Lado a Capítulo 1
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Phlltl'suphy, Robotics And'ftid . Dr
PASADENA, CALIFORNIA DECEMBER 9, 2002 Despite Invitation, Students Absent in Post.."Vectors Meeting nary meetings. the issue could wait no longer, oft By PHIL ~RN~T To students' deIi,ght,: Dr. BalJi- November 26th, Jo,u siqe~tepped ,' Stuae~ts \Von a majqr victort'last more ultimate!y tejected, V~etOl'S,. ~he ASCIT-mc standstill to. hand -::rifoi1fIiwilt5n Irrstitute'·Art-Corrimit-: Meanwhile, students-soughtto right select Ryan McDaniel '03 for the . z- ~"~ - ''"imn'7a6.Pl'etr'&'PeTlJna:-,:lip- "'past'wrongs- 'aQo.:this·time around. p'6~ition. There were sufficient ~Ast:I:r-,Ji'(f"mptiQn-,toIsea~-',in~r.t·a represen.tative'''ih''tfiemeet-' 'votes from the ASCIT BoD' in fa~ .... ' ", "trepJ¢se'n~Slti~e-?n ~~ d5~~' '~~gs 0ft~t?IAC alm.ed at select~ng vor of McDatliel to confirm his se- mittee',charged WIth selectmg a re- a replacement for Vectors. lection. piacement for Veciors. - ASGIT President Ted Jou '03 Last week, however, the Institute However, despite an explicit in- asked Pietro Perona, tht< temporary: Art Committee reconvened for the vitation, student leaders cited mis'- chair of the lAC, if he would con- first time since Baltimore's cancel D, Korta/The California Tech communication in their failure to sider the possibility of allowing a Humanities chairperson Jean Ensminger has rejected a second, last send a representative to last week's student to serve on the committee. Continued on Page 4, Column 1 ditch, Hail-Mary student petition to reinstate dismissed popular Rus first lAC meeting, raising concerns Dr. Perona, after debating Jou's sian literature and language professor George Cheron. -
Partyman by Title
Partyman by Title #1 Crush (SCK) (Musical) Sound Of Music - Garbage - (Musical) Sound Of Music (SF) (I Called Her) Tennessee (PH) (Parody) Unknown (Doo Wop) - Tim Dugger - That Thing (UKN) 007 (Shanty Town) (MRE) Alan Jackson (Who Says) You - Can't Have It All (CB) Desmond Decker & The Aces - Blue Oyster Cult (Don't Fear) The - '03 Bonnie & Clyde (MM) Reaper (DK) Jay-Z & Beyonce - Bon Jovi (You Want To) Make A - '03 Bonnie And Clyde (THM) Memory (THM) Jay-Z Ft. Beyonce Knowles - Bryan Adams (Everything I Do) I - 1 2 3 (TZ) Do It For You (SCK) (Spanish) El Simbolo - Carpenters (They Long To Be) - 1 Thing (THM) Close To You (DK) Amerie - Celine Dion (If There Was) Any - Other Way (SCK) 1, 2 Step (SCK) Cher (This Is) A Song For The - Ciara & Missy Elliott - Lonely (THM) 1, 2, 3, 4 (I Love You) (CB) Clarence 'Frogman' Henry (I - Plain White T's - Don't Know Why) But I Do (MM) 1, 2, 3, 4, Sumpin' New (SF) Cutting Crew (I Just) Died In - Coolio - Your Arms (SCK) 1,000 Faces (CB) Dierks Bentley -I Hold On (Ask) - Randy Montana - Dolly Parton- Together You And I - (CB) 1+1 (CB) Elvis Presley (Now & Then) - Beyonce' - There's A Fool Such As I (SF) 10 Days Late (SCK) Elvis Presley (You're So Square) - Third Eye Blind - Baby I Don't Care (SCK) 100 Kilos De Barro (TZ) Gloriana (Kissed You) Good - (Spanish) Enrique Guzman - Night (PH) 100 Years (THM) Human League (Keep Feeling) - Five For Fighting - Fascination (SCK) 100% Pure Love (NT) Johnny Cash (Ghost) Riders In - The Sky (SCK) Crystal Waters - K.D. -
Dur 13/08/2021
E VIERNES 13 DE AGOSTO DE 2021 [email protected] “Nunca te vayas”, la nueva odisea de Chetes El artista regio lanza mento de la grabación. La foto- ¿Sabías sencillo luego de un grafía también se hizo de manera análoga, superponiendo una ima- que...? proceso complejo de gen sobre otra. Aquí observamos El tema llega junto a “Detrás a Chetes en medio de lo que pare- producción. de la odisea”, un documental DECORTESÍA AGENCIAS ce ser una caja que registra la donde muestra cómo grabó voz. Esta caja está parada, lo que su nuevo disco. Portada del nuevo disco del músico mexicano. DANIELA LOMAS ALMAGUER da el efecto de proyectar la salida