Visual Art a Troubles Archive Essay Declan Long
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Resource What Is Modern and Contemporary Art
WHAT IS– – Modern and Contemporary Art ––– – –––– – – – – – – – – – – – – – – – – – – – – – – – – – – ––– – – – – ? www.imma.ie T. 00 353 1 612 9900 F. 00 353 1 612 9999 E. [email protected] Royal Hospital, Military Rd, Kilmainham, Dublin 8 Ireland Education and Community Programmes, Irish Museum of Modern Art, IMMA THE WHAT IS– – IMMA Talks Series – – – – – – – – – – – – – – – – – – – – – ? There is a growing interest in Contemporary Art, yet the ideas and theo- retical frameworks which inform its practice can be complex and difficult to access. By focusing on a number of key headings, such as Conceptual Art, Installation Art and Performance Art, this series of talks is intended to provide a broad overview of some of the central themes and directions in Modern and Contemporary Art. This series represents a response to a number of challenges. Firstly, the 03 inherent problems and contradictions that arise when attempting to outline or summarise the wide-ranging, constantly changing and contested spheres of both art theory and practice, and secondly, the use of summary terms to describe a range of practices, many of which emerged in opposition to such totalising tendencies. CONTENTS Taking these challenges into account, this talks series offers a range of perspectives, drawing on expertise and experience from lecturers, artists, curators and critical writers and is neither definitive nor exhaustive. The inten- What is __? talks series page 03 tion is to provide background and contextual information about the art and Introduction: Modern and Contemporary Art page 04 artists featured in IMMA’s exhibitions and collection in particular, and about How soon was now? What is Modern and Contemporary Art? Contemporary Art in general, to promote information sharing, and to encourage -Francis Halsall & Declan Long page 08 critical thinking, debate and discussion about art and artists. -
Arts Council of Northern Ireland National Lottery Fund Annual Report 2006-07
ARTS COUNCIL OF NORTHERN IRELAND NATIONAL LOTTERY FUND ANNUAL REPORT 2006-07 Presented to Parliament Pursuant to Section 34(3) of the National Lottery etc. Act 1993 (Incorporating HC414: Accounts for 2006-07 of the Arts Council of Northern Ireland Lottery Distribution, with the report of the Comptroller and Auditor General thereon, as ordered by the House of Commons to be printed on 10 March 2008) London: The Stationery Office £18.55 3 © Crown Copyright 2008 The text in this document (excluding the Royal Arms and other departmental or agency logos) may be reproduced free of charge in any format or medium providing it is reproduced accurately and not used in a misleading context. The material must be acknowledged as Crown copyright and the title of the document specified. Where we have identified any third party copyright material you will need to obtain permission from the copyright holders concerned. For any other use of this material please write to Office of Public Sector Information, Information Policy Team, Kew, Richmond, Surrey, TW9 4DU or e-mail: [email protected] 4 CONTENTS Chairman’s Foreword 6 Chief Executive’s Introduction 7 Lottery Grants & Capital Committee Activity Report 8 Grants Awarded 1 April 2006 – 31 March 2007 10 Breakdown of Awards 2006/07 45 Policy and Financial Directions 48 National Lottery Distribution Account 61 Notes to the Accounts 84 Appendix 96 5 CHAIRMAN’S FOREWORD The Arts Council is the statutory body which, since the inception of the National Lottery in 1994, has been responsible for the administration and distribution of Lottery funds to the arts in Northern Ireland. -
S.Macw / CV / NCAD
