Primary Narrows Presidential Field to Two New Program Task Force Convened
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Nghiên Cứu Công Nghệ Flex, Ứng Dụng Xây Dựng Phần Mềm Quản Lý Trắc Nghiệm Cho Khoa Cntt Trường Đh Tdm
TRƯỜNG ĐẠI HỌC THỦ DẦU MỘT KHOA CÔNG NGHỆ THÔNG TIN BÁO CÁO TỔNG KẾT ĐỀ TÀI KHOA HỌC VÀ CÔNG NGHỆ CẤP TRƯỜNG NGHIÊN CỨU CÔNG NGHỆ FLEX, ỨNG DỤNG XÂY DỰNG PHẦN MỀM QUẢN LÝ TRẮC NGHIỆM CHO KHOA CNTT TRƯỜNG ĐH TDM Mã số: Chủ nhiệm đề tài: KS. Bùi Sỹ Vương Báo cáo tổng kết đề tài: Nghiên cứu công nghệ Flex, ứng dụng xây dựng phần mềm quản lý trắc nghiệm cho khoa Công nghệ thông tin Trường ĐHThủ Dầu Một Bình Dương, 03/2013 Chủ nhiệm đề tài: KS. Bùi Sỹ Vương Trang 2 TRƯỜNG ĐẠI HỌC THỦ DẦU MỘT KHOA CÔNG NGHỆ THÔNG TIN BÁO CÁO TỔNG KẾT ĐỀ TÀI KHOA HỌC VÀ CÔNG NGHỆ CẤP TRƯỜNG NGHIÊN CỨU CÔNG NGHỆ FLEX, ỨNG DỤNG XÂY DỰNG PHẦN MỀM QUẢN LÝ TRẮC NGHIỆM CHO KHOA CNTT TRƯỜNG ĐH THỦ DẦU MỘT Mã số: Xác nhận của đơn vị chủ trì đề tài Chủ nhiệm đề tài (chữ ký, họ và tên) (chữ ký, họ và tên) ThS. Đinh Thị Thu Hương KS. Bùi Sỹ Vương Báo cáo tổng kết đề tài: Nghiên cứu công nghệ Flex, ứng dụng xây dựng phần mềm quản lý trắc nghiệm cho khoa Công nghệ thông tin Trường ĐHThủ Dầu Một Bình Dương, 03/2013 Chủ nhiệm đề tài: KS. Bùi Sỹ Vương Trang 1 Báo cáo tổng kết đề tài: Nghiên cứu công nghệ Flex, ứng dụng xây dựng phần mềm quản lý trắc nghiệm cho khoa Công nghệ thông tin Trường ĐHThủ Dầu Một MỤC LỤC DANH MỤC BẢNG BIỂU, HÌNH ẢNH .......................................................................... -
Phlltl'suphy, Robotics And'ftid . Dr
PASADENA, CALIFORNIA DECEMBER 9, 2002 Despite Invitation, Students Absent in Post.."Vectors Meeting nary meetings. the issue could wait no longer, oft By PHIL ~RN~T To students' deIi,ght,: Dr. BalJi- November 26th, Jo,u siqe~tepped ,' Stuae~ts \Von a majqr victort'last more ultimate!y tejected, V~etOl'S,. ~he ASCIT-mc standstill to. hand -::rifoi1fIiwilt5n Irrstitute'·Art-Corrimit-: Meanwhile, students-soughtto right select Ryan McDaniel '03 for the . z- ~"~ - ''"imn'7a6.Pl'etr'&'PeTlJna:-,:lip- "'past'wrongs- 'aQo.:this·time around. p'6~ition. There were sufficient ~Ast:I:r-,Ji'(f"mptiQn-,toIsea~-',in~r.t·a represen.tative'''ih''tfiemeet-' 'votes from the ASCIT BoD' in fa~ .... ' ", "trepJ¢se'n~Slti~e-?n ~~ d5~~' '~~gs 0ft~t?IAC alm.ed at select~ng vor of McDatliel to confirm his se- mittee',charged WIth selectmg a re- a replacement for Vectors. lection. piacement for Veciors. - ASGIT President Ted Jou '03 Last week, however, the Institute However, despite an explicit in- asked Pietro Perona, tht< temporary: Art Committee reconvened for the vitation, student leaders cited mis'- chair of the lAC, if he would con- first time since Baltimore's cancel D, Korta/The California Tech communication in their failure to sider the possibility of allowing a Humanities chairperson Jean Ensminger has rejected a second, last send a representative to last week's student to serve on the committee. Continued on Page 4, Column 1 ditch, Hail-Mary student petition to reinstate dismissed popular Rus first lAC meeting, raising concerns Dr. Perona, after debating Jou's sian literature and language professor George Cheron. -
Lado a Capítulo 1
