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Comedies Produced by Hal Roach, It Presents Their Funniest and Most Famous Comedies 640-02-0040, 16Mm
,r, ~ Winter 1973-4 ., WEEP 'v,i •._~~ H .,,1$>-~on The Eastin-Phelan Corporation Davenport, Iowa 52808 orld's largest ,election of ·· t ings to snow" l i tc,;Bl ackhawk's Guarantee BERTH MARKS THE PRINCE OF PEP (1929) (1925) We want you to be satisfied with (abridged!_ what you buy from Blackhawk starring STAN LAUREL and OLIVER HARDY starring RICHARD TALMADGE if, after receiving an item you Stan and Ollie are a "big time" vaudeville team enroute from one theatre to another are disappointed in any way, re ,n the upper berth of an open section Pullman. While the space is confined, the laughs with Brindley Shaw, Nola Luxford, Joe Harrjngton are not, and this one has some great moments. turn it to us transportation pre A fashionable physician, Dr. James Leland caught his secretary stealing drugs and in paid. in ,ts original condition, SOUND VERSIONS the ensuing struggle, lost his memory from a blow on the head. Shortly after, a mys• and within ten days after you 830-02-1100, Standard 8mm., magnetic sound, 375-feet, 14-ozs . $24.98 terious figure known only as The Black X stepped forth to fight the war on crime ar.d receive it, and we 'll allow you drug peddlers. 880--02-1100, Super 8, magnetic sound, 400-feet, 14-ozs ....... $26.98 It's all here-the fabulous Richard Talmadge in one of his amaz,ng adventure feats. full credit on some other pur 640-02-1100, 16mm., optical sound, 750-feet, 3-lbs . ....... .. $44.98 A professional abridgement from a 5-reel feature of 1925, Blackhawk's version of The chase. -
Papéis Normativos E Práticas Sociais
Agnes Ayres (1898-194): Rodolfo Valentino e Agnes Ayres em “The Sheik” (1921) The Donovan Affair (1929) The Affairs of Anatol (1921) The Rubaiyat of a Scotch Highball Broken Hearted (1929) Cappy Ricks (1921) (1918) Bye, Bye, Buddy (1929) Too Much Speed (1921) Their Godson (1918) Into the Night (1928) The Love Special (1921) Sweets of the Sour (1918) The Lady of Victories (1928) Forbidden Fruit (1921) Coals for the Fire (1918) Eve's Love Letters (1927) The Furnace (1920) Their Anniversary Feast (1918) The Son of the Sheik (1926) Held by the Enemy (1920) A Four Cornered Triangle (1918) Morals for Men (1925) Go and Get It (1920) Seeking an Oversoul (1918) The Awful Truth (1925) The Inner Voice (1920) A Little Ouija Work (1918) Her Market Value (1925) A Modern Salome (1920) The Purple Dress (1918) Tomorrow's Love (1925) The Ghost of a Chance (1919) His Wife's Hero (1917) Worldly Goods (1924) Sacred Silence (1919) His Wife Got All the Credit (1917) The Story Without a Name (1924) The Gamblers (1919) He Had to Camouflage (1917) Detained (1924) In Honor's Web (1919) Paging Page Two (1917) The Guilty One (1924) The Buried Treasure (1919) A Family Flivver (1917) Bluff (1924) The Guardian of the Accolade (1919) The Renaissance at Charleroi (1917) When a Girl Loves (1924) A Stitch in Time (1919) The Bottom of the Well (1917) Don't Call It Love (1923) Shocks of Doom (1919) The Furnished Room (1917) The Ten Commandments (1923) The Girl Problem (1919) The Defeat of the City (1917) The Marriage Maker (1923) Transients in Arcadia (1918) Richard the Brazen (1917) Racing Hearts (1923) A Bird of Bagdad (1918) The Dazzling Miss Davison (1917) The Heart Raider (1923) Springtime à la Carte (1918) The Mirror (1917) A Daughter of Luxury (1922) Mammon and the Archer (1918) Hedda Gabler (1917) Clarence (1922) One Thousand Dollars (1918) The Debt (1917) Borderland (1922) The Girl and the Graft (1918) Mrs. -
(Washington, DC). 1935-06-05
