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Film Essay for "Modern Times"
Modern Times By Jeffrey Vance No human being is more responsible for cinema’s ascendance as the domi- nant form of art and entertainment in the twentieth century than Charles Chaplin. Yet, Chaplin’s importance as a historic figure is eclipsed only by his creation, the Little Tramp, who be- came an iconic figure in world cinema and culture. Chaplin translated tradi- tional theatrical forms into an emerg- ing medium and changed both cinema and culture in the process. Modern screen comedy began the moment Chaplin donned his derby hat, affixed his toothbrush moustache, and Charlie Chaplin’s Tramp character finds he has become a cog in the stepped into his impossibly large wheels of industry. Courtesy Library of Congress Collection. shoes for the first time. “Modern Times” is Chaplin’s self-conscious subjects such as strikes, riots, unemployment, pov- valedictory to the pantomime of silent film he had pio- erty, and the tyranny of automation. neered and nurtured into one of the great art forms of the twentieth century. Although technically a sound The opening title to the film reads, “Modern Times: a film, very little of the soundtrack to “Modern Times” story of industry, of individual enterprise, humanity contains dialogue. The soundtrack is primarily crusading in the pursuit of happiness.” At the Electro Chaplin’s own musical score and sound effects, as Steel Corporation, the Tramp is a worker on a factory well as a performance of a song by the Tramp in gib- conveyor belt. The little fellow’s early misadventures berish. This remarkable performance marks the only at the factory include being volunteered for a feeding time the Tramp ever spoke. -
1560 Filmhaus-Programm 12-13 V3.Indd
FILMHAUS 12/13 Königstraße 93 · 90 402 Nürnberg filmhaus.nuernberg.de · T: 2317340 Charles Chaplin © Roy Export S.A.S. CHARLES CHAPLIN RETROSPEKTIVE – TEIL 1 Der Film hat viele Genies hervorgebracht, wie die anderen Künste Die typischen Schemata bei Keystone, Verfolgungsjagden und Sah- THE STORY OF THE TRAMP Komödien-Exerzitie TWENTY MINUTES OF LOVE (10 Min., Regie: und Wissenschaften auch; sogar folgenreichere; aber Charles Chap- netortenschlachten waren auf Chaplin nicht anwendbar. Er entwarf La naissance de Charlot, Frankreich 2013, 60 Min., DCP, franz. OmeU, Regie: Charles Chaplin) Charles Chaplins Gesellenstück als Regisseur, so lin war wohl das einzige, dessen Kunst universell verstanden und vielmehr ein Thema und erfand dann den Film beim Drehen. Daraus Serge Bromberg, Eric Lange wurde CAUGHT IN THE RAIN (11 Min., Regie: Charles Chaplin) seine geliebt wurde. Chaplins Vagabund, der kleine Tramp mit den Ma- entwickelte sich bald eine ganz eigene, immer zeitaufwendigere Über die Legende von Charlie Chaplin wurde alles gesagt, gezeigt Meisterprüfung: eine Variation über das Fremdgehen − beginnend nieren und der Würde eines Gentlemans, wurde im beginnenden Produktionsweise. Die Ein- und Zweiakter, die Chaplin zunächst bei und wiederholt erzählt? Fast alles. Wie aus einem Straßenjungen aus im Park, eskalierend im Hotel, geprägt noch von Keystone’scher Medienzeitalter zu einem zentralen Repräsentanten der Menschheit. Keystone (1914, 35 Filme), dann bei Essanay (1915, 14 Filme) und einem der ärmsten Bezirke Londons der berühmteste Mann der Welt Wüstheit, doch schon erfüllt von jenen zarten oder brüsken Allzu- Charlie, Charlot, Carlos, Carlito waren die Namen für die universale später bei Mutual (1916/17, zwölf Filme) produzierte, zeigen einen werden konnte? Und das innerhalb weniger Jahre. -
2019-BENNY-AND-JOON.Pdf
