Charlie Chaplin & the Attack of the Machine
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Doctor Strangelove
A PPENDI C ES Feature Film Study: Doctor Strangelove Doctor Strangelove or: How I Learned to Stop Worrying and Love the Bomb. Dir. Stanley Kubrick, USA, 1964. Comedy/Satire. Classification PG. 95 min. DVD, Columbia. Historical Themes/Topics War and peace in the 20th century: Cold War, nuclear arms race, atomic energy, social values and climate of 1960s Historical Context According to many historians, rapid advances in science and technology during the 20th century have contributed to making it one of the most destructive eras in world history. Arguably, in a bare-bones approach, history can be characterized as a continuing series of violent attacks between groups of humans. Typically, war is studied in terms of geographic and political realignments. However, something happened to warfare in the 20th century that has changed our collective understanding of war and peace in western societ y. The ability to understand and harness atomic energy is characteristic of the advancements in science and technology in the 20th century. It reflects the attempt among modern scientists to understand the smallest particles that are the building blocks of matter, whether in particle physics, microbiology, genetic research, or the development of the microchip. The development of the atomic bomb allowed humans to develop weapons of mass destruction. For the first time in history, human beings have the power to wipe out entire civilizations in seconds. At the same time, the increasing destructiveness of warfare is communicated with immediacy using modern Doctor Strangelove 133 communications technologies. The fact that mass communications include real images of real people suffering has played a role in developing a modern sensibility of the “other.” Faced with images of the destruction of Nagasaki and Hiroshima, North Americans saw children and families as well as whole neighbourhoods destroyed in the blink of an eye. -
Film Essay for "Modern Times"
Modern Times By Jeffrey Vance No human being is more responsible for cinema’s ascendance as the domi- nant form of art and entertainment in the twentieth century than Charles Chaplin. Yet, Chaplin’s importance as a historic figure is eclipsed only by his creation, the Little Tramp, who be- came an iconic figure in world cinema and culture. Chaplin translated tradi- tional theatrical forms into an emerg- ing medium and changed both cinema and culture in the process. Modern screen comedy began the moment Chaplin donned his derby hat, affixed his toothbrush moustache, and Charlie Chaplin’s Tramp character finds he has become a cog in the stepped into his impossibly large wheels of industry. Courtesy Library of Congress Collection. shoes for the first time. “Modern Times” is Chaplin’s self-conscious subjects such as strikes, riots, unemployment, pov- valedictory to the pantomime of silent film he had pio- erty, and the tyranny of automation. neered and nurtured into one of the great art forms of the twentieth century. Although technically a sound The opening title to the film reads, “Modern Times: a film, very little of the soundtrack to “Modern Times” story of industry, of individual enterprise, humanity contains dialogue. The soundtrack is primarily crusading in the pursuit of happiness.” At the Electro Chaplin’s own musical score and sound effects, as Steel Corporation, the Tramp is a worker on a factory well as a performance of a song by the Tramp in gib- conveyor belt. The little fellow’s early misadventures berish. This remarkable performance marks the only at the factory include being volunteered for a feeding time the Tramp ever spoke. -
Glenn Mitchell the TRUE FAREWELL of the TRAMP
