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Nghiên Cứu Công Nghệ Flex, Ứng Dụng Xây Dựng Phần Mềm Quản Lý Trắc Nghiệm Cho Khoa Cntt Trường Đh Tdm
TRƯỜNG ĐẠI HỌC THỦ DẦU MỘT KHOA CÔNG NGHỆ THÔNG TIN BÁO CÁO TỔNG KẾT ĐỀ TÀI KHOA HỌC VÀ CÔNG NGHỆ CẤP TRƯỜNG NGHIÊN CỨU CÔNG NGHỆ FLEX, ỨNG DỤNG XÂY DỰNG PHẦN MỀM QUẢN LÝ TRẮC NGHIỆM CHO KHOA CNTT TRƯỜNG ĐH TDM Mã số: Chủ nhiệm đề tài: KS. Bùi Sỹ Vương Báo cáo tổng kết đề tài: Nghiên cứu công nghệ Flex, ứng dụng xây dựng phần mềm quản lý trắc nghiệm cho khoa Công nghệ thông tin Trường ĐHThủ Dầu Một Bình Dương, 03/2013 Chủ nhiệm đề tài: KS. Bùi Sỹ Vương Trang 2 TRƯỜNG ĐẠI HỌC THỦ DẦU MỘT KHOA CÔNG NGHỆ THÔNG TIN BÁO CÁO TỔNG KẾT ĐỀ TÀI KHOA HỌC VÀ CÔNG NGHỆ CẤP TRƯỜNG NGHIÊN CỨU CÔNG NGHỆ FLEX, ỨNG DỤNG XÂY DỰNG PHẦN MỀM QUẢN LÝ TRẮC NGHIỆM CHO KHOA CNTT TRƯỜNG ĐH THỦ DẦU MỘT Mã số: Xác nhận của đơn vị chủ trì đề tài Chủ nhiệm đề tài (chữ ký, họ và tên) (chữ ký, họ và tên) ThS. Đinh Thị Thu Hương KS. Bùi Sỹ Vương Báo cáo tổng kết đề tài: Nghiên cứu công nghệ Flex, ứng dụng xây dựng phần mềm quản lý trắc nghiệm cho khoa Công nghệ thông tin Trường ĐHThủ Dầu Một Bình Dương, 03/2013 Chủ nhiệm đề tài: KS. Bùi Sỹ Vương Trang 1 Báo cáo tổng kết đề tài: Nghiên cứu công nghệ Flex, ứng dụng xây dựng phần mềm quản lý trắc nghiệm cho khoa Công nghệ thông tin Trường ĐHThủ Dầu Một MỤC LỤC DANH MỤC BẢNG BIỂU, HÌNH ẢNH .......................................................................... -
Phlltl'suphy, Robotics And'ftid . Dr
PASADENA, CALIFORNIA DECEMBER 9, 2002 Despite Invitation, Students Absent in Post.."Vectors Meeting nary meetings. the issue could wait no longer, oft By PHIL ~RN~T To students' deIi,ght,: Dr. BalJi- November 26th, Jo,u siqe~tepped ,' Stuae~ts \Von a majqr victort'last more ultimate!y tejected, V~etOl'S,. ~he ASCIT-mc standstill to. hand -::rifoi1fIiwilt5n Irrstitute'·Art-Corrimit-: Meanwhile, students-soughtto right select Ryan McDaniel '03 for the . z- ~"~ - ''"imn'7a6.Pl'etr'&'PeTlJna:-,:lip- "'past'wrongs- 'aQo.:this·time around. p'6~ition. There were sufficient ~Ast:I:r-,Ji'(f"mptiQn-,toIsea~-',in~r.t·a represen.tative'''ih''tfiemeet-' 'votes from the ASCIT BoD' in fa~ .... ' ", "trepJ¢se'n~Slti~e-?n ~~ d5~~' '~~gs 0ft~t?IAC alm.ed at select~ng vor of McDatliel to confirm his se- mittee',charged WIth selectmg a re- a replacement for Vectors. lection. piacement for Veciors. - ASGIT President Ted Jou '03 Last week, however, the Institute However, despite an explicit in- asked Pietro Perona, tht< temporary: Art Committee reconvened for the vitation, student leaders cited mis'- chair of the lAC, if he would con- first time since Baltimore's cancel D, Korta/The California Tech communication in their failure to sider the possibility of allowing a Humanities chairperson Jean Ensminger has rejected a second, last send a representative to last week's student to serve on the committee. Continued on Page 4, Column 1 ditch, Hail-Mary student petition to reinstate dismissed popular Rus first lAC meeting, raising concerns Dr. Perona, after debating Jou's sian literature and language professor George Cheron. -
Lado a Capítulo 1