Susan MacWilliam Curriculum Vitae 1 / 8 http://www.susanmacwilliam.com/ Solo Exhibitions 2012 Out of this Worlds, Noxious Sector Projects, Seattle F-L-A-M-M-A-R-I-O-N, Open Space, Victoria, BC 2010 F-L-A-M-M-A-R-I-O-N, aceart inc, Winnipeg Supersense, Higher Bridges Gallery, Enniskillen Susan MacWilliam, Conner Contemporary, Washington DC F-L-A-M-M-A-R-I-O-N, Golden Thread Gallery, Belfast F-L-A-M-M-A-R-I-O-N, NCAD Gallery, Dublin 2009 Remote Viewing, 53rd Venice Biennale 2009, Solo exhibition representing Northern Ireland 13 Roland Gardens, Golden Thread Gallery Project Space, Belfast 2008 Eileen, Gimpel Fils, London Double Vision, Jack the Pelican Presents, New York 13 Roland Gardens, Video Screening, The Parapsychology Foundation Perspectives Lecture Series, Baruch College, City University, New York 2006 Dermo Optics, Likovni Salon, Celje, Slovenia 2006 Susan MacWilliam, Ard Bia Café, Galway 2004 Headbox, Temple Bar Gallery, Dublin 2003 On The Eye, Golden Thread Gallery, Belfast 2002 On The Eye, Butler Gallery, Kilkenny 2001 Susan MacWilliam, Gallery 1, Cornerhouse, Manchester 2000 The Persistence of Vision, Limerick City Gallery of Art, Limerick 1999 Experiment M, Context Gallery, Derry Faint, Old Museum Arts Centre, Belfast 1997 Curtains, Project Arts Centre, Dublin 1995 Liptych II, Crescent Arts Centre, Belfast 1994 Liptych, Harmony Hill Arts Centre, Lisburn List, Street Level Gallery, Irish News Building, Belfast Solo Screenings 2012 Some Ghosts, Dr William G Roll (1926-2012) Memorial, Rhine Research Center, Durham, NC. 2010 F-L-A-M-M-A-R-I-O-N, Sarah Meltzer Gallery, New York. -
WILLIE DOHERTY B
WILLIE DOHERTY b. 1959, Derry, Northern Ireland Lives and works in Derry EDUCATION 1978-81 BA Hons Degree in Sculpture, Ulster Polytechnic, York Street 1977-78 Foundation Course, Ulster Polytechnic, Jordanstown FORTHCOMING & CURRENT EXHIBITIONS 2020 ENDLESS, Kerlin Gallery, online viewing room, (27 May - 16 June 2020), (solo) SOLO EXHIBITIONS 2018 Remains, Regional Cultural Centre, Letterkenny, Ireland Inquieta, Galeria Moises Perez de Albeniz, Madrid, Spain 2017 Galerie Peter Kilchmann, Zurich, Switzerland Remains, Art Sonje Center, Seoul, South Korea No Return, Alexander and Bonin, New York, USA Loose Ends, Matt’s Gallery, London, UK 2016 Passage, Alexander and Bonin, New York Lydney Park Estate, Gloucestershire, presented by Matt’s Gallery + BLACKROCK Loose Ends, Regional Centre, Letterkenny; Kerlin Gallery, Dublin, Ireland Home, Villa Merkel, Germany 2015 Again and Again, Fundaçao Calouste Gulbenkian, CAM, Lisbon Panopticon, Utah Museum of Contemporary Art (UMOCA), Salt Lake City 2014 The Amnesiac and other recent video and photographic works, Alexander and Bonin, New York, USA UNSEEN, Museum De Pont, Tilburg The Amnesiac, Galería Moisés Pérez de Albéniz, Madrid REMAINS, Kerlin Gallery, Dublin 2013 UNSEEN, City Factory Gallery, Derry Secretion, Neue Galerie, Museumslandschaft Hessen Kassel Secretion, The Annex, IMMA, Dublin Without Trace, Galerie Peter Kilchmann, Zurich 2012 Secretion, Statens Museum for Kunst, National Gallery of Denmark, Copenhagen LAPSE, Kerlin Gallery, Dublin Photo/text/85/92, Matts Gallery, London One Place Twice, -
Isabel Nolan
Kerlin Gallery Isabel Nolan Isabel Nolan Stelliferous to Degenerate 2020 water based oil on canvas 70 x 90 x 3 cm / 27.6 x 35.4 x 1.2 in 72.5 x 92.5 x 4.5 cm / 28.5 x 36.4 x 1.8 in framed IN46720 The extravagantly, even preposterously titled 'Stelliferous to degenerate' refers to a time in the extremely far future when the universe will no longer produce stars. Using familiar materials (paint or colouring pencil) Nolan’s work consistently picks away at the coherence of our human perspective as applied to the wildness and strangeness of nature. Rendering cosmic forms at a wholly domestic human scale, the artist similarly makes the cosmic into something relatively cosy. Heat death 2020 coloured pencil on paper 29.7 x 42 cm / 11.7 x 16.5 in unframed IN46420 hot dense and smooth 2020 coloured pencil on paper 42 x 59.2 cm / 16.5 x 23.3 in unframed IN45720 we forget everthing 2020 coloured pencil on paper 42 x 59.4 cm / 16.5 x 23.4 in unframed IN45920 Seven fingered wish 2020 coloured pencil on paper 41.7 x 29.6 cm 16.4 x 11.7 in unframed IN46020 View (back turned) 2020 waterbased oil on canvas, hand-gilded 24 carat gold and painted clay frame 60 x 80 cm / 23.6 x 31.5 in 62.5 x 82.5 x 4.9 cm / 24.6 x 32.5 x 1.9 in framed IN45020 Isabel Nolan b. 1974, Dublin Lives and works in Dublin Isabel Nolan has an expansive practice that incorporates sculptures, paintings, textile works, photographs, writing and works on paper. -
