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Werner Alberti Jerzy S. Adamczewski Martin Abendroth Bessie Abott

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Martin Abendroth Sinfonie Orchester, dir. Felix Günther Die Zauberflöte Mozart 1929, Berlín 52434 In diesen heiligen Hallen Hom. A 8030 5101 52435 O Isis und Osiris Hom. A 8030 5101 Bessie Abott, Enrico Caruso, Louise Homer, Antonio Scotti orchestra Rigoletto Verdi 20.2.1907, New York A 4259 Bella figlia dell´amore HMV DO 100 6823 Jerzy S. Adamczewski Orkiestra symfoniczna, dir. Olgierd Straszyński Halka Stanisław Moniuszko / Włodzimierz Wołski 1955±, Varšava WA 1489 Racitativ i ariaJanusza Muza 1717 P 1321 Auguste Affre, Etienne Billot Orchestre Faust Gounod x.5.1907, Paříž XP 3362 Duo du 1er Acte – 2 Disque Odeon 60329 X 40 Werner Alberti klavír Martha Flotow x.9.1905, Berlín xB 675 Mag der Himmel euch vergeben Odeon Record 34296, 1/10 okraj X 15 Postillion von Lonjumeau Adam x.9.1905, Berlín Bx 679 Postillionslied Odeon Record 34296, 1/10 okraj X 15 Orchester Troubadour Verdi x.2.1906, Berlín 1001 Ständchen Hom. B. 838 P 11261 14.5.1906, Berlín 1701 Stretta Hom. B. 838 P 11261 Bajazzo Leoncavallo x.7.1912, Berlín 14281 Nein, bin Bajazzo nichr bloss! Beka B. 3563 P 10964 14285 Hüll´ dich in Tand Beka B. 3563 P 10964 Odeon-Orchester, dir. Friedrich Kark Troubadour Verdi x.9.1906, Berlín Bx 1641 Ständchen Odeon Record 50152 X 65 Lohengrin Wagner x.9.1906, Berlín Bx 1659 Nun sei bedankt, mein lieber Schwann Odeon Record 50161 X 65 Frances Alda, Enrico Caruso, Josephine Jacoby, Marcel Journet Victor Orchestra, dir. Walter B. Rogers Martha Flotow 7.1.1912, New York A 11437 Siam giunti, o giovinette HMV DM 100 5420 A 11438 Che vuol dir cio HMV DM 100 5420 A 11439 Presto, presto andiam HMV DM 104 5422 A 11440 T´ho raggiunta sciagurata HMV DM 104 5422 Frances Alda, Enrico Caruso, Marcel Journet Victor Orchestra, dir. Walter B. Rogers Lombardi Verdi 7.1.1912, New York A 11441 Qual volutta trascorrere HMV D.M. 126 3088 Roberto d´Alessio Orchestra B 1148 Ay, ay, ay Osman Perez-Freire Col. D 1575 9.12.1926, P 1276 P Londýn 6595 Barbier of Seville Rossini 14.12.1929, Londýn B 1166 Eco ridente in cielo Col. D 1575 P1276 P 6595 M. D. Alexandrovič Orkestr, dir. L. P. Pjatigorskij 15385 Di bobe ot eich dermont (jid.) jevrejskaja pjesnja M. Milner / B. Bergolc USSR 1947, Moskva P 10057 15386 Bin ich mir ein furman (jid.) jevrejskaja pjesnja M. Milner / B. Bergolc USSR 1947, Moskva P 10057 Zaza Leoncavallo 1949, Moskva 17578 Serenada USSR P 5587 Latinská čtvrť Leoncavallo 1949, Moskva 17579 Arie Marcela USSR P 5588 Ivan Pavlovič Alexejev Orchestr Národního divadla v Praze, dir. František Škvor Faust a Markétka Gounod 1951, Praha 47566 Arie Valentina (rus.) Su 10305-M P 5527 Marianne Alfermann, Hans Heinz Bollmann, Richard Bitterauf Jenö Fesca Orchester (Willy Metschke) Morgenblätter, Walzer Johann Strauss 1929±, Berlín 53028 (1/2) Hom. 