sums due to us have been paid in full; 8.2.1 may be exercised at any time during which we have 10.1 We will not be liable whether in negligence, other actual or constructive possession of the Lot, or at tort, breach of contract or statutory duty or in 7.1.9 to apply any monies received from you for any any time after such possession, where the cessation restitution or under the Misrepresentation Act 1967 purpose whether at the time of your default or at any of such possession has occurred by reason of any or in any other way for lack of conformity with or time thereafter in payment or part payment of any decision, order or ruling of any court, mediator, any inaccuracy, error, misdescription or omission in sums due to us by you under this agreement; arbitrator or government body; and any Description of the Lot or any Entry or Estimate in respect of it, made by us or on our behalf or by 7.1.10 on three months’ written notice to sell, Without 8.2.2 will not be exercised unless we believe that there or on behalf of the Seller (whether made in writing, Reserve, any of your other property in our exists a serious prospect of a good arguable case in including in the Catalogue, or on the Bonhams’ possession or under our control for any purpose favour of the claim. Website, or orally, or by conduct or otherwise) and (including other goods sold to you or with us for whether made before or after this agreement or prior Sale) and to apply any monies due to you as a result 9 FORGERIES to or during the Sale. of such Sale in payment or part payment of any amounts owed to us; 9.1 We undertake a personal responsibility for any 10.2 Our duty to you while the Lot is at your risk and/or Forgery in accordance with the terms of this your property and in our custody and/or control is to 7.1.11 refuse to allow you to register for a future Sale or to paragraph 9. exercise reasonable care in relation to it, but we will reject a bid from you at any future Sale or to require not be responsible for damage to the Lot or to other you to pay a deposit before any bid is accepted by 9.2 Paragraph 9 applies only if: persons or things caused by: us at any future Sale in which case we will be entitled to apply such deposit in payment or part payment, 9.2.1 your name appears as the named person to whom 10.2.1 handling the Lot if it was affected at the time of Sale as the case may be, of the Purchase Price of any Lot the original invoice was made out by us in respect of to you by woodworm and any damage is caused as of which you are the Buyer. the Lot and that invoice has been paid; and a result of it being affected by woodworm; or

7.2 You agree to indemnify us against all legal and other 9.2.2 you notify us in writing as soon as reasonably 10.2.2 changes in atmospheric pressure; nor will we be costs, all losses and all other Expenses (whether or practicable after you have become aware that the liable for: not court proceedings will have been issued) incurred Lot is or may be a Forgery, and in any event within by us as a result of our taking steps under this one year after the Sale, that the Lot is a Forgery; and 10.2.3 damage to tension stringed musical instruments; or paragraph 7 on a full indemnity basis together with interest thereon (after as well as before judgement or 9.2.3 within one month after such notification has been 10.2.4 damage to gilded picture frames, plaster picture order) at the rate specified in paragraph 7.1.5 from given, you return the Lot to us in the same condition frames or picture frame glass; and if the Lot is or the date upon which we become liable to pay the as it was at the time of the Sale, accompanied by becomes dangerous, we may dispose of it without same until payment by you. written evidence that the Lot is a Forgery and details notice to you in advance in any manner we think fit of the Sale and Lot number sufficient to identify the and we will be under no liability to you for doing so. Lot.

