Breaking Dawn Stephenie Meyer
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Touchstones of Popular Culture Among Contemporary College Students in the United States
Minnesota State University Moorhead RED: a Repository of Digital Collections Dissertations, Theses, and Projects Graduate Studies Spring 5-17-2019 Touchstones of Popular Culture Among Contemporary College Students in the United States Margaret Thoemke [email protected] Follow this and additional works at: https://red.mnstate.edu/thesis Part of the Higher Education and Teaching Commons Recommended Citation Thoemke, Margaret, "Touchstones of Popular Culture Among Contemporary College Students in the United States" (2019). Dissertations, Theses, and Projects. 167. https://red.mnstate.edu/thesis/167 This Thesis (699 registration) is brought to you for free and open access by the Graduate Studies at RED: a Repository of Digital Collections. It has been accepted for inclusion in Dissertations, Theses, and Projects by an authorized administrator of RED: a Repository of Digital Collections. For more information, please contact [email protected]. Touchstones of Popular Culture Among Contemporary College Students in the United States A Thesis Presented to The Graduate Faculty of Minnesota State University Moorhead By Margaret Elizabeth Thoemke In Partial Fulfillment of the Requirements for the Degree of Master of Arts in Teaching English as a Second Language May 2019 Moorhead, Minnesota iii Copyright 2019 Margaret Elizabeth Thoemke iv Dedication I would like to dedicate this thesis to my three most favorite people in the world. To my mother, Heather Flaherty, for always supporting me and guiding me to where I am today. To my husband, Jake Thoemke, for pushing me to be the best I can be and reminding me that I’m okay. Lastly, to my son, Liam, who is my biggest fan and my reason to be the best person I can be. -
Words & Images 2009
University of Southern Maine USM Digital Commons Words and Images College of Arts, Humanities and Social Sciences 2009 Words & Images 2009 University of Southern Maine Follow this and additional works at: https://digitalcommons.usm.maine.edu/words-and-images Part of the Art and Design Commons, and the English Language and Literature Commons Recommended Citation University of Southern Maine, "Words & Images 2009" (2009). Words and Images. 9. https://digitalcommons.usm.maine.edu/words-and-images/9 This Book is brought to you for free and open access by the College of Arts, Humanities and Social Sciences at USM Digital Commons. It has been accepted for inclusion in Words and Images by an authorized administrator of USM Digital Commons. For more information, please contact [email protected]. words and Images Whom you should blame: Seth A. Bishop 2009. was the Managing Editor; Chad Chamberlain was a Fiction Edi tor; Jeff Hodenberg was a Poetry Editor; Jill Jacobs was a Fiction Editor; Benjamin Rybeck was the Publishing Director; Aubin Thomas was the Art Director; Caroline O'Connor Thomas was a Poetry Editor. Words and Images is a publication of the University of Southern Maine. We welcome submissions of poetry, short fiction, and creative nonfiction. Please address correspondences to: Words and Images, University of Southern Maine, P.O. Box Portland, Maine, Copyright 9300, 04104. 2009 by Words and Images. All right reserved. No part of this pub lication may be reproduced in any form or by any means with out permission by the publisher. Words and Images was 2009 published through the generosity of the 37th Student Senate, the Student Government Association, the Student Activity Fee, and, of course, the student body, all of which are located at good old Universit of Southern Maine. -
The Comment, September 21, 1972