4-9034 5100 53029 (2/2) Hom. 4-9034 5100 Gita Alpár Berliner Sinfonie Orchester Zauberflöte Mozart 1929±, Berlín H M 527 O zittre nicht Hom. 4-8999 644 H M 528 D Der Hölle Rache Hom. 4-8999 644 Gitta Alpár, Hans Heinz Bollmann Berliner Sinfonie Orchester Madame Butterfly Pucinni 1928±, Berlín 2-53033 Mädchen in deinen Augen Hom. 4-9035 4429 2-53034 Wollt ihr mich nur lieben Hom. 4-9035 4429 Marguerite d´Alvarez Iwor Newton, klavír Carmen Bizet 14.9.1928, Londýn Cc 14355 L´amour est un oissea rebelle HMV DB 1353 6521 Samson et Dalila Saint-Saëns 25.4.1929, Londýn Cc 16400 Printemps qui commence HMV DB 1353 6521 Pasquale Amato Francis J. Lapitino, harfa, Orchestra, dir. Walter B. Rogers La Traviata Verdi 4.3.1914, Camden A 11211 Die Provenza MRG 2-052053, jedn. 2648 Otello Verdi 9.11.1911, Camden A 11215 Credo MRG 2-052032, jedn. 4036 Victor Orchestra Cavaleria rusticana Mascagni 10.12.1911, Camden A 11282 Il cavallo scalpita HMV D.A. 504 P 4599 Orchestra A 14367 Torna a Surriento di Curtis HMV D.A. 504 4.3.1914, P 4599 Tosca Puccini 16.4.1914, New York A 14715 Tre sbirri, una carozza HMV D.B. 637 3083 L´Africana Meyerbeer 16.4.1914, New York A 14719 Adamastor, re delle acque profonde HMV D.B. 637 3083 Paquale Amato, Angelo Bada Victor Orchestra, dir. Giulio Setti Otello Verdi 10.12.1911, Camden A 11284 Inaffia l´ugolla! Brindisi MRG 2-054026, Disco Gr. 2837, 6200 (Barcelona) 054026, jedn. Pasquale Amato, Chor Metropolitan Opera Chorus Victor Orchestra La Gioconda Ponchielli 10.12.1911, Camden A 11283 Pescator affonda l´esca CRG G.C.-7-52024 jedn. P 1246, P 10346 Pasquale Amato; Marcel Journet Orchestra Faust Gounod 15.1.1912, New York A 11460 A votre santé CRG DK 101 3747 I Puritani Bellini 15.1.1912, New York A 11461 Suoni la tromba, e intrepido HMV D.K. 110 6792 Rosette Anday varhany Elijah Mendelssohn 10.5.1929, Londýn Cc 16628 Sei stille in dem Herrn HMV ES 575 4582 Cc 16629 Hallelujah Hummel HMV ES 575 10.5.1929, 4582 Londýn Orchestra, dir. Mafred Gurlitt Samson et Dalila Saint-Saëns 1928, Berlín 669 BI Amour! viens alder ma Falblesse Pol. 66866 6870 1226½bm Printemps qui commence Pol. 66866 6870 Orchester Orpheus und Eurydike Gluck 1927, Berlín 985 av Ach ich habe sie verloren Pol. 66528 6157 Carmen Bizet 1927, Berlín 986 av Kartenlied Pol. 66528 6157 Peter Anders Orchester des Deutschen Opernhauses, Berlin, dir. Walter Lutze Bajazzo Leoncavallo 1939, Berlín 23789 Nein, bin Bajazzo nicht mehr Tel. E 2816 5103 23790 Jetzt spielen Tel. E 2816 5103 Orchester der Städtischen Oper Berlin, dir. Wilhelm Franz Reuss Turandot Puccini 16.10.1933, Berlín 19362 O weine nicht, Liu Tel. A 1510 P 9922 19363 Keiner schlafe Tel. A 1510 P 9922 Orchester des deutschen Opernhauses Berlin, dir. Johannes Schüler Martha Flotow 17.9.1939, Berlín 22335 Ach so from Tel. A 2466 P 991 Peter Anders, Martina Wulf, Hans Heinz Nissen Orchester des Deutschen Opernhauses Berlin, dir. Norbert Schultze Kouzelná flétna Mozart 