NTB/MAIN/1.2018/V2 10.3.1 We will not be liable to you for any loss of Business, the Entry in the Catalogue in respect of the Lot 12.7 The headings used in this agreement are for “Bidder” a person who has completed a Bidding Form. “Loss and Damage Warranty” means the warranty described “artist’s resale right”: the right of the creator of a work of art Business profits, revenue or income or for loss of reflected the then accepted general opinion of convenience only and will not affect its interpretation. “Bidding Form” our Bidding Registration Form, our Absentee in paragraph 8.2 of the Conditions of Business. to receive a payment on Sales of that work subsequent to the Business reputation or for disruption to Business or scholars and experts or fairly indicated that there Bidding Form or our Telephone Bidding Form. “Loss and Damage Warranty Fee” means the fee described original Sale of that work by the creator of it as set out in the wasted time on the part of the Buyer’s management was a conflict of such opinion; or 12.8 In this agreement “including” means “including, “Bonhams” Bonhams 1793 Limited or its successors or in paragraph 8.2.3 of the Conditions of Business. Artists Resale Right Regulations 2006. or staff or, if you are buying the Lot in the course of without limitation”. assigns. Bonhams is also referred to in the Buyer’s Agreement, “Lot” any item consigned to Bonhams with a view to its Sale “bailee”: a person to whom goods are entrusted. a Business, for any indirect losses or consequential it can be established that the Lot is a non- the Conditions of Business and the Notice to Bidders by the at auction or by private treaty (and reference to any Lot will “indemnity”: an obligation to put the person who has the damages of any kind, irrespective in any case of conforming Lot only by means of a process not 12.9 References to the singular will include reference to words “we”, “us” and “our”. include, unless the context otherwise requires, reference to benefit of the indemnity in the same position in which he would the nature, volume or source of the loss or damage generally accepted for use until after the date on the plural (and vice versa) and reference to any one “Book” a printed Book offered for Sale at a specialist Book individual items comprised in a group of two or more items have been, had the circumstances giving rise to the indemnity alleged to be suffered, and irrespective of whether which the Catalogue was published or by means gender will include reference to the other genders. Sale. offered for Sale as one Lot). not arisen and the expression “indemnify” is construed the said loss or damage is caused by or claimed of a process which it was unreasonable in all the “Business” includes any trade, Business and profession. “Motoring Catalogue Fee” a fee payable by the Seller to accordingly. in respect of any negligence, other tort, breach of circumstances for us to have employed; or 12.10 Reference to a numbered paragraph is to a “Buyer” the person to whom a Lot is knocked down by the Bonhams in consideration of the additional work undertaken “interpleader proceedings”: proceedings in the Courts to contract, statutory duty, bailee’s duty, a restitutionary paragraph of this agreement. Auctioneer. The Buyer is also referred to in the Contract for by Bonhams in respect of the cataloguing of motor vehicles determine ownership or rights over a Lot. claim or otherwise. the Lot comprises atlases, maps, autographs, Sale and the Buyer’s Agreement by the words “you” and and in respect of the promotion of Sales of motor vehicles. “knocked down”: when a Lot is sold to a Bidder, indicated by manuscripts, extra illustrated books, music or 12.11 Save as expressly provided in paragraph 12.12 “your”. “New Bond Street” means Bonhams’ saleroom at 101 New the fall of the hammer at the Sale. 10.3.2 Unless you buy the Lot as a Consumer, in any periodical publications; or nothing in this agreement confers (or purports to “Buyer’s Agreement” the contract entered into by Bonhams Bond Street, London W1S 1SR. “lien”: a right for the person who has possession of the Lot to circumstances where we are liable to you in confer) on any person who is not a party to this with the Buyer (see Appendix 2 in the Catalogue). “Notional Charges” the amount of Commission and VAT retain possession of it. respect of a Lot, or any act, omission, statement, the Lot was listed in the Catalogue under agreement any benefit conferred by, or the right to “Buyer’s Premium” the sum calculated on the Hammer Price which would have been payable if the Lot had been sold at the “risk”: the possibility that a Lot may be lost, damaged, representation in respect of it, or this agreement “collections” or “collections and various” or the Lot enforce any term of, this agreement. at the rates stated in the Notice to Bidders. Notional Price. destroyed, stolen, or deteriorate in condition or value. or its performance, and whether in damages, for was stated in the Catalogue to comprise or contain a “Catalogue” the Catalogue relating to the relevant Sale, “Notional Fee” the sum on which the Consignment Fee “title”: the legal and equitable right to the ownership of a Lot. an indemnity or contribution or for a restitutionary collection, issue or Books which are undescribed or 12.12 Where this agreement confers an immunity including any representation of the Catalogue published on payable to Bonhams by the Seller is based and which is “tort”: a legal wrong done to someone to whom the wrong remedy or in any way whatsoever, our liability will be the missing text or illustrations are referred to or the from, and/or an exclusion or restriction of, the our Website. calculated according to the formula set out in the Conditions doer has a duty of care. limited to payment of a sum which will not exceed relevant parts of the Book contain blanks, half titles responsibility and/or liability of Bonhams, it will also “Commission” the Commission payable by the Seller to of Business. by way of maximum the amount of the Purchase or advertisements. operate in favour and for the benefit of Bonhams’ Bonhams calculated at the rates stated in the Contract Form. “Notional Price” the latest in time of the average of the SALE OF GOODS ACT 1979 Price of the Lot plus Buyer’s Premium (less any holding company and the subsidiaries of such “Condition Report” a report on the physical condition of a Lot high and low Estimates given by us to you or stated in the sum you may be entitled to recover from the Seller) If we are reasonably satisfied that a Lot is a non- holding company and the successors and assigns provided to a Bidder or potential Bidder by Bonhams on behalf Catalogue or, if no such Estimates have been given or stated, The following is an extract from the Sale of Goods Act 1979: irrespective in any case of the nature, volume or conforming Lot, we will (as principal) purchase the of Bonhams and of such companies and of any of the Seller. the Reserve applicable to the Lot. source of any loss or damage alleged to be suffered Lot from you and you will transfer the title to the Lot officer, employee and agent of Bonhams and such “Conditions of Sale” the Notice to Bidders, Contract for Sale, “Notice to Bidders” the notice printed at the back or front of “Section 12 Implied terms about title, etc or sum claimed as due, and irrespective of whether in question to us, with full title guarantee, free from companies, each of whom will be entitled to rely Buyer’s Agreement and Definitions and Glossary. our Catalogues. the liability arises from negligence, other tort, any liens, charges, encumbrances and adverse on the relevant immunity and/or exclusion and/or “Consignment Fee” a fee payable to Bonhams by the Seller “Purchase Price” the aggregate of the Hammer Price and (1) In a contract of sale, other than one to which subsection breach of contract, statutory duty, bailee’s duty, a claims and we will pay to you an amount equal to restriction within and for the purposes of Contracts calculated at rates set out in the Conditions of Business. VAT on the Hammer Price (where applicable), the Buyer’s (3) below applies, there is an implied term on the part of restitutionary claim or otherwise. the sum of the Purchase Price and Buyer’s Premium (Rights of Third Parties) Act 1999, which enables the “Consumer” a natural person who is acting for the relevant Premium and VAT on the Buyer’s Premium and any Expenses. the seller that in the case of a sale he has a right to sell paid by you in respect of the Lot. benefit of a contract to be extended to a person who purpose outside his trade, Business or profession. “Reserve” the minimum price at which a Lot may be sold the goods, and in the case of an agreement to sell he You may wish to protect yourself against loss by is not a party to the contract, and generally at law. “Contract Form” the Contract Form, or vehicle Entry form, as (whether at auction or by private treaty). will have such a right at the time when the property is to obtaining insurance. The benefit of paragraph 10 is personal to, and applicable, signed by or on behalf of the Seller listing the Lots “Sale” the auction Sale at which a Lot is to be offered for Sale pass. incapable of assignment by, you and if you sell or 13 GOVERNING LAW to be offered for Sale by Bonhams. by Bonhams. 