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Felix Issue 0985, 1994
loo<tF The Student Newspaper of Imperiaiperiall ColleqCollegee I 3DRI8B3iaCE||olrj g 210CT94 TCCB-tSCTIONj enamings benefits of the proposal had not. ANDREW DORMAN-SMITH been adequately debated. Professor Shaw said the name of Senior academics at. the. the Department itself does not Department, of Mineral Resources overly matter, and said he was, Engineering (MRE) have called "a believer in tradition". Professor for further discussions over a plan Shaw would not say if he sup- to rename the department. Earth ported the name change proposal. Resources Engineering has However, the new head of emerged as the favourite choice MRE, and Dean of the newly for a new name, after discussions established Graduate School of between college officials. the Environment, Professor The change has been mooted Woods, is believed to think the following a letter from the proposal is a 'great idea'. His role Professor John Archer, Pro- as Dean will be to coordinate the Rector, which asks for comments departments of Imperial, and to on the new title. Professor Archer, present the benefits for research said that he has received only one of the college in line with a review negative response to his letter, completed in May by Sir John and claimed that most of the Mason. department's staff agree with the The other two RSM depart- proposal. But Professor Archer ments may also change names. said discussions are continuing - The college's chief decision mak- despite the publication of an offi- ing body, the Management cial college note which says the Finnish Embassy Planning Group (MPG), has sug- Photo by Ivan Chan change will take place "shortly". -
Scanned Image
Compulsion are on our to promote their new Iohri and Sandra welcome you to album The Future ls Medium, out June 17th. Catch them in Leicester (The Charlotte, 20th) or W firstofall: Stoke (The Stage July 3rd). Done Lying Down return from a six week tour of . Nottingham Music. Industry. Week is a four day Europe with Killdozer and Chumbawamba with a event for budding musicians, promoters, sound re-recorded and remixed version on 7" and cd of THE mixers and DJs. Organised by Carlos Thrale of Can’t Be Too Certain from their Kontrapunkt _ u r I S Arnold & Carlton College, one of the few album on Immaterial Records. The cd format OLDEN FLEECE To colleges in the UK to award a BTEC in popular also features three exclusive John Peel session music, in conjunction with Confetti School Of tracks. A UK tour brings them to Leicester (The 105 Mansfield Road Nottingham ’ Recording Technology, Carlsboro Soundaalso Charlotte, July 3rd) and Derby (The Garrick, Traditional Cask Ales involved are the Warehouse Studios and East 4th). ’** Guest Beers "“* msterdam Midlands Arts. The four day event begins on Ambient Prog Rockers The Enid return with a Monday 22nd July comprising seminars and "‘.‘:-5-@5953‘:-5: ' string of summer dates prior to the release of Frankfurt £69 tin workshops led by professionals from all areas of their singles compilation Anarchy On 45. I I n I I - a u u ¢ u I I a n | n - o - | q | I q n I - Q - - - - I I I | ¢ | | n - - - , . , . the music industry, and evening gigs. -
Date Time: Number: Title: Artist: Publisher Lang: 01.11.2019 00:03