Licenciatura en Comunicación y Cultura Compañías Discográficas Independientes: Las indies como propuesta alternativa de industria cultural en la Ciudad de México Trabajo recepcional que para obtener el título de Licenciado en Comunicación y Cultura Presenta Edgar Hugo Navarro Corona Directora de trabajo recepcional Mtra. Graciela Martínez Matías México D.F. Agosto 2010 SISTEMA BIBLIOTECARIO DE INFORMACIÓN Y DOCUMENTACIÓN UNIVERSIDAD AUTÓNOMA DE LA CIUDAD DE MÉXICO COORDINACIÓN ACADÉMICA RESTRICCIONES DE USO PARA LAS TESIS DIGITALES DERECHOS RESERVADOS© La presente obra y cada uno de sus elementos está protegido por la Ley Federal del Derecho de Autor; por la Ley de la Universidad Autónoma de la Ciudad de México, así como lo dispuesto por el Estatuto General Orgánico de la Universidad Autónoma de la Ciudad de México; del mismo modo por lo establecido en el Acuerdo por el cual se aprueba la Norma mediante la que se Modifican, Adicionan y Derogan Diversas Disposiciones del Estatuto Orgánico de la Universidad de la Ciudad de México, aprobado por el Consejo de Gobierno el 29 de enero de 2002, con el objeto de definir las atribuciones de las diferentes unidades que forman la estructura de la Universidad Autónoma de la Ciudad de México como organismo público autónomo y lo establecido en el Reglamento de Titulación de la Universidad Autónoma de la Ciudad de México. Por lo que el uso de su contenido, así como cada una de las partes que lo integran y que están bajo la tutela de la Ley Federal de Derecho de Autor, obliga a quien haga uso de la presente obra a considerar que solo lo realizará si es para fines educativos, académicos, de investigación o informativos y se compromete a citar esta fuente, así como a su autor ó autores. -
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Artist Song 2 Unlimited Maximum Overdrive 2 Unlimited Twilight Zone 2Pac All Eyez On Me 3 Doors Down When I'm Gone 3 Doors Down Away From The Sun 3 Doors Down Let Me Go 3 Doors Down Behind Those Eyes 3 Doors Down Here By Me 3 Doors Down Live For Today 3 Doors Down Citizen Soldier 3 Doors Down Train 3 Doors Down Let Me Be Myself 3 Doors Down Here Without You 3 Doors Down Be Like That 3 Doors Down The Road I'm On 3 Doors Down It's Not My Time (I Won't Go) 3 Doors Down Featuring Bob Seger Landing In London 38 Special If I'd Been The One 4him The Basics Of Life 98 Degrees Because Of You 98 Degrees This Gift 98 Degrees I Do (Cherish You) 98 Degrees Feat. Stevie Wonder True To Your Heart A Flock Of Seagulls The More You Live The More You Love A Flock Of Seagulls Wishing (If I Had A Photograph Of You) A Flock Of Seagulls I Ran (So Far Away) A Great Big World Say Something A Great Big World ft Chritina Aguilara Say Something A Great Big World ftg. Christina Aguilera Say Something A Taste Of Honey Boogie Oogie Oogie A.R. Rahman And The Pussycat Dolls Jai Ho Aaliyah Age Ain't Nothing But A Number Aaliyah I Can Be Aaliyah I Refuse Aaliyah Never No More Aaliyah Read Between The Lines Aaliyah What If Aaron Carter Oh Aaron Aaron Carter Aaron's Party (Come And Get It) Aaron Carter How I Beat Shaq Aaron Lines Love Changes Everything Aaron Neville Don't Take Away My Heaven Aaron Neville Everybody Plays The Fool Aaron Tippin Her Aaron Watson Outta Style ABC All Of My Heart ABC Poison Arrow Ad Libs The Boy From New York City Afroman Because I Got High Air -
Student Association Won't Make Decision on Smoking R. Space
fWff&fJ!'!'!'!'!'!'!'*!1!'!!'!'!!!'!!!*'**'* <WWW»«WWW*IW¥WWW»IWWHWW»¥mWWW»»W»WW»WW»»l •..&% 'K^wS^i | .'.M.'.'.M.M.'.M.W.'.'.M.M' i WJ mmniK- •*^l f^^>f^ffflv>>f^f^ft'^^!'!>!