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WHY WE ARE FEMINISTS by Lierre Keith GET INVOLVED
DEEP GREEN RESISTANCE (DGR) IS A MOVEMENT BASED PARTLY ON THE BOOK, BY DERRICK JENSEN, LIERRE KEITH, AND ARIC MCBAY CALLED DEEP GREEN RESISTANCE: STRATEGY TO SAVE THE PLANET. DGR HAS A PLAN OF ACTION FOR ANYONE DETERMINED TO WHY WE ARE FIGHT FOR THIS PLanet—and WIN. SUBSCRIBE TO THE WEBSITE, GIVE FEEDBACK, AND LET OTHERS KNOW. TAKE ACTION. START OR JOIN A DGR FEMINISTS ACTION GROUP. VOLUNTEER. BY GET INVOLVED Website: deepgreenresistancenewyork.wordpress.com LIERRE KEITH Facebook.com/dgrnewyork Phone: (917) 830-3595 E-mail: [email protected] deepgreenresistance.org WHY WE ARE FEMINISTS: • Langford, Rae and June D. Thompson. Mosby’s Handbook of Dis- eases, 3rd Edition. St. Louis, MO: Elsevier Health Sciences, 2005. THE FEMINIST FRAMEWORK OF DGR • Lenskyj, Helen. “An Analysis of Violence Against Women: A Manu- BY LIERRE KEITH al for Educators and Administrators.” Toronto: Ontario Institute for Studies in Education, 1992. • Jeffreys, Sheila. “Sado-Masochism: The Erotic Cult of Fascism.” Q: Is DGR a feminist organization? Lesbian Ethics 2, No. 1, Spring 1986. A: Unconditionally yes. • Smedley, Audrey. Race in North America: Origin and Evolution of a Worldview. Boulder, CO: Westview Press, 2007. In the words of Andrea Dworkin, “Feminism is the political • “UN calls for strong action to eliminate violence against wom- en.” UN News Centre. http://www.un.org/apps/news/story. practice of fighting male supremacy in behalf of women as asp?NewsID=16674&Cr=&Cr1=. a class.”1 SUGGESTED READING • Andrea Dworkin. Life and Death. New York: The Free Press, 1997. Let’s start with the phrase “women as a class.” From a radical • Cordelia Fine. -
Thinkacting Through Liberatory Frames: (Re)Imagining the Academy Beyond by Michela Marie Pirruccio
Thinkacting through liberatory frames: (re)imagining the academy beyond by Michela Marie Pirruccio A thesis presented to the University of Waterloo in fulfillment of the thesis requirements for the degree of Master of Applied Health Science in Recreation and Leisure Studies Waterloo, Ontario, Canada, 2021 ©Michela Marie Pirruccio 2021 Author’s Declaration I herby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revision, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. ii Abstract After being burnt down by the liberal politics of the university, I call for a (re)imagining of its structure that can offer hope for those seeking a home in academia. This thesis asks the question, “how can we thinkact differently?” by engaging with a plurality of frames that offer grass-roots possibilities for the students, researchers, staff, and faulty members whose identities and politic are often targeted by the reproduction of status quo. I suggest a reaching out unto anarchist, abolitionist, and Indigenous liberatory frames as means of moving beyond the traditions of the neo liberal university, towards emotional, just, and actionable futurities. iii Acknowledgements I acknowledge that the work of this thesis is largely credited to the continuum of hearts that joined me in my ongoing process to becoming. Lisbeth, you are a shinning star. Thank you for housing me in your constellation with love for the last two years—you are a human I could not imagine doing this without. -
Prohm in Transferts, Appropriations Et Fonctions De L’Avant-Garde Dans L’Europe Intermédiaire Et Du Nord Ed
