Felix Issue 1016, 1995
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Phlltl'suphy, Robotics And'ftid . Dr
PASADENA, CALIFORNIA DECEMBER 9, 2002 Despite Invitation, Students Absent in Post.."Vectors Meeting nary meetings. the issue could wait no longer, oft By PHIL ~RN~T To students' deIi,ght,: Dr. BalJi- November 26th, Jo,u siqe~tepped ,' Stuae~ts \Von a majqr victort'last more ultimate!y tejected, V~etOl'S,. ~he ASCIT-mc standstill to. hand -::rifoi1fIiwilt5n Irrstitute'·Art-Corrimit-: Meanwhile, students-soughtto right select Ryan McDaniel '03 for the . z- ~"~ - ''"imn'7a6.Pl'etr'&'PeTlJna:-,:lip- "'past'wrongs- 'aQo.:this·time around. p'6~ition. There were sufficient ~Ast:I:r-,Ji'(f"mptiQn-,toIsea~-',in~r.t·a represen.tative'''ih''tfiemeet-' 'votes from the ASCIT BoD' in fa~ .... ' ", "trepJ¢se'n~Slti~e-?n ~~ d5~~' '~~gs 0ft~t?IAC alm.ed at select~ng vor of McDatliel to confirm his se- mittee',charged WIth selectmg a re- a replacement for Vectors. lection. piacement for Veciors. - ASGIT President Ted Jou '03 Last week, however, the Institute However, despite an explicit in- asked Pietro Perona, tht< temporary: Art Committee reconvened for the vitation, student leaders cited mis'- chair of the lAC, if he would con- first time since Baltimore's cancel D, Korta/The California Tech communication in their failure to sider the possibility of allowing a Humanities chairperson Jean Ensminger has rejected a second, last send a representative to last week's student to serve on the committee. Continued on Page 4, Column 1 ditch, Hail-Mary student petition to reinstate dismissed popular Rus first lAC meeting, raising concerns Dr. Perona, after debating Jou's sian literature and language professor George Cheron. -
Lado a Capítulo 1
Licenciatura en Comunicación y Cultura Compañías Discográficas Independientes: Las indies como propuesta alternativa de industria cultural en la Ciudad de México Trabajo recepcional que para obtener el título de Licenciado en Comunicación y Cultura Presenta Edgar Hugo Navarro Corona Directora de trabajo recepcional Mtra. Graciela Martínez Matías México D.F. Agosto 2010 SISTEMA BIBLIOTECARIO DE INFORMACIÓN Y DOCUMENTACIÓN UNIVERSIDAD AUTÓNOMA DE LA CIUDAD DE MÉXICO COORDINACIÓN ACADÉMICA RESTRICCIONES DE USO PARA LAS TESIS DIGITALES DERECHOS RESERVADOS© La presente obra y cada uno de sus elementos está protegido por la Ley Federal del Derecho de Autor; por la Ley de la Universidad Autónoma de la Ciudad de México, así como lo dispuesto por el Estatuto General Orgánico de la Universidad Autónoma de la Ciudad de México; del mismo modo por lo establecido en el Acuerdo por el cual se aprueba la Norma mediante la que se Modifican, Adicionan y Derogan Diversas Disposiciones del Estatuto Orgánico de la Universidad de la Ciudad de México, aprobado por el Consejo de Gobierno el 29 de enero de 2002, con el objeto de definir las atribuciones de las diferentes unidades que forman la estructura de la Universidad Autónoma de la Ciudad de México como organismo público autónomo y lo establecido en el Reglamento de Titulación de la Universidad Autónoma de la Ciudad de México. Por lo que el uso de su contenido, así como cada una de las partes que lo integran y que están bajo la tutela de la Ley Federal de Derecho de Autor, obliga a quien haga uso de la presente obra a considerar que solo lo realizará si es para fines educativos, académicos, de investigación o informativos y se compromete a citar esta fuente, así como a su autor ó autores. -
Page 1I ·-916--Anrrla~Is~·Tr~8~~11~4~~
