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Four Campus Eateries to Close Their Doors
AND THE AWARD GOES TO ... ▶ OPINION, PAGE 4 UNIVERSITY OF CALIFORNIA, SAN DIEGO www.ucsdguardian.org Thursday, May 29, 2008 The Student Voice Since 1967 Four Campus Eateries to Close Their Doors SUN GOD RETROSPECTIVE By Christina Homer University Centers Protests Senior Staff Writer Beginning this summer and Festival-Day Alcohol Policies extending through next school year, Sierra Summit, El Mercado and Plaza In unanimously approved early closing times for Price Center Cafe will be temporarily shut down and restrictions on alcohol sales for extensive renovations, while Club resolution, board members at Porter’s Pub and Round Table Med will close permanently. claim they were grossly Pizza. Although UCSD’s Facilities, “It’s upsetting that UCAB was Design and Construction depart- overlooked in planning of not consulted at all about topics ment has not yet set a firm date, new festival. directly related to its responsi- the John Muir College dining halls bility as the board that manages — Sierra Summit and El Mercado — By Charles Nguyen University Centers,” Bright said. will close during the summer so that Senior Staff Writer “It’s not too much for UCAB mem- renovations may begin on Stewart bers to expect simple consider- Commons. Following the comple- One of the campus’ key facil- ation.” tion of Muir’s renovations, construc- ity boards unanimously approved The policies enacted a two-drink tion will begin on the Revelle College a resolution protesting new poli- maximum and prohibited the sale dining hall, Plaza Cafe. cies that regulated operations of of pitchers at the two campus eat- Club Med, the Medical School University Centers businesses and eries. -
Swervedriver Never Lose That Feeling Mp3, Flac, Wma
Swervedriver Never Lose That Feeling mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Never Lose That Feeling Country: UK Released: 1992 Style: Alternative Rock, Indie Rock, Shoegaze MP3 version RAR size: 1123 mb FLAC version RAR size: 1535 mb WMA version RAR size: 1377 mb Rating: 4.7 Votes: 243 Other Formats: AC3 XM AA WMA DTS DMF ASF Tracklist Hide Credits A Never Lose That Feeling/Never Learn B1 Scrawl And Scream The Watchmakers Hands B2 Engineer – Philip AmesGuitar [Pedal Steel] – Patrick Arbruthnot* B3 Never Lose That Feeling Companies, etc. Distributed By – Pinnacle Phonographic Copyright (p) – Creation Records Copyright (c) – Creation Records Pressed By – MPO Published By – EMI Music Published By – EMI Songs Engineered At – Greenhouse Studio, London Mixed At – Matrix Studios Mixed At – Battery Studios, London Credits Mastered By – Porky Mixed By – Alan Moulder Producer, Engineer – Alan Moulder (tracks: A, B1, B3) Producer, Written-By, Arranged By – Swervedriver Saxophone – Stuart Dace* (tracks: A, B3) Notes Engineered at The Greenhouse Studios A, B1, and B3 Mixed at Matrix Studios B2 Mixed at Battery Studios Stuart Dace courtesy of Deep Joy Inc (Worldwide) Patrick Arbruthnot courtesy of The Rockingbirds and Heavenly A Creation Records Product Printed on centre labels: Made In France Printed on rear sleeve: Made in England ℗ & © 1992 Creation Records Barcode and Other Identifiers Barcode: 5 017556 201206 Matrix / Runout (A side runout etched): CRE 120 T A1 IT'S A PORKY PRIME CUT. MPO IS THIS A COINCIDENCE OR WHAT? Matrix / Runout (B side runout etched): CRE 120 T B1 PORKY. MPO THE CHICKENS ARE DANCING. -
AD FOCUS LU Ac LU LU O Oo CD < CL. S < O Oo