West of Ireland Paintings at the National Gallery of Ireland from 1800 to 2000
West of Ireland Paintings at the National Gallery of Ireland from 1800 to 2000 I The West of Ireland National Gallery of Ireland / Gailearaí Náisiúnta na hÉireann West of Ireland Paintings at the National Gallery of Ireland from 1800 to 2000 Marie Bourke With contributions by Donal Maguire And Sarah Edmondson II Contents 5 Foreword, Sean Rainbird, Director, National Gallery of Ireland 23 The West as a Significant Place for Irish Artists Contributions by Donal Maguire (DM), Administrator, Centre for the Study of Irish Art 6 Depicting the West of Ireland in the Nineteenth and Twentieth Centuries, Dr Marie Bourke, Keeper, Head of Education 24 James Arthur O’Connor (1792–1841), The Mill, Ballinrobe, c.1818 25 George Petrie (1790–1866), Pilgrims at Saint Brigid’s Well, Liscannor, Co. Clare, c.1829–30 6 Introduction: The Lure of the West 26 Frederic William Burton (1816–1900), In Joyce Country (Connemara, Co. Galway), c.1840 6 George Petrie (1790–1866), Dún Aonghasa, Inishmore, Aran Islands, c.1827 27 Frederic William Burton (1816–1900), The Aran Fisherman’s Drowned Child, 1841 8 Timeline: Key Dates in Irish History and Culture, 1800–1999 28 Augustus Burke (c.1838–1891), A Connemara Girl 10 Curiosity about Ireland: Guide books, Travel Memoirs 29 Bartholomew Colles Watkins (1833–1891), A View of the Killaries, from Leenane 10 James Arthur O’Connor (1792–1841), A View of Lough Mask 30 Aloysius O’Kelly (1853–1936), Mass in a Connemara Cabin, c.1883 11 Frederic William Burton (1816–1900), Paddy Conneely (d.1850), a Galway Piper 31 Walter Frederick Osborne (1859–1903), A Galway Cottage, c.1893 32 Jack B. -
WILLIAM SCOTT (B.1913 Greenock, Scotland)
WILLIAM SCOTT (b.1913 Greenock, Scotland) EDUCATION Belfast College of Art Royal Academy Schools (1935) SELECT SOLO EXHIBITIONS 2019 Paintings and Drawings: Fifties Through Eighties, Anita Rogers Gallery, New York, NY 2016 Verey Gallery, Eton College, Form – Colour – Space, Windsor, UK 2016 Fermanagh County Museum, William Scott: The Early Years, Enniskillen, Northern Ireland 2015 Fermanagh District Council Town Hall, William Scott Paintings at Enniskillen’s Town Hall, Enniskillen, Northern Ireland 2014 Pallant House gallery, Three pears and a Pan, 1955, Chichester, UK 2013 The Gordon Gallery, the Altnagelvin Mural, Derry, Northern Ireland 2013 The Ulster Museum, William Scott: Centenary Exhibition, Belfast, Northern Ireland 2013 The Hepworth Wakefield, William Scott, Wakefield, UK 2013 McCaffrey Fine Art, William Scott: Domestic Forms, New York, NY 2013 Victoria Art Gallery, William Scott: Simplicity and Subject, Bath, UK 2013 Denenberg Fine Arts, William Scott Works on Paper 1953-1986, Los Angeles, CA 2013 Karsten Schubert, William Scott 1950s Nude Drawings, London, UK 2013 Jerwood Gallery, William Scott: Divided Figure, Hastings, UK 2013 Enniskillen Castle Museum, Full-Circle: William Scott Centenary Exhibition, Enniskillen, Northern Ireland 2013 Tate St Ives, William Scott, and touring: Hepworth Wakefield; Ulster Museum, Belfast, Northern Ireland 2012 McCaffrey Fine Art at Frieze Masters, William Scott, London, UK 2010 McCaffrey Fine Art, William Scott, New York, NY 2009 F.E. McWilliam Gallery and Studio, William Scott in Ireland. Paintings, Drawings Gouaches and Lithographs 1938–1979, Banbridge, Northern Ireland 2006 Fermanagh County Museum, Celebrating William Scott: Paintings from Fermanagh County Museum, Enniskillen, Northern Ireland 2005 Denise Bibro Fine Art, William Scott Works on Paper, New York, NY 2005 Lorenzelli Arte, William Scott La voce dei colori, Milan, Italy 2005 Archeus Fine Art, William Scott. -
SU407 INTRODUCTION to ART in IRELAND (3 Credits)