10.4 Nothing set out above will be construed as excluding otherwise dispose of your interest in the Lot, all rights “Contract for Sale” the Sale contract entered into by the “Sale Proceeds” the net amount due to the Seller from the (2) In a contract of sale, other than one to which subsection or restricting (whether directly or indirectly) any and benefits under this paragraph will cease. All transactions to which this agreement applies Seller with the Buyer (see Appendix 1 in the Catalogue). Sale of a Lot, being the Hammer Price less the Commission, (3) below applies, there is also an implied term that- person’s liability or excluding or restricting any and all connected matters will be governed by and “Contractual Description” the only Description of the Lot any VAT chargeable thereon, Expenses and any other amount person’s rights or remedies in respect of (i) fraud, or 12 MISCELLANEOUS construed in accordance with the laws of that part (being that part of the Entry about the Lot in the Catalogue due to us in whatever capacity and howsoever arising. (a) the goods are free, and will remain free until (ii) death or personal injury caused by our negligence of the United Kingdom where the Sale takes (or which is in bold letters, any photograph (except for the colour) “Seller” the person who offers theLot for Sale named on the time when the property is to pass, from any (or any person under our control or for whom we 12.1 You may not assign either the benefit or burden of is to take) place and we and you each submit to and the contents of any Condition Report) to which the Seller the Contract Form. Where the person so named identifies on charge or encumbrance not disclosed or known are legally responsible), or (iii) acts or omissions for this agreement. the exclusive jurisdiction of the courts of that part undertakes in the Contract of Sale the Lot corresponds. the form another person as acting as his agent, or where the to the buyer before the contract is made, and which we are liable under the Occupiers Liability Act of the United Kingdom, save that we may bring “Description” any statement or representation in any person named on the Contract Form acts as an agent for a 1957, or (iv) any other liability to the extent the same 12.2 Our failure or delay in enforcing or exercising any proceedings against you in any other court of way descriptive of the Lot, including any statement or principal (whether such agency is disclosed to Bonhams or (b) the buyer will enjoy quiet possession of the may not be excluded or restricted as a matter of law, power or right under this agreement will not operate competent jurisdiction to the extent permitted by representation relating to its authorship, attribution, condition, not), “Seller” includes both the agent and the principal who goods except in so far as it may be disturbed by or (v) under our undertaking in paragraph 9 of these or be deemed to operate as a waiver of our rights the laws of the relevant jurisdiction. Bonhams has a provenance, authenticity, style, period, age, suitability, quality, shall be jointly and severally liable as such. The Seller is also the owner or other person entitled to the benefit conditions. under it except to the extent of any express waiver complaints procedure in place. origin, value, estimated selling price (including the Hammer referred to in the Conditions of Business by the words “you” of any charge or encumbrance so disclosed or given to you in writing. Any such waiver will not affect Price). and “your”. known. 11 BOOKS MISSING TEXT OR ILLUSTRATIONS our ability subsequently to enforce any right arising DATA PROTECTION – USE OF YOUR INFORMATION “Entry” a written statement in the Catalogue identifying the “Specialist Examination” a visual examination of a Lot by a under this agreement. Lot and its Lot number which may contain a Description and specialist on the Lot. (3) This subsection applies to a contract of sale in the Where the Lot is made up wholly of a Book or Books Where we obtain any personal information about you, we illustration(s) relating to the Lot. “Stamp” means a postage Stamp offered for Sale at a case of which there appears from the contract or is and any Book does not contain text or illustrations (in 12.3 If either party to this agreement is prevented from shall only use it in accordance with the terms of our Privacy “Estimate” a statement of our opinion of the range within Specialist Stamp Sale. to be inferred from its circumstances an intention that either case referred to as a “non-conforming Lot”), performing that party’s respective obligations Policy (subject to any additional specific consent(s) you may which the hammer is likely to fall. “Standard Examination” a visual examination of a Lot by a the seller should transfer only such title as he or a third we undertake a personal responsibility for such a under this agreement by circumstances beyond its have given at the time your information was disclosed). A “Expenses” charges and Expenses paid or payable by non-specialist member of Bonhams’ staff. person may have. non-conforming Lot in accordance with the terms of reasonable control or if performance of its obligations copy of our Privacy Policy can be found on our Website www. Bonhams in respect of the Lot including legal Expenses, “Storage Contract” means the contract described in this paragraph, if: would by reason of such circumstances give rise bonhams.com or requested by post from Customer Services banking charges and Expenses incurred as a result of paragraph 8.3.3 of the Conditions of Business or paragraph (4) In a contract to which subsection (3) above applies there to a significantly increased financial cost to it, that Department, 101 New Bond Street, London W1S 1SR, United an electronic transfer of money, charges and Expenses 4.4 of the Buyer’s Agreement (as appropriate). is an implied term that all charges or encumbrances the original invoice was made out by us to you in party will not, for so long as such circumstances Kingdom or by email from [email protected]. for loss and damage cover, insurance, Catalogue and “Storage Contractor” means the company identified as such known to the seller and not known to the buyer have respect of the Lot and that invoice has been paid; prevail, be required to perform such obligations. This other reproductions and illustrations, any customs duties, in the Catalogue. been disclosed to the buyer before the contract is and paragraph does not apply to the obligations imposed APPENDIX 3 advertising, packing or shipping costs, reproductions rights’ “Terrorism” means any act or threatened act of terrorism, made. on you by paragraph 3. fees, taxes, levies, costs of testing, searches or enquiries, whether any person is acting alone or on behalf of or in you notify us in writing as soon as reasonably DEFINITIONS AND GLOSSARY preparation of the Lot for Sale, storage charges, removal connection with any organisation(s) and/or government(s), (5) In a contract to which subsection (3) above applies practicable after you have become aware that the 12.4 Any notice or other communication to be given charges, removal charges or costs of collection from the Seller committed for political, religious or ideological or similar there is also an implied term that none of the following Lot is or may be a non-conforming Lot, and in any under this agreement must be in writing and may Where these Definitions and Glossary are incorporated, the as the Seller’s agents or from a defaulting Buyer, plus VAT if purposes including, but not limited to, the intention to influence will disturb the buyer’s quiet possession of the goods, event within 20 days after the Sale (or such longer be delivered by hand or sent by first class post or following words and phrases used have (unless the context applicable. any government and/or put the public or any section of the namely: period as we may agree in writing) that the Lot is a air mail or fax transmission (if to Bonhams marked otherwise requires) the meanings given to them below. The “Forgery” an imitation intended by the maker or any other public into fear. non-conforming Lot; and for the attention of the Company Secretary), to the Glossary is to assist you to understand words and phrases person to deceive as to authorship, attribution, origin, “Trust Account” the bank account of Bonhams into which all (a) the seller; address or fax number of the relevant party given which have a specific legal meaning with which you may not authenticity, style, date, age, period, provenance, culture, sums received in respect of the Purchase Price of any within 20 days of the date of the relevant Sale (or in the Contract Form (unless notice of any change be familiar. source or composition, which at the date of the Sale had a Lot will be paid, such account to be a distinct and separate (b) in a case where the parties to the contract intend such longer period as we may agree in writing) you of address is given in writing). It is the responsibility value materially less than it would have had if the Lot had not account to Bonhams’ normal business bank account. that the seller should transfer only such title as a return the Lot to us in the same condition as it was of the sender of the notice or communication to LIST OF DEFINITIONS been such an imitation, and which is not stated to be such “VAT” value added tax at the prevailing rate at the date of the third person may have, that person; at the time of the Sale, accompanied by written ensure that it is received in a legible form within any an imitation in any description of the Lot. A Lot will not be a Sale in the United Kingdom. evidence that the Lot is a non-conforming Lot and applicable time period. “Additional Premium” a premium, calculated in accordance Forgery by reason of any damage to, and/or restoration and/ “Website” Bonhams Website at www.bonhams.com (c) anyone claiming through or under the seller or details of the Sale and Lot number sufficient to with the Notice to Bidders, to cover Bonhams’ Expenses or modification work (including repainting or over painting) “Withdrawal Notice” the Seller’s written notice to Bonhams that third person otherwise than under a charge identify the Lot. 12.5 If any term or any part of any term of this agreement relating to the payment of royalties under the Artists Resale having been carried out on the Lot, where that damage, revoking Bonhams’ instructions to sell a Lot. or encumbrance disclosed or known to the buyer is held to be unenforceable or invalid, such Right Regulations 2006 which is payable by the Buyer to restoration or modification work (as the case may be) does not “Without Reserve” where there is no minimum price at which before the contract is made. but not if: unenforceability or invalidity will not affect the Bonhams on any Lot marked [AR] which sells for a Hammer substantially affect the identity of the Lot as one conforming to a Lot may be sold (whether at auction or by private treaty). enforceability and validity of the remaining terms or Price which together with the Buyer’s Premium (but excluding the Description of the Lot. (5A) As regards England and Wales and Northern Ireland, the the Entry in the Catalogue in respect of the Lot the remainder of the relevant term. any VAT) equals or exceeds 1000 euros (converted into “Guarantee” the obligation undertaken personally by GLOSSARY term implied by subsection (1) above is a condition and indicates that the rights given by this paragraph do the currency of the Sale using the European Central Bank Bonhams to the Buyer in respect of any Forgery and, in the the terms implied by subsections (2), (4) and (5) above not apply to it; or 12.6 References in this agreement to Bonhams will, where Reference rate prevailing on the date of the Sale). case of specialist Stamp Sales and/or specialist Book Sales, a The following expressions have specific legal meanings with are warranties.” appropriate, include reference to Bonhams’ officers, “Auctioneer” the representative of Bonhams conducting Lot made up of a Stamp or Stamps or a Book or Books as set which you may not be familiar. The following glossary is employees and agents. the Sale. out in the Buyer’s Agreement. intended to give you an understanding of those expressions “Hammer Price” the price in the currency in which the Sale is but is not intended to limit their legal meanings: conducted at which a Lot is knocked down by the Auctioneer.

