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Etriever Weekly
ETRIEVER WEEKLY "The possibility that journalists could be used as covers for intelligence operations should be forcefully and officially renounced by the president and also by congresion - alleaders ofintelligence committies. "-jimmy Carter 1000 Hilltop Circle, Baltimore, MD 21250 ---~~~~--------~----------------- SGA Interested in Increasing Involvement, Fundraising JOANA DE LA CRUZ rent members of the SGA House Until In-House elections are Retriever Weekly Staff Writer and Senate, who internally decide held, the SGA will work to how to fill an open position from resolve old matters remaining The Senate and the House of a pool of applicants. from last year. New matters will Organizations of the UMBC Freshman Elections will also become the focus of the SGA Student Government Association take place September 24-25. · after the remaining seats are have several open seats, and will Freshmen will only be eligible for filled. continue to have open seats until three new student positions in the However, the. current mem In-House Elections occur Senate. bers of the SGA Executive and September 24-25, according to "We are making some cabi Legislative branches do have Suran Desioba, the president of net positions where they will be plans for the future. The encour the SGA. The SGA Web site in charge of getting people to go agement of fundraising through shows five open seats in the to games and things of that sort. the House of Organizations is a House of Organizations and nine We want the students to be more key goal of this year's SGA, open seats in the SGA Senate. -
Phlltl'suphy, Robotics And'ftid . Dr
PASADENA, CALIFORNIA DECEMBER 9, 2002 Despite Invitation, Students Absent in Post.."Vectors Meeting nary meetings. the issue could wait no longer, oft By PHIL ~RN~T To students' deIi,ght,: Dr. BalJi- November 26th, Jo,u siqe~tepped ,' Stuae~ts \Von a majqr victort'last more ultimate!y tejected, V~etOl'S,. ~he ASCIT-mc standstill to. hand -::rifoi1fIiwilt5n Irrstitute'·Art-Corrimit-: Meanwhile, students-soughtto right select Ryan McDaniel '03 for the . z- ~"~ - ''"imn'7a6.Pl'etr'&'PeTlJna:-,:lip- "'past'wrongs- 'aQo.:this·time around. p'6~ition. There were sufficient ~Ast:I:r-,Ji'(f"mptiQn-,toIsea~-',in~r.t·a represen.tative'''ih''tfiemeet-' 'votes from the ASCIT BoD' in fa~ .... ' ", "trepJ¢se'n~Slti~e-?n ~~ d5~~' '~~gs 0ft~t?IAC alm.ed at select~ng vor of McDatliel to confirm his se- mittee',charged WIth selectmg a re- a replacement for Vectors. lection. piacement for Veciors. - ASGIT President Ted Jou '03 Last week, however, the Institute However, despite an explicit in- asked Pietro Perona, tht< temporary: Art Committee reconvened for the vitation, student leaders cited mis'- chair of the lAC, if he would con- first time since Baltimore's cancel D, Korta/The California Tech communication in their failure to sider the possibility of allowing a Humanities chairperson Jean Ensminger has rejected a second, last send a representative to last week's student to serve on the committee. Continued on Page 4, Column 1 ditch, Hail-Mary student petition to reinstate dismissed popular Rus first lAC meeting, raising concerns Dr. Perona, after debating Jou's sian literature and language professor George Cheron. -
Modest Mouse Live Issue 83
FEATURE AT !" MODEST MOUSE LIVE Fulsome beards on faces, fearsome tea-cosies on heads – this is indie rock. Text: Christopher Holder Nothing says ‘Indie Rock’ like two drummers on stage. EP: I approach mixing them by not getting in the way. Having someone play a drum over and over and over is It says, “anyone can have one drummer – one wage, counter-productive. For one thing, it simply won’t achieve one set of drum !ight cases, one riser, one ego – but we the result I’m a%er once the two drummers are playing choose to walk the path less travelled.” Mind you, there must !at-out. I could spend hours digging into something with be times when Modest Mouse would look wistfully on at EQ but once it’s back in the mix, it won’t #t. For me, Modest other ‘normal’ bands with only ‘the’ one drummer. Like the Mouse is all about looking at the whole picture, and making night I rocked up to the Prince Bandroom in St. Kilda. "e that sound good. I do that by so%ening things; rounding Prince’s corner stage is adequately proportioned for most things out rather than having everything competing for rock bands, but this night was something else. "e support attention. act’s gear was clinging by its #nger nails to front of stage, while Modest Mouse’s two drum kits, bass rig, two electric CH: So you’re doing your best to ‘stay out of the way’ and guitar rigs, keys, upright bass setup, along with a full- ensure the band feels comfortable? blown JBL side#ll (just for the occasion) made for the most EP: "at’s right, which means getting monitors sorted out crowded stage I’ve ever laid eyes on. -
Is Jack Antonoff Overrated?
