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www.americanradiohistory.com HFDNQI:INKFW4**CZ5402O8JOG05002 D QUI+'LAN KFWAUNEE H S KEWAUNEE 14: 54216 =mg -T-i l'TTrTTTT L S43AOJJ O9J94 eiPa11o.10 MON AuoydwAs uolsos }o doJ3 iedwn a Aionpuoa :uailednooO LOE E Auosiad 009 OL6l H330100 Hal Hi Fisher 70!, i- channel receiver. CABINET OPTIONAL,AT$22.95. MONT - 6 9 10 "SHER o 2 . !A. 94 96 98 100 102 104 106 108 AUTOSCAN COWIN ONE AK MODE UOVS STATION OMM 110 120 140 160 70 80 90 100 NANUAL TUNING AUTOSCAN TUNING ON IRON, REAR RON' Rt iyRIDE SURR.>uNUi S S AMFRS AM FM STFRFO I'(' I v!R - 4ASS - TMENE SW (Alternate The kind of distortion -free characteristically Fisher innova- reverse, or, as we've explained :y is 65 dB!) power the 701 delivers is made tions. There are separate volume above, two -channel stereo with possible through some unique controls for front and rear the two rear channels delayed and nd AM. circuitry in the amplifier section. channels. And the sliding volume softened. vers with The Darlington output stages are controls move with the smooth- In addition to the controls FM have shame - fully integrated (for the first time ness of professional studio faders. we've mentioned, there's a Fisher has a in a piece of commercial high - The volume of the left and speaker -selector switch and )ur AM section fidelity equipment). Which means right channels is controllable with source -selector switch. Sod as it is that the resultant circuit takes up the balance control. And there are input and output cible to make an less space, yet is more reliable There are Baxandall (the best jacks for everything imaginable; osely approaches than the more conventional circuit kind) tone controls, separate for our engineers saw to that. and treble, clutched for it replaces. bass era. front and rear. The four -channel '01 has 250 (two The Fisher 701 is the first The control panel. There's a tape- monitoring of y) watts Designing the control panel control that works for left and four -channel AM /FM stereo receiver. But we're predicting it'll was quite a challenge to the right channels: front and rear like a lot of of many. unds Fisher engineers. together, front separately, or rear be the first in the for a normal Because they had two goals separately. Fisher's admirers will undoubtedly bring which at first seemed to conflict: And there are loudness industry ring 701 four -channel equipment of one that the Make the controls as easy to use contour switches for front and /or out instead sort or another. speakers as possible. And make the controls rear channels. The high -filters also too much. Just as they've been following is not as versatile as possible. work on front and /or rear channels. lead ever since we invented As you can see, the paradox A muting switch quiets the our is of high fidelity. e 701 capable was finally resolved. With some noise between FM stations. of -but two sets And a mode switch lets you ne main, one listen to mono, two -channel stereo, 174 The Fisher four -channel stereo, four -channel We invented high fidelity, www.americanradiohistory.com Introducing the the first and only In 1937, Fisher announced the something about our new four - first high -fidelity system available channel receiver. to the public. (The original system First of all, it's not just a four - is now in the permanent collection channel receiver. Its also the of the Smithsonian Institution.) finest two -channel stereo receiver In the thirty -three years that in existence (that, alone, would followed, Fisher made other justify the $699.95 price tag). significant contributions to the As for FM, FM stereo, AM, or science of sound reproduction. reproducing your mono or stereo But there has never before records, the 701 is unexcelled. been anything like the Fisher 701. So in a sense, the four -channel We believe it's the most important part of it is pure gravy. development in sound reproduc- And there's a way to make tion since the invention of your stereo records and tapes high fidelity. sound like four -channel records and tapes. Why four channels? Turn the mode selector to the The difference between 2- plus -2- channel position, and four -channel and two -channel you get conventional stereo stereo is just as dramatic as the coming out of the left and right difference between two -channel front channels, while the same stereo and mono. signal comes out of the rear And for a very good reason. channels delayed slightly, and at With two -channel stereo, you a slightly reduced volume. The normally have a speaker on the effect is to produce a slight left, and one on the right. reverberation, as