19.11.1936, Berlín 21655 Selection (1/2) Su F 22570, Tel. TE 541 169, 6672 21656 Selection (2/2) Su F 22570, Tel. TE 541 169, 6672 Adelaide Andrejewa von Skilondz, Otakar Mařák und Chor der Staatsoper Berlin Orchester Traviata Verdi 4.9.1912, Berlín 1339 ak Trinklied: Auf schürfet in durstigen Zügen Sch. Gr. 61704 P 8552 Ivar Frithiof Andrésen Orchester der Staatsoper Berlin Parsifal Wagner 21.6.1927, Berlín CDR 4710 Karfreitagszauber HMV ES 306 1925 CDR 4711 Titurel, der fromme Held HMV ES 306 1925 Mitglieder des Orchesters der Staatsoper Berlin, dir. Leo Blech Twilight of the Gods (něm.) Wagner 16.2.1928, Berlín CLR 3883 Act 1, Hagen meditates revence HMV D 1576 6952 21.6.1928, Berlín CDR 4708 Act 2, Hagen summons the vassals HMV D 1578 6954 CDR 4709 Act 2, Hagen bids the vassals prepare for the feasting HMV D 1579 6955 Orchester, dir. Fritz Zweig Die Zauberflöte Mozart 16.2.1928, Berlín CLR 3875 O Isis und Osiris HMV AN 279 5833 CLR 3877 In diesen heiligen Hallen HMV AN 279 5833 Orchestra Tannhäuser Wagner 6.2.1928, Londýn AX 4899 Ein furchtbares Verbrechen Col. LS 3031 6179 Hugenotten Meyerbeer 6.2.1928, Londýn AX 4934 O höre mich du Starker Gott Col. LS 3031 6179 Ivar Andrésen, Eduard Habich Mitglieder der Staatsoper Berlin, dir. Frieder Weissmann Lohengrin Wagner 13.10.1927, Berlín 2-20401 Gott grüsst euch, lieber Männer von Brabant Parl. P.9249 6869 2-20402 Mein Herr und Gott nun ruf ich dich Parl. P.9249 6869 Aarika Anelli Symfonický orchestr FOK, dir. Václav Smetáček Maškarní ples Verdi 1954, Praha 80039 Arie Ulriky (it.) Su 17182-V 264, 3830 Nazareno de Angelis Orchestra Mefistofele Boito 3.a 4.11.1927, Londýn BX 183 Ave signor Col. L 2072 2978 BX 188 Aria del fischio Col. L 2072 2978 Margit Angerer, Alfred Piccaver Grosses Symphonie Orchester, dir. Manfred Gurlit La Boheme Puccini 1929, Berlín 1474 BM Sono andati Pol. 66859 4581, 6258 1475 BM1 O soave fanciulla Pol. 66859 4581, 6258 Margit Angerer, sbor Orchester, dir. Hermann Weigert Madama Butterfly Puccini 1930, Berlín 1854 BM Auftrittslied der Butterfly Pol. 95355 4564 1855½BM Schütte alle Zweige Pol. 95355 4564 Fernand Ansseau Mme Adami, klavír, Orchestra, dir. Percy Pitt Pailiasse Leoncavallo 4.7.1919, Londýn 3862 af Me grimer HMV DB 483 6525 Tosca Puccini 25.7.1919, Londýn 3899 af Le ciel luisait d´etoiles HMV DB 483 6525 Werther Massenet 25.7.1919, Londýn HO3901ef O Nature, pleine de grace HMV DB 485 3333 HO3902ef J´aurais sur ma pomme HMV DB 485 3333 Hendrik Appels Orchester Lohengrin Wagner 1929, Berlín 9169 Gralserzählung Schallplatten Volksverband 6266 9170 Lohengrins Abschied Schallplatten Volksverband 6266 G. Aranci-Lombardi, Francesco Merli, Chorus Orchestra Il Trovatore Verdi 23.4.1927, Londýn BX 121 Miserere Col. L 2066 2977 Evelyn Arden, Florence Austral, Arthur Collier, Noel Eadis, Frederic Fear, Gota Ljundberg, Maartje Offers, Gladys Palmar, Walter Widdop London Symphony Orchestra, dir. Albert Coates Twilight