CORTELYOU TO RETIRE only), at 10 a m., 12:30, 3:45, 5:45, ! AMUSEMENTS. Where and W hen 8 45 and 10 p.m. Pulitzer Prize Drama Is FROM GAS FIRM POST Tivoli—'Naughty Marietta,” at 2. Iii New Filin at Keith’s 3:55, 5:50, 7:45 and 9 45 p.m. Ambassador—‘ Reckless,” at 8. 7:45 Under Current Theater Attraction* I Tour Secretary of Treasury and 9:35 pm. To Take Long Road and Time of Showing. Theodore Roosevelt, to Relin- of BAND CONCERTS. quish Presidency Company. National—Ethel Barrymore in "De- Into classee," at 2:20 and 8:20 p.m. Concerts at the band stand "Old Maid” Will Go Thirty-Three By the Associated Press. Navy | States| Yard, at 7:30 p.m., the United NEW YORK, June 5 —George B R-K-O Keith'*—"Break of Hearts." by Matinee at States Band Lieut. Charles in Its Travels—Extra Friday at. a Navy who was Secretary of the 11 26 m.. 1 32. 3:38 and 5 44 p.m. Cortelyou, Benter. leader; Ale*. assistant "Escape Me Never," at 7:47 and 9 41 Morris, Season Ends Treasury under President Theodore leader. National, Where Saturday. pm. Roosevelt, yesterday announced his I/oe»'* Fox— The Elame Within." States Marine retirement as of I he Con- Concert by 'he United president, at 11 a.m. 1 40. 4 25. 7:10 and 9:55 RV E. rip S. MELTHER. Band at the United States Capitol at solidated Gas Co. of New York. shows 8t 6:05 pm. -
Jean Harlow ~ 20 Films
Jean Harlow ~ 20 Films Harlean Harlow Carpenter - later Jean Harlow - was born in Kansas City, Missouri on 3 March 1911. After being signed by director Howard Hughes, Harlow's first major appearance was in Hell's Angels (1930), followed by a series of critically unsuccessful films, before signing with Metro-Goldwyn- Mayer in 1932. Harlow became a leading lady for MGM, starring in a string of hit films including Red Dust (1932), Dinner At Eight (1933), Reckless (1935) and Suzy (1936). Among her frequent co-stars were William Powell, Spencer Tracy and, in six films, Clark Gable. Harlow's popularity rivalled and soon surpassed that of her MGM colleagues Joan Crawford and Norma Shearer. By the late 1930s she had become one of the biggest movie stars in the world, often nicknamed "The Blonde Bombshell" and "The Platinum Blonde" and popular for her "Laughing Vamp" movie persona. She died of uraemic poisoning on 7 June 1937, at the age of 26, during the filming of Saratoga. The film was completed using doubles and released a little over a month after Harlow's death. In her brief life she married and lost three husbands (two divorces, one suicide) and chalked up 22 feature film credits (plus another 21 short / bit-part non-credits, including Chaplin's City Lights). The American Film Institute (damning with faint praise?) ranked her the 22nd greatest female star in Hollywood history. LIBERTY, BACON GRABBERS and NEW YORK NIGHTS (all 1929) (1) Liberty (2) Bacon Grabbers (3) New York Nights (Harlow left-screen) A lucky few aspiring actresses seem to take the giant step from obscurity to the big time in a single bound - Lauren Bacall may be the best example of that - but for many more the road to recognition and riches is long and grinding. -
1560 Filmhaus-Programm 12-13 V3.Indd
FILMHAUS 12/13 Königstraße 93 · 90 402 Nürnberg filmhaus.nuernberg.de · T: 2317340 Charles Chaplin © Roy Export S.A.S. CHARLES CHAPLIN RETROSPEKTIVE – TEIL 1 Der Film hat viele Genies hervorgebracht, wie die anderen Künste Die typischen Schemata bei Keystone, Verfolgungsjagden und Sah- THE STORY OF THE TRAMP Komödien-Exerzitie TWENTY MINUTES OF LOVE (10 Min., Regie: und Wissenschaften auch; sogar folgenreichere; aber Charles Chap- netortenschlachten waren auf Chaplin nicht anwendbar. Er entwarf La naissance de Charlot, Frankreich 2013, 60 Min., DCP, franz. OmeU, Regie: Charles Chaplin) Charles Chaplins Gesellenstück als Regisseur, so lin war wohl das einzige, dessen Kunst universell verstanden und vielmehr ein Thema und erfand dann den Film beim Drehen. Daraus Serge Bromberg, Eric Lange wurde CAUGHT IN THE RAIN (11 Min., Regie: Charles Chaplin) seine geliebt wurde. Chaplins Vagabund, der kleine Tramp mit den Ma- entwickelte sich bald eine ganz eigene, immer zeitaufwendigere Über die Legende von Charlie Chaplin wurde alles gesagt, gezeigt Meisterprüfung: eine Variation über das Fremdgehen − beginnend nieren und der Würde eines Gentlemans, wurde