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GLI INTERPRETI LIRICI Artista e Titoli Casa discografica Label Codice Alvarez Marguerite d’ (mezzosoprano): Arie di Bizet, Saint-Säens, Verdi, Mendelssohn, De Falla, Tabujo Brahe, Giordano, Pedrell, Padilla, Del Riego, Hageman club 99 CL99 73 5020 Anday Rosette (contralto): Lebedige vergangenheit (1) - Arie di Gaetano Donizetti, Giuseppe Verdi, Richard Wagner, Camille Saint-Saens, Georges Bizet, Johann Sebastian Bach, George Frideric Handel, Felix Mendelssohn, Johann Nepomuk Hummel, Christoph Willibald Gluck discocorp 015 LV 5021 Anday Rosette (contralto): Lebedige vergangenheit (2) - Arie di Gaetano Donizetti, Giuseppe Verdi, Richard Wagner, Camille Saint-Saens, Georges Bizet, Johann Sebastian Bach, George Frideric Handel, Felix Mendelssohn, Johann Nepomuk Hummel, Christoph Willibald Gluck discocorp 032 LV 5022 Anderson Marian (contralto): Live (Arie da La Favorita, Herodiade, La Reine de Saba, Norma, Serse, Le Cid, Don Carlos, Un Ballo in Maschera, The Sorceress, Mefistofele, Aida, La Gioconda) legendary recordings LR 126 5023 Ansseau Fernand (tenore): Brani da Opere (Wagner, Berlioz, Mayerbeer, Gounod, Bizet, Massenet, Leoncavallo, Puccini) discocorp 116 LV 5024 Antologia Verdiana Vol. III: Tagliavini Ferruccio, Tassinari Pia, Masini Galliano, Caniglia Maria, Stignani Ebe, Corelli Franco, Tebaldi Renata, Pobbe Marcella - Orchestra Sinfonica di Torino della Radiotelevisione Italiana, Orchestra Lirica di Milano cetra LPC 55039 5025 Aragall Giacomo (tenore): Arie da La Boheme, Tosca, Manon Lescaut, Rigoletto, Il Trovatore, Don Carlos, Luisa Miller, Don Pasquale, Adriana Lecouvreur, Fedora, L’elisir d’amore, Lucia di Lammermoor acanta 40 29 391 5026 Arangi-Lombardi Giannina (soprano): Arie da Opere di Verdi, Bellini, Puccini, Donizetti rubini GV 582 5027 Arangi-Lombardi Giannina (soprano): Arie di Verdi, Puccini, Bellini, Ponchielli oasi OASI 508 5028 Arangi-Lombardi Giannina (soprano): Brani da Opere di Verdi, Rossini, Puccini, Ponchielli, Donizetti, Mascagni emi QCX 7379 5029 Arie da Opere (in cirillico) melodiya C10 11245-6 5030 Arkhipova Irina (mezzosoprano): Arie da Opere melodiya C10 14601/02 5031 Arkhipova Irina (mezzosoprano): Irina Arkhipova sings Rimskij-Korsakov westminster WGS 8333 5032 Baglioni Bruna (mezzosoprano): Brani da Anna Bolena, La Favorita, Norma, La Gioconda, La Cavalleria Rusticana, Il Trovatore, Don Carlos felmain records FM 03 5033 Baldassare-Tedeschi Giuseppina (soprano): Arie da Opere (Cilea, Giordano, Puccini, Massenet, Mascagni, Catalani) oasi OASI 541 5034 Baltsa Agnes (mezzosoprano): Arie di Verdi, Donizetti, Mozart, Berlioz - Zedda / Munchner Orchestra emi 067 EL27 0478 1 5035 Barioni Daniele (tenore): Omaggio a Caruso - Brani di Giordano, Puccini, Leoncavallo, Cardillo-Cordiferro, Rondine, Barioni-Sommavigo diapason records LS 0003/78 5036 Barrientos Marìa: (soprano): Arie di Bellini, Auber, Verdi, Falla, Caballero everest/scala SC 806 5037 Bartolini Lando (tenore): Arie di Verdi, Giordano, Puccini felmain records FM 06 5038 Bechi Gino, Rasa Lina Bruna, Caniglia Maria, Dal Monte Toti, Fleta Miguel, Giannini Dusolina, Gigli Beniamino, Lugo Giuseppe, Pertile Aureliano, Pinza Ezio, Schipa Tito, Simionato Giulietta: Ugule d’oro voce del padrone QALP 10306 5039 GLI INTERPRETI LIRICI 1 Artista e Titoli Casa discografica Label Codice Bellincioni Gemma (soprano): Arie da Opere; Intervista con Bianca Stagno Bellicioni - Arie da Fedora, Mefistofele, La Cavalleria Rusticana, La Traviata, Tosca, Mignon, Carmen, Otello, La Boheme, Faust (incisioni del 1903 e 1905); Bianca Stagno Bellincioni - due estrat- ti (1939) timaclub TIMA 35 5040 Bergonzi Carlo (tenore): Arie