Fictions of Integration: American School Stories and the Promise of Utopia After Brown V
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Touchstones of Popular Culture Among Contemporary College Students in the United States
Minnesota State University Moorhead RED: a Repository of Digital Collections Dissertations, Theses, and Projects Graduate Studies Spring 5-17-2019 Touchstones of Popular Culture Among Contemporary College Students in the United States Margaret Thoemke [email protected] Follow this and additional works at: https://red.mnstate.edu/thesis Part of the Higher Education and Teaching Commons Recommended Citation Thoemke, Margaret, "Touchstones of Popular Culture Among Contemporary College Students in the United States" (2019). Dissertations, Theses, and Projects. 167. https://red.mnstate.edu/thesis/167 This Thesis (699 registration) is brought to you for free and open access by the Graduate Studies at RED: a Repository of Digital Collections. It has been accepted for inclusion in Dissertations, Theses, and Projects by an authorized administrator of RED: a Repository of Digital Collections. For more information, please contact [email protected]. Touchstones of Popular Culture Among Contemporary College Students in the United States A Thesis Presented to The Graduate Faculty of Minnesota State University Moorhead By Margaret Elizabeth Thoemke In Partial Fulfillment of the Requirements for the Degree of Master of Arts in Teaching English as a Second Language May 2019 Moorhead, Minnesota iii Copyright 2019 Margaret Elizabeth Thoemke iv Dedication I would like to dedicate this thesis to my three most favorite people in the world. To my mother, Heather Flaherty, for always supporting me and guiding me to where I am today. To my husband, Jake Thoemke, for pushing me to be the best I can be and reminding me that I’m okay. Lastly, to my son, Liam, who is my biggest fan and my reason to be the best person I can be. -
A Shaman, a Sherpa, and a Healer: a Post-Intentional
A SHAMAN, A SHERPA, AND A HEALER: A POST-INTENTIONAL PHENOMENOLOGY OF SONGWRITING by BRIAN E. KUMM (Under the Direction of Corey W. Johnson) ABSTRACT The purpose of this study was to explore the phenomenon of songwriting. Through a series of in depth interviews, three songwriters provided rich descriptions of their lived experiences with the phenomenon. Post-intentional phenomenology was used as the primary guiding theoretical framework for this study, which negotiated the tenets of both phenomenology and poststructuralism. Songwriting was described in terms of portaling, everesting, and gravitating-levitating and was revealed as a complex phenomenon of cathartic and transcendent experiences. The findings highlight the need for unstructured, expressive, and artistic leisure, which can be transformative in times of personal or social unrest. INDEX WORDS: Songwriting, Post-intentional phenomenology, Creativity, Leisure A SHAMAN, A SHERPA, AND A HEALER: A POST-INTENTIONAL PHENOMENOLOGY OF SONGWRITING by BRIAN E. KUMM B.S., University of West Georgia, 1999 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2011 © 2011 Brian E. Kumm All Rights Reserved A SHAMAN, A SHERPA, AND A HEALER: A POST-INTENTIONAL PHENOMENOLOGY OF SONGWRITING by BRIAN E. KUMM Major Professor: Corey W. Johnson Committee: Janette R. Hill Diane M. Samdahl Electronic Version Approved: Maureen Grasso Dean of the Graduate School The University of Georgia December 2011 iv DEDICATION This thesis is dedicated to the memory of Dianne Kendall Hickly (mom number 2). March 1, 1947 – July 23, 2011 v ACKNOWLEDGEMENTS I sincerely want to say thank you to everyone who contributed to the successful completion of this thesis. -
Young Adult Library Services Association