Licenciatura en Comunicación y Cultura Compañías Discográficas Independientes: Las indies como propuesta alternativa de industria cultural en la Ciudad de México Trabajo recepcional que para obtener el título de Licenciado en Comunicación y Cultura Presenta Edgar Hugo Navarro Corona Directora de trabajo recepcional Mtra. Graciela Martínez Matías México D.F. Agosto 2010 SISTEMA BIBLIOTECARIO DE INFORMACIÓN Y DOCUMENTACIÓN UNIVERSIDAD AUTÓNOMA DE LA CIUDAD DE MÉXICO COORDINACIÓN ACADÉMICA RESTRICCIONES DE USO PARA LAS TESIS DIGITALES DERECHOS RESERVADOS© La presente obra y cada uno de sus elementos está protegido por la Ley Federal del Derecho de Autor; por la Ley de la Universidad Autónoma de la Ciudad de México, así como lo dispuesto por el Estatuto General Orgánico de la Universidad Autónoma de la Ciudad de México; del mismo modo por lo establecido en el Acuerdo por el cual se aprueba la Norma mediante la que se Modifican, Adicionan y Derogan Diversas Disposiciones del Estatuto Orgánico de la Universidad de la Ciudad de México, aprobado por el Consejo de Gobierno el 29 de enero de 2002, con el objeto de definir las atribuciones de las diferentes unidades que forman la estructura de la Universidad Autónoma de la Ciudad de México como organismo público autónomo y lo establecido en el Reglamento de Titulación de la Universidad Autónoma de la Ciudad de México. Por lo que el uso de su contenido, así como cada una de las partes que lo integran y que están bajo la tutela de la Ley Federal de Derecho de Autor, obliga a quien haga uso de la presente obra a considerar que solo lo realizará si es para fines educativos, académicos, de investigación o informativos y se compromete a citar esta fuente, así como a su autor ó autores. -
“What Happened to the Post-War Dream?”: Nostalgia, Trauma, and Affect in British Rock of the 1960S and 1970S by Kathryn B. C
“What Happened to the Post-War Dream?”: Nostalgia, Trauma, and Affect in British Rock of the 1960s and 1970s by Kathryn B. Cox A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music Musicology: History) in the University of Michigan 2018 Doctoral Committee: Professor Charles Hiroshi Garrett, Chair Professor James M. Borders Professor Walter T. Everett Professor Jane Fair Fulcher Associate Professor Kali A. K. Israel Kathryn B. Cox [email protected] ORCID iD: 0000-0002-6359-1835 © Kathryn B. Cox 2018 DEDICATION For Charles and Bené S. Cox, whose unwavering faith in me has always shone through, even in the hardest times. The world is a better place because you both are in it. And for Laura Ingram Ellis: as much as I wanted this dissertation to spring forth from my head fully formed, like Athena from Zeus’s forehead, it did not happen that way. It happened one sentence at a time, some more excruciatingly wrought than others, and you were there for every single sentence. So these sentences I have written especially for you, Laura, with my deepest and most profound gratitude. ii ACKNOWLEDGMENTS Although it sometimes felt like a solitary process, I wrote this dissertation with the help and support of several different people, all of whom I deeply appreciate. First and foremost on this list is Prof. Charles Hiroshi Garrett, whom I learned so much from and whose patience and wisdom helped shape this project. I am very grateful to committee members Prof. James Borders, Prof. Walter Everett, Prof. -