AUCUN RETOUR POSSIBLE – AN EVENT LOGIC OF THE AVANT-GARDE Alan Prohm in Transferts, appropriations et fonctions de l’avant-garde dans l’Europe intermédiaire et du Nord ed. Harri Veivo Cahiers de la Nouvelle Europe No. 16 2012 Kunst und Kamp, poster, April, 1986 Inherent in the notion of an avant-garde is the irreversibility of its measure of progress. The vector of a cultural effort need be neither straight nor singular nor without setbacks for this to be asserted: to occupy a position that has been surpassed is to not be avant-garde. It is stunning the degree to which this logic is disregarded by fans. Art historians can hardly be faulted for keeping warm the corpses of their favorite moments. It is a mortuary profession, and for many sufficiently well paid to keep up their confidence that scholars are anyway smarter than the artists they study; “We’ll be the judge of what’s dead and when.” More charitably, taking scholars as journalists, there are new sightings of the avant-garde to report every day, so we should expect the glorified blogging of peer-review journals on the topic to continue. And here, too, there is no foul. What approaches the kind of tragedy worth regretting, however, is that so many people of such lively genius should suffer their intellectual enthusiasms to be diverted, and secured off the track of any real cultural agency. The main veins of avant-garde activity in the European sphere, the now canonical cycle Futurism-Dada- Surrealism-Etcetera, gambled art and literature’s stakes in the centuries-old entitlement for a new chance at impacting the human situation. -
Human-Computer Insurrection
Human-Computer Insurrection Notes on an Anarchist HCI Os Keyes∗ Josephine Hoy∗ Margaret Drouhard∗ University of Washington University of Washington University of Washington Seattle, WA, USA Seattle, WA, USA Seattle, WA, USA [email protected] [email protected] [email protected] ABSTRACT 2019), May 4–9, 2019, Glasgow, Scotland, UK. ACM, New York, NY, The HCIcommunity has worked to expand and improve our USA, 13 pages. https://doi.org/10.1145/3290605.3300569 consideration of the societal implications of our work and our corresponding responsibilities. Despite this increased 1 INTRODUCTION engagement, HCI continues to lack an explicitly articulated "You are ultimately—consciously or uncon- politic, which we argue re-inscribes and amplifies systemic sciously—salesmen for a delusive ballet in oppression. In this paper, we set out an explicit political vi- the ideas of democracy, equal opportunity sion of an HCI grounded in emancipatory autonomy—an an- and free enterprise among people who haven’t archist HCI, aimed at dismantling all oppressive systems by the possibility of profiting from these." [74] mandating suspicion of and a reckoning with imbalanced The last few decades have seen HCI take a turn to exam- distributions of power. We outline some of the principles ine the societal implications of our work: who is included and accountability mechanisms that constitute an anarchist [10, 68, 71, 79], what values it promotes or embodies [56, 57, HCI. We offer a potential framework for radically reorient- 129], and how we respond (or do not) to social shifts [93]. ing the field towards creating prefigurative counterpower—systems While this is politically-motivated work, HCI has tended to and spaces that exemplify the world we wish to see, as we avoid making our politics explicit [15, 89]. -
COMING out on JUNE 10, 2014 New Releases from TEEN AGERS • the ANGINA PECTORIS • DAS PROJEKT HELLECTRIFIED EXPOSURE VOL
COMING OUT ON JUNE 10, 2014 new releases from TEEN AGERS • THE ANGINA PECTORIS • DAS PROJEKT HELLECTRIFIED EXPOSURE VOL. 1 • MAN IS THE BASTARD KILLWHITNEYDEAD • THE ADOLESCENTS • FLYBOYS THE MIDDLE CLASS • CLITGORE • SCROTOCTOMY STAGES OF DECOMPOSITION • BITE • THE CROISSANTS HE WHO CANNOT BE NAMED • KEEP THEM GAGGIN’ SIEGE • FLAG OF DEMOCRACY Exclusively Distributed by TEEN AGERS I Hate It, LP STREET DATE: June 10th, 2014 INFORMATION: Artist Hometown: Orlando, FL Key Markets: Philadelphia, PA; Orlando, FL; New York, NY For Fans of: HOW DARE YOU, SAVES THE DAY, THE GET UP KIDS Erupting like a sonic Cthulhu from beneath the Florida swamps comes TEEN AGERS, the brainchild of four gentlemen, current and former members of HOW DARE YOU, GO RYDELL, PROTAGONIST, and DIRECT EFFECT. With plenty of melody to satisfy the crowd at your rad wine mixers and hearty helpings of riffage guaranteed to satiate your unresolved adolescent angst, TEEN AGERS are the result of an unstoppable force meeting an immovable