>^ff>>^^^:••. /r Student Association won't make decision on smoking fly C/iflrf Sirovina Thus, the senate felt they consensus against the cigarette sales in the union puses in the UW system have could not act on the proposal Chancellor's proposal. would be about $300,000. gone smoke-free over the past In a resolution passed on but recommended that the two "Most of us are against it," "Everybody is looking at couple of years. Unlike the March 3, the Student Associa organizations look into the Johnson said. the cost," said Johnson. UWM situation, however, tion Senate chose not to act on smoking policies of the build According to Johnson, the Johnson also said that the these campuses received some University of Wisconsin-Mil ings that they are in charge of. UPB is slanted more toward UPB was refraining from mak kind of input from the general waukee Chancellor John H. "I would eliminate smoking having restricted areas for ing any major decisions until student body, not just the stu Schroeder's proposal to make in every area of every build smoking that would be well the Chancellor decides on his dent government organizations the entire campus smoke-free, ing," Schroeder said at the Feb. ventilated and possibly have policy, because he could over on campus. citing a lack of authority as the 26 senate meeting when he re smoke-eaters. -
“What Happened to the Post-War Dream?”: Nostalgia, Trauma, and Affect in British Rock of the 1960S and 1970S by Kathryn B. C
“What Happened to the Post-War Dream?”: Nostalgia, Trauma, and Affect in British Rock of the 1960s and 1970s by Kathryn B. Cox A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music Musicology: History) in the University of Michigan 2018 Doctoral Committee: Professor Charles Hiroshi Garrett, Chair Professor James M. Borders Professor Walter T. Everett Professor Jane Fair Fulcher Associate Professor Kali A. K. Israel Kathryn B. Cox [email protected] ORCID iD: 0000-0002-6359-1835 © Kathryn B. Cox 2018 DEDICATION For Charles and Bené S. Cox, whose unwavering faith in me has always shone through, even in the hardest times. The world is a better place because you both are in it. And for Laura Ingram Ellis: as much as I wanted this dissertation to spring forth from my head fully formed, like Athena from Zeus’s forehead, it did not happen that way. It happened one sentence at a time, some more excruciatingly wrought than others, and you were there for every single sentence. So these sentences I have written especially for you, Laura, with my deepest and most profound gratitude. ii ACKNOWLEDGMENTS Although it sometimes felt like a solitary process, I wrote this dissertation with the help and support of several different people, all of whom I deeply appreciate. First and foremost on this list is Prof. Charles Hiroshi Garrett, whom I learned so much from and whose patience and wisdom helped shape this project. I am very grateful to committee members Prof. James Borders, Prof. Walter Everett, Prof. -
Still Drinking
Vol. 7 march 2015 — issue 3 issue INSIDE: INTROVISIONAIRE - todd on film - STILL DRINKING - ask creepy horse you’re not punk & I’m telling everyone - how to be an asshole - keurig blitzkrieg - lighter side of nuthin - record reviews - concert calendar YOU’RE NOT PUNK & I’M TELLING EVERYONE: ALL THE WORLD’S A STAGE MOTHERFUCKER I was younger, I used to get real excited by band reunions. I 979Represent is a local magazine thought it was cool that I would get a chance to see a band play that was before my time. I was far too young and inexperienced for the discerning dirtbag. in my own band trials that I didn’t realize why bands break up in the first place. I mean when you’re 14 or 15 all you really want to do is play, you can’t possibly see things like drugs, girlfriends or Editorial bored money and ego come into the mix. Then you grow up and get Kelly Minnis - Kevin Still real. Bands break up for exactly those reasons. After a few years it just becomes harder to find people who just want to play for the way it makes you feel, and if you do find that group of peo- ple, you never need to worry about breaking up because you Art Splendidness never do. As for reunions… they come off as a bit underwhelm- Katie Killer - Wonko The Sane ing. I have been to very few reunion shows where I caught that old magic, and even then it had to be a one time reunion, just for nostalgic purposes. -