Bridgewater State University Virtual Commons - Bridgewater State University The ommeC nt Campus Journals and Publications 1972 The ommeC nt, September 21, 1972 Bridgewater State College Volume 52 Number 3 Recommended Citation Bridgewater State College. (1972). The Comment, September 21, 1972. 52(3). Retrieved from: http://vc.bridgew.edu/comment/299 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. The COMMENT september 1972 Volume J.tIt No. 2 BRIlxa:~A TER STATE COLLEGE ~ CI IRISTINE JORGENSEN DO YOU EVER MISS BEING A At about the time the New York MAN? Daily News was only 4¢ a paper, in NO I never was a man. I wouldn't the early 1953's, they carried the AT go 'back to the identification of N headline: EX-GI BECOMES being a man for all the. tea in BLONDE BEAUTY-Operations China. ~ 'rransform Bronx Youth. :\ Christine Jorgensen made front -:1 DO YOU HAVE A NORMAL SEX \J page in newspapers across the ., LIFE? FOR INSTANCE, ARE il country. "At that time," she says, ABLE TO HAVE AN \1 "I felt a great infringement on my YOU ORGASM? ~ B (I privacy. At that time I was'nt Yes, definitelv. yes, orgasm ir;; a aware of the sexual Ii revolution ... the sexual revolution ... It works. You have to assume 1 -\ that was starting." something that's very important II Miss Jorgensen writes, "I was about sex-90% is in the mind. \~ underdeveloped physically and ',I sexually. twas extremely ef- WAS YOUR OPERATION THE <I FIRST OF ITS KIND? R \\ feminate. -
Red Berry Stew
RED BERRY STEW Mary Grimm Essie was looking for a place to hide. She didn’t want to put her clothes away in the dresser in her new room. The inside of the drawers smelled, even though her mother had scrubbed them with bleach. She jumped down the steps of the back porch, something they hadn’t had before. She liked the back porch, but she tried not to, out of loyalty to their old house. This yard was small, with a big garage, and the next-door house was close, with a narrow weedy space between, dim and green. Green grass, green bushes, green vines. Essie saw something move out of the corner of her eye in the green, a wriggling movement, like a fish swimming in water. It was a girl wearing a faded red dress. She had on dirty white socks and no shoes, and her yellow hair was braided on one side and hanging loose on the other. She stopped moving when she saw Essie, her fingers working on the 180 RED BERRY STEW 181 braid, pulling it apart. When she finished with her hair, she pushed it back, hooking it behind her ear. “Was that your truck yesterday?” she asked. “Yes,” Essie said. Their furniture had come in a moving truck, and all yes- terday afternoon men had gone back and forth between the truck and the new house carrying chairs and lamps and beds. It had been strange to watch the familiar things of her life being handled by men who spat on the ground and said words she wasn’t supposed to hear, groaning under the weight of the re- frigerator and the big sofa. -
A Shaman, a Sherpa, and a Healer: a Post-Intentional
A SHAMAN, A SHERPA, AND A HEALER: A POST-INTENTIONAL PHENOMENOLOGY OF SONGWRITING by BRIAN E. KUMM (Under the Direction of Corey W. Johnson) ABSTRACT The purpose of this study was to explore the phenomenon of songwriting. Through a series of in depth interviews, three songwriters provided rich descriptions of their lived experiences with the phenomenon. Post-intentional phenomenology was used as the primary guiding theoretical framework for this study, which negotiated the tenets of both phenomenology and poststructuralism. Songwriting was described in terms of portaling, everesting, and gravitating-levitating and was revealed as a complex phenomenon of cathartic and transcendent experiences. The findings highlight the need for unstructured, expressive, and artistic leisure, which can be transformative in times of personal or social unrest. INDEX WORDS: Songwriting, Post-intentional phenomenology, Creativity, Leisure A SHAMAN, A SHERPA, AND A HEALER: A POST-INTENTIONAL PHENOMENOLOGY OF SONGWRITING by BRIAN E. KUMM B.S., University of West Georgia, 1999 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2011 © 2011 Brian E. Kumm All Rights Reserved A SHAMAN, A SHERPA, AND A HEALER: A POST-INTENTIONAL PHENOMENOLOGY OF SONGWRITING by BRIAN E. KUMM Major Professor: Corey W. Johnson Committee: Janette R. Hill Diane M. Samdahl Electronic Version Approved: Maureen Grasso Dean of the Graduate School The University of Georgia December 2011 iv DEDICATION This thesis is dedicated to the memory of Dianne Kendall Hickly (mom number 2). March 1, 1947 – July 23, 2011 v ACKNOWLEDGEMENTS I sincerely want to say thank you to everyone who contributed to the successful completion of this thesis. -