:: View email as a web page :: What is it like to have a conversation with Isaac Brock? Actually, it’s a lot like listening to Modest Mouse — he’s somewhat erratic, often explosively funny, and, just when you least expect it, brutally honest and insightful. Believe it or not, but Brock now qualies as a true indie-rock elder statesman. Modest Mouse’s seventh album due out June 25, The Golden Casket, arrives 25 years after their 1996 debut, This Is A Long Drive For Someone With Nothing To Think About. Back then, Brock was a few months shy of his 20th birthday, and he sounded like it. His early songs were rough-hewn, combustible, and lled with pointed observations about small-town blue-collar life that still seem utterly unique in the largely bourgeois world of indie music. The next two Modest Mouse albums, 1997’s The Lonesome Crowded West and 2000’s The Moon & Antarctica, are landmarks of modern indie. Then came 2004’s Good News For People Who Love Bad News, which shockingly transformed them into a multi- platinum mainstream rock band. While their output since then has come slower — just three albums in the past 17 years — Brock remains committed as ever to not repeating himself. Check out this interview where Brock talks about Modest Mouse’s discography. -- Steven Hyden, Uproxx Cultural Critic and author of This Isn't Happening: Radiohead's "Kid A" and the Beginning of the 21st Century In case you missed it... The latest episode of Indiecast reviewed the new Modest Mouse album and remembered The Shins. -
Lado a Capítulo 1
Licenciatura en Comunicación y Cultura Compañías Discográficas Independientes: Las indies como propuesta alternativa de industria cultural en la Ciudad de México Trabajo recepcional que para obtener el título de Licenciado en Comunicación y Cultura Presenta Edgar Hugo Navarro Corona Directora de trabajo recepcional Mtra. Graciela Martínez Matías México D.F. Agosto 2010 SISTEMA BIBLIOTECARIO DE INFORMACIÓN Y DOCUMENTACIÓN UNIVERSIDAD AUTÓNOMA DE LA CIUDAD DE MÉXICO COORDINACIÓN ACADÉMICA RESTRICCIONES DE USO PARA LAS TESIS DIGITALES DERECHOS RESERVADOS© La presente obra y cada uno de sus elementos está protegido por la Ley Federal del Derecho de Autor; por la Ley de la Universidad Autónoma de la Ciudad de México, así como lo dispuesto por el Estatuto General Orgánico de la Universidad Autónoma de la Ciudad de México; del mismo modo por lo establecido en el Acuerdo por el cual se aprueba la Norma mediante la que se Modifican, Adicionan y Derogan Diversas Disposiciones del Estatuto Orgánico de la Universidad de la Ciudad de México, aprobado por el Consejo de Gobierno el 29 de enero de 2002, con el objeto de definir las atribuciones de las diferentes unidades que forman la estructura de la Universidad Autónoma de la Ciudad de México como organismo público autónomo y lo establecido en el Reglamento de Titulación de la Universidad Autónoma de la Ciudad de México. Por lo que el uso de su contenido, así como cada una de las partes que lo integran y que están bajo la tutela de la Ley Federal de Derecho de Autor, obliga a quien haga uso de la presente obra a considerar que solo lo realizará si es para fines educativos, académicos, de investigación o informativos y se compromete a citar esta fuente, así como a su autor ó autores. -
Sob Sisters: the Image of the Female Journalist in Popular Culture
SOB SISTERS: THE IMAGE OF THE FEMALE JOURNALIST IN POPULAR CULTURE By Joe Saltzman Director, Image of the Journalist in Popular Culture (IJPC) Joe Saltzman 2003 The Image of the Female Journalist in Popular Culture revolves around a dichotomy never quite resolved. The female journalist faces an ongoing dilemma: How to incorporate the masculine traits of journalism essential for success – being aggressive, self-reliant, curious, tough, ambitious, cynical, cocky, unsympathetic – while still being the woman society would like her to be – compassionate, caring, loving, maternal, sympathetic. Female reporters and editors in fiction have fought to overcome this central contradiction throughout the 20th century and are still fighting the battle today. Not much early fiction featured newswomen. Before 1880, there were few newspaperwomen and only about five novels written about them.1 Some real-life newswomen were well known – Margaret Fuller, Nelly Bly (Elizabeth Cochrane), Annie Laurie (Winifred Sweet or Winifred Black), Jennie June (Jane Cunningham Croly) – but most female journalists were not permitted to write on important topics. Front-page assignments, politics, finance and sports were not usually given to women. Top newsroom positions were for men only. Novels and short stories of Victorian America offered the prejudices of the day: Newspaper work, like most work outside the home, was for men only. Women were supposed to marry, have children and stay home. To become a journalist, women had to have a good excuse – perhaps a dead husband and starving children. Those who did write articles from home kept it to themselves. Few admitted they wrote for a living. Women who tried to have both marriage and a career flirted with disaster.2 The professional woman of the period was usually educated, single, and middle or upper class. -
The Creative Life of 'Saturday Night Live' Which Season Was the Most Original? and Does It Matter?