NTB/MAIN/1.2018/V2 NTB/MAIN/1.2018/V2 “Bidder” a person who has completed a Bidding Form. “Loss and Damage Warranty” means the warranty described “artist’s resale right”: the right of the creator of a work of art “Bidding Form” our Bidding Registration Form, our Absentee in paragraph 8.2 of the Conditions of Business. to receive a payment on Sales of that work subsequent to the Bidding Form or our Telephone Bidding Form. “Loss and Damage Warranty Fee” means the fee described original Sale of that work by the creator of it as set out in the “Bonhams” Bonhams 1793 Limited or its successors or in paragraph 8.2.3 of the Conditions of Business. Artists Resale Right Regulations 2006. assigns. Bonhams is also referred to in the Buyer’s Agreement, “Lot” any item consigned to Bonhams with a view to its Sale “bailee”: a person to whom goods are entrusted. the Conditions of Business and the Notice to Bidders by the at auction or by private treaty (and reference to any Lot will “indemnity”: an obligation to put the person who has the words “we”, “us” and “our”. include, unless the context otherwise requires, reference to benefit of the indemnity in the same position in which he would “Book” a printed Book offered forSale at a specialist Book individual items comprised in a group of two or more items have been, had the circumstances giving rise to the indemnity Sale. offered for Sale as one Lot). not arisen and the expression “indemnify” is construed “Business” includes any trade, Business and profession. “Motoring Catalogue Fee” a fee payable by the Seller to accordingly. “Buyer” the person to whom a Lot is knocked down by the Bonhams in consideration of the additional work undertaken “interpleader proceedings”: proceedings in the Courts to Auctioneer. The Buyer is also referred to in the Contract for by Bonhams in respect of the cataloguing of motor vehicles determine ownership or rights over a Lot. Sale and the Buyer’s Agreement by the words “you” and and in respect of the promotion of Sales of motor vehicles. “knocked down”: when a Lot is sold to a Bidder, indicated by “your”. “New Bond Street” means Bonhams’ saleroom at 101 New the fall of the hammer at the Sale. “Buyer’s Agreement” the contract entered into by Bonhams Bond Street, London W1S 1SR. “lien”: a right for the person who has possession of the Lot to with the Buyer (see Appendix 2 in the Catalogue). “Notional Charges” the amount of Commission and VAT retain possession of it. “Buyer’s Premium” the sum calculated on the Hammer Price which would have been payable if the Lot had been sold at the “risk”: the possibility that a Lot may be lost, damaged, at the rates stated in the Notice to Bidders. Notional Price. destroyed, stolen, or deteriorate in condition or value. “Catalogue” the Catalogue relating to the relevant Sale, “Notional Fee” the sum on which the Consignment Fee “title”: the legal and equitable right to the ownership of a Lot. including any representation of the Catalogue published on payable to Bonhams by the Seller is based and which is “tort”: a legal wrong done to someone to whom the wrong our Website. calculated according to the formula set out in the Conditions doer has a duty of care. “Commission” the Commission payable by the Seller to of Business. Bonhams calculated at the rates stated in the Contract Form. “Notional Price” the latest in time of the average of the SALE OF GOODS ACT 1979 “Condition Report” a report on the physical condition of a Lot high and low Estimates given by us to you or stated in the provided to a Bidder or potential Bidder by Bonhams on behalf Catalogue or, if no such Estimates have been given or stated, The following is an extract from the Sale of Goods Act 1979: of the Seller. the Reserve applicable to the Lot. “Conditions of Sale” the Notice to Bidders, Contract for Sale, “Notice to Bidders” the notice printed at the back or front of “Section 12 Implied terms about title, etc Buyer’s Agreement and Definitions and Glossary. our Catalogues. “Consignment Fee” a fee payable to Bonhams by the Seller “Purchase Price” the aggregate of the Hammer Price and (1) In a contract of sale, other than one to which subsection calculated at rates set out in the Conditions of Business. VAT on the Hammer Price (where applicable), the Buyer’s (3) below applies, there is an implied term on the part of “Consumer” a natural person who is acting for the relevant Premium and VAT on the Buyer’s Premium and any Expenses. the seller that in the case of a sale he has a right to sell purpose outside his trade, Business or profession. “Reserve” the minimum price at which a Lot may be sold the goods, and in the case of an agreement to sell he “Contract Form” the Contract Form, or vehicle Entry form, as (whether at auction or by private treaty). will have such a right at the time when the property is to applicable, signed by or on behalf of the Seller listing the Lots “Sale” the auction Sale at which a Lot is to be offered for Sale pass. to be offered for Sale by Bonhams. by Bonhams. “Contract for Sale” the Sale contract entered into by the “Sale Proceeds” the net amount due to the Seller from the (2) In a contract of sale, other than one to which subsection Seller with the Buyer (see Appendix 1 in the Catalogue). Sale of a Lot, being the Hammer Price less the Commission, (3) below applies, there is also an implied term that- “Contractual Description” the only Description of the Lot any VAT chargeable thereon, Expenses and any other amount (being that part of the Entry about the Lot in the Catalogue due to us in whatever capacity and howsoever arising. (a) the goods are free, and will remain free until which is in bold letters, any photograph (except for the colour) “Seller” the person who offers the Lot for Sale named on the time when the property is to pass, from any and the contents of any Condition Report) to which the Seller the Contract Form. Where the person so named identifies on charge or encumbrance not disclosed or known undertakes in the Contract of Sale the Lot corresponds. the form another person as acting as his agent, or where the to the buyer before the contract is made, and “Description” any statement or representation in any person named on the Contract Form acts as an agent for a way descriptive of the Lot, including any statement or principal (whether such agency is disclosed to Bonhams or (b) the buyer will enjoy quiet possession of the representation relating to its authorship, attribution, condition, not), “Seller” includes both the agent and the principal who goods except in so far as it may be disturbed by provenance, authenticity, style, period, age, suitability, quality, shall be jointly and severally liable as such. The Seller is also the owner or other person entitled to the benefit origin, value, estimated selling price (including the Hammer referred to in the Conditions of Business by the words “you” of any charge or encumbrance so disclosed or Price). and “your”. known. “Entry” a written statement in the Catalogue identifying the “Specialist Examination” a visual examination of a Lot by a Lot and its Lot number which may contain a Description and specialist on the Lot. (3) This subsection applies to a contract of sale in the illustration(s) relating to the Lot. “Stamp” means a postage Stamp offered forSale at a case of which there appears from the contract or is “Estimate” a statement of our opinion of the range within Specialist Stamp Sale. to be inferred from its circumstances an intention that which the hammer is likely to fall. “Standard Examination” a visual examination of a Lot by a the seller should transfer only such title as he or a third “Expenses” charges and Expenses paid or payable by non-specialist member of Bonhams’ staff. person may have. Bonhams in respect of the Lot including legal Expenses, “Storage Contract” means the contract described in banking charges and Expenses incurred as a result of paragraph 8.3.3 of the Conditions of Business or paragraph (4) In a contract to which subsection (3) above applies there an electronic transfer of money, charges and Expenses 4.4 of the Buyer’s Agreement (as appropriate). is an implied term that all charges or encumbrances for loss and damage cover, insurance, Catalogue and “Storage Contractor” means the company identified as such known to the seller and not known to the buyer have other reproductions and illustrations, any customs duties, in the Catalogue. been disclosed to the buyer before the contract is advertising, packing or shipping costs, reproductions rights’ “Terrorism” means any act or threatened act of terrorism, made. fees, taxes, levies, costs of testing, searches or enquiries, whether any person is acting alone or on behalf of or in preparation of the Lot for Sale, storage charges, removal connection with any organisation(s) and/or government(s), (5) In a contract to which subsection (3) above applies charges, removal charges or costs of collection from the Seller committed for political, religious or ideological or similar there is also an implied term that none of the following as the Seller’s agents or from a defaulting Buyer, plus VAT if purposes including, but not limited to, the intention to influence will disturb the buyer’s quiet possession of the goods, applicable. any government and/or put the public or any section of the namely: “Forgery” an imitation intended by the maker or any other public into fear. person to deceive as to authorship, attribution, origin, “Trust Account” the bank account of Bonhams into which all (a) the seller; authenticity, style, date, age, period, provenance, culture, sums received in respect of the Purchase Price of any source or composition, which at the date of the Sale had a Lot will be paid, such account to be a distinct and separate (b) in a case where the parties to the contract intend value materially less than it would have had if the Lot had not account to Bonhams’ normal business bank account. that the seller should transfer only such title as a been such an imitation, and which is not stated to be such “VAT” value added tax at the prevailing rate at the date of the third person may have, that person; an imitation in any description of the Lot. A Lot will not be a Sale in the United Kingdom. Forgery by reason of any damage to, and/or restoration and/ “Website” Bonhams Website at www.bonhams.com (c) anyone claiming through or under the seller or or modification work (including repainting or over painting) “Withdrawal Notice” the Seller’s written notice to Bonhams that third person otherwise than under a charge having been carried out on the Lot, where that damage, revoking Bonhams’ instructions to sell a Lot. or encumbrance disclosed or known to the buyer restoration or modification work (as the case may be) does not “Without Reserve” where there is no minimum price at which before the contract is made. substantially affect the identity of the Lot as one conforming to a Lot may be sold (whether at auction or by private treaty). the Description of the Lot. (5A) As regards England and Wales and Northern Ireland, the “Guarantee” the obligation undertaken personally by GLOSSARY term implied by subsection (1) above is a condition and Bonhams to the Buyer in respect of any Forgery and, in the the terms implied by subsections (2), (4) and (5) above case of specialist Stamp Sales and/or specialist Book Sales, a The following expressions have specific legal meanings with are warranties.” Lot made up of a Stamp or Stamps or a Book or Books as set which you may not be familiar. The following glossary is out in the Buyer’s Agreement. intended to give you an understanding of those expressions “Hammer Price” the price in the currency in which the Sale is but is not intended to limit their legal meanings: conducted at which a Lot is knocked down by the Auctioneer.