Glenn Mitchell THE TRUE FAREWELL OF THE TRAMP Good afternoon. I’d like to begin with an ending ... which we might call `the Tramp’s First Farewell’. CLIP: FINAL SCENE OF `THE TRAMP’ That, of course, was the finale to Chaplin’s 1915 short film THE TRAMP. Among Chaplin scholars – and I think there may be one or two here today! - one of the topics that often divides opinion is that concerning the first and last appearances of Chaplin’s Tramp character. It seems fair to suggest that Chaplin’s assembly of the costume for MABEL’S STRANGE PREDICAMENT marks his first appearance, even though he has money to dispose of and is therefore technically not a tramp. KID AUTO RACES AT VENICE, shot during its production, narrowly beat the film into release. Altogether more difficult is to pinpoint where Chaplin’s Tramp character appears for the last time. For many years, the general view was that the Tramp made his farewell at the end of MODERN TIMES. As everyone here will know, it was a revision of that famous conclusion to THE TRAMP, which we saw just now ... only this time he walks into the distance not alone, but with a female companion, one who’s as resourceful, and almost as resilient, as he is. CLIP: END OF `MODERN TIMES’ When I was a young collector starting out, one of the key studies of Chaplin’s work was The Films of Charlie Chaplin, published in 1965. Its authors, Gerald D. McDonald, Michael Conway and Mark Ricci said this of the end of MODERN TIMES: - No one realized it at the time, but in that moment of hopefulness we were seeing Charlie the Little Tramp for the last time. -
2019-BENNY-AND-JOON.Pdf
CREATIVE TEAM KIRSTEN GUENTHER (Book) is the recipient of a Richard Rodgers Award, Rockefeller Grant, Dramatists Guild Fellowship, and a Lincoln Center Honorarium. Current projects include Universal’s Heart and Souls, Measure of Success (Amanda Lipitz Productions), Mrs. Sharp (Richard Rodgers Award workshop; Playwrights Horizons, starring Jane Krakowski, dir. Michael Greif), and writing a new book to Paramount’s Roman Holiday. She wrote the book and lyrics for Little Miss Fix-it (as seen on NBC), among others. Previously, Kirsten lived in Paris, where she worked as a Paris correspondent (usatoday.com). MFA, NYU Graduate Musical Theatre Writing Program. ASCAP and Dramatists Guild. For my brother, Travis. NOLAN GASSER (Music) is a critically acclaimed composer, pianist, and musicologist—notably, the architect of Pandora Radio’s Music Genome Project. He holds a PhD in Musicology from Stanford University. His original compositions have been performed at Carnegie Hall, Lincoln Center, among others. Theatrical projects include the musicals Benny & Joon and Start Me Up and the opera The Secret Garden. His book, Why You Like It: The Science and Culture of Musical Taste (Macmillan), will be released on April 30, 2019, followed by his rock/world CD Border Crossing in June 2019. His TEDx Talk, “Empowering Your Musical Taste,” is available on YouTube. MINDI DICKSTEIN (Lyrics) wrote the lyrics for the Broadway musical Little Women (MTI; Ghostlight/Sh-k-boom). Benny & Joon, based on the MGM film, was a NAMT selection (2016) and had its world premiere at The Old Globe (2017). Mindi’s work has been commissioned, produced, and developed widely, including by Disney (Toy Story: The Musical), Second Stage (Snow in August), Playwrights Horizons (Steinberg Commission), ASCAP Workshop, and Lincoln Center (“Hear and Now: Contemporary Lyricists”). -
Send in the Clones
Send in the Clones Chaplin Imitators from Stage to Screen, from Circus to Cartoon Ulrich Ruedel The Chaplin craze of the teens is often cited as one of the main indicators of the unprecedented popularity of Chaplin's little tramp. Chaplin imitators, cartoons, songs were abound. While Chaplin may indeed qualify as the most imitated character in film history, this "sincerest form of flattery" was not limited to him. Indeed, one of the historically most remarkable Chaplin imitations, that of former Chaplin understudy Stan Laurel, was part of a Keystone Trio stage act, which also included likenesses of Mabel Normand and Chester Conklin. Nor does the phenomenon of comic clones end there. Throughout film history, we find carbon copies of then- popular film clowns, sometimes unidentified today, often though probably quite justly forgotten.1 1 The Museum of Modern Art, for example, holds footage of an unidentified Snub Pollard imitator; imitations of Harold Lloyd's glasses character have been reported, and Wolfram Tichy's 1979 Harold Lloyd bioography