AD FOCUS LU /artist/title RELEASE DATE CAMPAIGN 1 ASWAD Bubblin' July31 A nationwide TV campaign and ads on Kiss m London and Manchester, 'GreatestHils Q1EQ inBRMB, -store Power,promotions Invicta ai^postercam^igns. and Océan will support this release. There willi.u.,.i be : BLACK GRAPE Rad,08C,iVe August7 Press ads run in The Face. Vox. NME. Melody Makerani Loaded. rhere ac BLIND MELON Veab.Parlophone August 7 WÊsrn^ Adsare window will run ondisplays IR rock in stations multiples and and in aNME nationwide Kerrangl. poster Raw, campaign, Melody ; ELVIS COSTELLO Oemon JulySl m ThereMakerani will bc Select extensiue ads m the music and national press tor this DIE KRUPPS Music For Nations July31 Extensivere-release, music mcluding press co-op advettismg ads with mcluding Virgm and co-op HMV. ads wilh HMV m , FLUKE Circa August? HO PressKerrangl. ads A2in NMEposters Melody are available Makcr. Select.to retailers. Record Mcror. ID., . Sky., Loaded- GAVINOto FRIDAY Island August? Pressadvertisingand MixMagmW bewill supported run in 0, Mojo,by a higb-prpfile Voxand NME poster In-store campaign. postersare | Shag Tobacco Mercury JulySl MM __ m ■ This fe'-reiease plus Madman AcrossThe Waler, Honky Chateau and Rock Captain Fantastic & The Bro ■Q| 1 In-store01 The Westies material will will be be advertised available. in Mojo and national weekend press. TougherDIANA KiNG Than Love Columbia JulySl ■ Thereco-op willad m be Blues press & ads Sou/, in True, Smash Hitsani Echoes, and an HMV 1 KRAFTWERK EMIUK ■ ' August? a niese reissues will be advertised m the music press. InsideOutN-JOI Deconstruction JulySl m There will be advertising in the dance press. -
Razorcake Issue #82 As A
RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California not-for-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS. -
Felix Issue 0985, 1994
loo<tF The Student Newspaper of Imperiaiperiall ColleqCollegee I 3DRI8B3iaCE||olrj g 210CT94 TCCB-tSCTIONj enamings benefits of the proposal had not. ANDREW DORMAN-SMITH been adequately debated. Professor Shaw said the name of Senior academics at. the. the Department itself does not Department, of Mineral Resources overly matter, and said he was, Engineering (MRE) have called "a believer in tradition". Professor for further discussions over a plan Shaw would not say if he sup- to rename the department. Earth ported the name change proposal. Resources Engineering has However, the new head of emerged as the favourite choice MRE, and Dean of the newly for a new name, after discussions established Graduate School of between college officials. the Environment, Professor The change has been mooted Woods, is believed to think the following a letter from the proposal is a 'great idea'. His role Professor John Archer, Pro- as Dean will be to coordinate the Rector, which asks for comments departments of Imperial, and to on the new title. Professor Archer, present the benefits for research said that he has received only one of the college in line with a review negative response to his letter, completed in May by Sir John and claimed that most of the Mason. department's staff agree with the The other two RSM depart- proposal. But Professor Archer ments may also change names. said discussions are continuing - The college's chief decision mak- despite the publication of an offi- ing body, the Management cial college note which says the Finnish Embassy Planning Group (MPG), has sug- Photo by Ivan Chan change will take place "shortly". -
Elegant Newsletter