object; just a bit slower, so as to not pull something. A product of blood, sweat, and icy-hot, TEEN AGERS’ initial offering I Hate It was recorded at The Moathouse in ARTIST: TEEN AGERS Gainesville by Roger Lima (LESS THAN JAKE) and mixed/mastered by Stephen Egerton. TITLE: I Hate It LABEL: Anchorless Records CAT#: ALR02301-1 MARKETING POINTS: FORMAT: LP GENRE: Indie/punk - Recorded and Produced by Roger Lima of LESS THAN JAKE BOX LOT: 40 - Mixed and Mastered by Stephen Egerton SRLP: $13.98 - Extensive US and European touring UPC: 616822010419 EXPORT: NO RESTRICTIONS - Festival Appearances - PR by Beartrap Media - Color Vinyl with Mp3 coupon! TRACK LIST: Also Available from ILD: 1. -
IPG Spring 2020 Rock Pop and Jazz Titles
Rock, Pop, and Jazz Titles Spring 2020 {IPG} That Thin, Wild Mercury Sound Dylan, Nashville, and the Making of Blonde on Blonde Daryl Sanders Summary That Thin, Wild Mercury Sound is the definitive treatment of Bob Dylan’s magnum opus, Blonde on Blonde , not only providing the most extensive account of the sessions that produced the trailblazing album, but also setting the record straight on much of the misinformation that has surrounded the story of how the masterpiece came to be made. Including many new details and eyewitness accounts never before published, as well as keen insight into the Nashville cats who helped Dylan reach rare artistic heights, it explores the lasting impact of rock’s first double album. Based on exhaustive research and in-depth interviews with the producer, the session musicians, studio personnel, management personnel, and others, Daryl Sanders Chicago Review Press chronicles the road that took Dylan from New York to Nashville in search of “that thin, wild mercury sound.” 9781641602730 As Dylan told Playboy in 1978, the closest he ever came to capturing that sound was during the Blonde on Pub Date: 5/5/20 On Sale Date: 5/5/20 Blonde sessions, where the voice of a generation was backed by musicians of the highest order. $18.99 USD Discount Code: LON Contributor Bio Trade Paperback Daryl Sanders is a music journalist who has worked for music publications covering Nashville since 1976, 256 Pages including Hank , the Metro, Bone and the Nashville Musician . He has written about music for the Tennessean , 15 B&W Photos Insert Nashville Scene , City Paper (Nashville), and the East Nashvillian . -
For All the People
Praise for For All the People John Curl has been around the block when it comes to knowing work- ers’ cooperatives. He has been a worker owner. He has argued theory and practice, inside the firms where his labor counts for something more than token control and within the determined, but still small uni- verse where labor rents capital, using it as it sees fit and profitable. So his book, For All the People: The Hidden History of Cooperation, Cooperative Movements, and Communalism in America, reached expectant hands, and an open mind when it arrived in Asheville, NC. Am I disappointed? No, not in the least. Curl blends the three strands of his historical narrative with aplomb, he has, after all, been researching, writing, revising, and editing the text for a spell. Further, I am certain he has been responding to editors and publishers asking this or that. He may have tired, but he did not give up, much inspired, I am certain, by the determination of the women and men he brings to life. Each of his subtitles could have been a book, and has been written about by authors with as many points of ideological view as their titles. Curl sticks pretty close to the narrative line written by worker own- ers, no matter if they came to work every day with a socialist, laborist, anti-Marxist grudge or not. Often in the past, as with today’s worker owners, their firm fails, a dream to manage capital kaput. Yet today, as yesterday, the democratic ideals of hundreds of worker owners support vibrantly profitable businesses. -
Rip Off Press Mail Order • PO Box 4686 • Auburn, CA 95604 • 530 885
