American Premiere battles on the cinder paths, syn- sity, "Olympia” is completely devoid ^ cronizatlon of muscle In the fancy of Nazi nonsense in any form. I When Films J. 8. 1 Apply Power, ‘Olympia* diving events a to the Brings always beauty • __ To the Belasco eye. Form at Its greatest in the javelin throw and They Do a Dramatic Job The filming of the 11th Olympiad, pole vault, the With Sandy Again latter contest five hours into Just recently released under the lasting Micha Auer will be featured with the with the title had its first Ameri- night photographers Baby Sandy in the Universal star- ‘Gone With the Wind’ Remains "Olympia,” still grinding away. The throng is let’s next picture, “Sandy Is a can showing last night at the At the and Earle beheld urging the contestants; in- Lady The popular comic appeared Palace, Keeps Belasco Theater where it proved dividual rooters groan and yell in with the baby actress in her first itself entirely worthy of advance turn quite candidly before the peer- film, “East Side of Heaven,” and ‘The 69th’ lens. Field announcers drone Fighting notices. ing in her second, “Unexpected Father.” their reports in stentorian voices By JAY CARMODY. The 1936 will games, you remem- as the contestants wage their wars. A pair of prominent local marquees, those of the Palace and the ber, were those in which the Ameri- It may be said in all truth that the _AMUSEMENTS.__ Earle, testify this week that when the movies turn full power a upon can contingent, headed by Jess atmosphere and the feeling of full- good story, they can do a highly dramatic job. The mentioned pictures Owens, gathered laurels by the blooded sportsmanship as embodied /" SMOKING on the marquees in question are "Gone With the Wind” and “The Fight- the has been basketful in the big Berlin sports by Olympic games ■ in mMianiM at any tiino! J ing 69th,” both of which depart radically from the little themes which in this stadium. The event may be con- faithfully preserved presenta- for so long looked like an obsession of Hollywood’s. tion. sidered notable for the added reason The more spectacular of the accomplishments under consideration to the curio- > L*J ^ that it has received highly success- And, satisfy general naturally is “Gone With the Wind.”*J-— ROW) ful reproduction in motion pictures That magic Luhitsch touch As this department, not to mention \—' againt Ifs glorious love I here has an to do the through the eflorts of a hardwork- virtually every other de- opportunity reviewing ing staff of photographers and tech- AMUSEMENTS. has said, Mr. Selznick part in its most repulsive coloring. SULLA VAN partment, nicians who are a credit to their { Margaret has done full honor to Margaret And brilliant he is as cocky, rebel- profession. m m a ■■ Jfc James STEWART Mitchells panorama of the Civil lious a fearless little Jerry Plunkett, There is sufficient action and ex- M I HUIHUH IUIT IIIMHII War. In man in fistic combat but a craven ■Wl every department, casting, citement to please the most avid ^CTTNprflnrCWi and he has when the shells start fall- "The SHOP production direction, quitter Olympic fan. The material in fact, II LAST TWO TIMES made his of its in the conflict of ■ Mat. 2:30. Nieht 6:30 picture worthy ing impersonal war. has been chosen with a discretion AROUND name as the achievement The basic theme of the ob- greatest story that should tend the film an appeal EDWARD In screen history even though some viously is no new one and Cagney’s to all classes of sports enthusiasts the CORNER” may