Kirk Douglas in Cat and Mouse! the Flame of Love
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Annual Report and Accounts 2004/2005
THE BFI PRESENTSANNUAL REPORT AND ACCOUNTS 2004/2005 WWW.BFI.ORG.UK The bfi annual report 2004-2005 2 The British Film Institute at a glance 4 Director’s foreword 9 The bfi’s cultural commitment 13 Governors’ report 13 – 20 Reaching out (13) What you saw (13) Big screen, little screen (14) bfi online (14) Working with our partners (15) Where you saw it (16) Big, bigger, biggest (16) Accessibility (18) Festivals (19) Looking forward: Aims for 2005–2006 Reaching out 22 – 25 Looking after the past to enrich the future (24) Consciousness raising (25) Looking forward: Aims for 2005–2006 Film and TV heritage 26 – 27 Archive Spectacular The Mitchell & Kenyon Collection 28 – 31 Lifelong learning (30) Best practice (30) bfi National Library (30) Sight & Sound (31) bfi Publishing (31) Looking forward: Aims for 2005–2006 Lifelong learning 32 – 35 About the bfi (33) Summary of legal objectives (33) Partnerships and collaborations 36 – 42 How the bfi is governed (37) Governors (37/38) Methods of appointment (39) Organisational structure (40) Statement of Governors’ responsibilities (41) bfi Executive (42) Risk management statement 43 – 54 Financial review (44) Statement of financial activities (45) Consolidated and charity balance sheets (46) Consolidated cash flow statement (47) Reference details (52) Independent auditors’ report 55 – 74 Appendices The bfi annual report 2004-2005 The bfi annual report 2004-2005 The British Film Institute at a glance What we do How we did: The British Film .4 million Up 46% People saw a film distributed Visits to -
Lister); an American Folk Rhapsody Deutschmeister Kapelle/JULIUS HERRMANN; Band of the Welsh Guards/Cap
Guild GmbH Guild -Light Catalogue Bärenholzstrasse 8, 8537 Nussbaumen, Switzerland Tel: +41 52 742 85 00 - e-mail: [email protected] CD-No. Title Track/Composer Artists GLCD 5101 An Introduction Gateway To The West (Farnon); Going For A Ride (Torch); With A Song In My Heart QUEEN'S HALL LIGHT ORCHESTRA/ROBERT FARNON; SIDNEY TORCH AND (Rodgers, Hart); Heykens' Serenade (Heykens, arr. Goodwin); Martinique (Warren); HIS ORCHESTRA; ANDRE KOSTELANETZ & HIS ORCHESTRA; RON GOODWIN Skyscraper Fantasy (Phillips); Dance Of The Spanish Onion (Rose); Out Of This & HIS ORCHESTRA; RAY MARTIN & HIS ORCHESTRA; CHARLES WILLIAMS & World - theme from the film (Arlen, Mercer); Paris To Piccadilly (Busby, Hurran); HIS CONCERT ORCHESTRA; DAVID ROSE & HIS ORCHESTRA; MANTOVANI & Festive Days (Ancliffe); Ha'penny Breeze - theme from the film (Green); Tropical HIS ORCHESTRA; L'ORCHESTRE DEVEREAUX/GEORGES DEVEREAUX; (Gould); Puffin' Billy (White); First Rhapsody (Melachrino); Fantasie Impromptu in C LONDON PROMENADE ORCHESTRA/ WALTER COLLINS; PHILIP GREEN & HIS Sharp Minor (Chopin, arr. Farnon); London Bridge March (Coates); Mock Turtles ORCHESTRA; MORTON GOULD & HIS ORCHESTRA; DANISH STATE RADIO (Morley); To A Wild Rose (MacDowell, arr. Peter Yorke); Plink, Plank, Plunk! ORCHESTRA/HUBERT CLIFFORD; MELACHRINO ORCHESTRA/GEORGE (Anderson); Jamaican Rhumba (Benjamin, arr. Percy Faith); Vision in Velvet MELACHRINO; KINGSWAY SO/CAMARATA; NEW LIGHT SYMPHONY (Duncan); Grand Canyon (van der Linden); Dancing Princess (Hart, Layman, arr. ORCHESTRA/JOSEPH LEWIS; QUEEN'S HALL LIGHT ORCHESTRA/ROBERT Young); Dainty Lady (Peter); Bandstand ('Frescoes' Suite) (Haydn Wood) FARNON; PETER YORKE & HIS CONCERT ORCHESTRA; LEROY ANDERSON & HIS 'POPS' CONCERT ORCHESTRA; PERCY FAITH & HIS ORCHESTRA; NEW CONCERT ORCHESTRA/JACK LEON; DOLF VAN DER LINDEN & HIS METROPOLE ORCHESTRA; FRANK CHACKSFIELD & HIS ORCHESTRA; REGINALD KING & HIS LIGHT ORCHESTRA; NEW CONCERT ORCHESTRA/SERGE KRISH GLCD 5102 1940's Music In The Air (Lloyd, arr. -