NTB/MAIN/1.2018/V2 To e-mail any of the below use the first name dot second Bonhams Specialist Departments name @bonhams.com eg. [email protected]

19th Century Paintings British Ceramics Furniture Modern, Contemporary Russian Art UK UK UK & Latin American Art UK Charles O’ Brien John Sandon Thomas Moore U.S.A Daria Chernenko +44 20 7468 8360 +44 20 7468 8244 +44 20 8963 2816 Alexis Chompaisal +44 20 7468 8334 U.S.A U.S.A +1 323 436 5469 U.S.A Madalina Lazen California & Andrew Jones Yelena Harbick +1 212 644 9108 American Paintings +1 415 503 3413 Modern & Contemporary +1 212 644 9136 Scot Levitt Middle Eastern Art 20th Century British Art +1 323 436 5425 European Sculptures Nima Sagharchi Scientific Instruments Matthew Bradbury & Works of Art +44 20 7468 8342 Jon Baddeley +44 20 7468 8295 Carpets UK +44 20 7393 3872 UK Michael Lake Modern & Contemporary U.S.A. Aboriginal Art [email protected] +44 20 8963 6813 South Asian Art Jonathan Snellenburg Francesca Cavazzini U.S.A. Tahmina Ghaffar +1 212 461 6530 +61 2 8412 2222 +1 415 503 3392 Greek Art +44 207 468 8382 Anastasia Orfanidou Scottish Pictures African, Oceanic Chinese & Asian Art +44 20 7468 8356 Modern Design Chris Brickley & Pre-Columbian Art UK Gareth Williams +44 131 240 2297 U.S.A Asaph Hyman Golf Sporting +44 20 7468 5879 Fredric Backlar +44 20 7468 5888 Memorabilia Silver & Gold Boxes +1 323 436 5416 U.S.A Kevin McGimpsey Motor Cars UK Dessa Goddard +44 131 240 2296 UK Ellis Finch American Paintings +1 415 503 3333 Tim Schofield +44 20 7393 3973 Liz Goodridge HONG KONG Irish Art +44 20 7468 5804 U.S.A +1 917 206 1621 Xibo Wang Penny Day U.S.A Aileen Ward +852 3607 0010 +44 20 7468 8366 Mark Osborne +1 323 436 5463 Antiquities AUSTRALIA +1 415 503 3353 Francesca Hickin Yvett Klein Impressionist & EUROPE South African Art +44 20 7468 8226 +61 2 8412 2222 Modern Art Philip Kantor Giles Peppiatt UK +32 476 879 471 +44 20 7468 8355 Antique Arms & Armour Clocks India Phillips UK UK +44 20 7468 8328 Automobilia Sporting Guns David Williams James Stratton U.S.A UK Patrick Hawes +44 20 7393 3807 +44 20 7468 8364 Nathania Nisonson Toby Wilson +44 20 7393 3815 U.S.A U.S.A +1 917 206 1617 +44 8700 273 619 Paul Carella Jonathan Snellenburg Adrian Pipiros Travel Pictures +1 415 503 3360 +1 212 461 6530 Indian, Himalayan & +44 8700 273621 Veronique Scorer Southeast Asian Art +44 20 7393 3962 Art Collections, Coins & Medals H.K. Motorcycles Estates & Valuations UK Edward Wilkinson Ben Walker Urban Art Harvey Cammell John Millensted +852 2918 4321 +44 8700 273616 Gareth Williams +44 (0) 20 7468 8340 +44 20 7393 3914 U.S.A +44 20 7468 5879 U.S.A Mark Rasmussen Native American Art Art Nouveau & Decorative Paul Song +1 917 206 1688 Ingmars Lindbergs Watches & Art & Design +1 323 436 5455 +1 415 503 3393 Wristwatches UK Islamic & Indian Art UK Mark Oliver Contemporary Art Oliver White Natural History Jonathan Darracott +44 20 7393 3856 UK +44 20 7468 8303 U.S.A +44 20 7447 7412 U.S.A Ralph Taylor Claudia Florian U.S.A. Benjamin Walker +44 20 7447 7403 Japanese Art +1 323 436 5437 Jonathan Snellenburg +1 212 710 1306 U.S.A UK +1 212 461 6530 Dan Tolson Jeremy Goldsmith Suzannah Yip Old Master Pictures H.K. +1 917 206 1611 +1 917 206 1656 +44 20 7468 8368 UK Tim Bourne U.S.A Andrew Mckenzie +852 3607 0021 Australian Art Entertainment Jeff Olson +44 20 7468 8261 Merryn Schriever Memorabilia +1 212 461 6516 U.S.A Whisky +61 2 8412 2222 UK Mark Fisher UK Alex Clark Katherine Schofield Jewellery +1 323 436 5488 Martin Green +61 3 8640 4088 +44 20 7393 3871 UK +44 (0) 131 225 2266 U.S.A Jean Ghika Orientalist Art HONG KONG Australian Colonial Catherine Williamson +44 20 7468 8282 Charles O’Brien Daniel Lam Furniture and Australiana +1 323 436 5442 U.S.A +44 20 7468 8360 +852 2918 4321 +61 2 8412 2222 Caroline Morrissey European Ceramics +1 212 644 9046 Photography Wine Books, Maps & UK HONG KONG U.S.A UK Manuscripts Sebastian Kuhn Graeme Thompson Laura Paterson Richard Harvey UK +44 20 7468 8384 +852 3607 0006 +1 917 206 1653 +44 (0) 20 7468 5811 Matthew Haley U.S.A U.S.A +44 20 7393 3817 +1 415 503 3326 Marine Art Prints and Multiples Erin McGrath U.S.A UK UK +1 415 503 3319 Catherine Williamson Veronique Scorer Lucia Tro Santafe HONG KONG +1 323 436 5442 +44 20 7393 3962 +44 20 7468 8262 Daniel Lam U.S.A +852 2918 4321 British & European Glass Mechanical Music Morisa Rosenberg UK Jon Baddeley +1 323 447 9374 John Sandon +44 20 7393 3872 +44 20 7468 8244 U.S.A. Suzy Pai +1 415 503 3343 SD11/06/18 International Salerooms, Offices and Associated Companies( • Indicates Saleroom) To e-mail any of the below use the first name dot second Bonhams Specialist Departments name @bonhams.com eg. [email protected] UNITED KINGDOM Midlands EUROPE Sweden Georgia ASIA Ingrid Bjäringer Mary Moore Bethea London Knowle Austria +46 (0)709 79 90 07 +1 (404) 842 1500 Hong Kong • 19th Century Paintings British Ceramics Furniture Modern, Contemporary Russian Art 101 New Bond Street • The Old House Thomas Kamm [email protected] [email protected] Suite 2001 UK UK UK & Latin American