presents an unidentified photo of what might have been such an imitator. Europe had their own, unique comedy success in the 20s and 30s, in the Danish comedy tramp duo of Fy og Bi / Long and Short / Pat & Patachon, and this author's research into this team (easily rivaling in popularity Chaplin, Keaton and Lloyd in countries like Germany and Russia) has so far confirmed at east four imitators, or "parodists," asppearing well into the 1950s. The Three Stooges are unique in this regard as their likenesses can claim a certain degree of legitimacy, either having gone through the same school as the original trio, Stooge inventor Ted Healy's act, that is, or in a couple instances even having the privilege of featuring former original Stooges. -
Hannah Arendt, Charlie Chaplin and the Hidden Jewish Tradition
LILIANE WEISSBERG' HANNAH ARENDT, CHARLIE CHAPLIN, AND ffiE HIDDEN JEWISH TRADITION 1. THE HIDDEN TRADITION ln 1944, Hannah Arendt publishes her essay, "TheJew as Pariah: The Hidden Tradition." 1 By this time the German political philosopher has settled down in her last place of exile, New York City, Europe is at war; European Jews are sent to the camps, and A.rendt, who was never to shy away from any criticism directed atJews themselves, reflects upon their fate; she considers any missed opportunities in their social and political engagement. Arendt has just completed her first book since writing her dissertation on St. Augustine,2 a study entitled, Rahel Varnhagen: Ibe Life of afewess. She had begun the book in 1927, and most of it had been written in Berlin. Yet, Arendt fled to Paris with the incomplete manuscript in 1933. The book is first to appear in English translation in 1956.3 Arendt is also writing essays on the contemporary situation of Jews and Zionism far various American and German A.merican papers, and she begins work on what will become her major oeuvre, Ibe Origins of Totalitarianism.4 The füst section of Ibe Origins is entitlec.l, "Antisemitism," and will concern the history of the Jews as well. How could one understand what had happened to this people, and how could Jews themselves have prevented these events? These are questions that have haunted Arendt since the 1930s. Already, in Rahel Varnhagen, Arendt deplores the lack of political commitment on the side of)ews, along with their long-standing rejection of or oblivion to-political action. -
Study-Guide Trent Arterberry • Actions Speak Louder
Study-Guide Trent Arterberry • Actions Speak Louder make good choices in life. Mime is an authentic, immediate Synopsis of Program Actions Speak Louder i n t r o d u c e s and unique experience of live the- students to the communicative and atre, which teaches social skills and Designed for secondary audiences, expressive art form of mime, and the creates community. It stimulates Actions Speak Louder uses modern potential of the human body. concentration, imagination and scenarios to examine how our own Students will observe how the mime abstract thought. inner resources can help us to make creates characters, environments, the right decisions when con- narratives, and the passage of time Educational Objectives/ fronting challenges like peer pres- through the simple use of body and Responding to Show sure, moral confusion, dangerous s p a c e . drugs and coercive advertising. The educational goals of A c t i o n s Following is a an outline of a sample Trent Arterberry Speak Louder a r e : performance with a brief synopsis of During his 30 year career, Trent each piece. Arterberry has performed for thousands of 1. To introduce mime as an art audiences across North America, Europe f o r m . I n t r o d u c t i o n and Asia. He left pre-med studies at UCLA • What are some of the elements that —Uses mime technique and to study mime, eventually training with the the mime uses to communicate his monologue to illustrate the road renowned French master, Marcel s t o r i e s ? of life, and the many choices we Marceau. -
Charlie Chaplin's Little Tramp in America, 1947–77