demur at calling it the greatest role is one he has played many from track lover to swimmer. Nor EVERETT picture of all time. To have main- times before. But both the story will the photographer-for-photo- HORTON -ONSTAGE- tained such a level of in and the central role are handled (*££'J«k quality graphy’s-sake be disappointed. The In 'BARN DANCE' _ ■ On Nw Stag* such a mass of material is with such on this occa- \ handling virtuosity German recorders show a keen "SMINOTIMI FOR HINRY* with stars galore the that is him the sion that they take on a consider- taste for artistic values. thing earning America's Most Hilarious Comedt applause and the dollars of the able significance as entertainment. The camera studies from closeup Eves. A5e. SI.10. S1.65, *2.20, (2.75. “Red" Matinee, 55c, SI.10, (1.65 ine. tax. Nation. Skelton, the Roxyettes, and the dances, the gripping A Violinist Helene and some second week’s contemplation of Faye *“e "Gone With the Wind” other people are performing an en- BEG. NEXT MON. EVE. heightens AMUSEMENTS. s"‘0 the admiration for Selznick’s wis- tirely new stage show along with A SONG FOR A LADY—Rita Hayworth is the lass looking over her shoulder at the chap raising his MM MAN (HUM LIN presents dom in recognizing the Mitchell 'the second week of “The Fighting voice in song, who is Tony Martin. Both are starred in “Music in My Heart,” which is scheduled to 69 th.” story as the great American legend. open Tuesday at the Metropolitan Theater. WMak^utiheoi Seeing it this way, it was apparent that his only course was to avoid W* mr* now back to oui tampering with the story as he THE LITTLE FOXES' POLICY UlllAN HEllMAN $ Dramatic Triumph would were he making any other Around the Comer’ Bette Davis’ I* REGULAR 'Shop Home ■(III PATRICIA COLUNGE • FRANK CONROY tale from folk literature. Stories Valley RESERVED SEATS NO Em., (3.30, Wed-Sat. Mats.. (2.75 of such profound appeal, whether Continuous showings GONE WITH or not they be great drama, belong Sees That A for the Males to 5.30 35c to the people and woe unto the Old, Gay Europe Magnet Prioas 10.45 s.m. p.m. 55c THE WIND m. to closing Constitution Hall. Next Tuet. Eve., 8:30 translator who modifies them. Mr. p. Weekday matinees are continuous TAXp World-Famous Coloratura Soprano Selznick courted no such woe. (INCLUDES B| Knot reservedl 75c incl. tax (except Margaret Sullavan, Stewart in British IS.30 loges). Come anytime from 9.45 a.rri, as Jimmy Gary Grant, Long In casting Vivien Leigh Scar- Isles, up to 2:45 p.m. and see complete show. QMivcasAL raitCMTs lett O’Hara. Clark Gable as Rhett Doors open 9 a.m. All night show* New Film at Has No but Ronald LILY PONS (8 p.m.) and Sun. Mat. (2 p.m.) are re- as Brighten Capitol; Accent, I Butler, Olivia De Havilland Golman, Few Remaining Seats: $2.20, $2.75 served $1.10 inch tax (except loges). Melanie and Leslie Howard as Ash- * •n* Mrs. Dorsey’s, 1300 G (Droop s). NA. 7151 ‘Barn Dance’ on Here 20 His inUISIBLE fl| I ley Wilkes, he brought the major Stage years, Keeps ^B Constitution Hall, Next Sun. Aft., 4 P.M. Distinguished Russian Pianist characters to life just as they ex- By HARRY MacARTHCR. By SHEILAH GRAHAM. mnn isted in the same reiiirrs' book. The care Still concerned, as he was in “Ninotchka,’ with a Europe that used HOLLYWOOD. of selection is manifest down to to be a few years ago, a Europe which could laugh and love and be gay, Seen and heard around town Clark Gable was presented with the most minor of the minor • Sii CEDRIC figures. Director Ernst Lubitsch now gives us “The Shop Around the Corner.” 