Highlights First Place – Saying Goodbye Second Place – Beautiful, Generous and Innocent Nature ELI STUDENT VOICES Volume 18, Issue 3 Fall 2014 forests, mountains, sea, animals of the earth and birds, Saying Goodbye of your fruits you fed me and as a child, Haya Aljardan First place by your side I grew, RW21 tasting the sweetness of the wind, observing the charm of your seductive green It was a rainy Friday night. I closed my suitcase and went to and feeling the heat of your sunny atmosphere my family home. I knew that this visit will be the last one for this year. I started thinking about what words to use to say goodbye to Oh beautiful, generous and innocent nature, my heart and soul, to my laughter and tears. This painful feeling gentleness, affection and generosity are the keywords when you are saying goodbye to your family. My mother, my heart, proving the direction of your love I can't forget her warm arms. My father, my soul, every piece of why abuse you? advice from him still stuck in my memory. My siblings, my laughter why alter you? and tears, I know that I can't find anyone who cares about my why destroy you? feelings like them. I took a couple of deep breaths to control myself when I will be leaving them. After all, I tried to say Oh beautiful, generous and innocent nature, "goodbye," but I found myself saying "I will see you soon," with a I am grateful to you for your loyal service big smile and a lot of tears. -
Modeling Musical Influence Through Data
Modeling Musical Influence Through Data The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:38811527 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Modeling Musical Influence Through Data Abstract Musical influence is a topic of interest and debate among critics, historians, and general listeners alike, yet to date there has been limited work done to tackle the subject in a quantitative way. In this thesis, we address the problem of modeling musical influence using a dataset of 143,625 audio files and a ground truth expert-curated network graph of artist-to-artist influence consisting of 16,704 artists scraped from AllMusic.com. We explore two audio content-based approaches to modeling influence: first, we take a topic modeling approach, specifically using the Document Influence Model (DIM) to infer artist-level influence on the evolution of musical topics. We find the artist influence measure derived from this model to correlate with the ground truth graph of artist influence. Second, we propose an approach for classifying artist-to-artist influence using siamese convolutional neural networks trained on mel-spectrogram representations of song audio. We find that this approach is promising, achieving an accuracy of 0.7 on a validation set, and we propose an algorithm using our trained siamese network model to rank influences. -
Songs by Title
Karaoke Song Book Songs by Title Title Artist Title Artist #1 Nelly 18 And Life Skid Row #1 Crush Garbage 18 'til I Die Adams, Bryan #Dream Lennon, John 18 Yellow Roses Darin, Bobby (doo Wop) That Thing Parody 19 2000 Gorillaz (I Hate) Everything About You Three Days Grace 19 2000 Gorrilaz (I Would Do) Anything For Love Meatloaf 19 Somethin' Mark Wills (If You're Not In It For Love) I'm Outta Here Twain, Shania 19 Somethin' Wills, Mark (I'm Not Your) Steppin' Stone Monkees, The 19 SOMETHING WILLS,MARK (Now & Then) There's A Fool Such As I Presley, Elvis 192000 Gorillaz (Our Love) Don't Throw It All Away Andy Gibb 1969 Stegall, Keith (Sitting On The) Dock Of The Bay Redding, Otis 1979 Smashing Pumpkins (Theme From) The Monkees Monkees, The 1982 Randy Travis (you Drive Me) Crazy Britney Spears 1982 Travis, Randy (Your Love Has Lifted Me) Higher And Higher Coolidge, Rita 1985 BOWLING FOR SOUP 03 Bonnie & Clyde Jay Z & Beyonce 1985 Bowling For Soup 03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 BOWLING FOR SOUP '03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 Bowling For Soup 03 Bonnie And Clyde