Art UK London W1S 1SR Station Road +49 (0) 89 2420 5812 One Pacific Place Charles O’ Brien John Sandon Thomas Moore U.S.A Daria Chernenko +44 20 7447 7447 Knowle, Solihull [email protected] Switzerland - Geneva Illinois 88 Queensway Ricki Blumberg Harris +44 20 7468 8360 +44 20 7468 8244 +44 20 8963 2816 Alexis Chompaisal +44 20 7468 8334 +44 20 7447 7400 fax West Midlands Rue Etienne-Dumont 10 Admiralty B93 0HT 1204 Geneva +1 (773) 267 3300 Hong Kong U.S.A U.S.A +1 323 436 5469 U.S.A Belgium [email protected] Montpelier Street • +44 1564 776 151 Boulevard +41 (0) 22 300 3160 +852 2918 4321 Madalina Lazen California & Andrew Jones Yelena Harbick +44 1564 778 069 fax [email protected] +852 2918 4320 fax London SW7 1HH Saint-Michel 101 Massachusetts +1 212 644 9108 American Paintings +1 415 503 3413 Modern & Contemporary +1 212 644 9136 +44 20 7393 3900 1040 Brussels [email protected] Scot Levitt Middle Eastern Art Amy Corcoran +44 20 7393 3905 fax Oxford +32 (0) 2 736 5076 Switzerland - Zurich +1 (617) 742 0909 Beijing 20th Century British Art +1 323 436 5425 European Sculptures Nima Sagharchi Scientific Instruments Banbury Road [email protected] Andrea Bodmer [email protected] Matthew Bradbury & Works of Art +44 20 7468 8342 Jon Baddeley Shipton on Cherwell Dreikönigstrasse 31a Jessica Zhang Suite 511 +44 20 7468 8295 Carpets UK +44 20 7393 3872 South East Kidlington OX5 1JH France 8002 Zürich +44 1865 853 640 +41 44 281 9535 Nevada Chang An Club UK Michael Lake Modern & Contemporary U.S.A. England 4 rue de la Paix David Daniel +44 1865 372 722 fax 75002 Paris [email protected] 10 East Chang An Avenue Aboriginal Art [email protected] +44 20 8963 6813 South Asian Art Jonathan Snellenburg +1 (775) 831 0330 Beijing 100006 Guildford +33 (0) 1 42 61 10 10 [email protected] Francesca Cavazzini U.S.A. Tahmina Ghaffar +1 212 461 6530 Millmead, [email protected] +86(0) 10 6528 0922 +61 2 8412 2222 +1 415 503 3392 Greek Art +44 207 468 8382 Guildford, Yorkshire & North East MIDDLE EAST +86(0) 10 6528 0933 fax Anastasia Orfanidou Scottish Pictures Surrey GU2 4BE England New Mexico [email protected] Germany - Cologne Terri Adrian-Hardy +44 1483 504 030 Katharina Schmid Israel African, Oceanic Chinese & Asian Art +44 20 7468 8356 Modern Design Chris Brickley +1 (602) 859 1843 Singapore & Pre-Columbian Art UK Gareth Williams +44 131 240 2297 +44 1483 450 205 fax Leeds +49 (0) 221 9865 3419 Joslynne Halibard The West Wing +972 (0)54 553 5337 [email protected] Bernadette Rankine U.S.A Asaph Hyman Golf Sporting +44 20 7468 5879 +49 (0) 157 9234 6717 11th Floor, Wisma Atria Isle of Wight Bowcliffe Hall [email protected] joslynne.halibard@ Fredric Backlar +44 20 7468 5888 Memorabilia Silver & Gold Boxes Bramham bonhams.com Oregon 435 Orchard Road +44 1273 220 000 Sheryl Acheson +1 323 436 5416 U.S.A Kevin McGimpsey Motor Cars UK Leeds Singapore 238877 Germany - Munich +1 (971) 727 7797 LS23 6LP +65 (0) 6701 8038 Dessa Goddard +44 131 240 2296 UK Ellis Finch Representative: Maximilianstrasse 52 [email protected] +65 (0) 6701 8001 fax American Paintings +1 415 503 3333 Tim Schofield +44 20 7393 3973 Brighton & Hove +44 113 234 5755 80538 Munich NORTH AMERICA +44 113 244 3910 fax bernadette.rankine@ Liz Goodridge HONG KONG Irish Art +44 20 7468 5804 U.S.A Tim Squire-Sanders +49 (0) 89 2420 5812 Texas bonhams.com +1 917 206 1621 Xibo Wang Penny Day U.S.A Aileen Ward +44 1273 220 000 [email protected] USA Amy Lawch +1 (713) 621 5988 Taiwan +852 3607 0010 +44 20 7468 8366 Mark Osborne +1 323 436 5463 North West England San Francisco • West Sussex Germany - Stuttgart 220 San Bruno Avenue [email protected] 37th Floor, Taipei 101 Tower Antiquities AUSTRALIA +1 415 503 3353 +44 (0) 1273 220 000 Neue Brücke 2 San Francisco No. 7 Xinyi Road, Section 5 Francesca Hickin Yvett Klein Impressionist & EUROPE South African Art Chester New Bridge Offices CA 94103 Virginia Taipei, 100 +44 20 7468 8226 +61 2 8412 2222 Modern Art Philip Kantor Giles Peppiatt 2 St Johns Court, 70173 Stuttgart +1 (415) 861 7500 Gertraud Hechl +886 2 8758 2898 Vicars Lane, +49 (0) 711 2195 2640 UK +32 476 879 471 +44 20 7468 8355 South West +1 (415) 861 8951 fax +1 (202) 422 2733 +886 2 8758 2897 fax Antique Arms & Armour Clocks India Phillips England Chester, +49 (0) 157 9234 6717 [email protected] [email protected] CH1 1QE [email protected] UK UK +44 20 7468 8328 Automobilia Sporting Guns +44 1244 313 936 Los Angeles • Bath 7601 W. Sunset Boulevard Washington David Williams James Stratton U.S.A UK Patrick Hawes Queen Square House +44 1244 340 028 fax +44 20 7393 3807 +44 20 7468 8364 Nathania Nisonson Toby Wilson +44 20 7393 3815 Greece Los Angeles Heather O’Mahony AUSTRALIA Charlotte Street 7 Neofytou Vamva Street CA 90046 +1 (206) 566 3913 U.S.A U.S.A +1 917 206 1617 +44 8700 273 619 Bath BA1 2LL Manchester Athens 10674 [email protected] Sydney The Stables +1 (323) 850 7500 Paul Carella Jonathan Snellenburg Adrian Pipiros Travel Pictures +44 1225 788 988 +30 (0) 210 3636 404 +1 (323) 850 6090 fax 97-99 Queen Street, +1 415 503 3360 +1 212 461 6530 