Index to Volume 26 January to December 2016 Compiled by Patricia Coward
THE INTERNATIONAL FILM MAGAZINE Index to Volume 26 January to December 2016 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND Index 2016_4.indd 1 14/12/2016 17:41 SUBJECT INDEX SUBJECT INDEX After the Storm (2016) 7:25 (magazine) 9:102 7:43; 10:47; 11:41 Orlando 6:112 effect on technological Film review titles are also Agace, Mel 1:15 American Film Institute (AFI) 3:53 Apologies 2:54 Ran 4:7; 6:94-5; 9:111 changes 8:38-43 included and are indicated by age and cinema American Friend, The 8:12 Appropriate Behaviour 1:55 Jacques Rivette 3:38, 39; 4:5, failure to cater for and represent (r) after the reference; growth in older viewers and American Gangster 11:31, 32 Aquarius (2016) 6:7; 7:18, Céline and Julie Go Boating diversity of in 2015 1:55 (b) after reference indicates their preferences 1:16 American Gigolo 4:104 20, 23; 10:13 1:103; 4:8, 56, 57; 5:52, missing older viewers, growth of and A a book review Agostini, Philippe 11:49 American Graffiti 7:53; 11:39 Arabian Nights triptych (2015) films of 1970s 3:94-5, Paris their preferences 1:16 Aguilar, Claire 2:16; 7:7 American Honey 6:7; 7:5, 18; 1:46, 49, 53, 54, 57; 3:5: nous appartient 4:56-7 viewing films in isolation, A Aguirre, Wrath of God 3:9 10:13, 23; 11:66(r) 5:70(r), 71(r); 6:58(r) Eric Rohmer 3:38, 39, 40, pleasure of 4:12; 6:111 Aaaaaaaah! 1:49, 53, 111 Agutter, Jenny 3:7 background -
Magnum P.I.” Carry out Weekdaymanager’S Spespecialcial $ 2 Medium 2-Topping Magnum Pizzas5 2.0 8” Individual $1-Topping99 Pizza 5And 16Each Oz
NEED A TRIM? AJW Landscaping 910-271-3777 September 22 - 28, 2018 Mowing – Edging – Pruning – Mulching Licensed – Insured – FREE Estimates 00941084 Jay Hernandez stars in “Magnum P.I.” Carry Out WEEKDAYMANAGEr’s SPESPECIALCIAL $ 2 MEDIUM 2-TOPPING Magnum Pizzas5 2.0 8” Individual $1-Topping99 Pizza 5and 16EACH oz. Beverage (AdditionalMonday toppings $1.40Thru each) Friday from 11am - 4pm 1352 E Broad Ave. 1227 S Main St. Rockingham, NC 28379 Laurinburg, NC 28352 (910) 997-5696 (910) 276-6565 *Not valid with any other offers Joy Jacobs, Store Manager 234 E. Church Street Laurinburg, NC 910-277-8588 www.kimbrells.com Page 2 — Saturday, September 22, 2018 — Laurinburg Exchange Back to the well: ‘Magnum P.I.’ returns to television with CBS reboot By Kenneth Andeel er One,” 2018) in the role of Higgins, dependence on sexual tension in TV Media the straight woman to Magnum’s the new formula. That will ultimate- wild card, and fellow Americans ly come down to the skill and re- ame the most famous mustache Zachary Knighton (“Happy End- straint of the writing staff, however, Nto ever grace a TV screen. You ings”) and Stephen Hill (“Board- and there’s no inherent reason the have 10 seconds to deduce the an- walk Empire”) as Rick and TC, close new dynamic can’t be as engrossing swer, and should you fail, a shadowy friends of Magnum’s from his mili- as its prototype was. cabal of drug-dealing, bank-rob- tary past. There will be other notable cam- bing, helicopter-hijacking racketeers The pilot for the new series was eos, though. -
The Regents of the University of California, Berkeley – UC Berkeley Art Museum & Pacific Film Archive (BAMPFA)
