Students Use Spanish Skill to Volunteer
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Nghiên Cứu Công Nghệ Flex, Ứng Dụng Xây Dựng Phần Mềm Quản Lý Trắc Nghiệm Cho Khoa Cntt Trường Đh Tdm
TRƯỜNG ĐẠI HỌC THỦ DẦU MỘT KHOA CÔNG NGHỆ THÔNG TIN BÁO CÁO TỔNG KẾT ĐỀ TÀI KHOA HỌC VÀ CÔNG NGHỆ CẤP TRƯỜNG NGHIÊN CỨU CÔNG NGHỆ FLEX, ỨNG DỤNG XÂY DỰNG PHẦN MỀM QUẢN LÝ TRẮC NGHIỆM CHO KHOA CNTT TRƯỜNG ĐH TDM Mã số: Chủ nhiệm đề tài: KS. Bùi Sỹ Vương Báo cáo tổng kết đề tài: Nghiên cứu công nghệ Flex, ứng dụng xây dựng phần mềm quản lý trắc nghiệm cho khoa Công nghệ thông tin Trường ĐHThủ Dầu Một Bình Dương, 03/2013 Chủ nhiệm đề tài: KS. Bùi Sỹ Vương Trang 2 TRƯỜNG ĐẠI HỌC THỦ DẦU MỘT KHOA CÔNG NGHỆ THÔNG TIN BÁO CÁO TỔNG KẾT ĐỀ TÀI KHOA HỌC VÀ CÔNG NGHỆ CẤP TRƯỜNG NGHIÊN CỨU CÔNG NGHỆ FLEX, ỨNG DỤNG XÂY DỰNG PHẦN MỀM QUẢN LÝ TRẮC NGHIỆM CHO KHOA CNTT TRƯỜNG ĐH THỦ DẦU MỘT Mã số: Xác nhận của đơn vị chủ trì đề tài Chủ nhiệm đề tài (chữ ký, họ và tên) (chữ ký, họ và tên) ThS. Đinh Thị Thu Hương KS. Bùi Sỹ Vương Báo cáo tổng kết đề tài: Nghiên cứu công nghệ Flex, ứng dụng xây dựng phần mềm quản lý trắc nghiệm cho khoa Công nghệ thông tin Trường ĐHThủ Dầu Một Bình Dương, 03/2013 Chủ nhiệm đề tài: KS. Bùi Sỹ Vương Trang 1 Báo cáo tổng kết đề tài: Nghiên cứu công nghệ Flex, ứng dụng xây dựng phần mềm quản lý trắc nghiệm cho khoa Công nghệ thông tin Trường ĐHThủ Dầu Một MỤC LỤC DANH MỤC BẢNG BIỂU, HÌNH ẢNH .......................................................................... -
Phlltl'suphy, Robotics And'ftid . Dr
PASADENA, CALIFORNIA DECEMBER 9, 2002 Despite Invitation, Students Absent in Post.."Vectors Meeting nary meetings. the issue could wait no longer, oft By PHIL ~RN~T To students' deIi,ght,: Dr. BalJi- November 26th, Jo,u siqe~tepped ,' Stuae~ts \Von a majqr victort'last more ultimate!y tejected, V~etOl'S,. ~he ASCIT-mc standstill to. hand -::rifoi1fIiwilt5n Irrstitute'·Art-Corrimit-: Meanwhile, students-soughtto right select Ryan McDaniel '03 for the . z- ~"~ - ''"imn'7a6.Pl'etr'&'PeTlJna:-,:lip- "'past'wrongs- 'aQo.:this·time around. p'6~ition. There were sufficient ~Ast:I:r-,Ji'(f"mptiQn-,toIsea~-',in~r.t·a represen.tative'''ih''tfiemeet-' 'votes from the ASCIT BoD' in fa~ .... ' ", "trepJ¢se'n~Slti~e-?n ~~ d5~~' '~~gs 0ft~t?IAC alm.ed at select~ng vor of McDatliel to confirm his se- mittee',charged WIth selectmg a re- a replacement for Vectors. lection. piacement for Veciors. - ASGIT President Ted Jou '03 Last week, however, the Institute However, despite an explicit in- asked Pietro Perona, tht< temporary: Art Committee reconvened for the vitation, student leaders cited mis'- chair of the lAC, if he would con- first time since Baltimore's cancel D, Korta/The California Tech communication in their failure to sider the possibility of allowing a Humanities chairperson Jean Ensminger has rejected a second, last send a representative to last week's student to serve on the committee. Continued on Page 4, Column 1 ditch, Hail-Mary student petition to reinstate dismissed popular Rus first lAC meeting, raising concerns Dr. Perona, after debating Jou's sian literature and language professor George Cheron. -
Page 1I ·-916--Anrrla~Is~·Tr~8~~11~4~~
Vol. XVII No.8 The University's Late Night Feature Paper January 29, 1996 { Page 1I ·-916--anrRla~is~·tr~8~~11~4~~ 0STATET EMP lSSIREA I By Chris Sorochin ing, hockey-playing nuts are just similar enough to have previously done so. One CNN commentator us culturally to provide what Noam Chomsky calls on the Russian Duma elections was typically Well, its another New Year and the anniversary the "threat of a good example": they're what we Orwellian: "They've voted to reject democracy." of the January 1 rebellion of the Zapatistas in could be if we got our act together and that realiza- Figure that one out. I always thought democracy Chiapas, Mexico. Unwilling to see their centuries- tion might give folks