im beginnenden Produktionsweise. Die Ein- und Zweiakter, die Chaplin zunächst bei und wiederholt erzählt? Fast alles. Wie aus einem Straßenjungen aus im Park, eskalierend im Hotel, geprägt noch von Keystone’scher Medienzeitalter zu einem zentralen Repräsentanten der Menschheit. Keystone (1914, 35 Filme), dann bei Essanay (1915, 14 Filme) und einem der ärmsten Bezirke Londons der berühmteste Mann der Welt Wüstheit, doch schon erfüllt von jenen zarten oder brüsken Allzu- Charlie, Charlot, Carlos, Carlito waren die Namen für die universale später bei Mutual (1916/17, zwölf Filme) produzierte, zeigen einen werden konnte? Und das innerhalb weniger Jahre. -
Charlie Chaplin's
Goodwins, F and James, D and Kamin, D (2017) Charlie Chaplin’s Red Letter Days: At Work with the Comic Genius. Rowman & Littlefield. ISBN 1442278099 Downloaded from: https://e-space.mmu.ac.uk/618556/ Version: Submitted Version Publisher: Rowman & Littlefield Please cite the published version https://e-space.mmu.ac.uk Charlie Chaplin’s Red Letter Days At Work with the Comic Genius By Fred Goodwins Edited by Dr. David James Annotated by Dan Kamin Table of Contents Introduction: Red Letter Days 1. Charlie’s “Last” Film 2. Charlie has to “Flit” from his Studio 3. Charlie Chaplin Sends His Famous Moustache to the Red Letter 4. Charlie Chaplin’s ‘Lost Sheep’ 5. How Charlie Chaplin Got His £300 a Week Salary 6. A Straw Hat and a Puff of Wind 7. A bombshell that put Charlie Chaplin ‘on his back’ 8. When Charlie Chaplin Cried Like a Kid 9. Excitement Runs High When Charlie Chaplin “Comes Home.” 10. Charlie “On the Job” Again 11. Rehearsing for “The Floor-Walker” 12. Charlie Chaplin Talks of Other Days 13. Celebrating Charlie Chaplin’s Birthday 14. Charlie’s Wireless Message to Edna 15. Charlie Poses for “The Fireman.” 16. Charlie Chaplin’s Love for His Mother 17. Chaplin’s Success in “The Floorwalker” 18. A Chaplin Rehearsal Isn’t All Fun 19. Billy Helps to Entertain the Ladies 20. “Do I Look Worried?” 21. Playing the Part of Half a Cow! 22. “Twelve O’clock”—Charlie’s One-Man Show 23. “Speak Out Your Parts,” Says Charlie 24. Charlie’s Doings Up to Date 25. -
The Illustration Game: Quotes & Notes
Rhode Island School of Design DigitalCommons@RISD Faculty & Librarian Work RISD Faculty & Librarians 1-1-2019 The Illustration Game: Quotes & Notes Jaleen Grove Rhode Island School of Design, [email protected] Illustration Department Rhode Island School of Design, [email protected] Follow this and additional works at: https://digitalcommons.risd.edu/faculty_work Part of the Illustration Commons Recommended Citation Grove, Jaleen and Department, Illustration, "The Illustration Game: Quotes & Notes" (2019). Faculty & Librarian Work. 4. https://digitalcommons.risd.edu/faculty_work/4 This Book is brought to you for free and open access by the RISD Faculty & Librarians at DigitalCommons@RISD. It has been accepted for inclusion in Faculty & Librarian Work by an authorized administrator of DigitalCommons@RISD. For more information, please contact [email protected]. The Illustration Game: Quotes and Notes Jaleen Grove The Illustration Game, published in Communication Arts magazine, is an artwork that critically evaluates and satirizes the illustration industry 1959-2019. It conceives of the time period in the form of a board game in which players roll a die to advance along a path, accumulating points or losing them according to typical events of each decade. The path winds through a forest of quotations that were said in print at the time or shortly after by leading illustrators and critics. For the quotations to read properly and succinctly, wording was very slightly modified in some cases. The sources and the quotes without modification are given here for those who wish to see context and origin. This document only discusses the quotations that appear in the black background. -
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding Aid Prepared by Lisa Deboer, Lisa Castrogiovanni