15 hats by a hatters' association, which named him the Inn* lARDWICKE among best- LEVITZKI That chore • challenging accomplish- is the locale time men Nation. But Clark Quaint, charming Budapest this and. while it is dressed of the seldom—if ever—wears a hat. And VINCENT PNICE NAN HIT NA. 7151 ed. all was was B Mrs. Dorsey's. 1300 6 (Droop's). that left to provide difficult to a • | I \ DON ANDREA AL X of full of such he whole caboodle to Stotmiirmy imagine capital Europe happy, innocent gave the Carole, who, with a pinch here, and a twist -GuUaJ.. « these characters a as vast —V AMECHE LEEDS IQLSON /— stage people, Mr. Lubitsch and his players, principally Margaret there, probably will convert them all into fashionable female Sullavan, numbers. naw adition Tke MARCH ei and as highly colored as that which Stewart and frank TIME Jimmy Morgan,—-----— —-❖ Bette Davis will use that PO-arre Brava Finland Mrs. Mitchell created in her book. ^ inane uiic new null a U LiCUW 5 farm she bought recently in New Mr. Selznick made no mistake there Capitol quite pleasant romantic Hampshire to get either, although he denied Scarlett away periodically whimsy. Trick Effects Filmusicals from Hollywood Bv the way, MAE a pair of children (for which a WEST. W.C. FIELDS This is perhaps rather trivial | Bette’s home in the valley is the minority condemns him on the business lor Mr. Lubitsch to be con- magnet drawing Little Chickadee* ground that it sort of idealizes her) hi‘My cerned with. It is nothing more all the males and some of his more Enliven Film Are With Us expansive than that familiar variation on the within a ^o-mue settings look a bit fragile in techni- mistaken theme—the one radius. color. identity Among § about the boy and the girl who them, Robert ■ * * * * correspond, each not knowing who At Keith’s Once More Sinclair, the di- I Further reflection upon the va- the other correspondent is, though rector. It's funny I _ nl J DknlnnUv I Th»lf»n Pll'inp at G S.E. rious excellences of “Gone With the actually they know each other well. Note to reflect that I ALADLIY1I 8th ‘Invisible Man’ and The Tuneful ** E. Lawrence Phillips’ Theatre Beautiful. Wind” necessitates mention of two But Mr. Lubitsch probably could a few years I Continuous From 1 PM. AMBASSADOR kT only Matinee 1 P.M. of the bits of subordinate make a motion Bette was „ JURY SECRETS” happiest fairly bright pic- March of Time Struck by Many ago wEEK.«5Si\ “GRAND JAMES CAGNEY, PAT O'BRTEN. casting which any picture ever en- ture entertainment from any given dismissed from W®N\ With JOHN HOWARD and GAIL PATRICK. GEORGE BRENT in "THE FIGHT- Also ING 69th." At 1:30. 3:30, 5 30. joyed. They are the performances five pounds of the New Pictures Universal be- rSx'O’W'tHWVuntv \ 7:30, 9:35. Congressional Share Bill ‘STARLIGHT OVER TEXAS,’ of Thomas Mitchell as Gerald Record and Samson Raphaelson has cause — as Carl _With TEX RITTER._ O'Hara and Hattie McDaniel as given him a considerably livelier There Is something appealing HOLLYWOOD. L a e m m 1 e, jr., ■THtriomRcew APOLLO tM**1 1 1331 H St. N.E. Atl. 8300 Parking Space Available to Patrons. Mammy, the old screen about the The dawn of 1940 may not be it—"she's ""^Tar ATI AC corpulent, stormy play than that here. invisibility, something put got ' LAj Continuous From 11 A.M. ALICE FAYE WARNER BAXTER in slave who served as Scarlett’s men- The casting office has done its mind contemplates with relish. coming up like thunder in Holly- .:;j Dounle Feature Program FRANK* MOR- "THE BARRICADE. At 1. 