here some funny ideas. was supposed to reflect the will of the people and old communal agrarian way of life destroyed so Wouldn't it be great if instead of Gingrich and the how they're governed and how their economy agribusiness could move in, and unwilling to rest of the Dickensian knaves shutting down the runs. I guess the "demo" must refer exclusively to become part of the impoverished masses of excess government to inflate their egos, the American the people on Wall St. and their equivalents in labor swelling the shantytowns of Mexico City, people got together and stopped the music, just to London, Tokyo and other financial centers. Mayan peasants supported the uprising, which let'em know we won't be trifled with? No, I don't think anybody wants to see the return began on the day NAFTA went into effect. -
Affordant Chord Transitions in Selected Guitar-Driven Popular Music
Affordant Chord Transitions in Selected Guitar-Driven Popular Music Thesis Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts in the Graduate School of The Ohio State University By Gary Yim, B.Mus. Graduate Program in Music The Ohio State University 2011 Thesis Committee: David Huron, Advisor Marc Ainger Graeme Boone Copyright by Gary Yim 2011 Abstract It is proposed that two different harmonic systems govern the sequences of chords in popular music: affordant harmony and functional harmony. Affordant chord transitions favor chords and chord transitions that minimize technical difficulty when performed on the guitar, while functional chord transitions favor chords and chord transitions based on a chord's harmonic function within a key. A corpus analysis is used to compare the two harmonic systems in influencing chord transitions, by encoding each song in two different ways. Songs in the corpus are encoded with their absolute chord names (such as “Cm”) to best represent affordant factors in the chord transitions. These same songs are also encoded with their Roman numerals to represent functional factors in the chord transitions. The total entropy within the corpus for both encodings are calculated, and it is argued that the encoding with the lower entropy value corresponds with a harmonic system that more greatly influences the chord transitions. It is predicted that affordant chord transitions play a greater role than functional harmony, and therefore a lower entropy value for the letter-name encoding is expected. But, contrary to expectations, a lower entropy value for the Roman numeral encoding was found. Thus, the results are not consistent with the hypothesis that affordant chord transitions play a greater role than functional chord transitions. -
Finance Board Passes the Buck
A LT0 ti ÍDWflJmVILU ■ w f r l SPO-fiTS -♦ ..........r miDi Southern Illinois University Edwardsville ♦ T uesday, October 19, 1999 Vol. 52, No. 16 ♦ S p o r t s ................ 9 Finance board Tons of Fun says no SIUE’s S a r a h passes the buck to drugs and alcohol W illiam s faced BY BRIAN WALLHEIMER King did for the civil rights HER SISTER NF.WS REPORTER movement. The trip will include a Virginia at the visit to King’s home and his SIUE Invitational Student senate finance board memorial. members are sending a program At the finance board meeting GOLF MATCH request for $6,030 from the Alpha Friday, some members said the T h u r s d a y . Phi Alpha fraternity to the student funding seemed more like a travel senate. request rather than a program The request is for the 12th request. The student senate Annual Martin Luther King Jr. capped travel funding at $425 E d it o r ia l ........... 3 Dedication. In the request ,$5,000 earlier in the semester. was set aside for the rental of Alpha Phi Alpha members three busses for a trip to Atlanta argued that the event begins on to cap off the weeklong campus and that the Atlanta trip is celebration. essential to their program. They Alpha Phi Alpha members said it was not a travel request S t u d e n t said the Atlanta trip will provide because it pertained to their participants With a sense of what program. -