THE PAGES A sampling of the obsessive pop-culture coverage you’ll find at vulture.com ost snl viewers have no doubt THE CREATIVE LIFE OF ‘SATURDAY experienced Repetitive-Sketch Syndrome—that uncanny feeling NIGHT LIVE’ WHICH Mthat you’re watching a character or setup you’ve seen a zillion times SEASON WAS THE MOST ORIGINAL? before. As each new season unfolds, the AND DOES IT MATTER? sense of déjà vu progresses from being by john sellers 73.9% most percentage of inspired (A) original sketches season! (D) 06 (B) (G) 62.0% (F) (E) (H) (C) 01 1980–81 55.8% SEASON OF: Rocket Report, Vicki the Valley 51.9% (I) Girl. ANALYSIS: Enter 12 51.3% new producer Jean Doumanian, exit every 08 Conehead, Nerd, and 16 1975–76 sign of humor. The least- 1986–87 SEASON OF: Samurai, repetitive season ever, it SEASON OF: Church Killer Bees. ANALYSIS: taught us that if the only Lady, The Liar. Groundbreaking? breakout recurring ANALYSIS: Michaels Absolutely. Hilarious? returned in season 11, 1990–91 character is an unfunny 1982–83 Quite often. But man-child named Paulie dumped Billy Crystal SEASON OF: Wayne’s SEASON OF: Mr. Robinson’s unbridled nostalgia for Herman, you’ve got and Martin Short, and Neighborhood, The World, Hans and Franz. SNL’s debut season— problems that can only rebuilt with SNL’s ANALYSIS: Even though Whiners. ANALYSIS: Using the second-least- be fixed by, well, more broadest ensemble yet. seasons 4 and 6 as this is one of the most repetitive ever—must 32.0% Eddie Murphy. -
Death Cab for Cutie's
11° featured iPhone "massage" Watch: CY Leung Search app could guide you named third Chief to a brothel in Executive of Hong our cities: austin Dongguan Kong Death Cab For Cutie’s Asian Fixation By Kyle Mullin Systems Engineer This Sr. System Administrator will provide services to our mi... Dell, Inc WASHINGTON, DC Electrician About Us: EMCOR Government Services offers an experienced sing... EMCOR Group Inc. Washington/Metro Looking for a... Essential Job Functions Responsible for oversight of large com... CSC Washington, DC RN Case Manag... Serco is a leading provider of professional, technology and ma... Serco Fort Belvoir, VA The indie troupe’s sonic mastermind, Chris Walla (on the left of the picture), touches on the criss- crossed philosophies that will inform the band’s March 9 Yun Feng Theater gig. Interest Based Ad He’s mastered piano riffs, guitar chords, synth codes and keys. Up next— calligraphy. Maybe not quite, but Chris Walla has always drawn on China for inspiration. That Mandarin fixation sets itself far apart from any of his other endeavours—playing and producing for indie super troupe Death Cab For Cutie, or personals hopping behind the studio mixing boards for countless other all star songwriters like The Decemberists and Tegan and Sara. To tap into that Chinese muse, he needed nothing more than his father’s briefcase and business plans. “My dad spent a good chunk of my childhood in China and he always loved it,” the songwriter and producer says of his father’s Far East business trips while working for the Boeing Airline Company in the mid to late 1980s. -
Death Cab for Cutie
ISSUE #41 MMUSICMAG.COM ISSUE #41 MMUSICMAG.COM Q&A Did that affect the album? Were you happy with the results? How did you fi nd Dave Depper? I don’t think so. It wasn’t like there was This being our fi rst record with an outside Dave has been a friend of ours for a long any bad blood, but we didn’t tell Rich that producer, it’s kind of a transitional record. I time, and he’s been a noted northwest Chris was leaving the band until after the really enjoyed working with Rich throughout. musical fi gure for a long time. When we were record was done—just because we didn’t He did a phenomenal job with the album— thinking of who we were going to play with, want