3:55. SRUTOH GAN in “HENRY GOES TO ARIZONA.” 6:50. 9:50. JOE E BROWN in tor with such a wisdom and a There is of wood, but there is a distinct musical simple bit, too, giving Mr. L. pair of nothing novel, course, she leaves me *R«r Also on the Same Program!!! CHARLES BEW’ARE. SPOOKS At 2:45. in 5 45. 8:40. so deep a love. players who have come with in the cinema trickery which pro- sound. Not only do those classical cold." The more sheilah Graham, BICKFORD. BARTON MacLANE Short Subject. through “MUTINY IN THE BIG HOUSE.” In the duces this music such as the MacDonald- early part of the story, just the right blend of wistfulness invisibility on the part of films, discriminating boys tell me different. "Ha ifflEu « AVATHW 5612 Conn* Av®- N.w. F«ttw itAm uesaia\ n,h * N' c- Avt- 8-E- ^ V ALUn wo. 2600. Mat. 1 P.M. Mr. Mitchell is easily to and in their of a person who otherwise Eddy “New Moon” and "The Great to believe that 1 1 ■ adequate comedy projection gives every It is hard Cary CAROLINA "DEAD FND" KIDS in "ON DRESS the task "SUB- S. of indicating where Scar- the romance. The lanky Mr. Stew- indication of occupying his share Victor Herbert” type, loom on the Grant was born and spent all his TIM HOLT in ROOKIE COP." and PARADE."_At 2. 4. 6, 0:50. lett of D-1 "_ derives that love for land art is completely agreeable every space, but it was a good trick in horizon, but the theater story, after life until early manhood in the _MARINE •’enni1. Ar*. *1 al,t SI- WF. (Tara) which is her invariable minute. And it is fine to the "Topper” films and it is still a a lengthy absence, is blossoming There isn’t a trace of GRAND 6‘5>21^.SE* certainly British Isles. CIRCLE Matinee. 1 P.M. and trick in forth new refuge source of strength. His have Miss Sullavan back. It is a good “The Invisible Man in splendor. English accent in his voice. His BASIL RATHBONE BORIS KARLOFF In LUPE VALEZ in "MEXICAN SPIT- real TOWER OF LONDON." News. Comedy. FIRE At 1. 3:50. 0:50. 8:50. brilliance as a performer shines genuine pleasure to watch a com- Returns,” which is the new attrac- First of these new musicals to hit nasal resonance is due to some sort 2931 Nieh0“ Ave s E WILLIAM BOYD in "SANTE FE • more in those tion at R-K-O Keith's. the screen will be MARSHAL" brightly post-war petent, assured actress, one with “Broadway Melody of nose or throat formation. The CONGRESS At 2:40. 5:40, 8:45. bereft of The in of a all a •ROVIN' TUMBLEWEEDS" with GENE ,sth e passages, when, his reason sensitive understanding, who can only complaint the case 1940,” story about big latter goes for Ronald Colman—with RFVFBIV * n.e. virtue of of "The Invisible Man AUTRY. SMILEY BURNETTE._ BE. V EnLI LI. 3300. Mat. 1 P.M. by the disaster to his give a little salesgirl dimension and Returns” is dancing star, Eleanor Powell, and the that after 20 Parkin* Space Available 1 exception Ronnie, niTMD A DTAAI 1343 Wisconsin Ave. to Patrons. lands, he can mumble inco- life and make that the writers have been trwo Fred Astaire and PRISCILLA LANE. ROSEMARY LANE. only you believe you are script hopefuls, years in this country, has not UUiflBAKlUn Double Feature. "HIDDEN POWER RON- LOLA LANE. GALE PAGE in "POUR herently. Reduced to the use of pure at a and norma] content to let the burden of enter- George Murphy. It had his JACK HOLT in looking charming barely yielded the smallest fraction of ALD REAGON in "SMASHING THE WIVES At 1:25. 