da Opere di Verdi (Giovanna d’Arco, I due Foscari, Requiem) cls RPCL 2012 5041 Besanzoni Gabriella (contralto): Brani dal Trovatore, La Gioconda, Sansone e Dalila, Carmen, La Favorita timaclub TIMA 24 5042 Besanzoni Gabriella (soprano): Arie da Opere (Bizet, Donizetti, Verdi, Ponchielli, Saint- Säens) club 99 CL99 103 5043 Bjoerling Jussi (tenore): Arie da Opere (Africaine, Manon, Aida, Carmen, Manon, Romeo; Songs of Schubert, Tosti, Strauss, Gheel & Leoncavallo) glendale record GL 8006 5044 Bjoerling Jussi (tenore): Brani da Opere di Verdi, Puccini rococo 5304 5045 Bjoerling Jussi (tenore): Brani da Opere di Verdi, Puccini, Giordano rococo RR 31 5046 Bjoerling Jussi (tenore): Brani da Opere di Verdi, Puccini, Mascagni, Leoncavallo rca VL 42436 5047 Bjoerling Jussi (tenore): In Concert 1958-1960 (Brani di Wagner, Cajkovskij, Puccini, Sibelius, Alfvén, Rangström, Nordqvist, Schubert, Sjögreh, Peterson-Berger, Rachmaninov, Richard Strauss) rca victor LM 2784 5048 Bjoerling Jussi (tenore): Jussi and Annalisa Bjoerling - Brani di Gounod, Puccini, Massenet, Ponchielli, Beethoven, Strauss, Rachmaninov, Morgan, Leoncavallo, Tosti voce VOCE 095 5049 Bjoerling Jussi (tenore): Live performance from Sweden 1940 - Brani di Gounod (Romeo et Juliette - Atto II, scena 2; Atto V); Puccini (La Boheme - Atto I); Verdi (La Traviata - Atto I) - Grevillius Nils (conductor) historical recording enterprises HRE 281/2 5050 Bjoerling Jussi (tenore): Live vol. II - Brani di Haendel, Stradella, Verdi, Alfven, Sibelius, Grieg, Puccini, Sjoberg, Caikovskij, Massenet, R. Strauss, Romberg mdp collection limited MDP 035 5051 Bjoerling Jussi (tenore): Musiche di Gounod - Gounod Recital rococo 5329 5052 Bjoerling Jussi (tenore): The Art of Jussi Bjoerling (Songs, Oratorio & Opera Arias, 1930- 52) seraphim 60168 5053 Bobrineva Raissa (soprano): Arie da Opere di Ponchielli, Mascagni, Bizet, Verdi - Ermler M. / Bolshoi Teatre Orchestra melodiya C10 14805/06 5054 Bolognesi (Le grandi voci): Brani da Opere - Tina Billi, Luigi Piazza, Emilia Corsi, Angelo Minghetti, Riccardo Stracciari, Agostini Lanzoni, Albertina Cassani, Alfonso Garulli, Aldina Baroni Bayron, Mario Vergoni, Ettore Bergamaschi bongiovanni GB 1004–5 5055 Bolshoi (Stars of the): Arkhipova (mezzosoprano), Levko (mezzosoprano), Milashkina (soprano), Obraztsova (mezzosoprano), Vishnevskaya (soprano), Andzhaparidzy (tenore), Atlantov (tenore), Mazurok (baritono), Petrov (basso), Reshetin (basso) - Ermler, Melik- Pashayev, Khaikin / Orchestra Teatro Bolshoi (vol. I) emi 3C 065 94907 5056 Bolshoi (Stars of the): Obraztsova (mezzosoprano), Mazurok (baritono), Vishnevskaya (soprano), Vedernikov (basso), Milashkina (soprano), Petrov (basso), Korolyov (tenore), Arkhipova (mezzosoprano), Piavko (tenore), Sinyaskaya (mezzosoprano), Atlantov (tenore) - Dimitriadi O. / Orchestra del Teatro Bolshoi (Vol. II) emi 3C 065 95543 5057 Bolshoi, famosi solisti: Galina Vishnevskaya, Pavel Lisitsian, Ivan Kozlovsky, Vera Firsova, Sergei Lemeshev, Mark Reizen, Lydia Myasnikova, Ivan Petrov - Brani di Rubinstein, Rimskij-Korsakov, Rachmaninov, Shaporin, Caikovskij, Musorgskij, Glinka monitor MC 2046 5058 Bonci Alessandro (tenore): Arie da Opere (Rigoletto, I Puritani, L’Elisir d’Amore, La Favorita, Martha, ecc.) vedette SC 5021 5059 Boninsegna Celestina (soprano): Brani da Ernani, Aida, Il Trovatore, Cavalleria Rusticana, L’Africana, etc. vedette SC 5018 5060 Bumbry Grace (mezzosoprano): Famous Opera Arias - Brani di Verdi, Cilea, Catalani, Massenet, Ponchielli, Charpentier, Gounod, Cherubini, Gluck - Soltesz Stefan / Stuttgart Radio Symphony Orchestra orfeo S 081 841 A 5061 Burzio Eugenia (soprano): Arie da Opere di