exactly what you’re talking about to fi tting some of the newer demos, the way I’d he was literally the fi rst person we thought happen. It was better for the record and written the songs, with the stuff we’d already of. It was that kind of thing where we didn’t better for everybody. But it wasn’t a dramatic recorded with Chris in the summer of 2013. waste a lot of time thinking, “Oh, my God, or loaded-gun experience—it was more like, When we had the fi nal versions we knew what will we do?” We just thought, “OK, who “OK, let’s do the work.” In some ways, it Rich had been the right man for the job and shall we get in?” Dave was the fi rst person was like Chris was a very familiar session he brought the best out of us and the songs. -
Finance Board Passes the Buck
A LT0 ti ÍDWflJmVILU ■ w f r l SPO-fiTS -♦ ..........r miDi Southern Illinois University Edwardsville ♦ T uesday, October 19, 1999 Vol. 52, No. 16 ♦ S p o r t s ................ 9 Finance board Tons of Fun says no SIUE’s S a r a h passes the buck to drugs and alcohol W illiam s faced BY BRIAN WALLHEIMER King did for the civil rights HER SISTER NF.WS REPORTER movement. The trip will include a Virginia at the visit to King’s home and his SIUE Invitational Student senate finance board memorial. members are sending a program At the finance board meeting GOLF MATCH request for $6,030 from the Alpha Friday, some members said the T h u r s d a y . Phi Alpha fraternity to the student funding seemed more like a travel senate. request rather than a program The request is for the 12th request. The student senate Annual Martin Luther King Jr. capped travel funding at $425 E d it o r ia l ........... 3 Dedication. In the request ,$5,000 earlier in the semester. was set aside for the rental of Alpha Phi Alpha members three busses for a trip to Atlanta argued that the event begins on to cap off the weeklong campus and that the Atlanta trip is celebration. essential to their program. They Alpha Phi Alpha members said it was not a travel request S t u d e n t said the Atlanta trip will provide because it pertained to their participants With a sense of what program. -
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Hall of Fame Returns Meet the Class of 2010
THE OFFICIAL PUBLICATION OF USA WATER POLO Hall of Fame Returns Meet the Class of 2010 VOLUME 25, NUMBER 2, SUMMER 2010 MASTERS NATIONALS RESULTS p.12 VOL. 25, NUM. 2, Summer 2010 What’s Inside... USA WATER POLO NATIOnaL OFFICE ON THE COVER... 2124 Main Street, Suite 240 Huntington Beach, CA 92648 The six newly elected Inside Water. 2 (714) 500-5445 business Hall of Famers (714) 500-5449 membership photo by Bradley Lamont (714) 960-2431 fax 5 Meters. 3 USA WATER POLO NATIONAL TRAINING CENTER 11360 Valley Forge Ave. Los Alamitos, CA 90720 Water Polo Times . 20 (562) 799-8506 business (562) 799-8508 fax WEB SITE From the Deck. 22 www.usawaterpolo.org CHIEF EXECUTIVE OFFICER Christopher Ramsey Lob Shots. 26 EXECUTIVE AssISTanT TO THE CHIEF EXECUTIVE OFFICER Mai Lam CHIEF MARKETIng OFFICER Jennifer Rottenberg Also In This Issue... DIRECTOR OF OLYMPIC DEVELOpmENT Guy Baker Summer Events Preview 10 DIRECTOR OF SPORT DEVELOpmENT Scott Tanner AssOCIATE DIRECTOR OF SPORT DEVELOpmENT Fisher Cup. 16 Liz Grimes CONTROLLER A Day in the Life . 17 Ulises Sam EVENTS ManagER Kate Strand ODP Review. 18 AssOCIATE DIRECTOR OF COmmunICATIOns Greg Mescall pg6 Hot Shots. 28 AssOCIATE DIRECTOR OF OLympIC DEVELOpmENT Marcy Crouch MEMBERSHIP SERVICES ManagER Hall of Fame Whitney Collins 2010 Class Honored FundRAISIng COnsuLTanT Inge Hergenrather VIDEO COORDInaTOR Look Ahead... Jeanine Baca NATIOnaL TEams COORDInaTOR Next Issue Ashley Papenbrock >Academic All-Americans Revealed FInanCE COORDInaTOR Fay Hu RECEPTIONIST/ MARKETIng AssISTANT Sarah Stern BOARD OF DIRECTORS