CREATIVE TEAM KIRSTEN GUENTHER (Book) is the recipient of a Richard Rodgers Award, Rockefeller Grant, Dramatists Guild Fellowship, and a Lincoln Center Honorarium. Current projects include Universal’s Heart and Souls, Measure of Success (Amanda Lipitz Productions), Mrs. Sharp (Richard Rodgers Award workshop; Playwrights Horizons, starring Jane Krakowski, dir. Michael Greif), and writing a new book to Paramount’s Roman Holiday. She wrote the book and lyrics for Little Miss Fix-it (as seen on NBC), among others. Previously, Kirsten lived in Paris, where she worked as a Paris correspondent (usatoday.com). MFA, NYU Graduate Musical Theatre Writing Program. ASCAP and Dramatists Guild. For my brother, Travis. NOLAN GASSER (Music) is a critically acclaimed composer, pianist, and musicologist—notably, the architect of Pandora Radio’s Music Genome Project. He holds a PhD in Musicology from Stanford University. His original compositions have been performed at Carnegie Hall, Lincoln Center, among others. Theatrical projects include the musicals Benny & Joon and Start Me Up and the opera The Secret Garden. His book, Why You Like It: The Science and Culture of Musical Taste (Macmillan), will be released on April 30, 2019, followed by his rock/world CD Border Crossing in June 2019. His TEDx Talk, “Empowering Your Musical Taste,” is available on YouTube. MINDI DICKSTEIN (Lyrics) wrote the lyrics for the Broadway musical Little Women (MTI; Ghostlight/Sh-k-boom). Benny & Joon, based on the MGM film, was a NAMT selection (2016) and had its world premiere at The Old Globe (2017). Mindi’s work has been commissioned, produced, and developed widely, including by Disney (Toy Story: The Musical), Second Stage (Snow in August), Playwrights Horizons (Steinberg Commission), ASCAP Workshop, and Lincoln Center (“Hear and Now: Contemporary Lyricists”). -
Charlie Chaplin's
Goodwins, F and James, D and Kamin, D (2017) Charlie Chaplin’s Red Letter Days: At Work with the Comic Genius. Rowman & Littlefield. ISBN 1442278099 Downloaded from: https://e-space.mmu.ac.uk/618556/ Version: Submitted Version Publisher: Rowman & Littlefield Please cite the published version https://e-space.mmu.ac.uk Charlie Chaplin’s Red Letter Days At Work with the Comic Genius By Fred Goodwins Edited by Dr. David James Annotated by Dan Kamin Table of Contents Introduction: Red Letter Days 1. Charlie’s “Last” Film 2. Charlie has to “Flit” from his Studio 3. Charlie Chaplin Sends His Famous Moustache to the Red Letter 4. Charlie Chaplin’s ‘Lost Sheep’ 5. How Charlie Chaplin Got His £300 a Week Salary 6. A Straw Hat and a Puff of Wind 7. A bombshell that put Charlie Chaplin ‘on his back’ 8. When Charlie Chaplin Cried Like a Kid 9. Excitement Runs High When Charlie Chaplin “Comes Home.” 10. Charlie “On the Job” Again 11. Rehearsing for “The Floor-Walker” 12. Charlie Chaplin Talks of Other Days 13. Celebrating Charlie Chaplin’s Birthday 14. Charlie’s Wireless Message to Edna 15. Charlie Poses for “The Fireman.” 16. Charlie Chaplin’s Love for His Mother 17. Chaplin’s Success in “The Floorwalker” 18. A Chaplin Rehearsal Isn’t All Fun 19. Billy Helps to Entertain the Ladies 20. “Do I Look Worried?” 21. Playing the Part of Half a Cow! 22. “Twelve O’clock”—Charlie’s One-Man Show 23. “Speak Out Your Parts,” Says Charlie 24. Charlie’s Doings Up to Date 25. -
Send in the Clones
Send in the Clones Chaplin Imitators from Stage to Screen, from Circus to Cartoon Ulrich Ruedel The Chaplin craze of the teens is often cited as one of the main indicators of the unprecedented popularity of Chaplin's little tramp. Chaplin imitators, cartoons, songs were abound. While Chaplin may indeed qualify as the most imitated character in film history, this "sincerest form of flattery" was not limited to him. Indeed, one of the historically most remarkable Chaplin imitations, that of former Chaplin understudy Stan Laurel, was part of a Keystone Trio stage act, which also included likenesses of Mabel Normand and Chester Conklin. Nor does the phenomenon of comic clones end there. Throughout film history, we find carbon copies of then- popular film clowns, sometimes unidentified today, often though probably quite justly forgotten.1 1 The Museum of Modern Art, for example, holds footage of an unidentified Snub Pollard imitator; imitations of Harold Lloyd's glasses character have been reported, and Wolfram Tichy's 1979 Harold Lloyd bioography presents an unidentified