if the music And the sound reflects off the were being performed live, in a back wall, adding the acoustics of large room. your living room to the music to which you're listening. What four- channel program With four -channel, the back material is available? wall reflection is replaced by the As of now, the best source of sound from speakers on each side four -channel program material of the back of the room. Those is a four -channel tape deck, of speakers are providing information which several models now are on about the acoustics, not of your the market. But several methods of living room, but of the room in transmitting four channels of which the music was recorded. information over FM stereo, So you feel as though you were and methods of providing four really attending a concert. channels of information in a phonograph record, are being Fisher 701. Introducing the studied. We just want you to know introduced in clarity Now that we've that the Fisher 701 has the input station on the band. Tuned with incredible you four -channel, we'll tell and output jacks to make it more accuracy than you could channel selectivi compatible with all methods of achieve with a meter or a scope. Remote -control AutoScan® is The wide -ba- four -channel FM and phono trans- lot of recei Mail this coupon for your free also included at no extra cost (with A of The Fisher Handbook,1970 1 mission now being considered. good I copy the help of the Fisher accessory reasonably edition.This reference guide to hi -fi fully bad AM. But Three ways to tune the 701. RK -40). I and stereo also includes detailed in- different policy. formation on all Fisher components. 1 The Fisher 701 has conven- I tional (yet unusually smooth) The FM section has five is just about as g flywheel tuning. Integrated Circuits. theoretically pos active elements in the AM section. It cl I And it has AutoScano All the automatic push- button electronic FM section are Integrated Circuits. FM in quality. 1111' in IF and 1 I tuning. Push a button and you're And those five ICs the multiplex sections of the 701 The Fisher F ---.. I tuning across the FM band, and lift. I Radio _ comprise a total of fourteen hundred silently. Release the button and power. IFisher11 -40 45th Road ^ 1 amplification stages. The result? music you're tuned in to a station. Push watts sc 1 Long Island City,NY.11101 A tuner section that brings in more 250 I the one -station -advance button power. And it is, and you're tuned in to the next stations than has previously been 1 I thought possible. (FM sensitivity receiver. Name But conside 1 I is 1.7 microvolts.) OVERSEAS AND CANADIAN RESIDENTS And bringing in more stations has to drive four I PLEASE WRITE TO FISHER RADIO INTERNATIONAL, INC. of two, 250 watte ISLAND CITY, N.Y. 11101. is just the beginning. Even when a Address LONG It's just right. I PRICES SLIGHTLY HIGHER IN THE FAR WEST. strong signal from a local station threatens to overpower a weak (Actually, th ICity State Zip 0110101 1 not one, signal from a distant station, the driving 01- -lllt11 four speakers, o `ä-- m-- CIRCLE 30 ON READER -SERVICE CARD 701 pulls in that weak signal with remote.) www.americanradiohistory.com Our second most important announcement since we invented high fidelity: www.americanradiohistory.com www.americanradiohistory.com THE CARTRIDGE KILLER. This man doesn't have time to baby the tools of his trade. Not with a commercial, a traffic report and time check breathing down his neck. He's got to keep those records spinning fast and furious. And, if he kills a cartridge or two along the way, well - that's how it goes. Until now. Meet the Stanton 500AL -the cartridge that's tougher than disc jockeys. Here is the workhorse of the broadcast industry. We designed the entire stylus assembly to withstand the rugged demands of back cueing and the kind of handling that would quickly ruin ordinary pick -ups. Yet its high restoring force and tracking reliability is accomplished without sacrifice of professional standards for frequency response, output, channel separation, etc. The Stanton Model 500AL is just one of many cartridges engineered by Stanton for the varied and critical applications in the fields of broad- casting and recording. For nothing less than Stanton performance and reliability would meet the needs of the engineers who have made Stanton -The Professional Standard. For free literature write to Stanton Magnetics, Inc., Terminal Drive, Plainview, L.I., New York 11803 Ti I\"I Y) I l Scott Muni WNEW -FM, New York CIRCLE 68 ON READER -SERVICE CARD HIGH FIDELITY MAGAZINE www.americanradiohistory.com FIllill ELTM VOL.