Recordings at Risk Sample Proposal (Fourth Call) Applicant: The Regents of the University of California, Berkeley – UC Berkeley Art Museum & Pacific Film Archive (BAMPFA) Project: Saving Film Exhibition History: Digitizing Recordings of Guest Speakers at the Pacific Film Archive, 1976 to 1986 Portions of this successful proposal have been provided for the benefit of future Recordings at Risk applicants. Members of CLIR’s independent review panel were particularly impressed by these aspects of the proposal: • The broad scholarly and public appeal of the included filmmakers; • Well-articulated statements of significance and impact; • Strong letters of support from scholars; and, • A plan to interpret rights in a way to maximize access. Please direct any questions to program staff at [email protected] Application: 0000000148 Recordings at Risk Summary ID: 0000000148 Last submitted: Jun 28 2018 05:14 PM (EDT) Application Form Completed - Jun 28 2018 Form for "Application Form" Section 1: Project Summary Applicant Institution (Legal Name) The Regents of the University of California, Berkeley Applicant Institution (Colloquial Name) UC Berkeley Art Museum & Pacific Film Archive (BAMPFA) Project Title (max. 50 words) Saving Film Exhibition History: Digitizing Recordings of Guest Speakers at the Pacific Film Archive, 1976 to 1986 Project Summary (max. 150 words) In conjunction with its world-renowned film exhibition program established in 1971, the UC Berkeley Art Museum and Pacific Film Archive (BAMPFA) began regularly recording guest speakers in its film theater in 1976. The first ten years of these recordings (1976-86) document what has become a hallmark of BAMPFA’s programming: in-person presentations by acclaimed directors, including luminaries of global cinema, groundbreaking independent filmmakers, documentarians, avant-garde artists, and leaders in academic and popular film criticism. -
Goldfinger: James Bond 007 Ebook Free Download
GOLDFINGER: JAMES BOND 007 PDF, EPUB, EBOOK Ian Fleming,Kate Mosse | 384 pages | 04 Oct 2012 | Vintage Publishing | 9780099576075 | English | London, United Kingdom Goldfinger: James Bond 007 PDF Book Previously, he wrote for Taste of Cinema and BabbleTop. Goldfinger audio commentary. Goldfinger's own gold will then increase in value and the Chinese gain an advantage from the resulting economic chaos. Retrieved 18 July Films produced by Harry Saltzman. Retrieved 1 June Retrieved 1 October Goldfinger plans to breach the U. Do you like this video? You can read all about him in this archived NY Times obituary. Company Credits. The road is now called Goldfinger Avenue. Views Read Edit View history. Edit Cast Cast overview, first billed only: Sean Connery The film's plot has Bond investigating gold smuggling by gold magnate Auric Goldfinger and eventually uncovering Goldfinger's plans to contaminate the United States Bullion Depository at Fort Knox. Share Share Tweet Email 0. No , suggested the scene where Oddjob puts his car into a car crusher to dispose of Mr. Jill Masterson. In the vault, Goldfinger's henchman, Kisch, handcuffs Bond to the bomb. In the film, Bond notes it would take twelve days for Goldfinger to steal the gold, before the villain reveals he actually intends to irradiate it with the then topical concept of a Red Chinese atomic bomb. From Wikipedia, the free encyclopedia. Fiddling with Goldfinger's golf set, Bond discovers a hidden room with a safe containing details of a meeting for "Operation Bluegrass". Start a Wiki. Plot Keywords. Namespaces Article Talk. Goldfinger: James Bond 007 Writer London: Bloomsbury Publishing. -
Shail, Robert, British Film Directors
BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter. -
Mr Bond, I’Ve Been Expecting You’ the Cinematic Inaugurations of a New James Bond