photo of what might have been such an imitator. Europe had their own, unique comedy success in the 20s and 30s, in the Danish comedy tramp duo of Fy og Bi / Long and Short / Pat & Patachon, and this author's research into this team (easily rivaling in popularity Chaplin, Keaton and Lloyd in countries like Germany and Russia) has so far confirmed at east four imitators, or "parodists," asppearing well into the 1950s. The Three Stooges are unique in this regard as their likenesses can claim a certain degree of legitimacy, either having gone through the same school as the original trio, Stooge inventor Ted Healy's act, that is, or in a couple instances even having the privilege of featuring former original Stooges. -
Hannah Arendt, Charlie Chaplin and the Hidden Jewish Tradition
LILIANE WEISSBERG' HANNAH ARENDT, CHARLIE CHAPLIN, AND ffiE HIDDEN JEWISH TRADITION 1. THE HIDDEN TRADITION ln 1944, Hannah Arendt publishes her essay, "TheJew as Pariah: The Hidden Tradition." 1 By this time the German political philosopher has settled down in her last place of exile, New York City, Europe is at war; European Jews are sent to the camps, and A.rendt, who was never to shy away from any criticism directed atJews themselves, reflects upon their fate; she considers any missed opportunities in their social and political engagement. Arendt has just completed her first book since writing her dissertation on St. Augustine,2 a study entitled, Rahel Varnhagen: Ibe Life of afewess. She had begun the book in 1927, and most of it had been written in Berlin. Yet, Arendt fled to Paris with the incomplete manuscript in 1933. The book is first to appear in English translation in 1956.3 Arendt is also writing essays on the contemporary situation of Jews and Zionism far various American and German A.merican papers, and she begins work on what will become her major oeuvre, Ibe Origins of Totalitarianism.4 The füst section of Ibe Origins is entitlec.l, "Antisemitism," and will concern the history of the Jews as well. How could one understand what had happened to this people, and how could Jews themselves have prevented these events? These are questions that have haunted Arendt since the 1930s. Already, in Rahel Varnhagen, Arendt deplores the lack of political commitment on the side of)ews, along with their long-standing rejection of or oblivion to-political action. -
Study-Guide Trent Arterberry • Actions Speak Louder
Study-Guide Trent Arterberry • Actions Speak Louder make good choices in life. Mime is an authentic, immediate Synopsis of Program Actions Speak Louder i n t r o d u c e s and unique experience of live the- students to the communicative and atre, which teaches social skills and Designed for secondary audiences, expressive art form of mime, and the creates community. It stimulates Actions Speak Louder uses modern potential of the human body. concentration, imagination and scenarios to examine how our own Students will observe how the mime abstract thought. inner resources can help us to make creates characters, environments, the right decisions when con- narratives, and the passage of time Educational Objectives/ fronting challenges like peer pres- through the simple use of body and Responding to Show sure, moral confusion, dangerous s p a c e . drugs and coercive advertising. The educational goals of A c t i o n s Following is a an outline of a sample Trent Arterberry Speak Louder a r e : performance with a brief synopsis of During his 30 year career, Trent each piece. Arterberry has performed for thousands of 1. To introduce mime as an art audiences across North America, Europe f o r m . I n t r o d u c t i o n and Asia. He left pre-med studies at UCLA • What are some of the elements that —Uses mime technique and to study mime, eventually training with the the mime uses to communicate his monologue to illustrate the road renowned French master, Marcel s t o r i e s ? of life, and the many choices we Marceau. -
RUDOLPH VALENTINO January 1971