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding aid prepared by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier and revised by Diana Bowers-Smith. This finding aid was produced using the Archivists' Toolkit September 04, 2019 Brooklyn Public Library - Brooklyn Collection , 2006; revised 2008 and 2018. 10 Grand Army Plaza Brooklyn, NY, 11238 718.230.2762 [email protected] Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Table of Contents Summary Information ................................................................................................................................. 7 Historical Note...............................................................................................................................................8 Scope and Contents....................................................................................................................................... 8 Arrangement...................................................................................................................................................9 Collection Highlights.....................................................................................................................................9 Administrative Information .......................................................................................................................10 Related Materials ..................................................................................................................................... -
16Mm WALTER O. CUTLOHN, Inc
IW16 16mm SOUND UHFILM WALTER O. CUTLOHN, Inc. 35 WEST 45th STREET NEW YORK, N. Y. Gentlemen: et The filo Ti^ to a i ,aS shown stu< faculty and I tcust com hold in getting i* It is a very a. tionally and able From the bave teen collection n V m li East reinger v Jjibrary Dear Mrs. I intone Please fi B ;ictur;7which cc the special on June 5. best t of the e in genetic poychology. school systen San Francisco, California sour an having a, grateful for having set-i fine film. of this 2006 preview this Gratefully/yours, BOARD OF EDUCATION COLLEGE BUFFALO 1940 February 3, cooper- your kind to would like il program. i our "^Jir^^assrtsation with &3S*3~*:3 -sr-sss* teaching S n.r.. ^tending In the*. - ..... falconer, INTRODUCTION The subjects listed in this catalogue were selected because of their excellence from the standpoint of subject matter, photography, sound quality and intelligent presentation. They are composed of feature productions with well-known actors, and short subjects which consist of musicals, cartoons, sports, comedies, travels and miscellaneous films. A number of these are in color. We have particularly stressed pictures suitable for schools, churches and general audiences, but in addition have added a number of programs which will appeal more to mature groups. Pictures marked (*) have been approved by THE NATIONAL BOARD OF REVIEW and/or THE LEGION OF DECENCY as partic- ularly suited for Family, Church or School presentation. Feature pictures marked have been approved by a selected committee of experienced reviewers as suitable for general audiences. -
Summer 2017 Newsletter
OURMISSION Cedar Hill Cemetery Foundation is committed to preserving, protecting and promoting in perpetuity the art, culture, history and natural beauty of Hartford’s nationally-recognized Cedar Hill Cemetery. As advocates of one of America’s most distinguished rural cemeteries, Cedar Hill Cemetery Foundation serves to provide an unexpected experience to all who visit. Through continuous restoration and preservation of Cedar Hill’s grounds, and through fundraising efforts, the Foundation actively ensures that the stories of history, nature and culture at Cedar Hill Cemetery are, and remain to be, alive and well. 453 Fairfield Avenue • Hartford, CT 06114 Phone: 860.956.3311 • Fax: 860.956.3997 cedarhillfoundation.org Support Cedar Hill Cemetery Foundation Thank you to everyone who has donated To support Cedar Hill Cemetery to our Annual Giving Campaign thus far. Foundation, please send contributions to: Your generosity supports our efforts to preserve, protect and promote our Cedar Hill Cemetery Foundation nationally-recognized cemetery. 