‘Mr Bond, I’ve been expecting you’ The Cinematic Inaugurations of a New James Bond STEPHANIE JONES James Bond films are a cinematic phenomenon unlike any other. The so-called official series made by Eon productions has been in existence for more than fifty years. Its cultural stayin po!er alone makes the cinematic Bond phenomenon an extremely fertile soil for examinations of continuity and chan e. "hile Bond scholarship should not be limited to diachronic analysis, the persistent popular- ity and cultural salience of the Bond phenomenon means that James Bond $tud- ies, as a field of in%uiry# !ill make a series of important inter&entions into broader scholarship. As (hristoph )indner notes, %uotin Octopussy * John +len# ,-./0# Bond has a 1nasty habit of sur&i&in 2 *344/# .0. Examinations of this sur- &i&al ha&e been# and !ill continue to be, of great si nificance to cultural scholar- ship. 5ne of the many means by !hich the Bond series has sur&i&ed o&er time is by recastin of the central actor. This article !ill analyse the inauguration of each ne! cinematic Bond in turn. Lea&in aside the gun barrel sequence 6 !hich is also a key part of the Bond formula and !orthy of an analysis all of its o!n 6 a ne! Bond7s first ap- pearance sets out a fresh landscape to be explored., These introductions to Bond balance the old and ne!. They address criticisms and concerns that ha&e, to dra! , 'ficionados of Bond trivia !ill kno! that Bob $immons is the first actor to play Bond on film# as he appears in the gun barrel se%uence to Dr. -
Catalogue-Light-A5.Pdf
An introduction (GLCD 5101) Gateway To The West (Farnon) - QUEEN’S HALL LIGHT ORCH./ROBERT FARNON; Going For A Ride (Torch) - SIDNEY TORCH AND HIS ORCH.; With A Song In My Heart (Rodgers, Hart) - ANDRE KOSTELANETZ & HIS ORCH.; Heykens’ Serenade (Heykens, arr. Goodwin) - RON GOODWIN & HIS ORCH.; Martinique (Warren) - RAY MARTIN & HIS ORCH.; Skyscraper Fantasy (Phillips) - CHARLES WILLIAMS & HIS CONCERT ORCH.; Dance Of The Spanish Onion (Rose) - DAVID ROSE & HIS ORCH.; Out Of This World - theme from the film (Arlen, Mercer) - MANTOVANI & HIS ORCH.; Paris To Piccadilly (Busby, Hurran) - L’ORCHESTRE DEVEREAUX/GEORGES DEVEREAUX; Festive Days (Ancliffe) - LONDON PROMENADE ORCH./ WALTER COLLINS; Ha’penny Breeze - theme from the film (Green) PHILIP GREEN & HIS ORCH.; Tropical (Gould) - MORTON GOULD & HIS ORCH.; Puffin’ Billy (White) - DANISH STATE RADIO ORCH./HUBERT CLIFFORD; First Rhapsody (Melachrino) - MELACHRINO ORCH./GEORGE MELACHRINO; Fantasie Impromptu in C Sharp Minor (Chopin, arr. Farnon) KINGSWAY SO/CAMARATA; London Bridge March (Coates) - NEW LIGHT SYMPHONY ORCH./JOSEPH LEWIS; Mock Turtles (Morley) - QUEEN’S HALL LIGHT ORCH./ROBERT FARNON; To A Wild Rose (MacDowell, arr. Peter Yorke) - PETER YORKE & HIS CONCERT ORCH.; Plink, Plank, Plunk! (Anderson) - LEROY ANDERSON & HIS ‘POPS’ CONCERT ORCH.; Jamaican Rhumba (Benjamin, arr. Percy Faith) - PERCY FAITH & HIS ORCH.; Vision in Velvet (Duncan) - NEW CONCERT ORCH./JACK LEON; Grand Canyon (van der Linden) - DOLF VAN DER LINDEN & HIS METROPOLE ORCH.; Dancing Princess (Hart, Layman, arr. Young) - FRANK CHACKSFIELD & HIS ORCH.; Dainty Lady (Peter) - REGINALD KING & HIS LIGHT ORCH.; Bandstand (‘Frescoes’ Suite) (Haydn Wood) - NEW CONCERT ORCH./SERGE KRISH The 1940s (GLCD 5102) Music In The Air (Lloyd, arr. -
Goldfinger (Analyse) Réal La Rochelle
Document généré le 29 sept. 2021 00:22 Séquences La revue de cinéma Goldfinger (analyse) Réal La Rochelle Le cinéma imaginaire II Numéro 55, décembre 1968 URI : https://id.erudit.org/iderudit/51628ac Aller au sommaire du numéro Éditeur(s) La revue Séquences Inc. ISSN 0037-2412 (imprimé) 1923-5100 (numérique) Découvrir la revue Citer cet article La Rochelle, R. (1968). Goldfinger (analyse). Séquences, (55), 31–35. Tous droits réservés © La revue Séquences Inc., 1968 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ GOLDFINGER DÉCEMBRE 1968 31 ^r. aLJOcumentatio 1. Générique minant un style de fabrication auquel