Date time: Number: Title: Artist: Publisher Lang: 01.11.2019 00:03:22 HD 022199 WISH YOU WERE HERE PINK FLOYD CBS MUSIC 00:04:58 ANG 01.11.2019 00:08:10 HD 046915 ZALELE [2013 VERSION] CLAUDIA ASU SI TICY IMPRESARIAT00:03:07 ROMUNSKI 01.11.2019 00:11:17 HD 033545 ZELENO ANŽE PALKA & SANJA MLINAR 00:02:34 SLO 01.11.2019 00:14:02 HD 001304 MISS YOU LIKE CRAZY NATALIE COLE COLUMBIA 00:03:50 ANG 01.11.2019 00:17:44 HD 043466 MOJA PESEM ALYA MENART 00:03:35 SLO 01.11.2019 00:21:18 HD 011981 VEDNO ZAME POLONA KASAL & GUŠTI 00:03:58 SLO 01.11.2019 00:25:26 HD 002573 TO LOVE ONCE AGAIN SOLID HARMONIE ZOMBA RECORDS00:03:28 ANG 01.11.2019 00:28:52 HD 022887 NO NO NEVER TEXAS LIGHTNING X CEL 00:02:59 ANG 01.11.2019 00:31:48 HD 026169 NE ČAKAJ NA MAJ IRENA VRČKOVNIK SRAKA 00:02:17 SLO 01.11.2019 00:34:13 HD 037559 I DON'T LIKE REGGAE FRENCH CONNECTION 00:03:34 ANG 01.11.2019 00:37:39 HD 023531 SRCE NIJE KAMEN (DJ WIZARD CLUB REMIX)TOŠE PROESKI MENART 00:02:51 CRO 01.11.2019 00:40:31 HD 025214 NE RECI NIKDAR (DJ SVIZEC TURBO SPRICERSLAPOVI VERZIJA) 00:03:34 SLO 01.11.2019 00:44:14 HD 012454 WORKIN' FOR THE WEEKEND KEN MELLONS 00:02:22 ANG 01.11.2019 00:46:33 HD 023106 NEZNANO SIDDHARTA MENART 00:05:03 SLO 01.11.2019 00:51:32 HD 003503 BUM BUM YUHUBANDA 00:02:47 SLO 01.11.2019 00:54:24 HD 004124 THE MESSAGE IS LOVE HEAVENS HANDS OXA 00:03:16 ANG 01.11.2019 00:57:30 HD 042915 VERJAMEM EVA BOTO RTS 00:03:03 SLO 01.11.2019 01:00:32 HD 002628 LUNAPARK KINGSTON 00:03:01 SLO 01.11.2019 01:03:42 HD 002119 I WANNA DANCE WITH SOMEBODY WHITNEY HOUSTON BMG RECORDS00:04:46 ANG 01.11.2019 01:08:20 HD 035748 YOU ARE NOT ALONE X FACTOR FINALIST 2009 SONY 00:04:05 ANG 01.11.2019 01:12:23 HD 037209 BREZ MIRU MARKO VOZELJ 00:03:25 SLO 01.11.2019 01:16:05 HD 002172 WALK OF LIFE DIRE STRAITS PHONOGRAM00:04:02 ANG 01.11.2019 01:19:58 HD 019708 OWNER OF MY LONELY HEART MAX GRAHAM VS. -
US Apple LP Releases
Apple by the Numbers U.S. album releases From the collection of Andre Gardner of NY, NY SWBO‐101 The Beatles The Beatles Released: 22 Nov. 1968 (nicknamed "The White Album") In stark contrast to the cover to Sgt. Pepper's LHCB, the cover to this two record set was plain white, with writing only on the spine and in the upper right hand corner of the back cover (indicating that the album was in stereo). This was the first Beatles US album release which was not available in mono. The mono mix, available in the UK, Australia, and several other countries, sounds quite different from the stereo mix. The album title was embossed on the front cover. Inserts included a poster and four glossy pictures (one of each Beatle). The pictures were smaller in size than those issued with the UK album. A tissue paper separator was placed between the pictures and the record. Finally, as in every EMI country, the albums were numbered. In the USA, approximately 3,200,000 copies of the album were numbered. These albums were numbered at the different Capitol factories, and there are differences in the precise nature of the stamping used on the covers. Allegedly, twelve copies with east‐coast covers were made that number "A 0000001". SI = 2 ST 3350 Wonderwall Music George Harrison Released: 03 Dec. 1968 issued with an insert bearing a large Apple on one side. Normal Copy: SI = 2 "Left opening" US copy or copy with Capitol logo: SI = 7 T‐5001 Two Virgins John Lennon & Yoko Ono Released: January, 1969 (a.k.a. -
Apple Label Discography