Pure Psychic Chance Radio: 2016 Jim Leftwich
Pure Psychic Chance Radio: 2016 Jim Leftwich Table of Contents Pure Psychic Chance Radio: Essays 2016 1. Permission slips: Thinking and breathing among John Crouse's UNFORBIDDENS 2. ACTs (improvised moderate militiamen: "Makeshift merger provost!") 3. Applied Experimental Sdvigology / Theoretical and Historical Sdvigology 4. HOW DO YOU THINK IT FEELS: On The Memorial Edition of Frank O’Hara’s In Memory of My Feelings 5. mirror lungeyser: On Cy Twombly, Poems to the Sea XIX 6. My Own Crude Rituals 7. A Preliminary Historiography of an Imagined Ongoing: 1830, 1896, 1962, 2028... 8. In The Recombinative Syntax Zone. Two Bennett poems partially erased by Lucien Suel. In the Recombinative Grammar Zone. 9. Three In The Morning: Reading 2 Poems By Bay Kelley from LAFT 35 10. The Glue Is On The Sausage: Reading A Poem by Crag Hill in LAFT 32 11. My Wrong Notes: On Joe Maneri, Microtones, Asemic Writing, The Iskra, and The Unnecessary Neurosis of Influence 12. Noisic Elements: Micro-tours, The Stool Sample Ensemble, Speaking Zaum To Power 13. TOTAL ASSAULT ON THE CULTURE: The Fuck You APO-33, Fantasy Politics, Mis-hearing the MC5... 14. DIRTY VISPO: Da Vinci To Pollock To d.a.levy 15. WHERE DO THEY LEARN THIS STUFF? An email exchange with John Crouse 16. FURTHER SUBVERSION SEEMS IN ORDER: Reading Poems by Basinski, Ackerman and Surllama in LAFT 33 17. A Collage by Tom Cassidy, Sent With The MinneDaDa 1984 Mail Art Show Doc, Postmarked Minneapolis MN 07 Sep '16 18. DIRTY VISPO II (Henri Michaux, Christian Dotremont, derek beaulieu, Scott MacLeod, Joel Lipman on d.a.levy, Lori Emerson on the history of the term "dirty concrete poetry", Albert Ayler, Jungian mandalas) 19. -
The Beatles on Film
Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.ddb.de © 2008 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Layout by: Kordula Röckenhaus, Bielefeld Edited by: Roland Reiter Typeset by: Roland Reiter Printed by: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-885-8 2008-12-11 13-18-49 --- Projekt: transcript.titeleien / Dokument: FAX ID 02a2196899938240|(S. 4 ) T00_04 impressum - 885.p 196899938248 CONTENTS Introduction 7 Beatles History – Part One: 1956-1964 -
City Research Online
City Research Online City, University of London Institutional Repository Citation: Harper, A. (2016). "Backwoods": Rural Distance and Authenticity in Twentieth- Century American Independent Folk and Rock Discourse. Samples : Notizen, Projekte und Kurzbeiträge zur Popularmusikforschung(14), This is the published version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/15578/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] Online-Publikationen der Gesellschaft für Popularmusikforschung / German Society for Popular Music Studies e. V. Hg. v. Ralf von Appen, André Doehring u. Thomas Phleps www.g f pm- samples.de/Samples1 4 / harper.pdf Jahrgang 14 (2015) – Version vom 5.10.2015 »BACKWOODS«: RURAL DISTANCE AND AUTHENTICITY IN TWENTIETH-CENTURY AMERICAN INDEPENDENT FOLK AND ROCK DISCOURSE Adam Harper My recently completed PhD research (Harper 2014) has been an effort to trace a genealogy of an aesthetic within popular music discourse often known as »lo-fi.« This term, suggesting the opposite of hi-fi or high fidelity, became widely used in the late 1980s and early 1990s to describe a move- ment within indie (or alternative) popular music that was celebrated for its being recorded outside of the commercial studio system, typically at home on less than optimal or top-of-the-range equipment. -