Queens Park Music Club
Alan Currall BBobob CareyCarey Grieve Grieve Brian Beadie Brian Beadie Clemens Wilhelm CDavidleme Hoylens Wilhelm DDavidavid MichaelHoyle Clarke DGavinavid MaitlandMichael Clarke GDouglasavin M aMorlanditland DEilidhoug lShortas Morland Queens Park Music Club EGayleilidh MiekleShort GHrafnhildurHalldayle Miekle órsdóttir Volume 1 : Kling Klang Jack Wrigley ó ó April 2014 HrafnhildurHalld rsd ttir JJanieack WNicollrigley Jon Burgerman Janie Nicoll Martin Herbert JMauriceon Burg Dohertyerman MMelissaartin H Canbazerbert MMichelleaurice Hannah Doherty MNeileli Clementsssa Canbaz MPennyichel Arcadele Hannah NRobeil ChurmClements PRoben nKennedyy Arcade RobRose Chu Ruanerm RoseStewart Ruane Home RobTom MasonKennedy Vernon and Burns Tom Mason Victoria Morton Stuart Home Vernon and Burns Victoria Morton Martin Herbert The Mic and Me I started publishing criticism in 1996, but I only When you are, as Walter Becker once learned how to write in a way that felt and still sang, on the balls of your ass, you need something feels like my writing in about 2002. There were to lift you and hip hop, for me, was it, even very a lot of contributing factors to this—having been mainstream rap: the vaulting self-confidence, unexpectedly bounced out of a dotcom job that had seesawing beat and herculean handclaps of previously meant I didn’t have to rely on freelancing Eminem’s armour-plated Til I Collapse, for example. for income, leaving London for a slower pace of A song like that says I am going to destroy life on the coast, and reading nonfiction writers everybody else. That’s the braggadocio that hip who taught me about voice and how to arrange hop has always thrived on, but it is laughable for a facts—but one of the main triggers, weirdly enough, critic to want to feel like that: that’s not, officially, was hip hop. -
Trhc Cabct Rats Breakout!
Congratulations to the Class of 2000 Lotal Wwktiid Weithcr Farwiit; Friday - Hi: 64 Lo: 52 Partly Cloudy Saturday - Hi; 61 Lo; 27 Cloudy Sunday - Hi: 46 Lo: 26 Partly Cloudy trhc Cabct VOLUME LXXXIX Friday, 21 February 1997 ivl umber 15 News Briefs Latest Report on Coed Plan World Col. N.M, Bissell'61 Chainnan of Executive Committee Rats Breakout! Assimilation Plan Deng Xiaoping, the Chinese leader who opened the doors of com- The \'M1 Officc of .'Admissions re- munist China to a global market, but ports a continuing increase in the number remained vehemently anti-demo- Class of2000 is Formed of applicatioas for the Cla.ss of 2001. We cratic, died from complications of have currently received 797 applications, Parkinson's disease and an infected .AppRiMinately 500 of these hav e been of- lung on Thursday. He was 92. fered appointments. This repiesents a 25% increa.sc over last year. We have received Ten were indicted on charges 37 applications from fcMiiales and offered of bribery and corruption in a South aiipomuiients to 20, F ive of the feinale af>- Korean scandal that led to the demise plicants have reserved spots for next fall, of Hanbo steel. The company ulti- '•"his number should increase in the near mately bore a $6 billion debt. Chief futua-. Open House programs have been Prosecutor Choi Byung-kuk stated well alteiided by botli m;ile iind female pros- that those indicted included 3 aides pcx'ts, ITic next program is scheduled for of Kim Young-sam, president of sev- 21-22 March and currcntly 120 prospet1.s; eral prominent banks, and Hanbo have registered to attend. -
Indie Mixtape Subscribers Can Get 10% Off This Can't-Miss Set by Entering the Code JONI10 Checkout