THE OFFICIAL JOURNAL OF THE YOUNG ADULT LIBRARY SERVICES ASSOCIATION five ye ng ar ti s a o r f b y e a l l e s c young adult c e s l l e a b y r 5 f a t o in rs librarylibrary services services g five yea VOLUME 6 | NUMBER 2 WINTER 2008 ISSN 1541-4302 $12.50 INSIDE: INFORMATION TOOLS MUsiC WEB siTes TOP FIFTY GAMinG CORE COLLECTION TITLES INTERVIEW WITH KIMBERLY NEWTON FUSCO INFORMATION LITERACY AND MUCH MORE! TM ISSUE! TEEN TECH WEEK TM TM TEEN TECH WEEK MARCH 2-8, 2008 ©2007 American Library Association | Produced in partnership with YALSA | Design by Distillery Design Studio | www.alastore.ala.org march 2–8, 2008 for Teen Tech Week™ 2008! Join the celebration! Visit www.ala.org/teentechweek, and you can: ã Get great ideas for activities and events for any library, at any budget ã Download free tech guides and social networking resources to share with your teens ã Buy cool Teen Tech Week merchandise for your library ã Find inspiration or give your own ideas at the Teen Tech Week wiki, http://wikis.ala.org/yalsa/index.php/ Teen_Tech_Week! Teen Tech Week 2008 National Corporate Sponsor www.playdnd.com ttw_fullpage_cmyk.indd 1 1/3/2008 1:32:22 PM THE OFFICIAL JOURNAL OF THE YOUNG ADULT LIBRARY SERVICES ASSOCIATION young adult library services VOLUME 6 | NU MBER 2 WINTER 2008 ISSN 1541-4302 YALSA Perspective 33 Music Web Sites for Teen Tech Week 6 Margaret Edwards Award Turns 20 and Beyond By Betty Carter and Pam Spencer Holley By Kate Pritchard and Jaina Lewis 36 Top Fifty Gaming Core Collection Titles School Library Perspective Compiled by Kelly Czarnecki 14 Do We Still Dewey? By Christine Allen Literature Surveys and Research 39 Information Literacy As a Department Teen Perspective Store 15 Teens’ Top Ten Redux Applications for Public Teen Librarians Readers from New Jersey Talk about the By Dr. -
Summer 2003 Newsletternewslettera Publication of the Gay, Lesbian, Bisexual, Transgendered Round Table of the American Library Association
Vol 15 Volume 15 Number 2 GLBTRTGLBGLB NewsletterTRTRTT SummerNo 2003 2 Summer 2003 NewsletterNewsletterA publication of the Gay, Lesbian, Bisexual, Transgendered Round Table of the American Library Association Greetings!! As we approach the 2003 annual conference, there is the usual excitement around the great authors, programs, and events that It's time for another issue of the GLBTRT Newsletter, and once are a part of ALA. More information on the programs and again I've had an enormous amount of contributions from Round events will be listed in this issue of the newsletter. Table members. Thank you all so very much for contributing such useful and interesting material to this publication. Without you, I Beyond the usual array of events, this conference holds special could do nothing. If anyone is interested in contributing to the next interest for several of us in the Round Table, who are either issue, just send me an email. August 15 is the deadline! from Ontario or attended library school in Ontario. For those of you who have not been to Toronto, it is a wonderful city. Thanks for your continued support! As we look forward to the time in Toronto, we are aware that Ken Wells, GLBTRT Newsletter Editor budget cuts and health concerns may curtail some of our [email protected] members from attending. For those of you who cannot attend ALA, we would encourage you to still participate in the Round Table. If you would like to participate on a committee or do work for the Round Table, please contact Steve or myself. -
Breaking Dawn Stephenie Meyer
Breaking Dawn Stephenie Meyer Copyright © 2008 by Stephenie Meyer All rights reserved. Except as permitted under the U.S. Copyright Act of 1976, no part of this publication may be reproduced, distributed, or transmitted in any form or by any means, or stored in a database or retrieval system, without the prior written permission of the publisher. Little, Brown and Company Hachette Book Group USA 237 Park Avenue, New York, NY 10017 Visit our Web site at www.lb-teens.com First eBook Edition: August 2008 Little, Brown and Company is a division of Hachette Book Group USA, Inc. The Little, Brown name and logo are trademarks of Hachette Book Group USA, Inc. Epigraph for Book Three from Empire by Orson Scott Card. A Tor Book. Published by Tom Doherty Associates, LLC. Copyright © 2006 by Orson Scott Card. Reprinted with permission of the author. The characters and events portrayed in this book are fictitious. Any similarity to real persons, living or dead, is coincidental and not intended by the author. ISBN: 978-0-316-03283-4 Contents BOOK ONE: BELLA Preface 1. Engaged 2. Long Night 3. Big Day 4. Gesture 5. Isle Esme 6. Distractions 7. Unexpected BOOK TWO: JACOB Preface 8. Waiting For The Damn Fight To Start Already 9. Sure As Hell Didn’t See That One Coming 10. Why Didn’t I Just Walk Away? Oh Right, Because I’m An Idiot. 11. The Two Things At The Very Top Of My Things-I-Never-Want-To-Do List 12. Some People Just Don’t Grasp The Concept Of “Unwelcome” 13. -