VMI Architectural Preservation Master Plan
Preservation Master Plan Virginia Military Institute Lexington, Virginia PREPARED BY: JOHN MILNER ASSOCIATES, INC. West Chester, Pennsylvania Kimberly Baptiste, MUP Krista Schneider, ASLA Lori Aument Clare Adams, ASLA Jacky Taylor FINAL REPORT – JANUARY 2007 ACKNOWLEDGEMENTS Preservation Master Plan Virginia Military Institute The funding for the preparation of the Preservation Master Plan for Virginia Military Institute was provided by a generous grant from: The Getty Foundation Campus Heritage Grant Program Los Angeles, California Throughout the course of the planning process, John Milner Associates, Inc. was supported and assisted by many individuals who gave generously of their time and knowledge to contribute to the successful development of the Preservation Master Plan. Special thanks and acknowledgement are extended to: VMI ADVISORY COMMITTEE MEMBERS • COL Keith Gibson, Director of VMI Museum Operations and Preservation Officer, Chair • COL Bill Badgett, Professor of Fine Arts and Architecture • COL Tom Davis, Professor of History • COL Tim Hodges, Professor of Engineering • LTC Dale Brown, Director of Construction • LTC Jay Williams, Post Engineer • MAJ Dallas Clark, VMI Planning Officer VMI FACULTY AND STAFF MEMBERS • COL Diane Jacob, Head of Archives and Records • Mr. Rick Parker, VMI Post Draftsman OTHER ACKNOWLEDGEMENTS • All historic images and photographs included within this report are courtesy of the Virginia Military Institute Archives. • All planning and construction documents reviewed during the course of this project -
First Effort at 2009 Track Guide:Layout 1.Qxd
VMI Facilities ALUMNI MEMORIAL FIELD AT FOSTER STADIUM PATCHIN FIELD GRAY-MINOR STADIUM SPRINTURF FIELD CORMACK FIELD HOUSE/READ ‘16 MEM. TRACK FOSTER STADIUM - LACROSSE COCKE HALL - THE THUNDERDOME CAMERON HALL <20> VMI TRACK & FIELD 2008-09 www.vmikeydets.com Track & Field Facilities Keydet track and field athletes have the benefit of track coach who guided the Keydets for 25 years Another important tool in the training of VMI ath- being able to train year-round in some of the finest and started the Winter Relays. Cormack Field letes was brought to a new level in 1995 with a track facilities in Virginia and the region. House features a newly resurfaced 200-meter massive renovation and refurbishing of the Charles banked APS Tartan track and newly renovated lock- S. Luck ’20 Memorial Weight Room, located in The H.M. “Son” Read ’16 Memorial Track is the er rooms that house both the VMI men’s and Cocke Hall. With over 7,000 square feet of space, most recent jewel added to on-post facilities. In women’s track teams. 35 Southern Conference the Luck Weight Room now contains over 15,000 1986, the outdoor track was converted from six to Indoor Championships have been held in the build- lbs. of free weights, and 2,000 lbs. of dumbbell eight lanes, and from 440 yards to 400 meters. It ing that will continue to play an important role in weights. Over 70 pieces of free weight training was recently recovered with a new polyurethane the Keydet Track and Field program. equipment are available for the use of the student- surface. -
The Beatles on Film
Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.ddb.de © 2008 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Layout by: Kordula Röckenhaus, Bielefeld Edited by: Roland Reiter Typeset by: Roland Reiter Printed by: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-885-8 2008-12-11 13-18-49 --- Projekt: transcript.titeleien / Dokument: FAX ID 02a2196899938240|(S. 4 ) T00_04 impressum - 885.p 196899938248 CONTENTS Introduction 7 Beatles History – Part One: 1956-1964 -
© 2017 Star Party Karaoke 17 Cross Canadian Ragweed 45 Shinedown 98.6 Keith 247 Artful Dodger Feat
Numbers Song Title © 2017 Star Party Karaoke 17 Cross Canadian Ragweed 45 Shinedown 98.6 Keith 247 Artful Dodger Feat. Melanie Blatt 409 Beach Boys, The 911 Wyclef Jean & Mary J Blige 1969 Keith Stegall 1979 Smashing Pumpkins, The 1982 Randy Travis 1985 Bowling For Soup 1999 Prince 1999 Wilkinsons, The 5678 Step #1 Crush Garbage 1, 2 Step Ciara Feat. Missy Elliott 1, 2, 3 Redlight 1910 Fruitgum Co 10 Days Late Third Eye Blind 10,000 Promises Backstreet Boys, The 100 Years Five For Fighting 100 Years From Now Huey Lewis & The News 100% Chance Of Rain Gary Morris 100% Pure Love Crystal Waters 16th Avenue Lacy J Dalton 18 & Life Skid Row 18 Till I Die Bryan Adams 18 Yellow Roses Bobby Darin 19-2000 Gorillaz 19th Nervous Breakdown Rolling Stones, The 2 Become 1 Spice Girls, The 20 Good Reasons Thirsty Merc 20th Century Fox Doors, The 21 Questions 50 Cent Feat Nate Dogg 24 Hours At A Time Marshall Tucker Band, The 24-7 Kevon Edmonds 25 Miles Edwin Starr 25 Minutes Michael Learns To Rock 25 Minutes To Go Johnny Cash 25 Or 6 To 4 Chicago 26 Cents Wilkinsons, The 29 Nights Danni Leigh 29 Palms Robert Plant 3 Strange Days School Of Fish 30 Days In The Hole Humble Pie 30,000 Pounds Of Bananas Harry Chapin 32 Flavours Alana Davis 4 In The Morning Gwen Stefani 4 Seasons Of Loneiness Boyz 2 Men 4 To 1 In Atlanta Tracy Byrd 4+20 Crosby, Stills, Nash & Young 42nd Street Broadway Show “42nd Street” 455 Rocket Kathy Mattea 4th Of July Shooter Jennings 5 Miles To Empty Brownstone 50,000 Names George Jones 50/50 Lemar 500 Miles (Away From Home) Bobby Bare -
By Mike Cooper
MUSK N O M By Mike Cooper Cede/la Marley Booker, the mother of the late Bob Marley, has been working Henry Rollins says his most important literary inspiration has been author Henry ou d third album al the Tuff Gong studios in Jamaica. The LP's called "My Altar," Miller. "I saw a real literary outlaw making books that moved me," Rollins says. "I reflecting its spiritual content, she says. "There are feelings for every mood," read the 'Tropics' and 'Black Spring' and I said, 'Wow!' I never realized how much Booker says. "When you listen to it, when you're up, it's there with you, and when literature could impact on life. I read Hemingway and Steinbeck, and they were you're down, it's there with you. It's just my personal feeling I put out there, that great. Then I read Miller, and I didn't want to sleep anymore, because he's so one can, you know, relax and overcome things just in a spiritual way and just sing inspiring and alive." Rollins says he thinks of himself as an outsider, as did Miller. them out. Sing them out when things come to you and when you feel the pressure "I am very much against a lot of what American culture and this civilization is and things, and it will mean so much joy and gladness to your heart. So that's about. But I'm not about to burn Bank of America or take people out. I put myself what I do. I want to share that to the world." The LP is being produced by her on the hero side of things.