:: View email as a web page :: The spring of 1995 was a crowded season in indie-rock history. Pavement dropped their polarizing third album, the willfully messy and frequently brilliant Wowee Zowee. Yo La Tengo continued their hit streak of low-key masterworks with Eletr-O-Pura. Illinois fuzz-rock quartet Hum hit hard with Youʼd Prefer An Astronaut, and Teenage Fanclub produced one of their finest jangle-pop efforts, Grand Prix. Wilco, Elastica, and Apples In Stereo put out well-regarded debuts. And Red House Painters hit a new high-water mark with Ocean Beach. But even in an era when classic indie records seemed to come out every week, there was nothing quite like Alien Lanes, the eighth full-length LP by a band from Dayton, Ohio called Guided By Voices. Released on April 4, 1995, Alien Lanes arrived with baked-in mythology. It had been supposedly recorded for just $10 in various concrete basements around Dayton by a group of blue-collar guys in their mid-30s. Uproxx dug into the history of this classic and produced this great oral history. -- Steven Hyden, Uproxx Cultural Critic and author of This Isn't Happening: Radiohead's "Kid A" And The Beginning Of The 21st Century OPENING TRACKS RINA SAWAYAMA This budding indie-pop star is among the buzziest acts to emerge this year, with an ear-catching single called “STFU” that’s like Carly Rae Jepsen if she spent years obsessing over Korn’s Follow The Leader. That pan-genre approach ultimately informs Sawayama — who was born in Japan and raised in London — and her aesthetic. -
The Complete Ask Scott
ASK SCOTT Downloaded from the Loud Family / Music: What Happened? website and re-ordered into July-Dec 1997 (Year 1: the start of Ask Scott) July 21, 1997 Scott, what's your favorite pizza? Jeffrey Norman Scott: My favorite pizza place ever was Symposium Greek pizza in Davis, CA, though I'm relatively happy at any Round Table. As for my favorite topping, just yesterday I was rereading "Ash Wednesday" by T.S. Eliot (who can guess the topping?): Lady, three white leopards sat under a juniper-tree In the cool of the day, having fed to satiety On my legs my heart my liver and that which had been contained In the hollow round of my skull. And God said Shall these bones live? shall these Bones live? And that which had been contained In the bones (which were already dry) said chirping: Because of the goodness of this Lady And because of her loveliness, and because She honours the Virgin in meditation, We shine with brightness. And I who am here dissembled Proffer my deeds to oblivion, and my love To the posterity of the desert and the fruit of the gourd. It is this which recovers My guts the strings of my eyes and the indigestible portions Which the leopards reject. A: pepperoni. honest pizza, --Scott August 14, 1997 Scott, what's your astrological sign? Erin Amar Scott: Erin, wow! How are you? Aries. Do you think you are much like the publicized characteristics of that sun sign? Some people, it's important to know their signs; not me. -
Primary Narrows Presidential Field to Two New Program Task Force Convened
Concordian FEBRUARY 14, 1997 THE STUDENT NEWSPAPER OF CONCORDIA COLLEGE VOLUME 7, NUMBER 67 Primary narrows presidential field to two Amy Ladd will be decided next week. what I expected," he said. Alleckson and S {rebel, howev- "We're excited about the pri- The losing teams, although no er, are confident their platform is The vote count News Editor mary results," Alleckson said. longer directly involved in the both aggressive and realistic. The primary ballots have been "Nonetheless, we're still going to race, have all chosen to endorse "I think our platform is solid — Alleckson/ 616 cast and counted. The Student keep the ball rolling." the Gilbertson/Sorenson cam- it's built upon solid ideals. We will Strebel Gilbertson agreed, noting that paign. According to members of be committed and we will get Association Presidential and Vice Sorenson/ 539 Presidential teams Eric Alleckson/ "It's just going to have to come the teams, platform goals