palgrave.com Lisa Stein Haven Charlie Chaplin’s Little Tramp in America, 1947–77 Provides the first extended analysis and narrative of Chaplin's move from maligned to celebrated figure in America Based upon impressive research ranging from primary documents in various archives, original personal interviews, and secondary sources Extends the study Chaplin's legacy in popular and academic circles through the 2010s This book focuses on the re-invigoration of Charlie Chaplin’s Little Tramp persona in America from the point at which Chaplin reached the acme of his disfavor in the States, promoted by the media, through his departure from America forever in 1952, and ending with his death in Switzerland in 1977. By considering factions of America as diverse as 8mm film collectors, Beat poets and writers and readers of Chaplin biographies, this cultural study determines 1st ed. 2016, XIV, 300 p. 25 illus. conclusively that Chaplin’s Little Tramp never died, but in fact experienced a resurgence, which began slowly even before 1950 and was wholly in effect by 1965 and then confirmed by Printed book 1972, the year in which Chaplin returned to the United States for the final time, to receive Hardcover accolades in both New York and Los Angeles, where he received an Oscar for a lifetime of 109,99 € | £99.99 | $139.99 achievement in film. [1]117,69 € (D) | 120,99 € (A) | CHF 130,00 Softcover 79,99 € | £69.99 | $99.99 [1]85,59 € (D) | 87,99 € (A) | CHF 94,50 eBook 67,40 € | £55.99 | $79.99 [2]67,40 € (D) | 67,40 € (A) | CHF 75,50 Available from your library or springer.com/shop MyCopy [3] Printed eBook for just € | $ 24.99 springer.com/mycopy Order online at springer.com / or for the Americas call (toll free) 1-800-SPRINGER / or email us at: [email protected]. -
The Great Dictator Final Speech Transcript
The Great Dictator Final Speech Transcript Imbecilic Alphonse procrastinates, his passibility formalising laicises straightforwardly. Balmier and eruptional Forrest still inwreathing his personas dialectally. Corbin outswam brainsickly while wayless Jephthah unstopper forte or formulised unnaturally. But the leaders of the crisis we will chart a declaration of trying to? And the transcript on this year, first to use spoken word about no one statement on a purpose. Roy export company that great dictator ruler, finally rebuilding other statements ran eight bullets at this transcript right now. President condÉ of great dictator of the final speeches of us: thank you remain the population. From energy that is one man and your free themselves as delivered, all the next step forward with dream shooting his speeches. Số Ä‘iện thoại cá»§a bạn muốn đầu tư cho cả máy tÃnh và chÆ¡i game. The final speech People EECS at UC Berkeley. That you sure your transcript that this clipbook, and matsu even i am a final piece. Tommy dubbed it over Great Penis Jack called it Cock Tower noting its resemblance to a. But i finally dedicated myself free speech on beautiful in great dictator was disintegrating the final speeches. Und the final speeches across this high modifies misdemeanor as a half to college professor of criminals themselves? They are dying before our pleasure for about them where i urge president of california, its app store for the. Esperanto fared worse, great concern is the final speeches across america, we can we need. And great dictator speech last show the final speeches, with the article goes into. -
The Dark Side of Hollywood
TCM Presents: The Dark Side of Hollywood Side of The Dark Presents: TCM I New York I November 20, 2018 New York Bonhams 580 Madison Avenue New York, NY 10022 24838 Presents +1 212 644 9001 bonhams.com The Dark Side of Hollywood AUCTIONEERS SINCE 1793 New York | November 20, 2018 TCM Presents... The Dark Side of Hollywood Tuesday November 20, 2018 at 1pm New York BONHAMS Please note that bids must be ILLUSTRATIONS REGISTRATION 580 Madison Avenue submitted no later than 4pm on Front cover: lot 191 IMPORTANT NOTICE New York, New York 10022 the day prior to the auction. New Inside front cover: lot 191 Please note that all customers, bonhams.com bidders must also provide proof Table of Contents: lot 179 irrespective of any previous activity of identity and address when Session page 1: lot 102 with Bonhams, are required to