A National Graphics Resource Center for Libraries
12/3/15 1 Public Relations Office Publications Graphics Records, 1979- Box 1: A National Graphics Resource Center for Libraries in the United Kingdom, 1981 ALA Graphics Bookmarks, 1999-2002 Awards: Caldecott Medal (2001) Coretta Scott King Award (2001) Michael L. Printz Award (2001) Newbery Medal (2001) Celebrities: Donovan, Landon (2003) Hawk, Tony (2002) Jones, Marion (2001) Williams, Serena (2002) Children's and Youth Appeal: Between the Lions (Get Wild About Reading!) (2000) Captain Underpants (2001) Clifford is Big on Reading (2003) Curious George (2001) Designated Reader (sticker) (2000) E.T. (2002) Get Graphic @ Your Library (2002) Lemony Snicket (It's an Unfortunate Event to Lose Your Place) (2003) Lord of the Rings (2001) Arwen Frodo Gandalf Lord of the Rings: Moving Words Inspire Moving Pictures (2002) Neuman, Alfred E. (MAD Magazine) (2002) Olivia (Reading never wears me out!) (2003) Reading: It Becomes You! (Chameleon) (2003) Sandman (A Book is a Dream That You Hold in Your Hands) (2003) Sesame Street–Elmo (La música en tu biblioteca) (2002) General Reading Promotion: Celebrate the Discoveries of Women (2002) Celebrate Latino Heritage (2001) Curie, Marie ("Nothing in Life is to be Feared") (2000) Douglass, Frederick ("Once You Learn to Read you will be Forever Free") (2000) el 30 de abril: El día de los niños / El día de los libros (Children's Day / Book Day 12/3/15 2 April 30, 2002) Encuéntralo Clasificacíon Decimal Dewey (2000) Find it: Library of Congress Classification System (2002) Get Carded @ Your Library (2002) Get -
L I B R a R Y G U I D E L I N E S
L I B R A R Y G U I D E L I N E S K-12 Library Resources 225 L I B R A R Y G U I D E L I N E S The following resources help to explain library-related topics. The resource section is not meant to be all-inclusive. Please remember that, although the Web site addresses were accurate at the time of publication of this document, Web site addresses frequently change and may necessitate the need to search for the information by name of item instead of URL. Information printed in this section was submitted to the Department by a variety of individuals associated with the various topics presented. Additional information was adapted from agency/organization Web sites. ACCESS FOR ALL This section contains information regarding access for library patrons with disabilities. Access for Library Patrons with Disabilities Adaptive materials and assistive technologies provide many people with disabilities better access to education, careers and life experiences. Effective school library media programs should have written procedures that provide information about the services and adaptive technologies available that ensure equitable access to information for all members of the school community. Adaptive materials should be available or readily accessible to a library media center. They can increase the independence, capabilities and productivity of people with disabilities and may include: • Large-print and Braille materials; • Books with low reading levels; • Books in audio format; • Book stands and page turners; • Magnifiers; • Tactile maps and globes; • Software with large-print screen output and/or sign language; • Open- and closed-captioned videotapes. -
THEMATIC UNITS and Ever-Growing Digital Library Listing GRADES 9–12 THEMATIC UNITS