3:25, 5:30, 7:30, in rest the 8:35. Short. pantomime these scenes with the person instead of at one of Holly- taining upon special effects halted camera work before Joan ultra British accent Cary is MONEY RING.” Chapter No. in. "Man- and have drake. the Wisconsin Are. glittering Miss Leigh, Mitchell domi- wood's cardboard dollies labeled department thought of no Blondlel, Lana Turner and Murphy a for the Magician."_Also Comedy._ "AI VFBT p2» currently making picture ANACOSTIA. D. C. WO. 2345. Mat. 1 P.M. nates them as if he new' for an invisible man to started j-ALVfcKI stood alone “salesgirl.” paths rehearsing for another be- first time with Housemate Randolph FAIRLAWN Parkin* Space Available to Patron*. in a spotlight reciting a Maxwell The Sullavan touch and the Stew- walk. Aside from the fact that the hind-the-scenes musical of two girl “HENRY GOES TO ARIZONA.” with All Color Cartoon. "GULLIVERS Scott. Wh»h must be rather like FRANK MORGAN. VIRGINIA WEIDLER. TRAVELS." At 11:35, 1:40. Anderson a 3:50. solliquy. It is acting of art touch mean quite as much to principal protagonist is man w'ho dancers and a song writer, titled 5:55 7:45. 0:40. U. 8. working with your wife or husband. rorciiDCVT adults. 25c Treasury the kind that will earn “The Around the as can't be seen, even when he is right “Two Girls on UKLLnrLLI Short._ probably Shop Corner” Broadway.” Soon As Cary says, "It just means we free parking him an academy award for the best the “Lubitsch touch.” There is there smacking a constable in the Mickey Rooney and Garland JACKIE COOPER. BETTY FIELD in PFNTBAI 425 nth st. n.w. Judy never can get away from each other.” “WHAT A LIFE.” Continuous from 2:45. ixn 1 IVALiMr. 2811. Open. 10 A M. of the much teeth, this is just a routine melo- will team in “Babes on "TWO THOROUGHBREDS." At supporting performance year. naturally, evidence of this Broadway.” Richard Greene has to kiss 3227 M St. N.W. 10. drama about a man V VTV1 12:45. 3:25. 8:05. 8:45. WILLIAM The odds are latter. You will con- Alice LILFU Double Feature " equally good that note it, for in- wrongly Meanwhile, Faye is sprout- Was an BOYD in SANTE FE Zorina about 30 times in “I Thru TUESDAY Only: I “FIGHTING MAD.“ “HERO FOR A DAY.” MARSHAL Miss McDaniel will earn a like dis- stance. in the character of demned to death who spends the ing for “Lillian At 11:10 1:50. 4:30. 7. 8:45. Also the lov- stage wings Russell,” Adventuress.” And expressed him- _Free Gifts to Children._ tinction for her course of the which Short Subject._ performance as able old clerk at the shop around picture frightening will have plenty of backstage self the I ITTI C 608 9th St. N.W. a thusly following experi- DrJCKY|b,HVD» 4033 Mammy, the of a the confession out of the actual scenes. “Dance With the LI 1 1 LL Bet. F and G. mi ONY G». Avc. N.W. portrait slave who corner, portrayed by Felix Bres- Devil” in- ence, "After the first two times it I GE. murderer. Sir Cedric j <>500. Mat. 1 P.M. understood so much of life and could sart, who is always for a Hardwicke, vades the dressing rooms of a “DR. JEKYL & MR. HYDE.” JOAN BLONDELL MELVYN DOUG- dashing night became a littl$ mushy. But that LAS feel it so whenever he hears Nan Grey, John Sutton, Alan Napier _CHARLIE CHAPLIN in “CARMEN.”_ in "THE AMAZING MR WIL- deeply. hiding place club, with Dorothy Lamour singing was all right with me.” I should LIAMS" At 1:40. 3:50. 5:55. 7:45, and Vincent Price's voice do their V VPir GAITHERSBURG. MD. 0 3., Short some one say, “Now I want your four numbers. “A Night at Earl so Madeleine Carroll’s LII\1L * * * * best hope _pyRyttNCE-fleWTURPlN Double Feature. Subject.