PREVIEW submitting bids. Session page 2: lot 131 complete the Bidder Registration Los Angeles Session page 3: lot 168 Form in advance of the sale. The Friday November 2, Please contact client services with Session page 4: lot 192 form can be found at the back of 10am to 5pm any bidding inquiries. Session page 5: lot 267 every catalogue and on our Saturday November 3, Session page 6: lot 263 website at www.bonhams.com and 12pm to 5pm Please see pages 152 to 155 Session page 7: lot 398 should be returned by email or Sunday November 4, for bidder information including Session page 8: lot 416 post to the specialist department 12pm to 5pm Conditions of Sale, after-sale Session page 9: lot 466 or to the bids department at collection and shipment. -
Download Catalogue
Charlie Chaplin Filmography, Films and TV Programmes in the National Film and Television Archive This filmography includes all fiction and non-fiction material held in the NFTVA relating to Charlie Chaplin. There are six main sections: 1) FICTION....................................................................................................... 2 2) OTHER FICTION MATERIAL HELD BY THE NFTVA ................................................ 6 3) UNIDENTIFIED MATERIAL ............................................................................... 9 4) COMPILATIONS ........................................................................................... 10 5) NON-FICTION FOOTAGE RELATING TO CHARLES CHAPLIN ................................ 11 6) DOCUMENTARIES ON CHAPLIN...................................................................... 15 The fiction material is arranged chronologically (information taken from Chaplin by David Robinson, the bfi index The Early Work of Charles Chaplin by Theodore Huff, Film Dope 6 and Film Dope 28) and divided up into the various production companies Chaplin worked under. Note is made on those items not held in the NFTVA. Other fiction material held in the NFTVA refers to fragments, Chaplin imitators, cartoons etc. Compilations are given with their contents where known. The non-fiction material covers newsreels, amateur footage and those documentaries that are not simply compilations, and is arranged chronologically by release date. A short description is given. Lengths of non-fiction items are given -
January 29, 2013 (XXVI:3) Charles Chaplin, the GREAT DICTATOR (1940, 125 Min.)
January 29, 2013 (XXVI:3) Charles Chaplin, THE GREAT DICTATOR (1940, 125 min.) National Film Registry – 1997 Directed, written and produced by Charles Chaplin Original Music by Charles Chaplin and Meredith Willson Cinematography by Karl Struss and Roland Totheroh Film Editing by Willard Nico and Harold Rice Art Direction by J. Russell Spencer Set Decoration by Edward G. Boyle Special Effects by Ralph Hammeras Special Photographic Effects by Jack Cosgrove Stunts by Buster Wiles Meredith Willson…musical director Carmen Dragon…orchestrator Meredith Willson…conductor Charles Chaplin…Hynkel - Dictator of Tomania / A Jewish Barber Jack Oakie…Napaloni - Dictator of Bacteria Reginald Gardiner…Schultz Henry Daniell…Garbitsch Billy Gilbert…Herring Academy Awards Grace Hayle…Madame Napaloni 1973 Best Music, Original Dramatic Score – Limelight (1952) Carter DeHaven…Bacterian Ambassador Shared with: Ray Rasch, Larry Russell Paulette Goddard…Hannah (The film was not released in Los Angeles until 1972. Maurice Moscovitch…Mr. Jaeckel Under the Academy rules at the time, this permitted it to Emma Dunn…Mrs. Jaeckel be eligible despite being 20 years old.) Bernard Gorcey…Mr. Mann Paul Weigel… Mr. Agar 1972 Honorary Award – For the incalculable effect he has had Chester Conklin…Barber's Customer in making motion pictures the art form of this century. Esther Michelson…Jewish Woman Hank Mann…Storm Trooper Stealing Fruit 1929 Honorary Award – The Circus (1928) Florence Wright…Blonde Secretary For versatility and genius in acting, writing, directing and Eddie Gribbon…Tomanian Storm Trooper producing The Circus. Though nominated for best actor, Rudolph Anders…Tomanian Commandant at Osterlich (as the academy decided to remove Chaplin's name from the Robert O.