THEMATIC UNITS and Ever-Growing Digital Library Listing GRADES 9–12 THEMATIC UNITS GRADE 9 AUTHOR GENRE StudySync®TV UNIT 1 | Divided We Fall: Why do we feel the need to belong? Writing Focus: Narrative Marigolds (SyncStart) Eugenia Collier Fiction The Necklace Guy de Maupassant Fiction Friday Night Lights H.G. Bissinger Informational Text Braving the Wilderness: The Quest for True Belonging and the Courage to Stand Alone Brene Brown Informational Text Why I Lied to Everyone in High School About Knowing Karate Jabeen Akhtar Informational Text St. Lucy’s Home for Girls Raised by Wolves Karen Russell Fiction Sure You Can Ask Me a Personal Question Diane Burns Poetry Angela’s Ashes: A Memoir Frank McCourt Informational Text Welcome to America Sara Abou Rashed Poetry I Have a Dream Martin Luther King, Jr. Argumentative Text The Future in My Arms Edwidge Danticat Informational Text UNIT 2 | The Call to Adventure: What will you learn on your journey? Writing Focus: Informational Stopping by Woods on a Snowy Evening Robert Frost Poetry 12 (from ‘Gitanjali’) Rabindranath Tagore Poetry The Journey Mary Oliver Poetry Leon Bridges On Overcoming Childhood Isolation and Finding His Voice: ‘You Can’t Teach Soul’ Jeff Weiss Informational Text Highest Duty: My Search for What Really Matters Chesley Sullenberger Informational Text Bessie Coleman: Woman Who ‘dared to dream’ Made Aviation History U.S. Airforce Informational Text Volar Judith Ortiz Cofer Fiction Wild: From Lost to Found on the Pacific Crest Trail Cheryl Strayed Informational Text The Art -
LIS 682 Books and Media for Young Adults
LIS 682 Books and Media for Young Adults Instructor: Jan T. Kamiya email: [email protected] Cell: xxx-xxxx Summer 2015: M, W, F 5:15-7:40 Location: Sakamaki Hall C201 Office hours: Please call or e-mail to make an appointment. Instructor is Adjunct Faculty and is not regularly on campus. Course Description: Books and other media for young people of junior and senior high school age. History and criticism of literature, and trends in media for young adults. Developmental needs and interests of adolescents. Selection and evaluation of materials. Research studies. Students for Whom the Course is Intended: This course is intended for librarians who plan to provide or already are providing library services to young adults in either a public or school library; intermediate and high school teachers; fifth and sixth grade teachers; and anyone else who is interested in young adults and their literature. Prerequisite: None Student Learning Outcomes Addressed SLO 1: Understand, apply and articulate the history, philosophy, principles and ethics of library and information science and the related professions. 1c) Develop and apply critical thinking skills in preparation for professional practice 1d) Craft and articulate a professional identity SLO 2: Develop, administrate, assess, and advocate for information services by exercising principled communication, teamwork and leadership skills. 2c) Develop, manage, and assess information services for specific users and communities 2e) Demonstrate the ability to advocate effectively for information services -
Fall 2021 Kids OMNIBUS (PDF)
FALL 2021 CATALOGUES: YOUNG ADULT & CHILDREN’S BOOKS TABLE OF CONTENTS 1 – Alma 2 – Bloomsbury Children’s 3 – Encantos 4 – Entangled Teen 5 – Farrar, Straus and Giroux 6 – Feiwel and Friends 7 – First Second 8 – Flatiron Teen 9 – Henry Holt & Co. 10 – Imprint 11 – Kingfisher 12 – Young Listeners 13 – Media Lab Kids 14 – Odd Dot 15 – Papercutz 16 – Priddy 17 – Roaring Brook 18 – Sounds True Kids 19 – Square Fish 20 – SMP Castle Point Kids 21 – SMP Wednesday Books 22 – TOR Children’s and Young Adult 23 – Macmillan Kids Prev. Postponed Macm Kids Omnibus - Fall 2021 Page 1 of 260 The Sign of Four by Arthur Conan Doyle Deeply bored by the lack of mental stimulus and the dull routine of existence, Sherlock Holmes is about to resort to his daily dose of cocaine in order to get a thrill, when an elegantly dressed young woman called Mary Morstan enters his room and presents her case to him and Watson. Her father has mysteriously disappeared ten year ago, and after answering, four years later, a newspaper advert enquiring for her, she