__ honest to lend it all credibility, but B. KARLOFF in “THE MAN THEY opinion.” You will note it Carroll's” over at Paramount will chief reason for returning to Eng- COULD HHMF 1250 c st. n.e. the tricks are so much fun NOT HANG.” D 'WOODS in “HERI- HUME, AT. 8188. Mat P “The a documen- in the of a lot of the com- that the have more chorines in numbers iiur/esQUtof 1 M Fighting 69th,” surprise land at this time is to settle com- TAGE OF THE DESERT ”_ "RED STONE in “KONGO WILD account melodramatics haven’t a chance. PEARL HAUERCARMEN] at the PIANO tary of the war record of edy moments, in occasional deft than you can shake an eye at. And munity property shared with her DPINPrCC 1U9 H St. N.E. Li. 2600. STALLION." At 1. 4 7:10. 10. RAN- one of “The Invisible Man Returns” is at Continuous From 11 A M DOLPH SCOTT in "20,000 MEN A America's great fighting double entendre, and in dozens of Republic is starring Frances Lang- divorced husband. YEAR." At its best is “EVERYTHING’S ON ICE with IRENE 2:40, 5:40. 8 units, into which other And even when it not occupying ford in “Hit “Loans to Finland 45._ has been inserted ways. when you Parade of 1940,” the When Madeleine was happily DARE Also on the Same Program. itself with it would like and “WEST OF CARSON CITY. with Near 4th N.W. but one don't notice the “Lubitsch something revue of film AE.nnE.UIIf FNNFnY >Knn«d*-RA. conspicuous extraneous it, type coming into its married to Capt. Astley, they used JOHNNY MACK 8800. Mat. 1 P.M. thread you to take A door BROWN.__ Parkin* Space Available of drama, is one of the finest touch” is there, “The seriously, open- own. to their incomes into one Browder Conviction to Patron*. making Shop put joint CTANTAftI 6th and C Sts. N.E. DOUGLAS FAIRBANKS. Jr., in ‘"RUL- bits of ing and closing with no seen hand are Toward U. S. Involvement dlAfllUn Finest Sound acting ever turned in by Around the Corner” completely Anna Neagle will surprise by sing- bank account—Madeleine sent her Steps Equipment. ERS OF THE SEA." At 1:20, 3:40. to guide it, a gun in mid- in War.” Continuous From 1 P.M. 5:55, 7:50. 8:50. Short, Warner’s post-graduate in realism. agreeable frivolity. suspended ing in the musical “Irene” and to in and he a salary Astley England, Hear The air, dressing gown or a suit of “EVERYTHING’S ON ICE,” nratal r,.-»n Pa a r regiment's story was dotted with “Curtain Call,” a new of her an allowance from it. This type gave IRENE DARE. Also A LI. 2179. some colorful clothes from a scare-crow CLARENCE HATHAWAY Starring Mat. 10:30 A M. Father It is the Gene Ford touch with wandering sort all if the Max Fleischer's « personalities, backstage story—a country girl of thing is right Editor ‘‘Daily Worker” Feature-Length Car- Francis P. about with no apparent in- ‘RIDERS of BLACK RIVER,’ toon in Technicolor. Duffy, Maj. “Wild Bill” which the stage show is stamped being playwright who gets a “flop” play couple stay married—but confusing “GULLIVER S side are great The HENRY WINSTON With CHARLES ffTARRETT. TRAVELS." At 11. 12:55. 2:45. Donovan, Joyce Kilmer, etc. and which has much to do with sport. special produced on when divorce. 4:35. 6:20. 8:10. 9:55. Also Short. They Broadway. they Nearo Youth Leader *1UI Wisconsin come to effects boys have a PI* TUPSBl A avc. life, under the grim cir- making “Barn Dance" fun. The pulled many is a bit in the DL 1 HLOUA Bcthcsda. Md. neat Norma Shearer dog- Sunday, Feb. 4, 2:30 P.M. CAVOV 3030 nth St. N.W. 4 cumstances which trick here, the best of which WI. 26o0 or Brad. 336. Free Parkins. iJMYVI CO!. might be ex- revue has the dual advantage of house with her studio. All on ac- National Pres* Auditorium 1968. Mat. 1 P.M. when probably is the one when the in- Admission. 