Rip Off Press Mail Order • PO Box 4686 • Auburn, CA 95604 • 530 885-8183 Toll Free inside the U.S.: 888-978-3049 • e-mail: [email protected] •www.ripoffpress.com MINI ORDER FORM AND IN-STOCK PRODUCT LIST - MARK ITEMS WANTED AND MAIL WITH PAYMENT or charge card information SHIP TO: PAYMENT WORKSHEET Name___________________________________________________ MERCHANDISE TOTAL__________ Address_________________________________________________ (This is the amount on which your Shipping Rate is based - see the chart below) City_____________________________________________________ CALIFORNIA SALES TAX__________ State_________ ZIP_____________________________ (For shipment inside CALIF. ONLY: 7.5%--No tax outside Calif.) Day Phone_____________________e-mail___________________ SHIPPING & HANDLING CHARGE__________ Based on the Merchandise Total for each type of items ordered -- See the CHARTS below. I AM OVER 18 (Sign for ordering * titles) ___________________________ SUBTRACT ANY CREDITS__________ For Charge Card orders please fill in the blanks: YOUR COPY OF CREDIT MEMO/GIFT CERT./DISCOUNT CERT. MUST BE ENCLOSED ACCT. No._____________________________________________ Sec. Code_______ ADD ANY BALANCE DUE FROM BEFORE__________ Thank you!! Signature________________________________________________Exp.__________ GRAND TOTAL__________ Cardholder name (print)_________________________________________________ Enclose check or money order made out in U.S. dollars Acct. Addr. (if different from “Ship To”)_________________________________________ Or fill -
American Foreign Policy, the Recording Industry, and Punk Rock in the Cold War
Georgia State University ScholarWorks @ Georgia State University History Dissertations Department of History Spring 5-10-2017 Music for the International Masses: American Foreign Policy, The Recording Industry, and Punk Rock in the Cold War Mindy Clegg Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/history_diss Recommended Citation Clegg, Mindy, "Music for the International Masses: American Foreign Policy, The Recording Industry, and Punk Rock in the Cold War." Dissertation, Georgia State University, 2017. https://scholarworks.gsu.edu/history_diss/58 This Dissertation is brought to you for free and open access by the Department of History at ScholarWorks @ Georgia State University. It has been accepted for inclusion in History Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. MUSIC FOR THE INTERNATIONAL MASSES: AMERICAN FOREIGN POLICY, THE RECORDING INDUSTRY, AND PUNK ROCK IN THE COLD WAR by MINDY CLEGG Under the Direction of ALEX SAYF CUMMINGS, PhD ABSTRACT This dissertation explores the connections between US foreign policy initiatives, the global expansion of the American recording industry, and the rise of punk in the 1970s and 1980s. The material support of the US government contributed to the globalization of the recording industry and functioned as a facet American-style consumerism. As American culture spread, so did questions about the Cold War and consumerism. As young people began to question the Cold War order they still consumed American mass culture as a way of rebelling against the establishment. But corporations complicit in the Cold War produced this mass culture. Punks embraced cultural rebellion like hippies. -
Catalogue 2021 Welcome to the FREEDOM CATALOGUE
anarchist publishing Est. 1886 Catalogue 2021 wELCOME TO THE FREEDOM CATALOGUE Anarchism is almost certainly the most interesting political movement to have slipped under the radar of public discourse. It is rarely pulled up in today’s media as anything other than a curio or a threat. But over the course of 175 years since Pierre-Joseph Proudhon’s declaration “I am an anarchist” this philosophy of direct action and free thought has repeatedly changed the world. From Nestor Makhno’s legendary war on both Whites and Reds in 1920s Ukraine, to the Spanish Civil War, to transformative ideals in the 1960s and street-fought antifascism in the 1980s, anarchism remains a