EL SIGLO DE DURANGO de voz hacia la boca. Durango Hasta ahora, los temas promo- Carrera cionales de este material son “Au- Unodelosmayoreséxitos Luego de su primer sencillo en llando a la luna”, “Perdí la cabe- de Chetes fue el disco años titulado “Alto riesgo”, el can- za”, “Será”, y “Campeón”. “Blanco fácil” con el que tante mexicano Chetes sigue traba- Los más de 20 años de carrera pasó a formar parte de La jando en música nueva y seguir no le impiden a Chetes traer al pre- Avanzada Regia. dando lo mejor para sus fans. sente herramientas como las gra- Y es ahora con el tema “Nunca te badoras análogas que habían que- vayas”, que el regio vuelve a expo- dado en la memoria de todo aman- Colaboraciones ner las emociones recargadas en el te de la música. En “Odisea magnética” temor a las despedidas, algo que ca- Todo el trabajo de “Odisea participaron los músicos si nunca se está preparado. -
Pure Psychic Chance Radio: 2016 Jim Leftwich
Pure Psychic Chance Radio: 2016 Jim Leftwich Table of Contents Pure Psychic Chance Radio: Essays 2016 1. Permission slips: Thinking and breathing among John Crouse's UNFORBIDDENS 2. ACTs (improvised moderate militiamen: "Makeshift merger provost!") 3. Applied Experimental Sdvigology / Theoretical and Historical Sdvigology 4. HOW DO YOU THINK IT FEELS: On The Memorial Edition of Frank O’Hara’s In Memory of My Feelings 5. mirror lungeyser: On Cy Twombly, Poems to the Sea XIX 6. My Own Crude Rituals 7. A Preliminary Historiography of an Imagined Ongoing: 1830, 1896, 1962, 2028... 8. In The Recombinative Syntax Zone. Two Bennett poems partially erased by Lucien Suel. In the Recombinative Grammar Zone. 9. Three In The Morning: Reading 2 Poems By Bay Kelley from LAFT 35 10. The Glue Is On The Sausage: Reading A Poem by Crag Hill in LAFT 32 11. My Wrong Notes: On Joe Maneri, Microtones, Asemic Writing, The Iskra, and The Unnecessary Neurosis of Influence 12. Noisic Elements: Micro-tours, The Stool Sample Ensemble, Speaking Zaum To Power 13. TOTAL ASSAULT ON THE CULTURE: The Fuck You APO-33, Fantasy Politics, Mis-hearing the MC5... 14. DIRTY VISPO: Da Vinci To Pollock To d.a.levy 15. WHERE DO THEY LEARN THIS STUFF? An email exchange with John Crouse 16. FURTHER SUBVERSION SEEMS IN ORDER: Reading Poems by Basinski, Ackerman and Surllama in LAFT 33 17. A Collage by Tom Cassidy, Sent With The MinneDaDa 1984 Mail Art Show Doc, Postmarked Minneapolis MN 07 Sep '16 18. DIRTY VISPO II (Henri Michaux, Christian Dotremont, derek beaulieu, Scott MacLeod, Joel Lipman on d.a.levy, Lori Emerson on the history of the term "dirty concrete poetry", Albert Ayler, Jungian mandalas) 19. -
CORRIDO NORTEÑO Y METAL PUNK. ¿Patrimonio Musical Urbano? Su Permanencia En Tijuana Y Sus Transformaciones Durante La Guerra Contra Las Drogas: 2006-2016
CORRIDO NORTEÑO Y METAL PUNK. ¿Patrimonio musical urbano? Su permanencia en Tijuana y sus transformaciones durante la guerra contra las drogas: 2006-2016. Tesis presentada por Pedro Gilberto Pacheco López. Para obtener el grado de MAESTRO EN ESTUDIOS CULTURALES Tijuana, B. C., México 2016 CONSTANCIA DE APROBACIÓN Director de Tesis: Dr. Miguel Olmos Aguilera. Aprobada por el Jurado Examinador: 1. 2. 3. Obviamente a Gilberto y a Roselia: Mi agradecimiento eterno y mayor cariño. A Tania: Porque tú sacrificio lo llevo en mi corazón. Agradecimientos: Al apoyo económico recibido por CONACYT y a El Colef por la preparación recibida. A Adán y Janet por su amistad y por al apoyo desde el inicio y hasta este último momento que cortaron la luz de mi casa. Los vamos a extrañar. A los músicos que me regalaron su tiempo, que me abrieron sus hogares, y confiaron sus recuerdos: Fernando, Rosy, Ángel, Ramón, Beto, Gerardo, Alejandro, Jorge, Alejandro, Taco y Eduardo. Eta tesis no existiría sin ustedes, los recordaré con gran afecto. Resumen. La presente tesis de investigación se inserta dentro de los debates contemporáneos sobre cultura urbana en la frontera norte de México y se resume en tres grandes premisas: la primera es que el corrido y el metal forman parte de dos estructuras musicales de larga duración y cambio lento cuya permanencia es una forma de patrimonio cultural. Para desarrollar esta premisa se elabora una reconstrucción historiográfica desde la irrupción de los géneros musicales en el siglo XIX, pasando a la apropiación por compositores tijuanenses a mediados del siglo XX, hasta llegar al testimonio de primera mano de los músicos contemporáneos. -