affected things done," Alleckson said. "We Betsy Strebel and Jeff down to Wednesday." the choice for endorsement. have a very aggressive platform in Gilbertson Sorenson/Adam Gilbertson are on The third and fourth place "[Alleckson/Strebel] don't that we have a broad-reaching Haggerty/ 132 their way to Wednesday's general teams of Blake Haggerty/Roger seem to go beyond anything they plan that is realistic and will Grisim election. Grisim and Mark Stansbury/Justin don't think is possible," Grisim accomplish goals." Stanesbury/ 129 Eeg, received 132 and 129 votes said. "Gilbertson/Sorenson are a Strebel agreed. Nine hundred and twelve stu- Eeg dents, 33% of eligible voters, respectively, while the write-in little more aggressive in their plat- "We know this campus, and we voted in Monday's primary. -
Feat. Eminen) (4:48) 77
01. 50 Cent - Intro (0:06) 75. Ace Of Base - Life Is A Flower (3:44) 02. 50 Cent - What Up Gangsta? (2:59) 76. Ace Of Base - C'est La Vie (3:27) 03. 50 Cent - Patiently Waiting (feat. Eminen) (4:48) 77. Ace Of Base - Lucky Love (Frankie Knuckles Mix) 04. 50 Cent - Many Men (Wish Death) (4:16) (3:42) 05. 50 Cent - In Da Club (3:13) 78. Ace Of Base - Beautiful Life (Junior Vasquez Mix) 06. 50 Cent - High All the Time (4:29) (8:24) 07. 50 Cent - Heat (4:14) 79. Acoustic Guitars - 5 Eiffel (5:12) 08. 50 Cent - If I Can't (3:16) 80. Acoustic Guitars - Stafet (4:22) 09. 50 Cent - Blood Hound (feat. Young Buc) (4:00) 81. Acoustic Guitars - Palosanto (5:16) 10. 50 Cent - Back Down (4:03) 82. Acoustic Guitars - Straits Of Gibraltar (5:11) 11. 50 Cent - P.I.M.P. (4:09) 83. Acoustic Guitars - Guinga (3:21) 12. 50 Cent - Like My Style (feat. Tony Yayo (3:13) 84. Acoustic Guitars - Arabesque (4:42) 13. 50 Cent - Poor Lil' Rich (3:19) 85. Acoustic Guitars - Radiator (2:37) 14. 50 Cent - 21 Questions (feat. Nate Dogg) (3:44) 86. Acoustic Guitars - Through The Mist (5:02) 15. 50 Cent - Don't Push Me (feat. Eminem) (4:08) 87. Acoustic Guitars - Lines Of Cause (5:57) 16. 50 Cent - Gotta Get (4:00) 88. Acoustic Guitars - Time Flourish (6:02) 17. 50 Cent - Wanksta (Bonus) (3:39) 89. Aerosmith - Walk on Water (4:55) 18. -
The Moving Image Collection of Matador Records
New York University Tisch School of the Arts New York, NY We Are Underused The Moving Image Collection of Matador Records by Seth Anderson A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in Moving Image Archiving and Preservation May 7, 2012 Anderson - We Are Underused Table of Contents 1. Acknowledgments 3 2. Introduction and Scope 4 3. Collection History 6 4. Content Appraisal 10 5. Physical Appraisal 12 6. Format Assessment 21 7. Descriptive Systems 30 8. Intellectual Property 32 9. Recommendations 34 10. Work Plan and Budget 53 Appendix A: Workflow 58 Appendix B: Vendors 59 Appendix C: Videography 61 Appendix D: Inventory 79 2 Anderson - We Are Underused 1. Acknowledgments I would like to thank the staff of Matador Records and Beggars Group, especially Gabe Spierer, Patrick Amory, Robby Morris, and Jesper Eklow, for their time and assistance with this project; Nils Bernstein, Brett Vapnek, and Chris Lombardi for indulging me with interviews; Peter Oleksik, my advisor, who provided encouragement and guidance; the faculty of MIAP, and Alicia, for their constant support; my fellow Crazy Eights, we did it; and finally Ingrid Ostby for her love and support. 3 Anderson - We Are Underused 2. Introduction and Scope Since the record label’s founding twenty-three years ago, Matador Records has and continues to accumulate moving image materials for the promotion and documentation of the label’s artists. As a subsidiary of Beggars Group, an umbrella company that owns or distributes four independent record labels (including 4AD Records, XL Recordings, Rough Trade Records, and Matador Records), Matador continues to release new albums, generating more promotional media with each one.