Boito, Verdi, Cilea, Meyerbeer, Pacini, Romani, Belllini, Ponchielli rubini GV 574 5062 2 GLI INTERPRETI LIRICI Artista e Titoli Casa discografica Label Codice Burzio Eugenia (soprano): Arie da Opere di Cilea, Mascagni, Verdi, Ponchielli, Boito, Puccini, Romani, Bellini, Meyerbeer, Bach-Gounod, Pacini, Donizetti club 99 CL99 87/88 5063 Caballè Montserrat (soprano), Carreras José (tenore): Montserrat Caballè et Josè Carreras a Paris - Brani di Rossini, Bellini, Charpentier, Massenet, Donizetti, Puccini, Verdi, Giordano - Muller Edoardo / Nouvel Philharmonic Orchestra rodolphe RP 12501 5064 Caballè Montserrat (soprano), Corelli Franco (tenore): In Concert 1968, Arias & Duets - Arie da Lucrezia Borgia, Le Cid, Manon Lescaut, MacBeth, L’Africana, La Donna del Lago, Aroldo, Andrea Chenier - Antonini Alfredo (conductor) historical recording enterprises HRE 400/1 5065 Callas Maria (soprano), Corelli Franco (tenore), Pirazzini Miriam (mezzosoprano), Neri Giulio (basso): Bellini (Norma atto I) - live Roma 2-1-1958; Puccini (Tosca) - live, New York 25-11-1956, Londra 24-1-1964 discocorp 008/9 GFC 5066 Callas Maria (soprano), Di Stefano Giuseppe (tenore): Callas in Mexico 1952 (Arie da La Traviata, Rigoletto, I Puritani, Luisa di Lammermoor) discocorp 148/2 ERR 5067 Callas Maria (soprano), Di Stefano Giuseppe (tenore): Callas, Di Stefano 1974 live con- certs (Brani di Verdi, Ponchielli, Puccini, Bizet, Massenet, Tosti, Mascagni, Donizetti, Lalo, Gardillo, Gounod) discocorp 132/2 ERR 5068 Callas Maria (soprano), Di Stefano Giuseppe (tenore): Duetti celebri da Lucia di Lammermoor, Rigoletto, La Traviata imi DMC 19 5069 Callas Maria (soprano), Raimondi Gianni (tenore): Arie di Verdi, Rossini, Donizetti, Bellini, Puccini melodram MEL 239 5070 Callas Maria (soprano), Tebaldi Renata (soprano): Un confronto (arie da Tosca, Lucia di Lammermoor, La Traviata, La Boheme, Madame Butterfly, Giulio Cesare) imi DMC 13 5071 Callas Maria (soprano).: Dieci anni di ascesa (arie da Nabucco, La Sonnanbula, Norma) imi DMC 10 5072 Callas Maria (soprano): Arie da Aida - live, Roma 1950 mpv MPV 3 5073 Callas Maria (soprano): Arie da Opere Francesi - Georges Prêtre / Orchestre National de la Radiodiffusion Français emi 3C 065 00540 5074 Callas Maria (soprano):
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    2 La Fenice prima dell’Opera 2012 2 2012 Fondazione Stagione 2012 Teatro La Fenice di Venezia Lirica e Balletto Vincenzo Bellini laSonnambula a sonnambula L ellini b incenzo incenzo v FONDAZIONE TEATRO LA FENICE DI VENEZIA TEATRO LA FENICE - pagina ufficiale seguici su facebook e twitter follow us on facebook and twitter FONDAZIONE TEATRO LA FENICE DI VENEZIA Destinare il cinque per mille alla cultura è facile e non costa nulla. Quando compili la tua dichiarazione dei redditi, indica il codice fiscale della Fondazione Teatro La Fenice di Venezia: 00187480272 Aiuti la cultura, aiuti la musica. Incontro con l’opera FONDAZIONE lunedì 16 gennaio 2012 ore 18.00 AMICI DELLA FENICE SANDRO CAPPELLETTO, MARIO MESSINIS, DINO VILLATICO STAGIONE 2012 Lou Salomé sabato 4 febbraio 2012 ore 18.00 MICHELE DALL’ONGARO L’inganno felice mercoledì 8 febbraio 2012 ore 18.00 LUCA MOSCA Così fan tutte martedì 6 marzo 2012 ore 18.00 LUCA DE FUSCO, GIANNI GARRERA L’opera da tre soldi martedì 17 aprile 2012 ore 18.00 LORENZO ARRUGA La sonnambula lunedì 23 aprile 2012 ore 18.00 PIER LUIGI PIZZI, PHILIP WALSH Powder Her Face giovedì 10 maggio 2012 ore 18.00 RICCARDO RISALITI La bohème lunedì 18 giugno 2012 ore 18.00 GUIDO ZACCAGNINI Carmen giovedì 5 luglio 2012 ore 18.00 MICHELE SUOZZO L’elisir d’amore giovedì 13 settembre 2012 ore 18.00 MASSIMO CONTIERO Clavicembalo francese a due manuali copia dello Rigoletto strumento di Goermans-Taskin, costruito attorno sabato 6 ottobre 2012 ore 18.00 alla metà del XVIII secolo (originale presso la Russell PHILIP GOSSETT Collection di Edimburgo).