Mexico City Rock Band Mexrrissey Plays Morrissey’S Greatest Hits in Supercharged Tribute
Tweet it! Who’s ready to #MexMoz? Hear Morrissey’s greatest hits like never before, from Mexico with love by @Mexrrissey at @KimmelCenter 10/29 Press Contact: Amanda Conte 215-790-5847 [email protected] MEXICO CITY ROCK BAND MEXRRISSEY PLAYS MORRISSEY’S GREATEST HITS IN SUPERCHARGED TRIBUTE OCTOBER 29, 2016 "A delightful horn-infused love letter to Morrissey’s best solo work.” – Uncut “A brilliant, vibrant take on the songs.” – The Independent FOR IMMEDIATE RELEASE (Philadelphia, PA, August 25, 2016) –– In Mexico, Morrissey is more than just a musician; his songs of love, loss, and longing have nestled their way into the hearts of generations. That love has resurfaced with a new energy through Mexican rock band Mexrrissey, a team of musical gunslingers from Mexico’s hottest bands. The group has taken the greatest hits of iconic artists Morrissey and The Smiths and reinvented them with Mexican flare. For one-night-only, these hits will be performed at the Kimmel Center’s Merriam Theater, on October 29 at 8:00 p.m. as part of the Kimmel Center’s Philly ¡En Vivo! series. “It takes great talent to reimagine beloved songs from a new cultural perspective and Mexrrissey has found a knack for that ability,” said Ed Cambron, Executive Vice President of the Kimmel Center for the Performing Arts. “The group provides a vibrant new twist on these songs with Mexican embellishments that help us to appreciate the music in new ways. The perfect addition to our Philly ¡En Vivo! series!” Mexrrissey, comprised of stars from Mexico’s rock and pop worlds, are known for their brass and string interpretations of Morrissey’s iconic songs. -
City Research Online
City Research Online City, University of London Institutional Repository Citation: Harper, A. (2016). "Backwoods": Rural Distance and Authenticity in Twentieth- Century American Independent Folk and Rock Discourse. Samples : Notizen, Projekte und Kurzbeiträge zur Popularmusikforschung(14), This is the published version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/15578/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] Online-Publikationen der Gesellschaft für Popularmusikforschung / German Society for Popular Music Studies e. V. Hg. v. Ralf von Appen, André Doehring u. Thomas Phleps www.g f pm- samples.de/Samples1 4 / harper.pdf Jahrgang 14 (2015) – Version vom 5.10.2015 »BACKWOODS«: RURAL DISTANCE AND AUTHENTICITY IN TWENTIETH-CENTURY AMERICAN INDEPENDENT FOLK AND ROCK DISCOURSE Adam Harper My recently completed PhD research (Harper 2014) has been an effort to trace a genealogy of an aesthetic within popular music discourse often known as »lo-fi.« This term, suggesting the opposite of hi-fi or high fidelity, became widely used in the late 1980s and early 1990s to describe a move- ment within indie (or alternative) popular music that was celebrated for its being recorded outside of the commercial studio system, typically at home on less than optimal or top-of-the-range equipment. -
A History of Hip Hop in Halifax: 1985 - 1998