SU407 INTRODUCTION TO ART IN IRELAND (3 Credits) COURSE OBJECTIVE: This course will trace the development of Irish art from Newgrange to the 2009 Venice Biennale. In the first part of the course students will learn to appraise and evaluate a broad spectrum of prehistoric art and the outstanding artistic achievements of the ‘Golden Age’ of Irish art; the Book of Kells, the Tara Brooch and Irish High Crosses. The second half of the course will focus on how the ‘rediscovery’ of this early artistic legacy informed later artists, culminating in the ‘Celtic Revival’ of the nineteenth and twentieth centuries before moving on to the development of modern art in Ireland, examining the work of Jack Yeats, Mainie Jellett, and many others. The course will conclude with an overview of trends in contemporary Irish art. A key question underlying the various strands of the course will be the development of a distinctly Irish cultural identity in the visual arts and the influence of international trends on Irish artists throughout the ages. COURSE OUTLINE: Week 1 Introductory lecture Passage Grave Art Bronze Age Gold Work FIELD SEMINAR: NATIONAL MUSEUM & NATIONAL GALLERY Week 2 La Tène Art: The Earliest Art of the Celts Irish Art AD 300-500: the Iron Age to Early Christian Transition The Golden Age of Irish Art The Work of Angels: Early Christian Manuscript Art Week 3 Celtic High Crosses: Ornament, Symbolic Significance and Iconography Turning Points in Irish Art The Celtic Revival: Motifs and Symbols The Celtic Revival: People and Landscape Week 4 The Irish Impressionists and the Belle Epoque Jack Yeats Realism, Nationalism and the West Week 5 Mainie Jellett and the Modernists Post War Trends and Contemporary Art ASSESSMENT COURSE TEXTS: Passage Grave Art Jones, C. -
M.Phil. in Art History Art + Ireland Handbook 2020-2021
School of Histories and Humanities Department of History of Art and Architecture M.Phil. in Art History Art + Ireland Handbook 2020-2021 Contents Overview ............................................................................................................................ 3 General requirements ........................................................................................................ 4 Assessment submission .............................................................................................................. 4 Regulatory notification ............................................................................................................... 4 Contacts ............................................................................................................................. 5 Staff contact information and research interests: ..................................................................... 5 Further information about location and facilities ...................................................................... 7 Programme structure ......................................................................................................... 8 Components ............................................................................................................................... 8 Credit System (ECTS) .................................................................................................................. 8 Modules ............................................................................................................................ -
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Daniel Jewesbury artist | writer | lecturer | editor | curator Såggatan 65B – 1301, 414 67 Göteborg, Sweden. [email protected] / [email protected] +44 (0)7929 205361 / +46 (0)79 313 6253 danieljewesbury.org Born London, 23rd November, 1972 Education 1997 - 2001 Ph.D (Media Studies), University of Ulster at Coleraine 1992 - 1996 BA (Hons) Fine Art (Sculpture), National College of Art and Design, Dublin (2:1) Employment & other experience 2017 - Universitetslektor, Fri Konst, Valand Academy, University of Gothenburg 2018 - Fri Konst unit representative, Valand ACademy Research Board 2017 - Associate Researcher, Centre for Media Research, Ulster University 2013 - 2017 Lecturer in Film, Ulster University 2016 Curator, Tulca 2016, Festival of Visual Arts, Galway 2015 Co-curator, Periodical Review #5, Pallas ProjeCts, Dublin 2014 Fellow, Zentrum für Kunst und Urbanistik (ZK/U), Centre for Art & Urbanism, Berlin 2008 - 2014 Part-time PhD Supervisor, National College of Art & Design, Dublin (FaCulties of Fine Art / Visual Culture) 2003 - 2014 Co-editor, Variant magazine (www.variant.org.uk) 2010 - 2013 Visiting Fellow, Graduate SChool of Creative Arts & Media (GradCAM), Dublin 2010 - 2011 Chair, Digital Art Studios, Belfast 2010 Curator, re : public, group exhibition and event series, Temple Bar Gallery, Dublin 2009 Lead writer, EC Culture Programme funding bid (suCCessful), The Artist as Citizen, for GradCam, Dublin 2009 Nominee: Paul Hamlyn Award 2008 - 2009 Northern Representative, Visual Artists Ireland 2008 - 2009 Lead national researCher -