Vol. XVII No.8 The University's Late Night Feature Paper January 29, 1996 { Page 1I ·-916--anrRla~is~·tr~8~~11~4~~ 0STATET EMP lSSIREA I By Chris Sorochin ing, hockey-playing nuts are just similar enough to have previously done so. One CNN commentator us culturally to provide what Noam Chomsky calls on the Russian Duma elections was typically Well, its another New Year and the anniversary the "threat of a good example": they're what we Orwellian: "They've voted to reject democracy." of the January 1 rebellion of the Zapatistas in could be if we got our act together and that realiza- Figure that one out. I always thought democracy Chiapas, Mexico. Unwilling to see their centuries- tion might give folks here some funny ideas. was supposed to reflect the will of the people and old communal agrarian way of life destroyed so Wouldn't it be great if instead of Gingrich and the how they're governed and how their economy agribusiness could move in, and unwilling to rest of the Dickensian knaves shutting down the runs. I guess the "demo" must refer exclusively to become part of the impoverished masses of excess government to inflate their egos, the American the people on Wall St. and their equivalents in labor swelling the shantytowns of Mexico City, people got together and stopped the music, just to London, Tokyo and other financial centers. Mayan peasants supported the uprising, which let'em know we won't be trifled with? No, I don't think anybody wants to see the return began on the day NAFTA went into effect. -
Pure Psychic Chance Radio: 2016 Jim Leftwich
Pure Psychic Chance Radio: 2016 Jim Leftwich Table of Contents Pure Psychic Chance Radio: Essays 2016 1. Permission slips: Thinking and breathing among John Crouse's UNFORBIDDENS 2. ACTs (improvised moderate militiamen: "Makeshift merger provost!") 3. Applied Experimental Sdvigology / Theoretical and Historical Sdvigology 4. HOW DO YOU THINK IT FEELS: On The Memorial Edition of Frank O’Hara’s In Memory of My Feelings 5. mirror lungeyser: On Cy Twombly, Poems to the Sea XIX 6. My Own Crude Rituals 7. A Preliminary Historiography of an Imagined Ongoing: 1830, 1896, 1962, 2028... 8. In The Recombinative Syntax Zone. Two Bennett poems partially erased by Lucien Suel. In the Recombinative Grammar Zone. 9. Three In The Morning: Reading 2 Poems By Bay Kelley from LAFT 35 10. The Glue Is On The Sausage: Reading A Poem by Crag Hill in LAFT 32 11. My Wrong Notes: On Joe Maneri, Microtones, Asemic Writing, The Iskra, and The Unnecessary Neurosis of Influence 12. Noisic Elements: Micro-tours, The Stool Sample Ensemble, Speaking Zaum To Power 13. TOTAL ASSAULT ON THE CULTURE: The Fuck You APO-33, Fantasy Politics, Mis-hearing the MC5... 14. DIRTY VISPO: Da Vinci To Pollock To d.a.levy 15. WHERE DO THEY LEARN THIS STUFF? An email exchange with John Crouse 16. FURTHER SUBVERSION SEEMS IN ORDER: Reading Poems by Basinski, Ackerman and Surllama in LAFT 33 17. A Collage by Tom Cassidy, Sent With The MinneDaDa 1984 Mail Art Show Doc, Postmarked Minneapolis MN 07 Sep '16 18. DIRTY VISPO II (Henri Michaux, Christian Dotremont, derek beaulieu, Scott MacLeod, Joel Lipman on d.a.levy, Lori Emerson on the history of the term "dirty concrete poetry", Albert Ayler, Jungian mandalas) 19. -
Breaking Dawn Stephenie Meyer
Breaking Dawn Stephenie Meyer Copyright © 2008 by Stephenie Meyer All rights reserved. Except as permitted under the U.S. Copyright Act of 1976, no part of this publication may be reproduced, distributed, or transmitted in any form or by any means, or stored in a database or retrieval system, without the prior written permission of the publisher. Little, Brown and Company Hachette Book Group USA 237 Park Avenue, New York, NY 10017 Visit our Web site at www.lb-teens.com First eBook Edition: August 2008 Little, Brown and Company is a division of Hachette Book Group USA, Inc. The Little, Brown name and logo are trademarks of Hachette Book Group USA, Inc. Epigraph for Book