Apple Label Discography 100-800 series (Capitol numbering series) Apple Records was formed by John Lennon, Paul McCartney, George Harrison and Ringo Starr in 1968. The Apple label was intended as a vehicle for the Beatles, their individual recordings and the talent they discovered. A great deal of what appeared on Apple was pretty self indulgent and experimental but they did discover a few good singers and groups. James Taylor recorded his first album on the label. Doris Troy recorded a good soul album and there are 2 albums by John Lewis and the Modern Jazz Quartet. The Beatlesque group Badfinger also issued several albums on the label, the best of which was “Straight Up”. Apple Records fell apart in management chaos in 1974 and 1975 and a bitter split between the Beatles over the management of the company. Once the lawyers got involved everybody was suing everybody else over the collapse. The parody of the Beatles rise and the disintegration of Apple is captured hilariously in the satire “All You Need Is Cash: the story of the Rutles”. The Apple label on side 1 is black with a picture of a green apple on it, black printing. The label on side 2 is a picture of ½ an apple. From November 1968 until early 1970 at the bottom of the label was “MFD. BY CAPITOL RECORDS, INC. A SUBSIDIARY OF CAPITOL INDUSTRIES INC. USA”. From Early 1970 to late 1974, at the bottom of the label is “MFD. BY APPLE RECORDS” From late 1974 through 1975, there was a notation under the “MFD. -
Ist Der Dritte Teil Der Vorrätigen APPLE-Interpreten
Montag, 16. Mai 2011: Hier ist der dritte Teil der vorrätigen APPLE-Interpreten: CDs: APPLE-Interpreten (Teil 3: remasterte CDs) Alle Veröffentlichungen: Dienstag, 26. Oktober 2010. Veröffentlichungen bei APPLE und auch spätere von Künstler, die bei der BEATLES-Plattenfirma APPLE waren (Ende der 1960er und '70er Jahre). BADFINGER: 2010er CD MAGIC CHRISTIAN MUSIC (Erstausgabe 1970). 17,90 Euro BADFINGER: Track 1: Come And Get It (2:21). BADFINGER: Track 2: Crimson Ship (3:42). THE IVEYS: Track 3: Dear Angie (2:39) (1969: LP MAYBE TOMORROW. Apple SAPCOR 8, Großbritannien) (1992: CD MAYBE TOMORROW, Capitol CDP 7 98692 2, Europa). THE IVEYS: Track 4: Fisherman (2:24) (1969: LP MAYBE TOMORROW. Apple SAPCOR 8, Großbritannien) (1992: CD MAYBE TOMORROW, Capitol CDP 7 98692 2, Europa). BADFINGER: Track 5: Midnight Sun (2:46). THE IVEYS: Track 6: Beautiful And Blue (2:40) (1969: LP MAYBE TOMORROW. Apple SAPCOR 8, Großbritannien) (1992: CD MAYBE TOMORROW, Capitol CDP 7 98692 2, Europa). BADFINGER: Track 7: Rock Of All Ages (3:16). BADFINGER: Track 8: Carry On Till Tomorrow (4:47). THE IVEYS: Track 9: I'm in Love (2:26) (1969: LP MAYBE TOMORROW. Apple SAPCOR 8, Großbritannien) (1992: CD MAYBE TOMORROW, Capitol CDP 7 98692 2, Europa). BADFINGER: Track 10: Walk Out In The Rain (3:27). THE IVEYS: Track 11: Angelique (2:28) (1969: LP MAYBE TOMORROW. Apple SAPCOR 8, Großbritannien) (1992: CD MAYBE TOMORROW, Capitol CDP 7 98692 2, Europa). THE IVEYS: Track 12: They're Knocking Down Our Home (3:40) (1969: LP MAYBE TOMORROW. Apple SAPCOR 8, Großbritannien) (1992: CD MAYBE TOMORROW, Capitol CDP 7 98692 2, Europa). -
Hit Sheet 83