Indian, Himalayan & +44 8700 273621 Veronique Scorer +44 1225 446 675 fax 213 Ashley Road [email protected] Washington DC Woollahra, NSW 2025 Hale WA15 9TB Mid-Atlantic Region Australia Southeast Asian Art +44 20 7393 3962 +44 161 927 3822 New York • Gertraud Hechl Art Collections, Coins & Medals Motorcycles Cornwall – Truro Ireland 580 Madison Avenue +61 (0) 2 8412 2222 H.K. 36 Lemon Street +44 161 927 3824 fax 31 Molesworth Street +1 (202) 422 2733 New York, NY +61 (0) 2 9475 4110 fax Estates & Valuations UK Edward Wilkinson Ben Walker Urban Art Truro Dublin 2 washingtonDC 10022 [email protected] Harvey Cammell John Millensted +852 2918 4321 +44 8700 273616 Gareth Williams Cornwall +353 (0) 1 602 0990 @bonhams.com +1 (212) 644 9001 +44 (0) 20 7468 8340 +44 20 7393 3914 U.S.A TR1 2NR Channel Islands [email protected] +44 20 7468 5879 +1 (212) 644 9007 fax Melbourne U.S.A Mark Rasmussen Native American Art +44 1872 250 170 Como House Art Nouveau & Decorative Paul Song +1 917 206 1688 Ingmars Lindbergs Watches & +44 1872 250 179 fax Jersey Italy - Milan Representatives: CANADA Como Avenue La Chasse Via Boccaccio 22 Art & Design +1 323 436 5455 +1 415 503 3393 Wristwatches Arizona Toronto, Ontario • South Yarra Exeter La Rue de la Vallee 20123 Milano Melbourne VIC 3141 UK Islamic & Indian Art UK St Mary Terri Adrian-Hardy Kristin Kearney The Lodge +39 0 2 4953 9020 +1 (602) 859 1843 Australia Mark Oliver Contemporary Art Oliver White Natural History Jonathan Darracott Southernhay West Exeter, Jersey JE3 3DL [email protected] 340 King St East [email protected] 2nd Floor, Office 213 +61 (0) 3 8640 4088 +44 20 7393 3856 UK +44 20 7468 8303 U.S.A +44 20 7447 7412 Devon +44 1534 722 441 +61 (0) 2 9475 4110 fax EX1 1JG +44 1534 759 354 fax Toronto ON U.S.A Ralph Taylor Claudia Florian U.S.A. Italy - Rome California M5A 1K8 [email protected] Benjamin Walker +44 20 7447 7403 Japanese Art +1 323 436 5437 Jonathan Snellenburg +44 1392 425 264 Via Sicilia 50 Central Valley +44 1392 494 561 fax Representative: 00187 Roma +1 (416) 462 9004 +1 212 710 1306 U.S.A UK +1 212 461 6530 David Daniel [email protected] Guernsey +39 06 485 900 +1 (916) 364 1645 AFRICA Dan Tolson Jeremy Goldsmith Suzannah Yip Old Master Pictures H.K. +44 1481 722 448 [email protected] +1 917 206 1611 +1 917 206 1656 +44 20 7468 8368 UK Tim Bourne Tetbury [email protected] Montreal, Quebec Eight Bells House David Kelsey Nigeria U.S.A Andrew Mckenzie +852 3607 0021 Neil Coventry 14 Church Street The Netherlands California +1 (514) 894 1138 +234 (0)8110 033 792 Australian Art Entertainment Jeff Olson +44 20 7468 8261 Tetbury Scotland De Lairessestraat 154 Palm Springs [email protected] Merryn Schriever Memorabilia +1 212 461 6516 U.S.A Whisky Gloucestshire 1075 HL Amsterdam Brooke Sivo +27 (0)7611 20171 +61 2 8412 2222 UK Mark Fisher GL8 8JG Edinburgh • +31 (0) 20 67 09 701 +1 (760) 350 4255 [email protected] UK 22 Queen Street Alex Clark Katherine Schofield Jewellery +1 323 436 5488 Martin Green +44 1666 502 200 [email protected] [email protected] SOUTH AMERICA +44 1666 505 107 fax Edinburgh South Africa - +61 3 8640 4088 +44 20 7393 3871 UK +44 (0) 131 225 2266 EH2 1JX Johannesburg Portugal California Brazil U.S.A Jean Ghika Orientalist Art HONG KONG Representatives: +44 131 225 2266 Rua Bartolomeu Dias +55 11 3031 4444 Penny Culverwell San Diego +27 (0)71 342 2670 Australian Colonial Catherine Williamson +44 20 7468 8282 Charles O’Brien Daniel Lam Dorset +44 131 220 2547 fax nº160. 1º +55 11 3031 4444 fax Brooke Sivo [email protected] Furniture and Australiana +1 323 436 5442 U.S.A +44 20 7468 8360 +852 2918 4321 Bill Allan Belem +1 (760) 567 1744 +61 2 8412 2222 Caroline Morrissey +44 1935 815 271 Bonhams West 1400-031 Lisbon [email protected] of Scotland +351 218 293 291 European Ceramics +1 212 644 9046 Photography Wine Kirkhill House East Anglia and [email protected] Colorado Books, Maps & UK HONG KONG U.S.A UK Broom Road East Manuscripts Sebastian Kuhn Graeme Thompson Laura Paterson Richard Harvey Bury St. Edmunds Lance Vigil Michael Steel Newton Mearns Spain - Barcelona +1 (720) 355 3737 UK +44 20 7468 8384 +852 3607 0006 +1 917 206 1653 +44 (0) 20 7468 5811 +44 1284 716 190 Glasgow Teresa Ybarra [email protected] Matthew Haley U.S.A U.S.A G77 5LL +34 930 156 686 +44 20 7393 3817 +1 415 503 3326 Marine Art Prints and Multiples Erin McGrath Norfolk +44 141 223 8866 +34 680 347 606 Florida U.S.A UK UK +1 415 503 3319 The Market Place [email protected] April Matteini Catherine Williamson Veronique Scorer Lucia Tro Santafe HONG KONG Reepham +1 (305) 978 2459 Norfolk NR10 4JJ Wales Spain - Madrid [email protected] +1 323 436 5442 +44 20 7393 3962 +44 20 7468 8262 Daniel Lam +44 1603 871 443 Núñez de Balboa no 4-1C U.S.A +852 2918 4321 +44 1603 872 973 fax Representatives: 28001 Madrid British & European Glass Mechanical Music Morisa Rosenberg Cardiff +34 915 78 17 27 UK Jon Baddeley +1 323 447 9374 Jeff Muse [email protected] John Sandon +44 20 7393 3872 +44 2920 727 980 +44 20 7468 8244 U.S.A. Suzy Pai +1 415 503 3343 SD11/06/18