Three from Empire by Orson Scott Card. A Tor Book. Published by Tom Doherty Associates, LLC. Copyright © 2006 by Orson Scott Card. Reprinted with permission of the author. The characters and events portrayed in this book are fictitious. Any similarity to real persons, living or dead, is coincidental and not intended by the author. ISBN: 978-0-316-03283-4 Contents BOOK ONE: BELLA Preface 1. Engaged 2. Long Night 3. Big Day 4. Gesture 5. Isle Esme 6. Distractions 7. Unexpected BOOK TWO: JACOB Preface 8. Waiting For The Damn Fight To Start Already 9. Sure As Hell Didn’t See That One Coming 10. Why Didn’t I Just Walk Away? Oh Right, Because I’m An Idiot. 11. The Two Things At The Very Top Of My Things-I-Never-Want-To-Do List 12. Some People Just Don’t Grasp The Concept Of “Unwelcome” 13. -
City Research Online
City Research Online City, University of London Institutional Repository Citation: Harper, A. (2016). "Backwoods": Rural Distance and Authenticity in Twentieth- Century American Independent Folk and Rock Discourse. Samples : Notizen, Projekte und Kurzbeiträge zur Popularmusikforschung(14), This is the published version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/15578/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] Online-Publikationen der Gesellschaft für Popularmusikforschung / German Society for Popular Music Studies e. V. Hg. v. Ralf von Appen, André Doehring u. Thomas Phleps www.g f pm- samples.de/Samples1 4 / harper.pdf Jahrgang 14 (2015) – Version vom 5.10.2015 »BACKWOODS«: RURAL DISTANCE AND AUTHENTICITY IN TWENTIETH-CENTURY AMERICAN INDEPENDENT FOLK AND ROCK DISCOURSE Adam Harper My recently completed PhD research (Harper 2014) has been an effort to trace a genealogy of an aesthetic within popular music discourse often known as »lo-fi.« This term, suggesting the opposite of hi-fi or high fidelity, became widely used in the late 1980s and early 1990s to describe a move- ment within indie (or alternative) popular music that was celebrated for its being recorded outside of the commercial studio system, typically at home on less than optimal or top-of-the-range equipment. -
A History of Hip Hop in Halifax: 1985 - 1998
HOW THE EAST COAST ROCKS: A HISTORY OF HIP HOP IN HALIFAX: 1985 - 1998 by Michael McGuire Submitted in partial fulfilment of the requirements for the degree of Master of Arts at Dalhousie University Halifax, Nova Scotia August 2011 © Copyright by Michael McGuire, 2011 DALHOUSIE UNIVERSITY DEPARTMENT OF HISTORY The undersigned hereby certify that they have read and recommend to the Faculty of Graduate Studies for acceptance a thesis entitled “HOW THE EAST COAST ROCKS: A HISTORY OF HIP HOP IN HALIFAX: 1985 - 1998” by Michael McGuire in partial fulfilment of the requirements for the degree of Master of Arts. Dated: August 18, 2011 Supervisor: _________________________________ Readers: _________________________________ _________________________________ ii DALHOUSIE UNIVERSITY DATE: August 18, 2011 AUTHOR: Michael McGuire TITLE: How the East Coast Rocks: A History Of Hip Hop In Halifax: 1985 - 1998 DEPARTMENT OR SCHOOL: Department of History DEGREE: MA CONVOCATION: October YEAR: 2011 Permission is herewith granted to Dalhousie University to circulate and to have copied for non-commercial purposes, at its discretion, the above title upon the request of individuals or institutions. I understand that my thesis will be electronically available to the public. The author reserves other publication rights, and neither the thesis nor extensive extracts from it may be printed or otherwise reproduced without the author’s written permission. The author attests that permission has been obtained for the use of any copyrighted material appearing in the -
Trhc Cabct Rats Breakout!