ABSTRACT WHAT IF YOU're LONELY: JESSICA STORIES By
ABSTRACT WHAT IF YOU’RE LONELY: JESSICA STORIES by Michael Stoneberg This novel-in-stories follows Jessica through the difficulties of her early twenties to her mid- thirties. During this period of her life she struggles with loneliness and depression, attempting to find some form of meaningful connection through digital technologies as much as face-to-face interaction, coming to grips with a non-normative sexuality, finding and losing her first love and dealing with the resultant constant pull of this person on her psyche, and finally trying to find who in fact she, Jessica, really is, what version of herself is at her core. The picture of her early adulthood is drawn impressionistically, through various modes and styles of narration and points of view, as well as through found texts, focusing on preludes and aftermaths and asking the reader to intuit and imagine the spaces between. WHAT IF YOU’RE LONELY: JESSICA STORIES A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of English by Michael Stoneberg Miami University Oxford, Ohio 2014 Advisor______________________ Margaret Luongo Reader_______________________ Joseph Bates Reader_______________________ Madelyn Detloff TABLE OF CONTENTS 1. Revision Page 1 2. Invoice for Therapy Services Page 11 3. Craigslist Page 12 4. Some Things that Make Us—Us Page 21 5. RE: Recent Account Activity Page 30 6. Sirens Page 31 7. Hand-Gun Page 44 8. Hugh Speaks Page 48 9. “The Depressed Person” Page 52 10. Happy Hour: Last Day/First Day Page 58 11. -
Papéis Normativos E Práticas Sociais
Agnes Ayres (1898-194): Rodolfo Valentino e Agnes Ayres em “The Sheik” (1921) The Donovan Affair (1929) The Affairs of Anatol (1921) The Rubaiyat of a Scotch Highball Broken Hearted (1929) Cappy Ricks (1921) (1918) Bye, Bye, Buddy (1929) Too Much Speed (1921) Their Godson (1918) Into the Night (1928) The Love Special (1921) Sweets of the Sour (1918) The Lady of Victories (1928) Forbidden Fruit (1921) Coals for the Fire (1918) Eve's Love Letters (1927) The Furnace (1920) Their Anniversary Feast (1918) The Son of the Sheik (1926) Held by the Enemy (1920) A Four Cornered Triangle (1918) Morals for Men (1925) Go and Get It (1920) Seeking an Oversoul (1918) The Awful Truth (1925) The Inner Voice (1920) A Little Ouija Work (1918) Her Market Value (1925) A Modern Salome (1920) The Purple Dress (1918) Tomorrow's Love (1925) The Ghost of a Chance (1919) His Wife's Hero (1917) Worldly Goods (1924) Sacred Silence (1919) His Wife Got All the Credit (1917) The Story Without a Name (1924) The Gamblers (1919) He Had to Camouflage (1917) Detained (1924) In Honor's Web (1919) Paging Page Two (1917) The Guilty One (1924) The Buried Treasure (1919) A Family Flivver (1917) Bluff (1924) The Guardian of the Accolade (1919) The Renaissance at Charleroi (1917) When a Girl Loves (1924) A Stitch in Time (1919) The Bottom of the Well (1917) Don't Call It Love (1923) Shocks of Doom (1919) The Furnished Room (1917) The Ten Commandments (1923) The Girl Problem (1919) The Defeat of the City (1917) The Marriage Maker (1923) Transients in Arcadia (1918) Richard the Brazen (1917) Racing Hearts (1923) A Bird of Bagdad (1918) The Dazzling Miss Davison (1917) The Heart Raider (1923) Springtime à la Carte (1918) The Mirror (1917) A Daughter of Luxury (1922) Mammon and the Archer (1918) Hedda Gabler (1917) Clarence (1922) One Thousand Dollars (1918) The Debt (1917) Borderland (1922) The Girl and the Graft (1918) Mrs. -
View Mirror to the Windshield Had Melted Off in the Heat, So I Turned Around in My Seat and Watched the Gravel Driveway As I Backed Out