35c Double Feature. DEANNA DURBIN in “FIRST LOVE.’* pected Warners go to war being novel and being performed roster count of Raft. She was ad- At 1:15. 3. 4:45. 6:25. visible man becomes aongs rme George GENE AUTRY in 8:10. 9:55. in the performances of Pat O’Brien some talented The head- visible gradu- by people. vised not to go places with him— "SPRINGTIME IN ROCKIES.” s?44 Ga. Ave.. Silver in what looks a crrn Sprinr. George Brent and ally, like series of > Jeffrey Lynn. liner of “Barn Dance” turns out to In for two reasons: A. He was not TRANS-LUX tittiistL.au jlLU Md. Shep. 2540. Park. Space from a ‘Swanee River’ PAT O’BRIEN in Excellent as those be a pictures medical textbook. I WAR SPECIALS; BIRTHDAY Matinee. 11 A.M. portraits are, fellow named Harry Stevens, under contract at the same studio D-l.” ROY ROGERS in When it his I BALLS; Ol’R GANG; GENERAL SUBMARINE “SOUTHWARD HO.** the tour de Companion piece to "The Invisible sings songs, Stephen At 2 4:35. however, acting force who certainly is right at home in (why give an outsider all that pub- MOTORS’ WORLD’S FAIR 11:25. 7:10. 9:50. Man Returns” at Foster comes to life in “Swanee TOMORROW: BRUCE CABOT in “MY SON IS of “The 69th" is that cre- the Keith’s, and in A* EXHIBIT; DISNEY CAR. Fighting rustic surroundings. He is the licity?) and B. It was doubtful GUILTY” At 12 40. 3:20. 5:55. ated James something of a different is River,” the lavishly technicolored “HOUSEKEEPER’S 8:30. by Cagney. Richly corniest performer ever seen on the mood, whether his long-estranged wife »!tcV.o SHORT SUBJECTS j Also Short Subject. schooled in the art of the new March of Time, "The Re- film which has now moved to Loew’s [ impersonating Capitol stage within the ken of this would give the divorce George seems DAUGHTER.” a public of Columbia for a second week on F SHERIDAN -Aw SrSTWE snarling, ratlike human, memory. But when he sits down Finland—1919-1940.” It know which DEAD END" KIDS in "ON Cagney street. to want. I don’t argu- DRESS with a is a comprehensive survey of the When “Swanee River” turns HIPPODROME Double Feature. PARADF" At 4:15. (1:20, 8:10. banjo and starts to whang ment won, but the fact is that 0 55. of to what it would as Short its ears off he not the history the little nation, from palm off bio- MARX BROS, in Subject._ only gets Norma and George are not seeing CfI VCD Ga- Ave. * Colcsville Pike audience in its battle for freedom, the graphy, however, you have more OlLVLtV the palm of his hand through quite so much of each other—at “AT THE CIRCUS.” SHen. 5.500. Mat. 11 A M. THEATER PARKING but has the prosperity it achieved in the midst than a suspicion that the Stephen Parkin* Spare Available to Patron*. people out front sing- least, not where reporters and in MI Color Cartoon. of world-wide Foster heard about CHAS. LAUGHTON "GULLIVERS 6 P.M. TO ing merrily with him. depression to its new you always and out. TRAVELS” At 11. 12:50. 2:45. battle this one photographers hang “JAMAICA INN.” 4:30. ti: 10. 8. Comedy is the keynote of “Barn for freedom from the op- portrayed by Don Ameche 0:40._ 12 P.M. David Niven is an<* pression of Red Russia. are two different reported engaged MT MD rA VOMA ,th Butternut Sts. Dance,” comedy which varies in Also it is people. 