453 Fairfield Avenue Hartford, CT 06114 There is still time to support the Foundation for the 2017 fiscal year. To restrict your contribution, please Giving opportunities include: identify what your gift is restricted for on the memo line. Gifts made in memory of • Making an unrestricted gift that results someone will be recognized in Cedar Hill’s in becoming a member of CHCF; Book of Remembrance located in Northam Memorial Chapel. • Making a restricted contribution that supports a project of importance to you, Contributions made by September 30th such as the Tree or Monument Funds; will be recognized in the Foundation’s next Annual Report. -
RUDOLPH VALENTINO January 1971
-,- -- - OF THE SON SHEIK . --· -- December 1970 -.. , (1926) starring • January 1971 RUDOLPH VALENTINO ... r w ith Vilma Banky, Agnes Ayres, George Fawcett, Kar l Dane • .. • • i 1--...- \1 0 -/1/, , <;1,,,,,/ u/ ~m 11, .. 12/IOJ,1/, 2/11.<. $41 !!X 'ifjl!/1/. , .....- ,,,1.-1' 1 .' ,, ,t / /11 , , . ... S',7.98 ,,20 /1/ ,. Jl',1,11. Ir 111, 2400-_t,' (, 7 //,s • $/1,!!.!!8 "World's .. , . largest selection of things to show" THE ~ EASTIN-PHELAN p, "" CORPORATION I ... .. See paee 7 for territ orial li m1la· 1;on·son Hal Roach Productions. DAVE PORT IOWA 52808 • £ CHAZY HOUSE (,_l928l_, SPOOK Sl'OO.FI:'\G <192 i ) Jean ( n ghf side of the t r acks) ,nvites t he Farina, Joe, Wheeze, and 1! 1 the Gang have a "Gang•: ( wrong side of the tr ack•) l o a party comedy here that 1\ ,deal for HallOWK'n being at her house. 6VI the Gang d~sn't know that a story of gr aveyard~ - c. nd a thriller-diller Papa has f tx cd the house for an April Fool's for all t ·me!t ~ Day party for his fr i ends. S 2~• ~·ar da,c 8rr,-- version, 400 -f eet on 2 • 810 303, Standord Smmt yers or J OO feet ? O 2 , v ozs • Reuulart, s11.9e, Sale reels, 14 ozs, Regularly S1 2 98 , Sale Pnce Sl0.99 , 6o 0 '11 Super 8 vrrs•OQ, dSO -fect,, 2-lb~ .• S l0.99 Regu a rly SlJ 98. Sale Pn ce I Sl2.99 425 -fect I :, Regularly" ~ - t S12 99 400lc0 t on 8 o 289 Standard 8mm ver<lon SO r Sate r eels lJ o,s-. -
(Washington, DC). 1940-02-03
American Premiere battles on the cinder paths, syn- sity, "Olympia” is completely devoid ^ cronizatlon of muscle In the fancy of Nazi nonsense in any form. I When Films J. 8. 1 Apply Power, ‘Olympia* diving events a to the Brings always beauty • __ To the Belasco eye. Form at Its greatest in the javelin throw and They Do a Dramatic Job The filming of the 11th Olympiad, pole vault, the With Sandy Again latter contest five hours into Just recently released under the lasting Micha Auer will be featured with the with the title had its first Ameri- night photographers Baby Sandy in the Universal star- ‘Gone With the Wind’ Remains "Olympia,” still grinding away. The throng is let’s next picture, “Sandy Is a can showing last night at the At the and Earle beheld urging the contestants; in- Lady The popular comic appeared Palace, Keeps Belasco Theater where it proved dividual rooters groan and yell in with the baby actress in her first itself entirely worthy of advance turn quite candidly before the peer- film, “East Side of Heaven,” and ‘The 69th’ lens. Field announcers drone Fighting notices. ing in her second, “Unexpected Father.” their reports in stentorian voices By JAY CARMODY. The 1936 will games, you remem- as the contestants wage their wars. A pair of prominent local marquees, those of the Palace and the ber, were those in which the Ameri- It may be said in all truth that the _AMUSEMENTS.__ Earle, testify this week that when the movies turn full power a upon can contingent, headed by Jess atmosphere and the feeling of full- good story, they can do a highly dramatic job.