vital part of any rounded understanding of humanity’s journey from past to present, let alone the possibilities for its future. For most of that time there has been Freedom Featuring books from Peter Kropotkin, Marie Press. Founded in 1886, brilliant thinkers past and Louise Berneri, William Blake, Errico Malatesta, Colin present have published through Freedom, allowing Ward and many more, this catalogue offers much us to present today a kaleidoscope of classic works of what you might need to understand a fascinating from across the modern age. creed. shop orders trade orders You can order online, by email, phone Trade orders come from Central Books, who or post (details below). Our business offer 33% stock discounts as standard. Postage hours are 10am-6pm, Monday to is free within the UK, with £2.50 extra for orders Saturday. from abroad — per order not per item. You can pay via Paypal on our website. -
Scanned Image
Compulsion are on our to promote their new Iohri and Sandra welcome you to album The Future ls Medium, out June 17th. Catch them in Leicester (The Charlotte, 20th) or W firstofall: Stoke (The Stage July 3rd). Done Lying Down return from a six week tour of . Nottingham Music. Industry. Week is a four day Europe with Killdozer and Chumbawamba with a event for budding musicians, promoters, sound re-recorded and remixed version on 7" and cd of THE mixers and DJs. Organised by Carlos Thrale of Can’t Be Too Certain from their Kontrapunkt _ u r I S Arnold & Carlton College, one of the few album on Immaterial Records. The cd format OLDEN FLEECE To colleges in the UK to award a BTEC in popular also features three exclusive John Peel session music, in conjunction with Confetti School Of tracks. A UK tour brings them to Leicester (The 105 Mansfield Road Nottingham ’ Recording Technology, Carlsboro Soundaalso Charlotte, July 3rd) and Derby (The Garrick, Traditional Cask Ales involved are the Warehouse Studios and East 4th). ’** Guest Beers "“* msterdam Midlands Arts. The four day event begins on Ambient Prog Rockers The Enid return with a Monday 22nd July comprising seminars and "‘.‘:-5-@5953‘:-5: ' string of summer dates prior to the release of Frankfurt £69 tin workshops led by professionals from all areas of their singles compilation Anarchy On 45. I I n I I - a u u ¢ u I I a n | n - o - | q | I q n I - Q - - - - I I I | ¢ | | n - - - , . , . the music industry, and evening gigs. -
Revolution by the Book
AK PRESS PUBLISHING & DISTRIBUTION SUMMER 2009 AKFRIENDS PRESS OF SUMM AK PRESSER 2009 Friends of AK/Bookmobile .........1 Periodicals .................................51 Welcome to the About AK Press ...........................2 Poetry/Theater...........................39 Summer Catalog! Acerca de AK Press ...................4 Politics/Current Events ............40 Prisons/Policing ........................43 For our complete and up-to-date AK Press Publishing Race ............................................44 listing of thousands more books, New Titles .....................................6 Situationism/Surrealism ..........45 CDs, pamphlets, DVDs, t-shirts, Forthcoming ...............................12 Spanish .......................................46 and other items, please visit us Recent & Recommended .........14 Theory .........................................47 online: Selected Backlist ......................16 Vegan/Vegetarian .....................48 http://www.akpress.org AK Press Gear ...........................52 Zines ............................................50 AK Press AK Press Distribution Wearables AK Gear.......................................52 674-A 23rd St. New & Recommended Distro Gear .................................52 Oakland, CA 94612 Anarchism ..................................18 (510)208-1700 | [email protected] Biography/Autobiography .......20 Exclusive Publishers CDs ..............................................21 Arbeiter Ring Publishing ..........54 ON THE COVER : Children/Young Adult ................22