Jay Z & Beyonce 1999 Prince 1 2 3 Estefan, Gloria 1999 Prince & Revolution 1 Thing Amerie 1999 Wilkinsons, The 1, 2, 3, 4, Sumpin' New Coolio 19Th Nervous Breakdown Rolling Stones, The 1,2 STEP CIARA & M. ELLIOTT 2 Become 1 Jewel 10 Days Late Third Eye Blind 2 Become 1 Spice Girls 10 Min Sorry We've Stopped Taking Requests 2 Become 1 Spice Girls, The 10 Min The Karaoke Show Is Over 2 Become One SPICE GIRLS 10 Min Welcome To Karaoke Show 2 Faced Louise 10 Out Of 10 Louchie Lou 2 Find U Jewel 10 Rounds With Jose Cuervo Byrd, Tracy 2 For The Show Trooper 10 Seconds Down Sugar Ray 2 Legit 2 Quit Hammer, M.C. -
Recordings by Artist
Recordings by Artist Recording Artist Recording Title Format Released 10,000 Maniacs MTV Unplugged CD 1993 3Ds The Venus Trail CD 1993 Hellzapoppin CD 1992 808 State 808 Utd. State 90 CD 1989 Adamson, Barry Soul Murder CD 1997 Oedipus Schmoedipus CD 1996 Moss Side Story CD 1988 Afghan Whigs 1965 CD 1998 Honky's Ladder CD 1996 Black Love CD 1996 What Jail Is Like CD 1994 Gentlemen CD 1993 Congregation CD 1992 Air Talkie Walkie CD 2004 Amos, Tori From The Choirgirl Hotel CD 1998 Little Earthquakes CD 1991 Apoptygma Berzerk Harmonizer CD 2002 Welcome To Earth CD 2000 7 CD 1998 Armstrong, Louis Greatest Hits CD 1996 Ash Tuesday, January 23, 2007 Page 1 of 40 Recording Artist Recording Title Format Released 1977 CD 1996 Assemblage 23 Failure CD 2001 Atari Teenage Riot 60 Second Wipe Out CD 1999 Burn, Berlin, Burn! CD 1997 Delete Yourself CD 1995 Ataris, The So Long, Astoria CD 2003 Atomsplit Atonsplit CD 2004 Autolux Future Perfect CD 2004 Avalanches, The Since I left You CD 2001 Babylon Zoo Spaceman CD 1996 Badu, Erykah Mama's Gun CD 2000 Baduizm CD 1997 Bailterspace Solar 3 CD 1998 Capsul CD 1997 Splat CD 1995 Vortura CD 1994 Robot World CD 1993 Bangles, The Greatest Hits CD 1990 Barenaked Ladies Disc One 1991-2001 CD 2001 Maroon CD 2000 Bauhaus The Sky's Gone Out CD 1988 Tuesday, January 23, 2007 Page 2 of 40 Recording Artist Recording Title Format Released 1979-1983: Volume One CD 1986 In The Flat Field CD 1980 Beastie Boys Ill Communication CD 1994 Check Your Head CD 1992 Paul's Boutique CD 1989 Licensed To Ill CD 1986 Beatles, The Sgt -
The Aesthetics of Acid
The Aesthetics Of Acid by Rick Bull Since the technological paranoia of the cold-war era, and the ensuing political and social consequences of the military technological boom, the development of electronic musics and proliferation of technologies through the 1970’s to the 90’s has seen the amalgamation of a multitude of cultural music ‘systems’- the formation of a universal and hybridised(ing) ‘pop aesthetic’1. In the West at least, the employment of electronic music technology has largely been used to reinforce the ‘classificatory arrangements’2 of the anglo-saxon listening ear - those classical tonal / structural orders criticised by the likes of Webern, Schoenberg and Boulez3......Towards the end of the 1980’s however, the popular appropriation of available technologies was challenged greatly by groups of experimentalists from Detroit, Chicago and Frankfurt - leaders of the ‘acid house’ explosion of the late 80’s, whose musics’ roots greatly shaped the aesthetic of today’s diversified ‘techno’ music genre. Much could be discussed in regards to history and subsequent sterilisation / diversification of such music, yet this essay seeks to focus primarily upon the change in cultural ‘hearing’ that could be suggested has occurred in the late 20th century; reflected and catalysed by the appropriators of frequently ‘obsolete’ musical technologies. I suggest, that through the popularised use of sampling and analogue tone production, and overall shift in the electro- pop listening aesthetic can be observed; ie. that from high to frequently ‘low’ tone fidelity - from a transparent to ‘opaque’ technological ethic, from a melodic / harmonic to largely modal and heavily rhythm based ideal. -