HOW THE EAST COAST ROCKS: A HISTORY OF HIP HOP IN HALIFAX: 1985 - 1998 by Michael McGuire Submitted in partial fulfilment of the requirements for the degree of Master of Arts at Dalhousie University Halifax, Nova Scotia August 2011 © Copyright by Michael McGuire, 2011 DALHOUSIE UNIVERSITY DEPARTMENT OF HISTORY The undersigned hereby certify that they have read and recommend to the Faculty of Graduate Studies for acceptance a thesis entitled “HOW THE EAST COAST ROCKS: A HISTORY OF HIP HOP IN HALIFAX: 1985 - 1998” by Michael McGuire in partial fulfilment of the requirements for the degree of Master of Arts. Dated: August 18, 2011 Supervisor: _________________________________ Readers: _________________________________ _________________________________ ii DALHOUSIE UNIVERSITY DATE: August 18, 2011 AUTHOR: Michael McGuire TITLE: How the East Coast Rocks: A History Of Hip Hop In Halifax: 1985 - 1998 DEPARTMENT OR SCHOOL: Department of History DEGREE: MA CONVOCATION: October YEAR: 2011 Permission is herewith granted to Dalhousie University to circulate and to have copied for non-commercial purposes, at its discretion, the above title upon the request of individuals or institutions. I understand that my thesis will be electronically available to the public. The author reserves other publication rights, and neither the thesis nor extensive extracts from it may be printed or otherwise reproduced without the author’s written permission. The author attests that permission has been obtained for the use of any copyrighted material appearing in the -
Crinew Music Re Uoft
CRINew Music Re u oft SEPTEMBER 11, 2000 ISSUE 682 VOL. 63 NO. 12 WWW.CMJ.COM MUST HEAR Universal/NIP3.com Trial Begins With its lawsuit against MP3.com set to go inent on the case. to trial on August 28, Universal Music Group, On August 22, MP3.com settled with Sony the only major label that has not reached aset- Music Entertainment. This left the Seagram- tlement with MP3.com, appears to be dragging owned UMG as the last holdout of the major its feet in trying to reach a settlement, accord- labels to settle with the online company, which ing to MP3.com's lead attorney. currently has on hold its My.MP3.com service "Universal has adifferent agenda. They fig- — the source for all the litigation. ure that since they are the last to settle, they can Like earlier settlements with Warner Music squeeze us," said Michael Rhodes of the firm Group, BMG and EMI, the Sony settlement cov- Cooley Godward LLP, the lead attorney for ers copyright infringements, as well as alicens- MP3.com. Universal officials declined to corn- ing agreement allowing (Continued on page 10) SHELLAC Soundbreak.com, RIAA Agree Jurassic-5, Dilated LOS AMIGOS INVIWITI3LES- On Webcasting Royalty Peoples Go By Soundbreak.com made a fast break, leaving the pack behind and making an agreement with the Recording Word Of Mouth Industry Association of America (RIAA) on aroyalty rate for After hitting the number one a [digital compulsory Webcast license]. No details of the spot on the CMJ Radio 200 and actual rate were released. -
Cartel Cosquin Rock Chile 2018
CARTEL COSQUIN ROCK CHILE 2018 CYPRESS HILL & MIX MASTER MIKE Con 30 años de carrera, Cypress Hill se convirtió en unas de las agrupaciones Más exitosas del hip hop y con Mayor presencia fuera de EE. UU., gracias a canciones coMo “Insane in the Brain”, “(Rock) Superstar” y “Rise Up”. SieMpre ligados a la cultura latina, los inconfundibles B-Real, Sen Dog y Eric Bobo llegarán por quinta vez a Chile. Su Muy calurosa relación con el público criollo sumará un nuevo hito, y esta vez lo harán con el histórico Mix Master Mike (Beastie Boys) en las tornaMesas. https://youtu.be/RijB8wnJCN0 SKA-P Han pasado Más de 3 años desde el últiMo concierto que este clásico del punk en español subió por últiMa vez a un escenario. Fue precisaMente en Chile, en novieMbre de 2014. Al año siguiente entrarían en una pausa indefinida por probleMas auditivos de su vocalista “Pulpul”, los que han encontrado solución y para este 2018 se espera su priMer disco desde “99%” en 2013. AdeMás, traen su batería de éxitos de Más de 2 décadas de carrera, entre los que se incluyen “Cannabis”, “Niño soldado” y “El Vals del Obrero”. https://youtu.be/KVoXbiyk124 MOLOTOV Un gigante del rock en español que no aMerita Mayor presentación. Durante 2017 conmeMoraron los 20 años de su ineludible disco debut “Dónde Jugarán las Niñas”, uno de los trabajos Más vendedores en la historia de la Música Mexicana. Su últiMa visita al país fue al festival Rock en Conce en 2016. Hace seManas grabaron su MTV Unplugged, para el que invitaron a la nacional Ana Tijoux. -