Congratulations to the Class of 2000 Lotal Wwktiid Weithcr Farwiit; Friday - Hi: 64 Lo: 52 Partly Cloudy Saturday - Hi; 61 Lo; 27 Cloudy Sunday - Hi: 46 Lo: 26 Partly Cloudy trhc Cabct VOLUME LXXXIX Friday, 21 February 1997 ivl umber 15 News Briefs Latest Report on Coed Plan World Col. N.M, Bissell'61 Chainnan of Executive Committee Rats Breakout! Assimilation Plan Deng Xiaoping, the Chinese leader who opened the doors of com- The \'M1 Officc of .'Admissions re- munist China to a global market, but ports a continuing increase in the number remained vehemently anti-demo- Class of2000 is Formed of applicatioas for the Cla.ss of 2001. We cratic, died from complications of have currently received 797 applications, Parkinson's disease and an infected .AppRiMinately 500 of these hav e been of- lung on Thursday. He was 92. fered appointments. This repiesents a 25% increa.sc over last year. We have received Ten were indicted on charges 37 applications from fcMiiales and offered of bribery and corruption in a South aiipomuiients to 20, F ive of the feinale af>- Korean scandal that led to the demise plicants have reserved spots for next fall, of Hanbo steel. The company ulti- '•"his number should increase in the near mately bore a $6 billion debt. Chief futua-. Open House programs have been Prosecutor Choi Byung-kuk stated well alteiided by botli m;ile iind female pros- that those indicted included 3 aides pcx'ts, ITic next program is scheduled for of Kim Young-sam, president of sev- 21-22 March and currcntly 120 prospet1.s; eral prominent banks, and Hanbo have registered to attend. -
Indie Mixtape Subscribers Can Get 10% Off This Can't-Miss Set by Entering the Code JONI10 Checkout
:: View email as a web page :: The spring of 1995 was a crowded season in indie-rock history. Pavement dropped their polarizing third album, the willfully messy and frequently brilliant Wowee Zowee. Yo La Tengo continued their hit streak of low-key masterworks with Eletr-O-Pura. Illinois fuzz-rock quartet Hum hit hard with Youʼd Prefer An Astronaut, and Teenage Fanclub produced one of their finest jangle-pop efforts, Grand Prix. Wilco, Elastica, and Apples In Stereo put out well-regarded debuts. And Red House Painters hit a new high-water mark with Ocean Beach. But even in an era when classic indie records seemed to come out every week, there was nothing quite like Alien Lanes, the eighth full-length LP by a band from Dayton, Ohio called Guided By Voices. Released on April 4, 1995, Alien Lanes arrived with baked-in mythology. It had been supposedly recorded for just $10 in various concrete basements around Dayton by a group of blue-collar guys in their mid-30s. Uproxx dug into the history of this classic and produced this great oral history. -- Steven Hyden, Uproxx Cultural Critic and author of This Isn't Happening: Radiohead's "Kid A" And The Beginning Of The 21st Century OPENING TRACKS RINA SAWAYAMA This budding indie-pop star is among the buzziest acts to emerge this year, with an ear-catching single called “STFU” that’s like Carly Rae Jepsen if she spent years obsessing over Korn’s Follow The Leader. That pan-genre approach ultimately informs Sawayama — who was born in Japan and raised in London — and her aesthetic. -
Slanted and Enchanted Luxe and Reduxe Raritan
Slanted And Enchanted Luxe And Reduxe Raritan 1 / 6 Slanted And Enchanted Luxe And Reduxe Raritan 2 / 6 3 / 6 This license is for the sole purpose of enabling you to use the services provided by oath in the manner permitted by these terms and conditions or the terms of reference. nn But the bumpy pop pop of the album wakes up the Summer Babe Winter Version through to the pitiful poem poem here one of Malkmus texts and on countless other tracks it was a choir or a heartbeat-causing Plaintivitite breaks out of the hinges of Scratchy riffs and wobbly drums to harpish your heart Slanted and Enchanted are a beautiful refreshing disc.. Their music is written for people stuck in mosh pits because they do not belong to it and write about how such a mess on their blog is that no one reads and finds Sienfeld funny.. It a complex, convincing plate of full split riffs, strong melodies and cryptic