A History of Hip Hop in Halifax: 1985 - 1998
HOW THE EAST COAST ROCKS: A HISTORY OF HIP HOP IN HALIFAX: 1985 - 1998 by Michael McGuire Submitted in partial fulfilment of the requirements for the degree of Master of Arts at Dalhousie University Halifax, Nova Scotia August 2011 © Copyright by Michael McGuire, 2011 DALHOUSIE UNIVERSITY DEPARTMENT OF HISTORY The undersigned hereby certify that they have read and recommend to the Faculty of Graduate Studies for acceptance a thesis entitled “HOW THE EAST COAST ROCKS: A HISTORY OF HIP HOP IN HALIFAX: 1985 - 1998” by Michael McGuire in partial fulfilment of the requirements for the degree of Master of Arts. Dated: August 18, 2011 Supervisor: _________________________________ Readers: _________________________________ _________________________________ ii DALHOUSIE UNIVERSITY DATE: August 18, 2011 AUTHOR: Michael McGuire TITLE: How the East Coast Rocks: A History Of Hip Hop In Halifax: 1985 - 1998 DEPARTMENT OR SCHOOL: Department of History DEGREE: MA CONVOCATION: October YEAR: 2011 Permission is herewith granted to Dalhousie University to circulate and to have copied for non-commercial purposes, at its discretion, the above title upon the request of individuals or institutions. I understand that my thesis will be electronically available to the public. The author reserves other publication rights, and neither the thesis nor extensive extracts from it may be printed or otherwise reproduced without the author’s written permission. The author attests that permission has been obtained for the use of any copyrighted material appearing in the -
Finance Board Passes the Buck
A LT0 ti ÍDWflJmVILU ■ w f r l SPO-fiTS -♦ ..........r miDi Southern Illinois University Edwardsville ♦ T uesday, October 19, 1999 Vol. 52, No. 16 ♦ S p o r t s ................ 9 Finance board Tons of Fun says no SIUE’s S a r a h passes the buck to drugs and alcohol W illiam s faced BY BRIAN WALLHEIMER King did for the civil rights HER SISTER NF.WS REPORTER movement. The trip will include a Virginia at the visit to King’s home and his SIUE Invitational Student senate finance board memorial. members are sending a program At the finance board meeting GOLF MATCH request for $6,030 from the Alpha Friday, some members said the T h u r s d a y . Phi Alpha fraternity to the student funding seemed more like a travel senate. request rather than a program The request is for the 12th request. The student senate Annual Martin Luther King Jr. capped travel funding at $425 E d it o r ia l ........... 3 Dedication. In the request ,$5,000 earlier in the semester. was set aside for the rental of Alpha Phi Alpha members three busses for a trip to Atlanta argued that the event begins on to cap off the weeklong campus and that the Atlanta trip is celebration. essential to their program. They Alpha Phi Alpha members said it was not a travel request S t u d e n t said the Atlanta trip will provide because it pertained to their participants With a sense of what program. -
Trhc Cabct Rats Breakout!