THE FAST FORWARD NEWSLETTER Some Kind of April Fool's Joke
and “Colony,” and of course FAST FORWARD EDITORIAL played them all. With each, Larkin’s confidence THE FAST FORWARD grew, and these tracks became the blueprints for what would become the “Escape From Planet Well, we’re back on track for spring, get- Techno” EP. ting these issues out in quick succession. This Just as he began to devote more time to his summer looks like it’s shaping up to be a wild ISSUE 8 APRIL 1991 music, opportunity knocked once again. one, music-wise ... we’ll just have to wait and NEWSLETTER Original Shelter DJ Scott “Go-Go” Gordon had see. One to watch out for is Yolanda’s new one taken a gig with big-time, chi-chi, frou-frou club on UR called “I Live for the Night,” a high-flying Vis-a-Vis. Now, Richie Rich was the man there deep house scream-up that elevates my girl to on Saturday nights, and every headliner needs diva status. Paris who? I heard it in the studio (that's the dirt, Richie) an opening act. Kenny fit that bill. and it’s a smoker. Out in the dead of summer Now, Kenny’s making his mark in the form Underground Resistance. OOPS! DEPT.: Metroplex Record is NOT dead Detroit Techno underground. As well as adding Thanks to Gwenn Volkert and Steve Kuo, as we reported last time. They've signed a dis- So I’m at Richie Hawtin’s “Confusion” night credibility to the Plus 8 label amongst the hard- our charter subscribers, and so far, our only tribution deal with Polydor from what we hear. -
Soundboard #6
SOUNDBOARD MAGAZINE • ISSUE 6 UNDER THE COVERS... COVER INTERVIEW EDITORIAL . 3 QUICK INTERVIEW – HAWTHORN AVENUE . 5 STEVE RISING STARS – ETHAN HOVESTADT . 5 BALSAMO COVER CD . 7 PAGE 16 CLASSIC WELSH ALBUM – BADFINGER . 10 QUICK INTERVIEW – CHINA DRUM . 11 OBITUARY – JOHN CORBETT . 11 ARTIST IN RESIDENCE . 13 VENUE FEATURE – THE PATTI PAVILION . 14 HIP HOP CORNER – CRAZE THE JACK . 15 THE COVER INTERVIEW – STEVE BALSAMO . 16 RECORD REVIEWS . 18 ISSUE #7 (OCTOBER 1ST), ADVERTISING DEADLINE: 17TH SEPTEMBER LIVE REVIEWS . 21 Here’s where you can pick up your NIGE . 22 copy of SOUNDBOARD Magazine: OH PEDRO . 22 SWANSEA NEATH CARMARTHEN Derrick’s Music The Music Shop Parrot Records A YEAR IN REVIEW SWANSEA UNIVERSITY LMS – 23 Psicon Music (Neath Indoor Market) CARDIGAN GIG GUIDE – AUGUST & SEPTEMBER . 24 Sin City LLANELLI The Cellar Bar National Waterfront Cadno Music CWMAMAN GOSSIP . 25 Museum GORSEINON Cwmaman Theatre Cinema & Co. Spider Music & Arts Centre THE NEXT GENERATION – ERIN LANCASTER . 26 Cover To Cover (Mumbles) MERTHYR LLANDOVERY Square Peg (Sketty) Red House The Castle Hotel ROBOSCOPES . 27 Viva La Frida (Sketty) BRECON PONTYPRIDD Hen Dderwen (Sketty Park) The Muse A Strings IN THE FRAME . 28 ABERDARE CARDIFF Jac’s Spiller’s Records ENCORE... – ‘H’ IS FOR HELIPAD . 30 If you would like to stock the magazine and get lots of people to come to your place looking for it, please let us know. PUBLISHED BY EDITORIAL CONTRIBUTORS ADVERTISING SOUNDBOARD MAGAZINE LTD & REVIEWERS 2019 advertising@ 90a Bishopston Road, Swansea SA3 3EN Flipsy McCaw, Joel Morgan, soundboardmagazine .co .uk Mike Kennedy, Steve Haines, EDITOR Tansy Rees, Rosie Scribblah, Roger If you would like to stock MIKE KENNEDY Henderson, John Paul Davies, Amy editor@soundboardmagazine .co .uk Sinha, Anthony Price, Richard Willis, SOUNDBOARD MAGAZINE Mitchell Tennant, Keith Williams, please get in touch .