of the Gods, (něm.) Wagner 1927-1928, Londýn Cc 13724 Prelude – Norn Scene – 1 (1/32) HMV D 1572 17.10.1928 6948 Cc 13725 Prelude – Norn Scene – 2 (2/32) HMV D 1572 17.10.1928 6948 Cc 13727 Prelude – Norn Scene – 4 (3/32) HMV D 1573 17.10.1928 6949 Cc 13730 Prelude – Dawn – Brunhlide and Sigfried come from the cave (4/32) HMV D 1573 18.10.1928 6949 Cc 13731 Prelude – The panting of – Sigfried and Brunhlide (6/32) HMV D 1574 18.10.1928 6950 Cc 13699 Gunther and Gutrude welcome Siefried (8/32) HMV D 1575 10.10.1928 6951 CR 1460 Act 1, Waltraute´s narrative – 1 (10/32) HMV D 1576 1.8.1927 6952 CR 1461 Act 1, Waltraute´s narrative – 2 (11/32) HMV D 1577 1.8.1927 6953 CR 1473 Act 1, Waltraute´s narrative – 3 (12/32) HMV D 1577 25.10.1927 6953 CR 1474 Act 1, Brunnhlide refuses to give up the ring (13/32) HMV D 1578 25.10.1927 6954 Cc 13728 Act 2, Sigried takes oath on Hagen´s spear (16/32) HMV D 1579 17.10.1928 6955 Cc 13732 Act 2, Hagen suggests revenge to Brunnhilde (17/32) HMV D 1580 18.10.1928 6956 Cc 13733 Act 2, Brunnhilde reveals Sigfried´s vulnerability (18/32) HMV D 1580 18.10.1928 6956 Cc 13734 Act 2, The conspirations agree on the death of Sigfried (19/32) HMV D 1581 18.10.1928 6957 CR 1486 Act 3, Brunnhilde bids a funeral pyre be bult (30/32) HMV D 1586 1.8.1927 6962 CR 1475 Act 3, Brunnhilde rides into the blazing the pyre (32/32) HMV D 1587 25.8.1927 6963 CR 1487 Act 3, Brunnhilde lights the pyre (31/32) HMV D 1587 25.10.1927 6963 London Symphony Orchestra, dir.
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    Chronology 1916-1937 (Vienna Years) 8 Aug 1916 Der Freischütz; LL, Agathe; first regular (not guest) performance with Vienna Opera Wiedemann, Ottokar; Stehmann, Kuno; Kiurina, Aennchen; Moest, Caspar; Miller, Max; Gallos, Kilian; Reichmann (or Hugo Reichenberger??), cond., Vienna Opera 18 Aug 1916 Der Freischütz; LL, Agathe Wiedemann, Ottokar; Stehmann, Kuno; Kiurina, Aennchen; Moest, Caspar; Gallos, Kilian; Betetto, Hermit; Marian, Samiel; Reichwein, cond., Vienna Opera 25 Aug 1916 Die Meistersinger; LL, Eva Weidemann, Sachs; Moest, Pogner; Handtner, Beckmesser; Duhan, Kothner; Miller, Walther; Maikl, David; Kittel, Magdalena; Schalk, cond., Vienna Opera 28 Aug 1916 Der Evangelimann; LL, Martha Stehmann, Friedrich; Paalen, Magdalena; Hofbauer, Johannes; Erik Schmedes, Mathias; Reichenberger, cond., Vienna Opera 30 Aug 1916?? Tannhäuser: LL Elisabeth Schmedes, Tannhäuser; Hans Duhan, Wolfram; ??? cond. Vienna Opera 11 Sep 1916 Tales of Hoffmann; LL, Antonia/Giulietta Hessl, Olympia; Kittel, Niklaus; Hochheim, Hoffmann; Breuer, Cochenille et al; Fischer, Coppelius et al; Reichenberger, cond., Vienna Opera 16 Sep 1916 Carmen; LL, Micaëla Gutheil-Schoder, Carmen; Miller, Don José; Duhan, Escamillo; Tittel, cond., Vienna Opera 23 Sep 1916 Die Jüdin; LL, Recha Lindner, Sigismund; Maikl, Leopold; Elizza, Eudora; Zec, Cardinal Brogni; Miller, Eleazar; Reichenberger, cond., Vienna Opera 26 Sep 1916 Carmen; LL, Micaëla ???, Carmen; Piccaver, Don José; Fischer, Escamillo; Tittel, cond., Vienna Opera 4 Oct 1916 Strauss: Ariadne auf Naxos; Premiere