  • [T] IMRE PALLÓ

    [T] IMRE PALLÓ

    VOCAL 78 rpm Discs FRANZ (FRANTISEK) PÁCAL [t]. Leitomischi, Austria, 1865-Nepomuk, Czechoslo- vakia, 1938. First an orchestral violinist, Pácal then studied voice with Gustav Walter in Vienna and sang as a chorister in Cologne, Bremen and Graz. In 1895 he became a member of the Vienna Hofoper and had a great success there in 1897 singing the small role of the Fisherman in Rossini’s William Tell. He then was promoted to leading roles and remained in Vienna through 1905. Unfor- tunately he and the Opera’s director, Gustav Mahler, didn’t get along, despite Pacal having instructed his son to kiss Mahler’s hand in public (behavior Mahler considered obsequious). Pacal stated that Mahler ruined his career, calling him “talentless” and “humiliating me in front of all the Opera personnel.” We don’t know what happened to invoke Mahler’s wrath but we do know that Pácal sent Mahler a letter in 1906, unsuccessfully begging for another chance. Leaving Vienna, Pácal then sang with the Prague National Opera, in Riga and finally in Posen. His rare records demonstate a fine voice with considerable ring in the upper register. -Internet sources 1858. 10” Blk. Wien G&T 43832 [891x-Do-2z]. FRÜHLINGSZEIT (Becker). Very tiny rim chip blank side only. Very fine copy, just about 2. $60.00. GIUSEPPE PACINI [b]. Firenze, 1862-1910. His debut was in Firenze, 1887, in Verdi’s I due Foscari. In 1895 he appeared at La Scala in the premieres of Mascagni’s Guglielmo Ratcliff and Silvano. Other engagements at La Scala followed, as well as at the Rome Costanzi, 1903 (with Caruso in Aida) and other prominent Italian houses.
  • Rassegna Degli Archivi Di Stato, 2011

    Rassegna Degli Archivi Di Stato, 2011

    RASSEGNA DEGLI ARCHIVI DI STATO nuova serie, anno VII - n. 1-2-3 roma, gen.-dic. 2011 Ministero dei beni e delle attività culturali e del turismo. Direzione generale per gli ar- chivi. Servizio III, Studi e ricerca, Roma. Direttore generale per gli archivi: Rossana Rummo, direttore responsabile. Comitato scientifico: il direttore generale per gli archivi, presidente, Paola Carucci, Antonio Dentoni-Litta, Mauro Tosti Croce, dirigente del Servizio III, Studi e ricer- ca, Cosimo Damiano Fonseca, Guido Melis, Claudio Pavone, Leopoldo Puncuh, Antonio Romiti, Isidoro Soffietti. Redazione: Ludovica de Courten (segretaria); Antonella Mulè De Luigi. La « Rassegna degli Archivi di Stato », rivista quadrimestrale dell’Amministrazione archivistica, è nata nel 1941 come « Notizie degli Archivi di Stato » ed ha assunto l’attuale denominazione nel 1955. I testi degli articoli, i volumi da segnalare e la richiesta di fascicoli in omaggio o scambio vanno indirizzati a « Rassegna degli Archivi di Stato », Ministero dei beni e delle attività culturali e del turismo. Direzione generale per gli archivi. Servizio III, Studi e ricerca, via Gaeta 8/a 00185 Roma, tel. 06492251. Sito Internet: http://www.archivi.beniculturali.it; e-mail: [email protected] I manoscritti, anche se non pubblicati, non si restituiscono. È vietata la riproduzione, totale o parziale, degli articoli pubblicati, senza citarne la fonte. Gli articoli firmati ri- specchiano le opinioni degli autori: la pubblicazione non implica adesione, da parte della rivista, alle tesi sostenute. VENDITE E ABBONAMENTI: Istituto Poligrafico e Zecca dello Stato s.p.a., Direzione Rela- zioni istituzionali, Immagine, Comunicazione, Arte e Editoria, Libreria dello Stato, via Salaria 691, 00138 Roma, tel.