-,- -- - OF THE SON SHEIK . --· -- December 1970 -.. , (1926) starring • January 1971 RUDOLPH VALENTINO ... r w ith Vilma Banky, Agnes Ayres, George Fawcett, Kar l Dane • .. • • i 1--...- \1 0 -/1/, , <;1,,,,,/ u/ ~m 11, .. 12/IOJ,1/, 2/11.<. $41 !!X 'ifjl!/1/. , .....- ,,,1.-1' 1 .' ,, ,t / /11 , , . ... S',7.98 ,,20 /1/ ,. Jl',1,11. Ir 111, 2400-_t,' (, 7 //,s • $/1,!!.!!8 "World's .. , . largest selection of things to show" THE ~ EASTIN-PHELAN p, "" CORPORATION I ... .. See paee 7 for territ orial li m1la· 1;on·son Hal Roach Productions. DAVE PORT IOWA 52808 • £ CHAZY HOUSE (,_l928l_, SPOOK Sl'OO.FI:'\G <192 i ) Jean ( n ghf side of the t r acks) ,nvites t he Farina, Joe, Wheeze, and 1! 1 the Gang have a "Gang•: ( wrong side of the tr ack•) l o a party comedy here that 1\ ,deal for HallOWK'n being at her house. 6VI the Gang d~sn't know that a story of gr aveyard~ - c. nd a thriller-diller Papa has f tx cd the house for an April Fool's for all t ·me!t ~ Day party for his fr i ends. S 2~• ~·ar da,c 8rr,-- version, 400 -f eet on 2 • 810 303, Standord Smmt yers or J OO feet ? O 2 , v ozs • Reuulart, s11.9e, Sale reels, 14 ozs, Regularly S1 2 98 , Sale Pnce Sl0.99 , 6o 0 '11 Super 8 vrrs•OQ, dSO -fect,, 2-lb~ .• S l0.99 Regu a rly SlJ 98. Sale Pn ce I Sl2.99 425 -fect I :, Regularly" ~ - t S12 99 400lc0 t on 8 o 289 Standard 8mm ver<lon SO r Sate r eels lJ o,s-. -
Charlie Chaplin's Little Tramp in America, 1947–77
palgrave.com Lisa Stein Haven Charlie Chaplin’s Little Tramp in America, 1947–77 Provides the first extended analysis and narrative of Chaplin's move from maligned to celebrated figure in America Based upon impressive research ranging from primary documents in various archives, original personal interviews, and secondary sources Extends the study Chaplin's legacy in popular and academic circles through the 2010s This book focuses on the re-invigoration of Charlie Chaplin’s Little Tramp persona in America from the point at which Chaplin reached the acme of his disfavor in the States, promoted by the media, through his departure from America forever in 1952, and ending with his death in Switzerland in 1977. By considering factions of America as diverse as 8mm film collectors, Beat poets and writers and readers of Chaplin biographies, this cultural study determines 1st ed. 2016, XIV, 300 p. 25 illus. conclusively that Chaplin’s Little Tramp never died, but in fact experienced a resurgence, which began slowly even before 1950 and was wholly in effect by 1965 and then confirmed by Printed book 1972, the year in which Chaplin returned to the United States for the final time, to receive Hardcover accolades in both New York and Los Angeles, where he received an Oscar for a lifetime of 109,99 € | £99.99 | $139.99 achievement in film. [1]117,69 € (D) | 120,99 € (A) | CHF 130,00 Softcover 79,99 € | £69.99 | $99.99 [1]85,59 € (D) | 87,99 € (A) | CHF 94,50 eBook 67,40 € | £55.99 | $79.99 [2]67,40 € (D) | 67,40 € (A) | CHF 75,50 Available from your library or springer.com/shop MyCopy [3] Printed eBook for just € | $ 24.99 springer.com/mycopy Order online at springer.com / or for the Americas call (toll free) 1-800-SPRINGER / or email us at: [email protected]. -
Charlie Chaplin & the Attack of the Machine
COLONIAL THEATRE ILLUMINATING CINEMA: 227 Bridge Street, Phoenixville, PA 19460 THE GREAT DICTATOR (1940) Tel: 610.917.1228 Fax: 610.917.0509 www.thecolonialtheatre.com Charlie Chaplin & the Attack of the Machine Men By Andrew Owen, PhD For Chaplin, it supposedly began in 1937, when, writer, director and producer, Alexander Korda suggested that he make a film about mistaken identity, the two central characters being Adolf Hitler and Chaplin’s own ‘Little Tramp.’ After all, they both had the same sort of mustache. The toothbrush. According to Chaplin, he didn’t think too much of the idea at the time it was suggested, even when Korda proposed that he, Chaplin, play both parts (Chaplin, 1964: 386). Of course, Korda wasn’t the only one who had noticed the resemblance between the hobo and the Fuhrer. For example, the April 21st issue of the British magazine The Spectator, looking beyond mere physical similarities, noted that both men were born in the same year, within a few days of each other in fact - Chaplin on April 16, 1889, and Adolf, a mere four days later, on the April 20th. The article also drew attention to a couple of other noteworthy parallels: firstly, the fact that both men possessed genius, was, to the article’s writer, at least, undeniable, and secondly, both were concerned with “the predicament of the ‘little man’ in society.” Ultimately, Chaplin’s desire to work again (at this time in his career he was averaging a film every three to five years), as well as the opportunity to juxtapose the rhetoric of fascism, as presented by Hitler, with that of the theatrical tropes of burlesque and pantomime, was deemed too good to be missed. -
The Dark Side of Hollywood
TCM Presents: The Dark Side of Hollywood Side of The Dark Presents: TCM I New York I November 20, 2018 New York Bonhams 580 Madison Avenue New York, NY 10022 24838 Presents +1 212 644 9001 bonhams.com The Dark Side of Hollywood AUCTIONEERS SINCE 1793 New York | November 20, 2018 TCM Presents... The Dark Side of Hollywood Tuesday November 20, 2018 at 1pm New York BONHAMS Please note that bids must be ILLUSTRATIONS REGISTRATION 580 Madison Avenue submitted no later than 4pm on Front cover: lot 191 IMPORTANT NOTICE New York, New York 10022 the day prior to the auction. New Inside front cover: lot 191 Please note that all customers, bonhams.com bidders must also provide proof Table of Contents: lot 179 irrespective of any previous activity of identity and address when Session page 1: lot 102 with Bonhams, are required to PREVIEW submitting bids. Session page 2: lot 131 complete the Bidder Registration Los Angeles Session page 3: lot 168 Form in advance of the sale. The Friday November 2, Please contact client services with Session page 4: lot 192 form can be found at the back of 10am to 5pm any bidding inquiries. Session page 5: lot 267 every catalogue and on our Saturday November 3, Session page 6: lot 263 website at www.bonhams.com and 12pm to 5pm Please see pages 152 to 155 Session page 7: lot 398 should be returned by email or Sunday November 4, for bidder information including Session page 8: lot 416 post to the specialist department 12pm to 5pm Conditions of Sale, after-sale Session page 9: lot 466 or to the bids department at collection and shipment. -
Charles Chaplin a Jeho Diktátor
FILOZOFICKÁ FAKULTA MASARYKOVY UNIVERZITY V BRNĚ ÚSTAV HUDEBNI VĚDY Sdružená uměnovědná studia Jiří Čadek Bakalářská diplomová práce Charles Chaplin a jeho Diktátor Vedoucí práce: Mgr. Václav Březina Brno 2007 Prohlášení Prohlašuji, že jsem předkládanou práci zpracoval zcela samostatně a použil jen uvedenou literaturu. Současně dávám svolení ktomu, aby tato diplomová práce byla umístěnadoKnihovnyMUa používánakestudijnímúčelům. VBrně30.dubna2007………………………….. JiříČadek -2 OBSAH: 1. ÚVOD - 4 - 2. CHAPLIN - 6 - 2.1 Z ULICE K DIVADLU - 6 - 2.2 PRÁCE U FILMU - 9 - 2.3 TULÁK CHARLIE - 14 - 3. JAKÝ BUDE DALŠÍ FILM? - 17 - 3.1 ZVUK VE FILMU - 17 - 3.2 NÁMĚTY - 19 - 4. DIKTÁTOR - 21 - 4.1 PROTIFAŠISTICKÝ FILM - 21 - 4.2 PŘÍBĚH - 25 - 4.3 SCÉNY - 27 - 4.4 BOJ PROTI CHAPLINOVI - 29 - 5. ZÁVĚR - 32 - 5.1 SHRNUTÍ - 32 - 5.2 ČESKÉ RESUMÉ - 34 - 5.3 CIZOJAZYČNÉ RESUMÉ - 34 - 6. POUŽITÁ LITERATURA - 35 - 6.1 PRIMÁRNÍ LITERATURA - 35 - 6.2 SEKUNDÁRNÍ LITERATURA - 35 - 7. PŘÍLOHA - 36 - 7.1 SEZNAM FILMŮ - 36 - 7.2 ZÁVĚREČNÁ ŘEČ Z DIKTÁTORA - 41 - -3 111.1. Úvod Vesvé prácise zaměřímnavšestrannéhofilmovéhotvůrceCharleseSpenceraChaplinaa podrobnějise buduvěnovatfilmu,, Diktátor “.Tentofilm jezajímavýněkolikavěcmi.Jedná seojedinýfilmvobdobíkolemdruhésvětovéválky,kterýpřímonapadáAdolfaHitleraa jehonacistickouideologii.Jetoprvnízvukovýfilm,kterýChaplinnatočil,azároveňposlední film,vekterémvystupujevesvémkostýmutuláka. Při psaní prácesenemůžunezmínitojehodětství.Provázelohopocelýživot.Byl jím ovlivňovánvnázorecha postojích,kterénesmazatelnězapsaldosvýchfilmů.OChaplinově