  • [T] IMRE PALLÓ

    [T] IMRE PALLÓ

    VOCAL 78 rpm Discs FRANZ (FRANTISEK) PÁCAL [t]. Leitomischi, Austria, 1865-Nepomuk, Czechoslo- vakia, 1938. First an orchestral violinist, Pácal then studied voice with Gustav Walter in Vienna and sang as a chorister in Cologne, Bremen and Graz. In 1895 he became a member of the Vienna Hofoper and had a great success there in 1897 singing the small role of the Fisherman in Rossini’s William Tell. He then was promoted to leading roles and remained in Vienna through 1905. Unfor- tunately he and the Opera’s director, Gustav Mahler, didn’t get along, despite Pacal having instructed his son to kiss Mahler’s hand in public (behavior Mahler considered obsequious). Pacal stated that Mahler ruined his career, calling him “talentless” and “humiliating me in front of all the Opera personnel.” We don’t know what happened to invoke Mahler’s wrath but we do know that Pácal sent Mahler a letter in 1906, unsuccessfully begging for another chance. Leaving Vienna, Pácal then sang with the Prague National Opera, in Riga and finally in Posen. His rare records demonstate a fine voice with considerable ring in the upper register. -Internet sources 1858. 10” Blk. Wien G&T 43832 [891x-Do-2z]. FRÜHLINGSZEIT (Becker). Very tiny rim chip blank side only. Very fine copy, just about 2. $60.00. GIUSEPPE PACINI [b]. Firenze, 1862-1910. His debut was in Firenze, 1887, in Verdi’s I due Foscari. In 1895 he appeared at La Scala in the premieres of Mascagni’s Guglielmo Ratcliff and Silvano. Other engagements at La Scala followed, as well as at the Rome Costanzi, 1903 (with Caruso in Aida) and other prominent Italian houses.
  • CM 2-10.Indd

    CM 2-10.Indd

    czech music quarterly Jan Mikušek The Bartered Bride Jazz of the 50s and 60s 2 0 1 0 2 | CM 2-10 obálka strany.indd 1 21.6.2010 14:51:46 International Music Festival Radio Autumn 12|10>16|10>2010 www.radioautumn.cz 12| 10| Tue 7.30 pm| Rudolfi num - Dvořák Hall 15| 10| Fri 7.30 pm| Bethlehem Chapel PRAGUE PREMIERS Contemporary Music Showcase Ferenc Liszt Concert of Laureates of Concertino Praga International Music Competition 2010 Hungarian Rhapsody No. 2 14| 10| Thu 7.30 pm| Martinů Hall Fryderik Chopin | Piano Concerto No. 2 Antonín Rejcha | Overture in D Major Béla Bartók Antonio Vivaldi | Guitar concerto Pavel Zemek (Novák) Dance Suite for orchestra Johann Sebastian Bach Concerto (Consonance) for Cello and Chamber Orchestra Maurice Ravel | La Valse Violin concerto in A minorr Wojciech Widłak | Shortly „on Line“ Wolfgang Amadeus Mozart Aleksander Nowak PRAGUE RADIO SYMPHONY Piano Concerto No. 23 Dark Haired Girl in a Black Sports Car ORCHESTRA Joseph Haydn | Symphony No. 45 „Farewell“ Tomáš Netopil | conductor Raminta Šerkšnytė Fairy Tale about the