Congratulations to the Class of 2000 Lotal Wwktiid Weithcr Farwiit; Friday - Hi: 64 Lo: 52 Partly Cloudy Saturday - Hi; 61 Lo; 27 Cloudy Sunday - Hi: 46 Lo: 26 Partly Cloudy trhc Cabct VOLUME LXXXIX Friday, 21 February 1997 ivl umber 15 News Briefs Latest Report on Coed Plan World Col. N.M, Bissell'61 Chainnan of Executive Committee Rats Breakout! Assimilation Plan Deng Xiaoping, the Chinese leader who opened the doors of com- The \'M1 Officc of .'Admissions re- munist China to a global market, but ports a continuing increase in the number remained vehemently anti-demo- Class of2000 is Formed of applicatioas for the Cla.ss of 2001. We cratic, died from complications of have currently received 797 applications, Parkinson's disease and an infected .AppRiMinately 500 of these hav e been of- lung on Thursday. He was 92. fered appointments. This repiesents a 25% increa.sc over last year. We have received Ten were indicted on charges 37 applications from fcMiiales and offered of bribery and corruption in a South aiipomuiients to 20, F ive of the feinale af>- Korean scandal that led to the demise plicants have reserved spots for next fall, of Hanbo steel. The company ulti- '•"his number should increase in the near mately bore a $6 billion debt. Chief futua-. Open House programs have been Prosecutor Choi Byung-kuk stated well alteiided by botli m;ile iind female pros- that those indicted included 3 aides pcx'ts, ITic next program is scheduled for of Kim Young-sam, president of sev- 21-22 March and currcntly 120 prospet1.s; eral prominent banks, and Hanbo have registered to attend. -
Slanted and Enchanted Luxe and Reduxe Raritan
Slanted And Enchanted Luxe And Reduxe Raritan 1 / 6 Slanted And Enchanted Luxe And Reduxe Raritan 2 / 6 3 / 6 This license is for the sole purpose of enabling you to use the services provided by oath in the manner permitted by these terms and conditions or the terms of reference. nn But the bumpy pop pop of the album wakes up the Summer Babe Winter Version through to the pitiful poem poem here one of Malkmus texts and on countless other tracks it was a choir or a heartbeat-causing Plaintivitite breaks out of the hinges of Scratchy riffs and wobbly drums to harpish your heart Slanted and Enchanted are a beautiful refreshing disc.. Their music is written for people stuck in mosh pits because they do not belong to it and write about how such a mess on their blog is that no one reads and finds Sienfeld funny.. It a complex, convincing plate of full split riffs, strong melodies and cryptic melodies, and with all the noise and noise, Slanted and Enchanted hear sounds like hearing a distant college radio station melodies and hooks always flow back in and get out of the mix with Simple lines instead of full texts that pop up through the murmur. Rompler Vst Free Download You agree that if the fee-based service before expiration of the deadline in Requirements for any costs up to date of cancellation.. It a complex gripping plate full of broken riffs strong melodies and cryptic tunes and with all the whispers and static to Slanted and Enchanted sounds like hearing a distant college radio station - tunes and hooks float back in mix in with some lines instead of full text remastered appear throughout the disco and extended edition of Slanted and Enchanted with the original album Watery National Product EP Studio Outtakes Two John Peel Radio Sessions of 1992 and a live recording of Brixton Academy. -
Black & Brown Women of the Punk Underground
Sarah Lawrence College DigitalCommons@SarahLawrence Women's History Theses Women’s History Graduate Program 11-2018 Game Changers & Scene Makers: Black & Brown Women of the Punk Underground Courtney Aucone Sarah Lawrence College Follow this and additional works at: https://digitalcommons.slc.edu/womenshistory_etd Part of the Women's History Commons Recommended Citation Aucone, Courtney, "Game Changers & Scene Makers: Black & Brown Women of the Punk Underground" (2018). Women's History Theses. 37. https://digitalcommons.slc.edu/womenshistory_etd/37 This Thesis - Open Access is brought to you for free and open access by the Women’s History Graduate Program at DigitalCommons@SarahLawrence. It has been accepted for inclusion in Women's History Theses by an authorized administrator of DigitalCommons@SarahLawrence. For more information, please contact [email protected]. Game Changers & Scene Makers: Black & Brown Women of the Punk Underground Courtney Aucone Thesis Seminar Dr. Mary Dillard December 6, 2018 Submitted in partial completion of the Master of Arts Degree at Sarah Lawrence College, December 2018 Table of Contents: Acknowledgements……………………………………………………………………………………….…......1 Introduction…………………………………………………………………………………………………….…..2 v A Note on Methodology…………………………………………………………………………………21 Chapter I: “A Wave of History”…………………………………………………………………………... 26 Chapter II: The Underground…………………………………………………………………………….. 51 Chapter III: “Somos Chulas, No Somos Pendejas”: Negotiating Femininity & Power in the Underground……………………………..…………………………………………………………………70