G-NET11/06/18 Registration and Bidding Form (Attendee / Absentee / Online / Telephone Bidding) Please circle your bidding method above.

Sale title: Modern British & Irish Art Sale date: 10 July 2018

Sale no. 24591 Sale venue: Knightsbridge Paddle number (for office use only) If you are not attending the sale in person, please provide details of the Lots on which you wish to bid at least 24 hours This sale will be conducted in accordance with prior to the sale. Bids will be rounded down to the nearest increment. Please refer to the Notice to Bidders in the catalogue Bonhams’ Conditions of Sale and bidding and buying for further information relating to Bonhams executing telephone, online or absentee bids on your behalf. Bonhams will at the Sale will be regulated by these Conditions. endeavour to execute these bids on your behalf but will not be liable for any errors or failing to execute bids. You should read the Conditions in conjunction with General Bid Increments: the Sale Information relating to this Sale which sets £10 - 200 ...... by 10s £10,000 - 20,000 ...... by 1,000s out the charges payable by you on the purchases £200 - 500 ...... by 20 / 50 / 80s £20,000 - 50,000 ...... by 2,000 / 5,000 / 8,000s you make and other terms relating to bidding and £500 - 1,000 ...... by 50s £50,000 - 100,000 ...... by 5,000s buying at the Sale. You should ask any questions you £1,000 - 2,000 ...... by 100s £100,000 - 200,000 .....by 10,000s have about the Conditions before signing this form. £2,000 - 5,000 ...... by 200 / 500 / 800s above £200,000 ...... at the auctioneer’s discretion These Conditions also contain certain undertakings £5,000 - 10,000 ...... by 500s by bidders and buyers and limit Bonhams’ liability to The auctioneer has discretion to split any bid at any time. bidders and buyers. Customer Number Title Data protection – use of your information Where we obtain any personal information about you, First Name Last Name we shall only use it in accordance with the terms of our Privacy Policy (subject to any additional specific Company name (to be invoiced if applicable) consent(s) you may have given at the time your information was disclosed). A copy of our Privacy Policy Address can be found on our website (www.bonhams.com) or requested by post from Customer Services Department, 101 New Bond Street, London W1S 1SR United Kingdom City County / State or by e-mail from [email protected]. Post / Zip code Country Notice to Bidders. Clients are requested to provide photographic proof of Telephone mobile Telephone daytime ID - passport, driving licence, ID card, together with proof Telephone evening Fax of address - utility bill, bank or credit card statement etc. Corporate clients should also provide a copy of their Preferred number(s) in order for Telephone Bidding (inc. country code) articles of association / company registration documents, together with a letter authorising the individual to bid on the company’s behalf. Failure to provide this may result in your bids not being processed. For higher value lots you E-mail (in capitals) may also be asked to provide a bank reference. By providing your email address above, you authorise Bonhams to send to this address information relating to Sales, marketing material and news concerning Bonhams. Bonhams does not sell or trade email addresses. If successful I am registering to bid as a private buyer I am registering to bid as a trade buyer I will collect the purchases myself If registered for VAT in the EU please enter your registration here: Please contact me with a shipping quote Please tick if you have registered with us before (if applicable) / - -

Please note that all telephone calls are recorded. MAX bid in GBP Telephone or Lot no. Brief description (excluding premium Absentee (T / A) Covering bid & VAT) *

FOR WINE SALES ONLY

Please leave lots “available under bond” in bond Please include delivery charges (minimum charge of £20 + VAT)

BY SIGNING THIS FORM YOU AGREE THAT YOU HAVE SEEN THE CATALOGUE AND HAVE READ AND UNDERSTOOD OUR CONDITIONS OF SALE AND WISH TO BE BOUND BY THEM, AND AGREE TO PAY THE BUYER’S PREMIUM, VAT AND ANY OTHER CHARGES MENTIONED IN THE NOTICE TO BIDDERS. THIS AFFECTS YOUR LEGAL RIGHTS.

Your signature: Date:

Covering Bid: A maximum bid (exclusive of Buyers Premium and VAT) to be executed by Bonhams only if we are unable to contact you by telephone, or should the connection be lost during bidding. NB.* Payment will only be accepted from an account in the same name as shown on the invoice and Auction Registration form. Please email or fax the completed Auction Registration form and requested information to: Bonhams, Customer Services, 101 New Bond Street, London, W1S 1SR. Tel: +44 (0) 20 7447 7447 Fax: +44 (0) 20 7447 7401, [email protected] Bonhams 1793 Limited. Montpelier Street, London SW7 1HH. Incorporated in England. Company Number 4326560. UK/01/18

Bonhams Montpelier Street Knightsbridge London SW7 1HH

+44 (0) 20 7393 3900 +44 (0) 20 7393 3905 fax MODERN BRITISH AND IRISH ART | Knightsbridge, London Tuesday 10 July 2018 24591

International Auctioneers and Valuers – bonhams.com