Guy Hamilton a dû se plier. Anglais 1964 — Technicolor — Prod. : Harry Saltzman et Albert R. Broccoli — 3. Le scénario Real. : Guy Hamilton —• Seen. : Richard Maibaum et Paul Dehn, d'après lan Fle Après le sigle de la production, un ming — Phot. : Ted Moore — Mus. : pré-générique montre James Bond fai John Barry — Decors : Ken Adams •— sant sauter un complexe industriel, Effets spéciaux : John Steers — Généri puis, parfait gentleman, il électrocute que : Robert Brownjohn — Mont. : Peter un tueur dans la chambre d'une fille : Hunt •—• Int.: Sean Connery (James "shocking" ! murmure-t-il. -
New Orleans Review
New Orleans Review LOYOLA UNIVERSITY VOLUME 19 NUMBERS 3 & 4/$18.00 Cover: "TI1e Paradox of William Tell" (llomage to Archimboldo The Marvelous) By jose Mnrta C!mdf11 Polychromated Polywestem , New Orlea11S 1992 Height: 31 i11chcs New Or leans Review Fall & Winter 1992 The New Orleans Review will be on sabbatical during the 1993 calendar year. No submissions will be accepted until further notice. Editors John Big u e net John Mosier Editorial Assistant & Design Kimberly St. germain Contribut ing Editors Bert Card u llo David Estes Jacek Fuksiew icz A lexis Gonzales, F.S.C. Andrew H o rto n Peggy M cCo rmack Rainer Schulte Founding Editor Miller Willia m s The N ew O rleans Review is published by Loyola University, New Orleans, Lou isiana 7011 8, United Sta tes. Cop yrig ht © 1992 by Loyola University. Conte nts listed in the PMLA Bibliography a nd the index of American Period ical Verse. US ISSN 0028-6400 The N ew O rleans Review w ill be on sabba tical d uring the 1993 ca lend ar year. No s ubmissions will be accepted until further no tice. NEW ORLEANS REVIEW CONTENTS FALL & WINTER 1992 VOLUME 19 NUMBER 3 & 4 Alice Guy: Forgotten Pioneer of the Narrative Cinema Wheeler Winston Dixon 7 Alba Barry Spacks 16 Still Life Daniel Bourne 17 Sunday Afternoon, Sunday Evening M.E. Liu 18 Midnight Jan Rejzek/tr. Dominika Winterova and Richard Katrovas 24 If I Could Svetlana Burianovaftr. Dominika Winterova and Richard Ka.trovas 25 The Swans of Prague Zdena Bratrsovskfi/tr. -
Three Men in a Boat the Passionate Stranger Dreaming
Only hard men wear cravats! See These Dangerous Years! Also on release this month: Three Men in a Boat This is My Street The Passionate Stranger The Bailiffs Dreaming The Flying Squad Elstree Calling Drake of England Laburnum Grove Loyalties Death is a Woman King’s Rhapsody The Comedy Man Mister Ten Per Cent All The Way Up Dead Men Are Dangerous Murder in Soho Hide and Seek Legendary crooner Frankie Vaughan stars with George Ian Hendry, June Ritchie, John Hurt, Annette Andre Baker, Kenneth Cope and Thora Hird in this 1957 and Mike Pratt feature among an outstanding cast drama directed by Herbert Wilcox. The first of four films in this mid-sixties realist drama from noted director produced by Wilcox’s wife Anna Neagle and starring Sidney Hayers. This Is My Street is presented Vaughan, These Dangerous Years is presented here in here in a brand-new transfer from the original film a brand-new transfer from the original film elements in elements in its as-exhibited theatrical aspect ratio. its as-exhibited theatrical aspect ratio. Jubilee Close, a drab street of decaying houses in Dave, a young Liverpudlian gang-leader and would-be London’s Battersea, is home to a cross-section of rock ‘n’ roll star, is conscripted into the army where, to working-class families. Yearning to escape from this everyone’s surprise, the rebellious youth makes good. depressing environment is the pretty, ambitious But then he is tricked by the camp bully into crossing Margery Graham; the victim of an enforced marriage... a minefield, causing the death of his best friend.