has begun to receive each year, on the same date, a precious pearl in the post from an unknown benefactor. Now, with the last pearl, she has also received a message, telling her she is a wronged woman" and asking for a meeting that very night outside the Lyceum Theatre. Will the great detective accompany her and help her unravel the mystery? First published in 1880, The Sign of Four - the second Sherlock Holmes novel after A Study in Scarlet, published three years earlier - will sweep the readers away into a story of murders, betrayals, double-crossings and stolen treasures, and is an enduring testament to the storytelling genius of Arthur Alma Books Conan Doyle. -
Calling out Culture Vultures: Nonwhite Interpretations of Cultural Appropriation in the Era of Colorblindness
Calling Out Culture Vultures: Nonwhite Interpretations of Cultural Appropriation in the Era of Colorblindness A Dissertation Submitted to the Graduate School at the University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Ph.D.) in the Department of Sociology of the College of Arts and Sciences by Aaryn L. Green B.A., University of Cincinnati, 2009 M.A. University of Cincinnati, 2012 Dissertation Chair: Erynn Casanova Committee Members: Jennifer Malat Annulla Linders June 2018 Abstract Colorblind theory argues that racism has not subsided but has taken on a new form which appears nonracial and is hard to detect. Music videos are one form of popular culture that utilizes cross-racial or cultural images which appear to be racially inclusive, but when closely analyzed are firmly rooted in traditional stereotypes and take cultural expressions out of their proper sociohistorical contexts. This process is called cultural appropriation. Too often, researchers have determined what modes of appropriation are or are not harmful to various groups without any input from those groups. In this study I provide a space for racial groups whose creations or expressions are habitually appropriated to tell us which modes of appropriation they consider to be harmful. I use a dual qualitative method—music video content analysis and focus group interviews with 61 participants—to investigate representations of nonwhite cultures and how audiences of color interpret the use of their cultures within popular music -
PERFORMANCES in SWING: a CULTURAL HISTORY of WOMEN SINGERS of BIG BANDS, 1930S-1950S
PERFORMANCES IN SWING: A CULTURAL HISTORY OF WOMEN SINGERS OF BIG BANDS, 1930s-1950s A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI'I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN AMERICAN STUDIES AUGUST 2018 By Jeanette Hall Dissertation Committee: Mari Yoshihara, Chairperson Elizabeth Colwill Jonna Eagle Vernadette V. Gonzalez Richard C. Rath Keywords: big band, singer, jazz studies, music history, intersectionality, performance Acknowledgements This dissertation could not have come to fruition without the help and support of many people. First, I would like to thank Mari Yoshihara for her guidance and mentorship in many capacities throughout my graduate career. She challenged me to think deeply and critically about music and storytelling. I would also like to thank Elizabeth Colwill, who expanded my thinking in the realm of performance studies and who always offered support and enthusiasm for my projects. My gratitude also extends to Jonna Eagle who gave feedback from near and far. Thank you to Richard C. Rath for his guidance and encouragement with my projects, and for always reminding me to keep listening to the sounds of the music. Thank you to Vernadette Gonzalez for her feedback and mentorship, and for her encouragement in those moments when writing a dissertation felt like “running uphill in the rain.” I would also like to express my gratitude to the American Studies department at the University of Hawai‘i at Mānoa for the institutional support. Many, many thanks to my writing group—Eriza Bareng, Yu Jung Lee, Kevin Lim, Yanli Luo, Sanae Nakatani, Stacy Nojima, Yuka Polovina, and Yohei Sekiguchi—who gave much support and feedback throughout the writing process.