1AIVUITIA Gc. 1312 Parkin* Space a As if the music to marry the niece of the British CAMEO &1® CAPITAL GARAGE mood from the chuckle to the forceful picture of the spot Fin- living Foster gave Double Feature. Matinee. 1 P.M. ... A scene. JONES FAMILY in land is on to America were not chief of air force cute JOHN WAYNE in BIG STAMPEDE." "YOUNG AS YOU guffaw. There even is the today and a plea for a enough to FEEL At 1:10. 0:40. n:io. comic are Also “BAD LITTLE ANGEL.” .3:55. make for whatever Sally Blane ahd Norman Foster ALICE FAYE touch in the songs by Phyllis Colt brave and honest nation. H. M. up shortcomings WARNER BAXTER in he might have had in his giving their baby an airing in Tomor.—Greta Garbo in "THE BARRICADE" At 2:15. 6. TOWN NALL who left Washington as Kitty private 7:50. 10 Also the turns Beverly Hills. A sleek limousine “NINOTCHKA.” Short._ Simons and has come back a zestful life, picture to idealization TIVOl 1 1 *th St. * Park Kd. N.W. drew alongside, stopped and Claud- I1VULI Col. 1800 Mat. 1 P.M. CLARENCE K. STREIT songstress with a nice for instead of to the pathos and poig- UVATTCVTII r Baltimore Blvd., style in- Where and STAN LAUREL OLIVER HARDY In When nance which made the ette Colbert got out. “I want to see tllAlldVILLL Hvattsville Md. “UNION NOW” jecting humor into swing. Nan Ray composer’s Phones: GH. 08TB. HYATTS. 400. "FLYING DEUCES At 1:55. 3:55. a the baby,” she cooed to, Foster— 0 8, 9:50. Also Short. and Maude Davis are here, too, with Current Theater Attractions life dramatic one. The Ameche The Theatre Beautiful. Admission $1.25-SI.50 is noble almost Claudette’s first husband. I wonder Matinee ] P.M.—Double Feature. IIPTHWM Conn. Ave. A Newark. FEB. 11th—ELSA MAXWELL. that daft “inquiring reporter” skit portrait beyond MELVYN- DOUGLAS. JOAN BLON- UrilWW WO. 5100 Mat. 1 P.M. and what she was really thinking while DI. 4704. BR. 612. which is none the less funny for Time of Showing credibility when the reports of DELL in “AMAZING MR. WILLIAMS Parkinr Space Available to Patron*. clucking and goo-goo-ing at the ANN SOTHERN In "CALLING ON PRISCILLA LANE. ROSEMARY LANE. your having seen it before. Also Stephen Foster’s previous biograph- Mon., Tues. -OLA LANE. GALE in for Hen- infant? THE PRESIDENT." Sun.. PAGE "FOUR there are Masters and Rollins with National—“Springtime ers are even vaguely remembered. —"GULLIVER'S TRAVELS."_ WIVES." At 1:20, 3:25. 5:25. 7:30, ry. with Edward Everett Horton: the North American [l 35 some eccentric and the But Mr. Ameche, Andrea (Released by A DP A nC HYATTSVILLE. MD. Short._ song dance, 2:30 and Leeds, ARtAUr. Hyatts. 285. Ga. Ave. 4- Quebec PI. N.W. 8:30 p.m. A1 Newspaper Alliance. Inc.) VnoV Rhythm Rockets to go swingin’ in Jolson and the technicolor are Double Feature. IUItIV RA. 4400. Mat. I P.M. COOPER “LITTLE PAL " WAYNE MORRIS ROSEMARY LANE. the corn and on one Palace—'“Gone With the Wind," not in their JACKIE in occasion to always engaged gentle JOHN WAYNE in "RIDE 'EM. COW- HUMPHREY BOGART DENNIS mammoth screen play 16 banjos practically at once, version of the account of the theory that mild BOY/^_ MORGAN In "THE RETURN OF DR. novel: 9:45 defies the continues X At 1:45. 3:45, 5:50. 7:50. 9:50. and Sam Jack Kaufman conducts am., 2:45 and 8 pm. whimsicality was Stephen Foster’s Nazis, England to enforce her blockade, guns go “OLYMPIA” MILO “ffiKSk"- another of his overtures. Ear,*~‘‘Th® worst fault. Sometimes the .. Fighting sound Double Feature. 69th," into action on the western front, Newton ,2ths?,nvr,t
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