  • Toscanini IV – La Scala and the Metropolitan Opera

    Toscanini IV – La Scala and the Metropolitan Opera

    Toscanini IV – La Scala and the Metropolitan Opera Trying to find a balance between what the verbal descriptions of Toscanini’s conducting during the period of roughly 1895-1915 say of him and what he actually did can be like trying to capture lightning in a bottle. Since he made no recordings before December 1920, and instrumental recordings at that, we cannot say with any real certainty what his conducting style was like during those years. We do know, from the complaints of Tito Ricordi, some of which reached Giuseppe Verdi’s ears, that Italian audiences hated much of what Toscanini was doing: conducting operas at the written tempos, not allowing most unwritten high notes (but not all, at least not then), refusing to encore well-loved arias and ensembles, and insisting in silence as long as the music was being played and sung. In short, he instituted the kind of audience decorum we come to expect today, although of course even now (particularly in Italy and America, not so much in England) we still have audiences interrupting the flow of an opera to inject their bravos and bravas when they should just let well enough alone. Ricordi complained to Verdi that Toscanini was ruining his operas, which led Verdi to ask Arrigo Boïto, whom he trusted, for an assessment. Boïto, as a friend and champion of the conductor, told Verdi that he was simply conducting the operas pretty much as he wrote them and not allowing excess high notes, repeats or breaks in the action. Verdi was pleased to hear this; it is well known that he detested slowly-paced performances of his operas and, worse yet, the interpolated high notes he did not write.
  • WBC International Championships

    WBC International Championships

    Dear Don José … I will be missing you and I will never forget how much you did for the world of boxing and for me. Mauro Betti The Committee decided to review each weight class and, when possible, declare some titles vacant. The hope is to avoid the stagnation of activities and, on the contrary, ensure to the boxing community a constant activity and the possibility for other boxers to fight for this prestigious belt. The following situation is now up to WEDNESDAY 9 November 2016: Heavy Dillian WHYTE Jamaica Silver Heavy Andrey Rudenko Ukraine Cruiser Constantin Bejenaru Moldova, based in NY USA Lightheavy Joe Smith Jr. USA … great defence on the line next December. Silver LHweight: Sergey Ekimov Russia Supermiddle Michael Rocky Fielding Great Britain Silver Supermiddle Avni Yildirim Turkey Middle Craig CUNNINGHAM Great Britain Silver Middleweight Marcus Morrison GB Superwelter vacant Sergio Garcia relinquished it Welter Sam EGGINGTON Great Britain Superlight Title vacant Cletus Seldin fighting for the vacant belt. Silver 140 Lbs Aik Shakhnazaryan (Armenia-Russia) Light Sean DODD, GB Successful title defence last October 15 Silver 135 Lbs Dante Jardon México Superfeather Martin Joseph Ward GB Silver 130 Lbs Jhonny Gonzalez México Feather Josh WARRINGTON GB Superbantam Sean DAVIS Great Britain Bantam Ryan BURNETT Northern Ireland Superfly Vacant title bout next Friday in the Philippines. Fly Title vacant Lightfly Vacant title bout next week in the Philippines. Minimum Title vacant Mauro Betti WBC Vice President Chairman of WBC International Championships Committee Member of Ratings Committee WBC Board of Governors Rome, Italy Private Phone +39.06.5124160 [email protected] Skype: mauro.betti This rule is absolutely sacred to the Committee WBC International Heavy weight Dillian WHYTE Jamaica WBC # 13 WBC International Heavy weight SILVER champion Ukraine’s Andryi Rudenko won the vacant WBC International Silver belt at Heavyweight last May 6 in Odessa, Ukraine, when he stopped in seven rounds USA’s Mike MOLLO.