melodies, and with all the noise and noise, Slanted and Enchanted hear sounds like hearing a distant college radio station melodies and hooks always flow back in and get out of the mix with Simple lines instead of full texts that pop up through the murmur. Rompler Vst Free Download You agree that if the fee-based service before expiration of the deadline in Requirements for any costs up to date of cancellation.. It a complex gripping plate full of broken riffs strong melodies and cryptic tunes and with all the whispers and static to Slanted and Enchanted sounds like hearing a distant college radio station - tunes and hooks float back in mix in with some lines instead of full text remastered appear throughout the disco and extended edition of Slanted and Enchanted with the original album Watery National Product EP Studio Outtakes Two John Peel Radio Sessions of 1992 and a live recording of Brixton Academy. -
Black & Brown Women of the Punk Underground
Sarah Lawrence College DigitalCommons@SarahLawrence Women's History Theses Women’s History Graduate Program 11-2018 Game Changers & Scene Makers: Black & Brown Women of the Punk Underground Courtney Aucone Sarah Lawrence College Follow this and additional works at: https://digitalcommons.slc.edu/womenshistory_etd Part of the Women's History Commons Recommended Citation Aucone, Courtney, "Game Changers & Scene Makers: Black & Brown Women of the Punk Underground" (2018). Women's History Theses. 37. https://digitalcommons.slc.edu/womenshistory_etd/37 This Thesis - Open Access is brought to you for free and open access by the Women’s History Graduate Program at DigitalCommons@SarahLawrence. It has been accepted for inclusion in Women's History Theses by an authorized administrator of DigitalCommons@SarahLawrence. For more information, please contact [email protected]. Game Changers & Scene Makers: Black & Brown Women of the Punk Underground Courtney Aucone Thesis Seminar Dr. Mary Dillard December 6, 2018 Submitted in partial completion of the Master of Arts Degree at Sarah Lawrence College, December 2018 Table of Contents: Acknowledgements……………………………………………………………………………………….…......1 Introduction…………………………………………………………………………………………………….…..2 v A Note on Methodology…………………………………………………………………………………21 Chapter I: “A Wave of History”…………………………………………………………………………... 26 Chapter II: The Underground…………………………………………………………………………….. 51 Chapter III: “Somos Chulas, No Somos Pendejas”: Negotiating Femininity & Power in the Underground……………………………..…………………………………………………………………70 -
The 100 Greatest Alternative Singles of the '90S - Part 2 (80 - 61)
The 100 Greatest Alternative Singles of the '90s - Part 2 (80 - 61) popmatters.com /feature/the-100-greatest-alternative-singles-of-the-90s-part-2-80-61/ by Chris Gerard 14 July 2016 The second part of our examination of the 100 Greatest Alternative Singles of the '90s includes Pavement, Suzanne Vega, Morrissey, Dinosaur Jr., and more. 1/4 80. Sisters of Mercy - “More” (1990) Jim Steinman, famed writer and producer of wonderfully overblown theatrical rock like Meat Loaf’s Bat Out of Hell, Bonnie Tyler’s “Total Eclipse of the Heart” and Celine Dion’s “It’s All Coming Back to Me Now”, was a natural fit to produce the electronic goth-dance epic “More” by Sisters of Mercy. They are, after all, a band never afraid to go way, way over the top, which is just where Jim Steinman likes it. “More” is the soundtrack to a vampire nightclub, played deep in the night while black-garbed ghouls flit gracefully about the shadowy dance-floor, lightning flickering overhead. The album version stretches for over eight minutes, but the single mix really delivers all that you need. Starting with bracing jolts of synth, “More” builds slowly from a piano base with half-whispered vocals before exploding with the chorus “I want more!” and seemingly incongruously soulful vamping that somehow works despite belonging to another sonic dimension. Andrew Eldritch’s mordant growl is a tense counterpoint to the soaring backing vocals. Electronic strings and treated piano help to build a darkly atmospheric backdrop while Eldritch half-whispers the verses with as much drama as he can muster.