www.hitsheet.co.uk 7 JULY 2006 ISSUE #85 Looking Good, Sounding Better... The Best Is Yet To Come Parlophone Record of the Week WordsWords JustJust GetGet inin TheThe WayWay Richard Ashcroft Heading up our Parlophone front and back cover double whammy is one of this country’s leading songwriters, the man who put the Northern soul into Wigan. Having just appeared on the soon to be much missed Top of the Pops performing this track and on the back of a recent sold out show at Manchester’s Old Trafford cricket ground the genius (not madness) of King Richard is only too apparent. This is the 3rd hit to be released from the seminal Keys To The World album. Music Is Power and Break The Night With Colour were both hits, Words Just Get In The Way will be the hat-trick. 2 Hello and welcome to issue #85 of the Hit Sheet! So bird flu developed into world cup fever and we’re now left and should make her the superstar she deserves to be. as sick as parrots. If you look at my editorial last month I Meeting her afterwards was also a thrill as she was both predicted that England would lose on penalties in the quarter gorgeous and friendly! 31 The Birches, London, N21 1NJ finals and that Wayne Rooney would be sent off, so I wasn’t Finally, the Who gig in Hyde Park was fantastic, Pete too surprised. In my opinion England were doomed as soon Townshend’s guitar playing was an inspiration to all. -
Burr Box 1 Folders 1-15 Burr Box 2 Folders 16-36 Burr Box 3 Folders 37-52 Burr Box 4 Folders 53-72 Burr Box 5 Folders 73-80
Burr Box 1 folders 1-15 Burr Box 2 folders 16-36 Burr Box 3 folders 37-52 Burr Box 4 folders 53-72 Burr box 5 folders 73-80 [8/11/2009 – Rodi York] Burr Collection – page 2 Folder Items Group I – Peter Lord Correspondence (folders 1-6) 1 1 Burr Collection Index 2 6 Peter T. Lord, family letters 1805-1816 Hitta (Mehitabel Gillet) fr her brother Martin Gillet (Baltimore) 20 Nov 1805; in answer to letter of 30 Sept, Martin living with uncle Hitta (Mehitabel Gillet) fr her brother Martin Gillet (Baltimore) 10 Sept 1806; in answer to letter of 29 Aug, refers to death of “Cousin Hall” Hetta (Mehitabel Gillet) (Lyme) fr her brother Martin Gillet, nd; “. For my part I have tried different paths and find in the result that the less intercourse I have with mankind the less are my perplexities & the less I am harassed with anxiety which always press on the mind and increases dissatisfaction . .” Major Peter Lord (“Beloved parents”) (Lyme) fr daughter Sarah W. Lord (Colchester) 12 July 181?; homesick, school, “. I have attended to drawing, painting, Grammar and Geography. There are young ladies who attend the same school I do, and attend to the same pursuits, and I find some of them to be very agreeable [?]. I like my boarding house, tolerable well, although the boarders complain very much of the food, but I have not thought much of that . .” Major Peter Lord (Lyme) fr Matthew Griswold (New Haven) 22 Oct 1816; “Judge Holmes has handed me a Paper signed with your name & request me to draw a Letter to the Govr requesting that you may be dismissed from further service in the Militia . -
Covers 569 Songs, 2 Days, 2.91 GB