ABSTRACT THE DIRT ON DOREEN AND OTHER NEWS by Meagan Sliger This collection of short stories is centered on a small town dynamic in which characters that have been raised on idle gossip and provincial ideas begin to question the values they have grown up with. Set primarily in Southwestern Ohio, the belief systems these characters have been carrying are challenged in unexpected ways. The stories are arranged in the reverse chronological order from which they were written. THE DIRT ON DOREEN AND OTHER NEWS A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements of the degree of Masters of Arts Department of English By Meagan Elizabeth Sliger Miami University Oxford, Ohio 2008 Advisor: Margaret Luongo Reader: Brian Roley Reader: Tim Melley CONTENTS 1. THE RACE 1 2. THE DIRT ON DOREEN 5 3. SOME OLD GUY LIKE ME 15 4. MUZZLE 20 5. THE HUMPS 31 6. HOUSE OF HOSPITATLITY 37 7. HOW TO BOIL A HOUSEWIFE 46 8. MABEL AND GOLIATH 53 ii THE RACE I have entered a road race. It is a 5k and I believe I will win my age group if not the entire race overall. For the women, of course. I am not fast enough to contend with the men. I believe I will win, because I believe if I believe I will win then it is likely that I will. More likely anyway than if I believe I will not win. So I stand at the starting line telling myself I will win, telling myself I am faster than all the other women here and that I can, without question, win the race. -
Page 1I ·-916--Anrrla~Is~·Tr~8~~11~4~~
Vol. XVII No.8 The University's Late Night Feature Paper January 29, 1996 { Page 1I ·-916--anrRla~is~·tr~8~~11~4~~ 0STATET EMP lSSIREA I By Chris Sorochin ing, hockey-playing nuts are just similar enough to have previously done so. One CNN commentator us culturally to provide what Noam Chomsky calls on the Russian Duma elections was typically Well, its another New Year and the anniversary the "threat of a good example": they're what we Orwellian: "They've voted to reject democracy." of the January 1 rebellion of the Zapatistas in could be if we got our act together and that realiza- Figure that one out. I always thought democracy Chiapas, Mexico. Unwilling to see their centuries- tion might give folks here some funny ideas. was supposed to reflect the will of the people and old communal agrarian way of life destroyed so Wouldn't it be great if instead of Gingrich and the how they're governed and how their economy agribusiness could move in, and unwilling to rest of the Dickensian knaves shutting down the runs. I guess the "demo" must refer exclusively to become part of the impoverished masses of excess government to inflate their egos, the American the people on Wall St. and their equivalents in labor swelling the shantytowns of Mexico City, people got together and stopped the music, just to London, Tokyo and other financial centers. Mayan peasants supported the uprising, which let'em know we won't be trifled with? No, I don't think anybody wants to see the return began on the day NAFTA went into effect. -
Twilight Saga
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OTHES DIPLOMARBEIT Titel der Diplomarbeit Tracing Female Subjectivity and Self-affirmation in Stephenie Meyer’s Twilight Saga Verfasserin Astrid Ernst angestrebter akademischer Grad Magistra der Philosophie (Mag.phil.) Wien, 2011 Studienkennzahl lt. Studienblatt: A 343 Studienrichtung lt. Studienblatt: Anglistik und Amerikanistik (Diplom) Betreuerin Ao. Univ.- Prof. Mag. Dr. Eva Müller-Zettelmann 1 Table of Contents 1. Introduction.......................................................................................................3 2. Tracing Bella’s Subjectivity: Ideal Love as the Only Way Out..........................4 3. Edward and Jacob: Magnets with reversed polarities or two poles of Bella’s existence?.......................................................................................................12 4. The Cullen Vampires: the ideal family and its enemies..................................20 4.1. Carlisle Cullen......................................................................................20 4.2. Esme Cullen.........................................................................................23 4.3. Rosalie Cullen......................................................................................25 4.4. Alice Cullen..........................................................................................28 4.5. The Cullens’ Enemies..........................................................................30 5. Quileute Legends: -
Vinyl Records Las Vegas
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