Little Prince Alexander Ghindin | piano COLLEGIUM OF PRAGUE RADIO SYMPHONY PLAYERS Erkki-Sven Tüür | Symphony No. 8 Tickets prices Alfonso Scarano | conductor 690, 490, 290, 90 CZK Veronika Hrdová | guitar CZECH CHAMBER PHILHARMONIC Julie Svěcená | violins ORCHESTRA PARDUBICE 13| 10| Wed 7.30 pm| Rudolfi num - Dvořák Hall Anastasia Vorotnaya | piano Marko Ivanovič | conductor Tickets prices Tickets prices Bedřich Smetana 290, 190, 90 CZK 150, 100 CZK Šárka, symphonic poem Witold Lutoslawski | Cello concerto 16| 10| Sat 7.00 pm| Rudolfi num - Dvořák Hall 15| 10| Fri 7.00 pm| Martinů Hall Zygmunt Noskowski Wojciech Kilar | Orawa for string orchestra Eye of the Sea, symphonic poem Wojciech Kilar Ignacy Jan Paderewski Leoš Janáček Ricordanza for string orcherstra Piano Concerto in A Minor Taras Bulba, rhapsody for orchestra Anatolius Šenderovas Antonín Dvořák | Symphony No.
  • MUSIK NACHRICHTEN AUS I PRAG

    MUSIK NACHRICHTEN AUS I PRAG

    ^^^m £//- OöZ MUSIK NACHRICHTEN AUS i PRAG GRUNDPROBLEME DER KUNSTLERISCHEN UND VOR ALLEM DER KONZERTTÄTIGKEIT #\i DER CSSR Vor kurzem berichteten wir in den Musiknachrichten aus Prag über einige Erfahrungen aus den soziologi­ schen Forschungen auf dem Gebiet der Musik. Heute wollen wir über weitere Ergebnisse der Arbeiten auf diesem Gebiet, die in der ganzen Welt immer größeres Interesse erweckten, berichten, die vielleicht auch im internationalen Sinn breitere und allgemeinere Gültigkeit haben, obwohl sie begreiflicherweise von bestimm­ ten, ganz spezifischen Voraussetzungen des Musiklebens in der Tschechoslowakei ausgehen. In dieser Abhandlung werden wir uns nur mit der quantitativen rung mit der künstlerischen Aktivität. Noch geringer ist dieser Analyse der künstlerischen Tätigkeit befassen, die w!r für Prozentsatz auf dem Gebiet der Konzerttätigkeit, weil, wie wichtig halten und als Ausgangspunkt für in der Anschrift an­ übrigens auch aus einigen nachfolgenden Angaben hervorgeht, gegebenen Problematik betrachten. Unsere Untersuchungen bei uns die Theatervorstellungen eine dominierende Stellung waren ausschließlich auf Theater, Musik und bildende Kunst einnehmen. gerichtet, das heißt auf öffentliche Theatervorstellungen, Kon­ Aus der erwähnten Tatsache geht es hervor, daß es bei uns zerte und Kunstausstellungen, ohne Rücksicht auf ihr Niveau immer noch maximale Reserven an Zuschauern und Zuhören auf ihre Organisation oder Einstellung. Aus dem Gesamtkomplex gibt die durch intensive und gut organisierte ästhetische Er­ der gegenwärtigene Kunstgattungen wurden nur drei - man ziehung den Besuch, eventuell auch die Produktion der künst­ könnte sagen dis klassischen Sparten mit jahrhundertalter lerischen Einrichtungen wesentlich steigern könnten, und daß Tradition und ausgeprägten Formen herausgegriffen. Nicht die künstlerische Aktivität bei weitem nicht ausreicht, um die entscheidend war dabei, ob es sich um professionelle Künsler Nachfrage zu befriedigen.