Covers 569 songs, 2 days, 2.91 GB Name Time Album Artist Abracadabra 3:42 14:59 Sugar Ray Act Nice and Gentle 2:56 Give the People What We Want: Son… Larry Barrett The Adventures of Grandmaster Fla… 5:46 The Document DJ Andy Smith & Grandmaster Flash After the Love Has Gone 3:58 Somewhere in Time Donny Osmond Against All Odds 4:13 The Postal Service Alcohol 3:26 Give the People What We Want: Son… The Murder City Devils Alex Chilton 3:18 Left of the Dial - a Pop Tribute to t… The Marlowes Alison (Live) 3:47 Cover Me Badd - EP Butch Walker Always Something There to Remind… 3:39 Heads Are Gonna Roll The Hippos Always Something There to Remind… 4:13 Cover Me Badd - EP Butch Walker Ana Ng 3:23 Hello Radio: The Songs of They Mig… Self And I Ran 4:25 Punk Goes 80's - Compilation Hidden in Plain View And She Was 3:49 Sky High Keaton Simons and your bird can sing 1:55 extras jam And Your Bird Can Sing 2:08 Under the Covers Vol. 1 Matthew Sweet & Susanna Hofs (The Angels Wanna Wear My) Red S… 2:40 A Tribute to Elvis Costello Patrik Tanner Annie Get Your Gun 3:39 Happy Doing What We're Doing Elizabeth McQueen and the Firebra… Another Girl Another Planet 2:41 Blink-182: Greatest Hits Blink-182 Another Nail for My Heart 2:39 Ultra Feel, Vol. 1 Rubber Ashes to Ashes 5:01 Ashes to Ashes - Single Grant-Lee Phillips & The Section Q… Ashes to Ashes 4:32 Saturnine Martial & Lunatic Tears for Fears Athena 4:15 Who's Not Forgotten, FDR's Tribute… Grandfabric B*****s Ain't S**t 3:55 B*****s Ain't S**t - Single Ben Folds Baba O'Riley 4:56 Who's Not Forgotten, FDR's Tribute… Guided by Voices .. -
Parody As a Borrowing Practice in American Music, 1965–2015
Parody as a Borrowing Practice in American Music, 1965–2015 A dissertation submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Division of Composition, Musicology, and Theory of the College-Conservatory of Music by John P. Thomerson BM, State University of New York at Fredonia, 2008 MM, University of Louisville, 2010 Committee Chair: bruce d. mcclung, PhD ABSTRACT Parody is the most commonly used structural borrowing technique in contemporary American vernacular music. This study investigates parody as a borrowing practice, as a type of humor, as an expression of ethnic identity, and as a response to intellectual trends during the final portion of the twentieth century. This interdisciplinary study blends musicology with humor studies, ethnic studies, and intellectual history, touching on issues ranging from reception history to musical meaning and cultural memory. As a structural borrowing technique, parody often creates incongruity—whether lyrical, stylistic, thematic, evocative, aesthetic, or functional—within a recognized musical style. Parodists combine these musical incongruities with other comic techniques and social conventions to create humor. Parodists also rely on pre-existing music to create, reinforce, and police ethnic boundaries, which function within a racialized discourse through which parodists often negotiate ethnic identities along a white-black binary. Despite parody’s ubiquity in vernacular music and notwithstanding the genre’s resonance with several key themes from the age of fracture, cultivated musicians have generally parody. The genre’s structural borrowing technique limited the identities musicians could perform through parodic borrowings. This study suggests several areas of musicological inquiry that could be enriched through engagement with parody, a genre that offers a vast and largely unexplored repertoire indicating how musical, racial, and cultural ideas can circulate in popular discourse. -
DAYTON - January 2014 - ISSUE 21