WILLIAM MCKEOWN Born in Co Tyrone, Northern Ireland, 15 April 1962 – Died in Edinburgh, Scotland, 25 October 2011
WILLIAM MCKEOWN born in Co Tyrone, Northern Ireland, 15 April 1962 – died in Edinburgh, Scotland, 25 October 2011 EDUCATION 1993-94 M.A. Fine Art, University of Ulster, Belfast 1986-87 M.A. Design, Glasgow School of Art 1981-84 Textile Design, Central/St Martin's School of Art & Design, London 1980-81 University College, London SOLO & TWO-PERSON EXHIBITIONS 2013 William McKeown, St Carthage Hall, Lismore Castle Arts, Ireland. Curated by Eamonn Maxwell 2012 William McKeown, Inverleith House, Edinburgh. Curated by Paul Nesbitt A Room, Kerlin Gallery, Dublin 2011 The Waiting Room, The Golden Bough, Dublin City Gallery, The Hugh Lane, Dublin. Curated by Michael Dempsey 2010 Five Working Days, Ormeau Baths Gallery, Belfast A Certain Distance, Endless Light, with works by Félix González-Torres, mima, Middlesbrough Institute of Modern Art. Curated by Gavin Delahunty Pool, with Dorothy Cross, Kerlin Gallery, Dublin 2008/09 William McKeown, Irish Museum of Modern Art, Dublin 2006 Hope Paintings, Hope Drawings and Open Drawings, Kerlin Gallery, Dublin 2004 The Bright World, The Golden Thread Gallery, Belfast The Room At The Horizon, Project Arts Centre, Dublin. Curated by Grant Watson Cloud Cuckoo-Land, The Paradise (16), Gallery 2, Douglas Hyde Gallery, Dublin. Curated by John Hutchinson Cloud Cuckoo-Land, Sleeper, Edinburgh 2002 The Sky Begins At Our Feet, Ormeau Baths Gallery, Belfast Forever Paintings, Kerlin Gallery, Dublin 2001 In An Open Room, Douglas Hyde Gallery, Dublin. Curated by John Hutchinson 1998 Kerlin Gallery, Dublin 1996 Kerlin Gallery, Dublin GROUP EXHIBITIONS 2015 The Untold Want, Royal Hibernian Academy, Dublin. Curated by Caroline Hancock and Patrick T. -
A History of Irish Art
A History of Irish Art Saturday 10 & Sunday 11 March 2018 11.00 – 16.00 Course Leader: Jenny Phelan Ireland’s rich social and cultural heritage has been explored for millennia through the medium of art. Although most well-known for its contribution to the written word, this course will demonstrate the unique and fascinating history of Ireland’s artistic treasures. From the stone art of Newgrange to the work of Jack B. Yeats, the artworks and objects discussed will provide a window into Ireland’s distinctive cultural identity. Supported by contextual and historical information, this course will trace the history of Irish art from c.3300 BC to the present day. Covering a range of historical objects, paintings, manuscripts and sculptures, it will also explore Ireland’s contribution to the wider art world including coining the phrase the “white cube”. With special guest speakers Barbara Stanley, owner of The Barbara Stanley Gallery of Irish Contemporary Art in London, and Dublin based Irish artist Margaret Egan. Programme Saturday 10th March 10.30 – 11.00 Welcome and Registration 11.00 – 11:45 Ancient and Celtic Art: Stone Age to Early Christian Ireland 11:45 - 12.00 Refreshment Break 12.00 - 13.00 Vikings to the 18th Century: Stagnation and Rebirth 13.00 - 14.00 Lunch (not included) 14.00 - 14.45 19th Century: Irish Artists Emigrate 15.00 - 16.00 Late 19th and Early 20th Centuries: Impressionism and Individuality Sunday 11th March 11.00 – 11:45 The 20th Century: Nationalism and Modernism 11:45 - 12.00 Refreshment Break 12.00 - 13.00 The Late 20th and Early 21st Centuries: The Great Living Artists 13.00 - 14.00 Lunch (not included) 14.00 – 14:45 Gallery Visit 15.00 - 16.00 Contemporary Irish Art in London Guest Speakers: Barbara Stanley and Margaret Egan.