Redalyc.La Historicidad Del Paisaje Sonoro Y La Música Popular
Trans. Revista Transcultural de Música E-ISSN: 1697-0101 [email protected] Sociedad de Etnomusicología España Woodside, Julian La historicidad del paisaje sonoro y la música popular Trans. Revista Transcultural de Música, núm. 12, julio, 2008 Sociedad de Etnomusicología Barcelona, España Disponible en: http://www.redalyc.org/articulo.oa?id=82201221 Cómo citar el artículo Número completo Sistema de Información Científica Más información del artículo Red de Revistas Científicas de América Latina, el Caribe, España y Portugal Página de la revista en redalyc.org Proyecto académico sin fines de lucro, desarrollado bajo la iniciativa de acceso abierto La historicidad del paisaje sonoro y la música popular http://www.sibetrans.com/trans/trans12/art21.htm Revista Transcultural de Música Transcultural Music Review #12 (2008) ISSN:1697-0101 La historicidad del paisaje sonoro y la música popular Julian Woodside [email protected] Resumen En el día a día el paisaje sonoro y la música popular adquieren nuevos significados que estimulan una identidad y memoria colectivas. Por esto, el historiador tiene en las expresiones sonoras un campo poco explorado pero útil para comprender el intercambio simbólico y cultural de una comunidad. Lo que aquí se busca es identificar el valor histórico del paisaje sonoro y la música popular y discutir la idea de que éstos son universos simbólicos analizables desde una perspectiva semio-histórica. Posteriormente se habla de la existencia e historicidad de diversos discursos sonoros y la manera en que pueden ser considerados como documentos históricos. Finalmente se pone en práctica el marco teórico al estudiar la construcción de la identidad sonora en la Ciudad de México mediante una 12 breve “sonografía” o descripción sonora. -
Trhc Cabct Rats Breakout!
Congratulations to the Class of 2000 Lotal Wwktiid Weithcr Farwiit; Friday - Hi: 64 Lo: 52 Partly Cloudy Saturday - Hi; 61 Lo; 27 Cloudy Sunday - Hi: 46 Lo: 26 Partly Cloudy trhc Cabct VOLUME LXXXIX Friday, 21 February 1997 ivl umber 15 News Briefs Latest Report on Coed Plan World Col. N.M, Bissell'61 Chainnan of Executive Committee Rats Breakout! Assimilation Plan Deng Xiaoping, the Chinese leader who opened the doors of com- The \'M1 Officc of .'Admissions re- munist China to a global market, but ports a continuing increase in the number remained vehemently anti-demo- Class of2000 is Formed of applicatioas for the Cla.ss of 2001. We cratic, died from complications of have currently received 797 applications, Parkinson's disease and an infected .AppRiMinately 500 of these hav e been of- lung on Thursday. He was 92. fered appointments. This repiesents a 25% increa.sc over last year. We have received Ten were indicted on charges 37 applications from fcMiiales and offered of bribery and corruption in a South aiipomuiients to 20, F ive of the feinale af>- Korean scandal that led to the demise plicants have reserved spots for next fall, of Hanbo steel. The company ulti- '•"his number should increase in the near mately bore a $6 billion debt. Chief futua-. Open House programs have been Prosecutor Choi Byung-kuk stated well alteiided by botli m;ile iind female pros- that those indicted included 3 aides pcx'ts, ITic next program is scheduled for of Kim Young-sam, president of sev- 21-22 March and currcntly 120 prospet1.s; eral prominent banks, and Hanbo have registered to attend.