free! DAYTON - January 2014 - ISSUE 21 Photo Julie Renee Jones Contributors Stephanie Baker Kerry Duane Brown Randy Cornett Sophie Dannin Jonathan Dillon Erin Dreis Adam Eckley Justin Gault Brian Johnson Eli Samuel Johnson Julie Renee Jones Eryn Montgomery Jasmine Myrick M. Ross Perkins Cassidy Platt Ben Riddlebarger Sam Shaw Wakka Christopher ‘ETCH’ Weyrich Jason Young Publisher: Brian Johnson [email protected] Editor: Kerry Duane Brown [email protected] 937-580-8551 Copy Editor: Michael Perkins Designer: Justin Gault [email protected] Director of Photography: Stephanie Baker [email protected] © Copyright 2014 by Telephone Media 2014. Reproduction of any content, in whole or in part,without written consent of publisher is strictly prohibited. Photo Eryn Montgomery table of contents PHOTONS |6-7 Photography by Julie Renee Jones quest lines: achieving your goals in 2014 |8 Jasmine Myrick / illustrated by Erin Dreis keeping the itch |10 Eli Samuel Johnson / illustrated by Sophie Dannin chess |12 Andrew Fisher/ illustrated by Erin Dreis Katie on Katie |14 photos by Katie Modras-Anible diy- get yer sharpie out! |16 Lisa Patrick-Wright SEek and you shall find |17 ETCH Yer mom’s (and dads) a robots! |18 Jonathan Dillon magic christian music (what is a badfinger?) |20 M. Ross Perkins biggin’s wet and wild ride |22 Randy Cornett / illustrated by Adam Eckley Advice from Mama Cass |24 Telephone ‘toons |26 ETCH, WAKKA and Jason Young The Joy Coloring |27 Ben Riddlebarger 6 | Photos Julie Renee Jones | 7 Quest Lines: Achieving Your Goals for 2014 by Jasmine Myrick Purchase as low as APR Financing 0% for up to 60 months Now through February 3, 2014. -
42656曲、85.5日、652.37 Gb
1 / 87ページ Rock 42656曲、85.5日、652.37 GB アーティスト アルバム 項目数 合計時間 A.F.I. Black Sails In The Sunset 12 46:11 The A.G's This Earth Sucks 34 58:13 Above Them Blueprint for a Better Time 11 36:42 Abrasive Wheels The Riot City Years 1981-1982 22 53:41 Abrasive Wheels When The Punks Go Marching In 22 53:41 The ABS Mentalenema 8 23:27 The ABS A Wop Bop A Loo Bop...Acough,Wheese,Fart! 40 2:13:05 The Academy Is Almost Here 10 32:56 Accidente Accidente 11 27:10 Accidente Amistad y Rebelión 10 25:10 Ace Bushy Striptease The Words That You Said Are Still Wet In My Head 14 23:15 Action Action Don't Cut Your Fabric To This Year's Fashion 13 50:26 Active Sac Kill All Humans 13 34:23 Active Sac Road Soda 14 37:12 ADD/C Busy Days 15 29:09 Adhesive From left to right 14 25:32 The Adicts The Complete Singles Collection 24 1:11:50 The Adicts This Is Your Life 21 54:06 Adolescents Adolescents 16 35:21 The Adorkables ...She Loves Me Not 12 37:15 The Adverts Cast Of Thousands 14 45:48 The Adverts Crossing The Red Sea With The Adverts 14 39:22 The Adverts Live At The Roxy 12 36:09 The Afghan Whigs Up In It 13 45:36 After School Special After School Special 14 29:03 After The Fall After The Fall 12 40:20 Against Me! Americans Abroad!!! Against Me!!! Live In London!!! 17 52:29 Against Me! As The Eternal Cowboy 11 25:08 Against Me! Crime, as Forgiven By Against Me! 6 18:22 Agent Orange Living in Darkness 16 44:53 Aiden Nightmare Anatomy 11 40:18 Airbag Ensamble Cohetes 14 34:27 Airbag Mondo Cretino (Remasterizado 2009) 18 35:06 Airbag ¿Quién mató a Airbag? 13 31:39 Aitches Stay In Bed 15 32:43 Rock 2 / 87ページ アーティスト アルバム 項目数 合計時間 The Alarm Declaration 12 46:09 The Alarm Eye Of The Hurricane 10 41:01 Alex Kerns The Future Ain't What It Used To Be 9 20:59 Alexisonfire Watch Out! 11 43:45 Algebra One The Keep Tryst E.P.